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Journal articles on the topic 'Remake Dancing Day´s'

Author: Grafiati

Published: 4 September 2021

Last updated: 29 July 2025

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1

Chastina, Alla. "From the history of English club in Chișinău." Dialogica 3 (November 15, 2020): 63–68. https://doi.org/10.5281/zenodo.4275347.

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This theme is connected with the creation of the Kishinev English Club in 1838−1839. It was a society, consisting of the most respectable persons: nobles, military, civilian officials, artists and other citizens. The club’s building was located in the City Garden. According to the adopted charter of this club, the main goal of its creation was to spend time with benefit: reading newspapers and magazines, organizing interesting conversations or playing various permissible games. It was strictly forbidden to play gambling and card games in the club. The Kishinev English Club was open

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Amaro, Rachael C., Dániel Apai, Yifan Zhou, et al. "Phase-resolved Hubble Space Telescope WFC3 Spectroscopy of the Weakly Irradiated Brown Dwarf GD 1400 and Energy Redistribution–Irradiation Trends in Six White Dwarf–Brown Dwarf Binaries." Astrophysical Journal 979, no. 2 (2025): 231. https://doi.org/10.3847/1538-4357/ada295.

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Abstract Irradiated brown dwarfs offer a unique opportunity to bridge the gap between stellar and planetary atmospheres. We present high-quality Hubble Space Telescope/Wide Field Camera 3/G141 phase-resolved spectra of the white dwarf–brown dwarf binary GD 1400, covering more than one full rotation of the brown dwarf. Accounting for brightness variations caused by ZZ Ceti pulsations, we revealed weak (∼1%) phase-curve amplitude modulations originating from the brown dwarf. Subband light-curve exploration in various bands showed no significant wavelength dependence on amplitude or phase shift.

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Caprioglio, N. "Fragile Landscape. Sacrifice of the Russian land." Versus 2, no. 4 (2023): 74–88. http://dx.doi.org/10.58186/2782-3660-2022-2-4-74-88.

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This essay analyses the individual’s alienation from the natural environment prompted by the commodification of nature. The analysis focuses on the novels “Proshchanie s Matyoroi” (Farewell to Matyora, 1976) by Valentin Rasputin and “Zona zatopleniya” (Flood Zone, 2015) by Roman Senchin and demonstrates how literature, both in the Soviet Union and in contemporary Russia, deals with the critical discourse on environmental issues, the protection of nature, human freedom, and the dignity of living beings. The two novels, written forty years apart, share the same subject: to build a hydroelectric

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Pham, Minh Huong, and Thuy Tien Nguyen. "Appraisal of the Then Belief's Preservation in Vietnam Through a Pang Then Ritual of the Tày People in Lào Cai Province." Education Quarterly Reviews 2, no. 4 (2019): 960–64. https://doi.org/10.31014/aior.1991.02.04.133.

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Vietnam has fifty-four distinct groups. Religious beliefs have always played a significant role in every Vietnamese ethnic group. Then is a form of ritual belief system of Tày, Nùng, and Thái ethnic groups in Northern Vietnam’s mountainous provinces. Then ritual practices can take place with different purposes. Each Then ritual is identified with a unique integration of music, dance, fine arts and language. In this paper, we would like to describe a Pang Then ceremony, which celebrates rank advancement of a Then master. During 3 days, the Then master sings and plays

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S., Karunanidhi, Gajalakshmi G., and M. S. D. Sastry Y. "Behaviour Inquiry of Floor Vibration on Composite Structures." International Journal of Engineering and Advanced Technology (IJEAT) 9, no. 4 (2020): 1365–70. https://doi.org/10.35940/ijeat.D8351.049420.

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In contemporary times, building construction requires light weight with slender structures rather than using conventional materials like concrete. Now a day's Structural Engineers concentrate much more on such slender structures with longer span. The impact of vibration due to human rhythmic activities like aerobics, jumping and dancing on these slender structures is a notable phenomenon. As per the various researchers contemplate, the floor vibrations annoyance not only affect the structure and also its impact over the occupants of the buildings in health affecting aspects. The aim of thi

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Rankovic, Sanja. "Traditional music of Prizren Gora in the shadow of the Ottoman empire." Muzikologija, no. 20 (2016): 101–32. http://dx.doi.org/10.2298/muz1620101r.

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Located at the southernmost part of Kosovo and Metohija, on the slopes of the Sharr Mountains, Gora represents a place once inhabited by the Serbian Orthodox population, who converted to Islam under the Turkish occupation of the Balkans. The faith conversion began in the 16th and ended in the 19th century, at which point there had still been some remains of Orthodox churches left on the territory of Gora. The acceptance of the new religion and other values passed on by the Ottoman Empire brought about changes in terms of identity, so, nowadays, inhabitants identify themselves as the Goranci/Go

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Oktama Yurita, Hestilia, Elindra Yetti, and Yuliani Nurani. "Development of Zapin's Creative Dance to Improve Children's Kinesthetic Intelligence Aged 5-6 Years." JPUD - Jurnal Pendidikan Usia Dini 17, no. 1 (2023): 173–92. http://dx.doi.org/10.21009/jpud.171.13.

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The purpose of this study was to develop dance-based learning media created by Zapin to improve the kinesthetic intelligence of children aged 5-6 years. This study is motivated by the low level of kinesthetic intelligence in children aged 5-6 years because the learning activities carried out by the teacher do not attract children's interest, causing low kinesthetic intelligence in children. In developing creative dance movement learning media using the development stage based on the ADDIE model (Analyze, Design, Development, Implementation, and Evaluation). The feasibility test was carried out

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Yılmaz. "Poetic Translation of Mathnawī by Fayḍullah Sājid". Eskiyeni, № 44 (20 вересня 2021): 611–28. https://doi.org/10.37697/eskiyeni.907930.

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<em>Mathnawī</em><em>,</em> one of the basic works of Islamic civilization, has received great attention since the day it was written. In addition to Eastern languages such as Arabic, Hindi, Sanskrit and Urdu, it has also been transleted to Western languages such as German, Dutch, French, English, Spanish and Italian. Feyḍullah Sājid (1892-1978) was one of the translators of the <em>Mathnawī</em>, many translations and commentaries of which were made into Turkish literature. Sājid translated the first book of <em>Mathnawī</em> in 4,118 couplets in syllabic meter and published the first thirty-

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Abbas, Herawaty, and Brooke Collins-Gearing. "Dancing with an Illegitimate Feminism: A Female Buginese Scholar’s Voice in Australian Academia." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.871.

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Sharing this article, the act of writing and then having it read, legitimises the point of it – that is, we (and we speak on behalf of each other here) managed to negotiate western academic expectations and norms from a just-as-legitimate-but-not-always-heard female Buginese perspective written in Standard Australian English (not my first choice-of-language and I speak on behalf of myself). At times we transgressed roles, guiding and following each other through different academic, cultural, social, and linguistic domains until we stumbled upon ways of legitimating our entanglement of experien

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Dickerson, Nikolas. "Unicorns, rainbows, and unicorn magic: Storying new knowledge of black masculinities within the WWE." International Review for the Sociology of Sport, January 9, 2024. http://dx.doi.org/10.1177/10126902231221265.

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This paper examines the story arc of a trio of Black male wrestlers called the New Day within the World Wrestling Entertainment industry (WWE) who go from militant nationalists, stereotypical singing/dancing preachers, and finally to self-described unicorns bringing magic back to the WWE. Wrestling is used to explore anti-Blackness, Black masculinity, and conceptions of the human/humanity. Drawing on Katherine McKittrick's Black methodological intervention of textual accumulation to interrogate issues of race, masculinity, and sexuality within their performances, I argue the group's unique pos

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Chatterley, Trish. "I Can Brush My Teeth by S. M. Johanson." Deakin Review of Children's Literature 4, no. 2 (2014). http://dx.doi.org/10.20361/g2zp54.

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Johanson, Sarah Margaret. I Can Brush My Teeth. Montreal: Chouette Publishing, 2013. Print board book.For almost 25 years, preschoolers have been delighted by stories of four-year old Caillou. The French Canadian series was initiated by author Christine L’Heureux in an effort to illustrate everyday experiences in a child’s life and how to cope under various circumstances. Child psychologists have typically been consulted in the development of the stories and this book is no exception, drawing on the expertise of child psychologist Francine Nadeau. Pediatric dentist Dr. Hélène Buithieu was also

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Chatterley, Trish. "George and the Big Bang by L. and S. Hawking." Deakin Review of Children's Literature 3, no. 1 (2013). http://dx.doi.org/10.20361/g28s36.

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Hawking, Lucy and Stephen Hawking. George and the Big Bang. New York: Simon & Schuster, 2011. Print. This is the third installment in a trilogy about George’s escapades and galactic adventures, though the book provides enough background that it can stand on its own without the reader needing the context provided in the first two books. George is best friends with his neighbour, Annie, whose father, Eric, is an eminent physicist and professor of mathematics. George and Annie secretly use her father’s supercomputer, named Cosmos, not only to answer their questions but also to open windows an

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Pilewska, Wiesława, Patrycja Sech, and Robert Pilewski. "Charakterystyka budowy ciała tancerzy stylu standardowego tańca sportowego na przykładzie pary mistrzów świata = Characteristics of body building standard style dancers on the example of pair of world champions." November 30, 2015. https://doi.org/10.5281/zenodo.35698.

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<strong>Pilewska Wiesława, Sech Patrycja, Pilewski Robert. Charakterystyka budowy ciała tancerzy stylu standardowego tańca sportowego na przykładzie pary mistrzów świata = Characteristics of body building standard style dancers on the example of pair of world champions. </strong><strong>Journal of Education, Health and Sport. </strong><strong>2015;5(11):565-576. eISSN 2391-8306. DOI</strong> <strong>http://dx.doi.org/10.5281/zenodo.35698</strong> <strong>http://ojs.ukw.edu.pl/index.php/johs/article/view/2015%3B5%2811%29%3A565-576</strong> <strong>http://pbn.nauka.gov.pl/works/684768</st

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Popiołek, Joanna, Monika Kusz, Adam Alzubedi, and Michał Konopelko. "The forms of physical activity chosen by young adults." September 15, 2018. https://doi.org/10.5281/zenodo.1434800.

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<strong>Popiołek Joanna, Kusz Monika, </strong><strong>Alzubedi</strong> <strong>Adam,</strong> <strong>Konopelko</strong> <strong>Michał.</strong> <strong>The forms of physical activity chosen by young adults.</strong><strong> Journal of Education, Health and Sport. 2018;8(9):1443-1448 eISNN 2391-8306. DOI </strong><strong>http://dx.doi.org/10.5281/zenodo.1434800</strong> <strong>http://ojs.ukw.edu.pl/index.php/johs/article/view/6089</strong> <strong>https://pbn.nauka.gov.pl/sedno-webapp/works/879004</strong>         <strong>The journal has had 7 points in Ministry of Scie

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Klu, thar rgyal. "Hopes, Gatherings, and New Beginnings: An Amdo Tibetan New Year." July 4, 2023. https://doi.org/10.5281/zenodo.8112194.

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<em>Hopes, Gatherings, and New Beginnings</em><em>: An Amdo</em><em> Tibetan</em><em> New Year</em>, Klu thar rgyal's meticulously detailed exploration of Lo sar is comparable to a lively reality program focused on a Tibetan sheep-herding community in a semi-arid region of China's northwest Qinghai Province where modernity and tradition interact in a socially dynamic setting. Emphasizing transitions between old and new ways of life and thought, this young Tibetan author documents his own family's and community's responsibilities during the New Year

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Butler, Kathleen, and Phoebe McIlwraith. "Garihma (to Care for)." M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2982.

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“Garihmato—Look after, to Care for” Melaleuca Alternifolia, commonly called Tea Tree, only grows naturally in the lands of the Bundjalung people from north coast New South Wales. The particular medicinal properties of the Tea Tree have been used for thousands of years, and the Tree and its effects on land, water, and people form part of Bundjalung oral histories and spiritual governance. This article explores media about Tea Tree from the 1990s to 2020s in print media through agricultural media and magazines, as well as online media through TikTok. This combination highlights the generational

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Weigel, Margaret. "Mastering the 'Visual Groove'." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1973.

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The implications of digital media have been partly responsible for re-energizing debates concerning multiples, repetition and loops. But in fact, looping media dates back to the days of revolving stereoscopes and other mechanized Victorian amusements first employed as laboratory tools. In the following article I suggest that, much like grooves in music, the repetitious nature of an animated electronic bulb sign's "visual groove" can, over time, encourage a certain level of cognitive mastery of the material. Furthermore, since such signs are wedded to their environment, they can become both an

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Altiok, Revna. "Unveiling Ken." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3067.

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Introduction "Barbie has a great day every day, but Ken only has a great day if Barbie looks at him", states the narrator in Barbie (2023). Directed by Greta Gerwig, the film not only claimed the title of the highest-grossing film of the year but also prompted its audience to reconsider a character they had previously mostly overlooked; another one of Barbie’s many accessories: Ken. Ken's identity as Barbie's companion is fundamentally dependent upon the presence and recognition of his more prominent female counterpart. This highlights Ken's secondary role, where he serves as a supporting figu

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Brabazon, Tara. "Welcome to the Robbiedome." M/C Journal 4, no. 3 (2001). http://dx.doi.org/10.5204/mcj.1907.

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One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb off a bone. From Oprah to Rikki, from Jerry to Mother Love, the posterior of pop culture claims a world-wide audience. Recently, a new talk diva was added to the pay television stable. Dr Laura Schlessinger, the Mother of Morals, prowls the soundstage. attacking 'selfish acts' such as divorce, de facto relationships and voting Democrat. On April 11, 2001, a show aired in Australia that added a new demon to the decade

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Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can

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Castles, Anthony, and Lisa Law. "Whose Heritage." M/C Journal 25, no. 3 (2022). http://dx.doi.org/10.5204/mcj.2893.

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Introduction Over the past two decades the Cairns landscape has transformed from a remote tourist town beside the Great Barrier Reef to an international, tropical city with a new focus on culture and the arts. A number of important urban design projects have enabled this transformation, including key waterfront redevelopments, the addition of a large shopping mall and convention centre, a renovated museum, and now a new performing arts precinct and proposed ‘gallery precinct’ for the people of Cairns to access new art forms and events. Anderson and Law (556) depict recent developments as a kin

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Lillie, Jonathan. "Tackling Identity with Constructionist Concepts." M/C Journal 1, no. 3 (1998). http://dx.doi.org/10.5204/mcj.1712.

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Did you wake up this morning wondering: "What really is my true identity?" Or have you ever seen your favorite television news program do a spot on cultural identity? "Today we ask you the viewer about your cultural identity." Not likely. It is certainly not vital for each of us to be able to expound upon our personal identity issues and definitions (you don't necessarily have to talk about identity to know yourself and to be happy and well-rounded). And yet, with this said, a casual visit to the local "mall" for a dose of people/culture-watching is all that it might take to be reminded of the

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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi

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Molnar, Tamas. "Spectre of the Past, Vision of the Future – Ritual, Reflexivity and the Hope for Renewal in Yann Arthus-Bertrand’s Climate Change Communication Film "Home"." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.496.

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About half way through Yann Arthus-Bertrand’s film Home (2009) the narrator describes the fall of the Rapa Nui, the indigenous people of the Easter Islands. The narrator posits that the Rapa Nui culture collapsed due to extensive environmental degradation brought about by large-scale deforestation. The Rapa Nui cut down their massive native forests to clear spaces for agriculture, to heat their dwellings, to build canoes and, most importantly, to move their enormous rock sculptures—the Moai. The disappearance of their forests led to island-wide soil erosion and the gradual disappearance of ara

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Biron, Dean. "The Tortoise and the Hare." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2420.

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   Of all the characteristics that may be emphasised by those seeking to set apart the serious, authoritative critic from the inconsequential, workaday reviewer, perhaps the most fundamental is the liberty typically enjoyed by the former. So, while the celebrated literary critic F.R. Leavis (in The Great Tradition) is able to confidently assert in microscopic detail the comparative merits of Lawrence, Joyce, Conrad and Woolf, what Meaghan Morris (106) calls the “gulp it down, chew it over, throw it up” crowd strive (in no more than five hundred words and by close of business

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Rose, Megan Catherine, and Patrick W. Galbraith. "Mutating Hyperfemininity in <em>Bishōjo</em>-Inspired Art." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3168.

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Introduction “With most people, you cannot tell just from looking at them that they are fighting a silent, unseen battle”, says Sugary Symbiote, a Black, disabled, and sapphic artist in the United States. “That is what a lot of my illustrations represent. The girl is surrounded by cute things that make her happy, but she still feels alone and sad” (Sugary Symbiote). Central to her work is the bishōjo, or “cute girl”, drawn from manga, anime, and related media. While scholarship has largely treated bishōjo as objects produced for and by men (Galbraith; Galbraith and Rose), artists such as Sugar

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Dowse, Jill Francesca. ""So what will you do on the plinth?”: A Personal Experience of Disclosure during Antony Gormley’s "One & Other" Project." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.193.

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Who can be represented in art? How can we make it? How can we experience it? [...] It has provided an open space of possibility for many to test their sense of self and how they might communicate this to a wider world. (Gormley)On Friday 17 July 2009, from 12.00 am to 1.00 am, I was on the Fourth Plinth in Trafalgar Square, London, as part of British sculptor Antony Gormley’s One & Other project. Over a period of 100 days, 2,400 people were randomly selected (from 34,000 applicants) to occupy this site for sixty minutes each. Gormley’s sculptures have mostly focused on explorations of the

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Hunter, John C. "Organic Interfaces; or, How Human Beings Augment Their Digital Devices." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.743.

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In many ways, computers are becoming invisible and will continue to do so. When we reach into our pockets and pull out our cell phones to find a place to eat or message a friend on Facebook, we are no longer consciously aware that we are interacting with a user experience that has been consciously designed for our computer or device screen—but we are.— Andy Pratt and Jason Nunes, Interactive Design In theory, cell phones and other information and communication technologies (ICTs) are just a means for us to interact with people, businesses, and data sources. They have interfaces and, in a large

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Taylor, Paul. "Fleshing Out the Maelstrom." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1853.

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Biopunk is an intriguing development of that essential cultural reference point for the information age: cyberpunk. William Gibson's Neuromancer (1984) did more than popularise the phrase cyberspace, it laid the basis for a genre that went on to capture the turbulent zeitgeist of a new digital age in which the promises of the much-vaunted, information society finally seemed possible. Karl Marx used the phrase "All that is solid melts into air..."1 to describe the profound social changes wrought by capitalism. It is also a fitting description of the apparent technology-induced paradigm shift in

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Slater, Lisa. "No Place like Home." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2699.

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   i) In Australia we do a lot of thinking about home. Or so it would seem from all the talk about belonging, home, being at home (see Read). A sure sign of displacement, some might say. In his recent memoir, John Hughes writes: It is a particularly Australian experience that our personal heritage and sense of identity includes a place and a history not really our own, not really accessible to us. The fact that our sense of self-discovery and self-realisation takes place in foreign lands is one of the rich and complex ironies of being Australian. (24-25) My sense of self-disc

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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese

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Starrs, D. Bruno. "Enabling the Auteurial Voice in Dance Me to My Song." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.49.

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Despite numerous critics describing him as an auteur (i.e. a film-maker who ‘does’ everything and fulfils every production role [Bordwell and Thompson 37] and/or with a signature “world-view” detectable in his/her work [Caughie 10]), Rolf de Heer appears to have declined primary authorship of Dance Me to My Song (1997), his seventh in an oeuvre of twelve feature films. Indeed, the opening credits do not mention his name at all: it is only with the closing credits that the audience learns de Heer has directed the film. Rather, as the film commences, the viewer is informed by the titles that it

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Campbell, Sian Petronella. "On the Record: Time and The Self as Data in Contemporary Autofiction." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1604.

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In January of this year, artist Christian Marclay’s 24-hour video installation The Clock came to Melbourne. As Ben Lerner explains in 10:04, the autofictional novel Lerner published in 2014, The Clock by Christian Marclay “is a clock: it is a twenty-four hour montage of thousands of scenes from movies and a few from TV edited together so as to be shown in real time; each scene indicates the time with a shot of a timepiece or its mention in dialogue, time in and outside of the film is synchronized” (52). I went to see The Clock at ACMI several times, with friends and alone, in the early morning

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