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Relevant bibliographies by topics / Renaissance Architecture

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Academic literature on the topic 'Renaissance Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Renaissance Architecture"

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Abensour, Gérard. "Renaissance et architecture." Modernités Russes 12, no. 1 (2011): 51–55. http://dx.doi.org/10.3406/modru.2011.949.

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La Russie a toujours oscillé entre stagnation et renaissance. L’Église du Christ Sauveur de Moscou en témoigne. 1813 : Manifeste d’Alexandre 1er ordonnant l’édification d’une église pour célébrer la victoire sur Napoléon. Église de style renaissance, ouverte à tous les cultes chrétiens. 1825 : Nicolas Ier fait arrêter les travaux et ordonne la construction d’un nouvel édifice de style néo-byzantin, voué exclusivement au culte orthodoxe. La cathédrale de Jésus Sauveur est dédicacée en 1883 sous le règne d’Alexandre III. En 1931 destruction de fond en comble d’une église considérée comme symbole d’obscurantisme. En 1994 la cathédrale est reconstruite à l’identique, par les effets conjugués du patriarche et du maire de Moscou. Il n’a pas été question de revenir à l’esprit oecuménique et renaissant du projet originel d’Alexandre Ier.

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ROBINSON, CRISPIN. "RENAISSANCE ARCHITECTURE." Art Book 1, no. 4 (September 1994): 28. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00215.x.

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DANILOVA, Elina V. "THE RENAISSANCE ARCHITECTURAL TREATISES." Urban construction and architecture 7, no. 4 (December 15, 2017): 79–83. http://dx.doi.org/10.17673/vestnik.2017.04.13.

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The article is devoted to the architectural theory created in the Renaissance. During this period, for the fi rst time since Antiquity, a classical theory of architecture was created and developed, which until today largely determines modern theory. In the architectural theory of the Renaissance separate sections were developed, which eventually turned into separate directions, and retain their autonomy today. The article deals with the features of the historical evolution of architectural theory in the 15th-16th centuries, the theoretical contributions of the authors of the theory and topics that are common to all treatises are analyzed. The conclusion is made about the constants of the theory of architecture that determine its meaning and structure, regardless of the features of historical periods.

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Carpo, Mario. "Drawing with Numbers: Geometry and Numeracy in Early Modern Architectural Design." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 448–69. http://dx.doi.org/10.2307/3592497.

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Precision in building was pursued and achieved well before the rise of modern science and technology. This fact applies to the classical tradition as well as to medieval architecture, and is particularly evident in architectural drawings and design from the Italian Renaissance onward. In this essay, I trace the shift from geometry-the primary tool for quantification in classical architecture- to numeracy that characterizes Renaissance architectural theory and practice. I also address some more general aspects of the relation between technologies of quantification and the making of architectural forms.

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LAWSON, JAMES. "RENAISSANCE ART & ARCHITECTURE." Art Book 12, no. 4 (November 2005): 40–41. http://dx.doi.org/10.1111/j.1467-8357.2005.00605.x.

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Devlin, E. L. ":Renaissance Architecture." Sixteenth Century Journal 45, no. 2 (June 1, 2014): 538–40. http://dx.doi.org/10.1086/scj24245844.

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Petcu, Elizabeth J. "Amorphous Ornament:." Journal of the Society of Architectural Historians 77, no. 1 (March 1, 2018): 29–55. http://dx.doi.org/10.1525/jsah.2018.77.1.29.

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Leon Battista Alberti famously likened the relationship between architectural structure and superstructure to the dualism of skeleton and skin. In Amorphous Ornament: Wendel Dietterlin and the Dissection of Architecture, Elizabeth J. Petcu scrutinizes how the Architectura treatise (1593–98) of Strasbourg artist Wendel Dietterlin the Elder (ca. 1550–99) subverted Alberti's theory and the aesthetic of stability it promoted by popularizing a style of amorphous architectural motifs that recall bone, cartilage, muscle, and flesh, melding built framework with decorative surface. Drawing these corporeal conceits from contemporary anatomical publications, Dietterlin inspired buildings, architectural prints, and objects that challenged tectonic conventions, upset the traditional split between exterior and interior, and emulated the figural arts’ involvement in representing interior human forms. In assessing how Dietterlin's Architectura turned the proverbial body of architecture inside out, Petcu demonstrates that Renaissance comparisons between body and building did not always project ideals of architectural beauty and reveals overlooked origins of baroque-era fusions of architecture and the figural arts.

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Čehovský, Petr. "Význam raně renesanční architektonické skulptury na lombardské a moravské umělecké periferii." Kultúrne dejiny 14, no. 2 (2023): 132–61. http://dx.doi.org/10.54937/kd.2023.14.2.132-161.

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This case study examines the importance of artistic periphery in the field of early Renaissance architectural sculpture in the years circa 1480 – 1550. The Renaissance style spread to Central Europe especially from Italy. In the older historical art literature opinions often emerged that Central European stonemasons did not understand the principles of Italian Renaissance art, and because of this misunderstanding they combined Renaissance style with Gothic. The author has undertaken long-lasting terrain research of early Renaissance architectural sculpture in one Central European and one Italian region of artistic periphery: the Moravian part of the Dyje valley and Val Camonica in Lombardy. In both regions were very elaborately stylistically examined stone decorations of architecture in the years circa 1480 – 1550. When the information about client´s social status, travel itinerary was known, also the influence of client on the style of architectural culpture was researched. On the basis of terrain research, the author comes to the conclusion that stonemasons in the Moravian part of the Dyje valley in the time of early Renaissance created architectural sculptures in the same styles that Italian artists in Val Camonica did: Romanesque Renaissance, a mixed style combining Gothic with Renaissance, early Renaissance architectural sculptures closely following the antique models, early Renaissance architectural sculptures created as an innovative modification of antique models.

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Fang, Enze. "Research on the Evolution of the Architectural Style of Catholic Church in Europe from the Middle Ages to the Renaissance." Communications in Humanities Research 3, no. 1 (May 17, 2023): 831–34. http://dx.doi.org/10.54254/2753-7064/3/20221024.

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Architects and artists in the Renaissance believed that Gothic architecture was a symbol of Christian theocracy, while ancient Greek and Roman architecture was non Christian. With the impact of humanism and Protestantism on Catholicism during the Renaissance and Reformation, the architectural style of the Catholic Church changed dramatically. From 1500 to 1700, the style of the church also changed from the original Gothic style and the Latin cross to the Greek cross, and even integrated the Baroque style. From the perspective of the time axis, this paper mainly adopts the method of literature analysis, combined with the social background, the evolution of artistic style and other factors, trying to explain and analyze the changes in the architectural style of the Catholic Church during this period. After analyzing the historical trend of Catholicism and the literature at that time, it is not difficult to find that the pursuit of humanism in the Renaissance, the change in the style of the mainstream of art, and the anti-Renaissance movement directly affected the change in the style of the Catholic Church, becoming more secular and popular; this change also reflected the spirit of Florence and other places where the Renaissance originated at that time.

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Burke (book author), Peter, and Barry Torch (review author). "Hybrid Renaissance: Culture, Language, Architecture." Renaissance and Reformation 41, no. 2 (June 21, 2018): 157–59. http://dx.doi.org/10.33137/rr.v41i2.29850.

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Dissertations / Theses on the topic "Renaissance Architecture"

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Lasansky, D. Medina. "Italian Renaissance refashioned : Fascist architecture and urban spectacle /." View online version; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9936645.

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Clarke, Georgia Margot. "Italian Renaissance urban domestic architecture : the influence of Antiquity." Thesis, Courtauld Institute of Art (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264517.

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Gaitán, Salinas Candela. "Principes vitruviens dans l'architecture italienne et espagnole entre les années 1540 et 1575. Deux exemples de l'architecture périphérique dans le contexte du plan impérial : Jaén et Gênes." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP021.

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Ce projet de thèse, développée en co-tuelle entre l’université de Malaga et l’EPHE, est centré les mutations des langages architecturaux telles qu’elles se profilent en Italie et en Espagne, particulièrement en Andalousie, au milieu du XVIème siècle. Vis-à-vis de l’Italie, l’assimilation des principes vitruviens par les architectes espagnols est tardive et s’appuie sur des traités. Dès les années trente fut publié celui de Diego de Sagredo, Las medidas del romano, centré sur les proportions du corps humain et les ordres architecturaux. En 1552, eut lieu traduction du Quatrième et Troisième Livre de Sebastiano Serlio par Francisco de Villalpando, suivi par deux traductions du traité de Vitruve, rédigées d’une part par Miguel de Urrea en 1568, mais éditée seulement en 1582, et d’autre part celle de Lazaro de Velasco, entre 1554 et 1564. C’est en Andalousie que l’on peut observer un processus d’assimilation des règles provenant de l’Antiquité dans l’œuvre d’Andres de Vandelvira comme la Sacrée Chapelle du Sauveur et la sacristie de Cathédrale de Jaén, l’un des témoignages les plus remarquables de la Renaissance espagnole. Dans le domaine profane, Pedro Machuca avait instauré déjà vers 1527 au palais de Charles V à Grenade des ordres vitruviens avec lesquels il s’était familiarisé pendant un séjour à Rome en 1517-1520. Le long chantier de ce monument révèle la manière dont les spécificités du vocabulaire changent dans les décennies suivantes, en passant d’un classicisme sincère vers un classicisme ornemental. Ce travail propose d’analyser de manière détaillée l’influence de ces traités sur l’évolution des langages architecturaux, en se concentrant sur un choix de monuments des deux pays représentatifs des mutations qui se profilent durant cette période. Ces analyses éclairciront la manière dont se conjuguent les modèles importés et les traditions locales dans de nouvelles synthèses. Une attention particulière sera prêtée aux savoir-faire techniques qui, dans le cas de l’Espagne, restent étroitement liée aux corporations et aux chantiers des cathédrales tardo-médiévales. En-dehors d’une confrontation des modes d’assimilation dans les deux pays, nous allons également suivre la mise au point d’un processus codification des langages dans les deux pays qui se met progressivement en place, selon des rythmes différents, sans toutefois unifier le répertoire formel. Nous allons procéder par une étude détaillée de monuments, particulièrement de Vandelvira et d’Alessi, fondée sur une analyse archéologique et archivistique. L’objectif est de s’éloigner des concepts généralement admis comme celui du maniérisme en faveur d’une analyse ciblée des témoignages. Après avoir détecté les modèles provenant des traités qui ont été adoptés, nous allons nous interroger sur les modalités d’assimilation, sur le plan formel et technique. Une étude du contexte historique dans lequel se place cette adoption révélera la signification du prototype, souvent lié à des légitimations politiques. Ce parallélisme entre l’Italie et l’Espagne révélera l’importance que revêtent les traditions autochtones lors de ces mutations progressive. D’autre part, notre réflexion cherchera aussi à mettre en évidence la persistance de principes classiques instaurés pendant cette période, dont certains garderont une actualité pendant plusieurs siècles. Ce travail assurera une meilleure compréhension du classicisme des années 1550-1560 en Espagne, appuyée sur une mise en parallèle avec l’Italie. Il permettra de dégager clairement le rôle joué par les traditions locales et la manière dont ces dernières forment de nouvelles synthèses avec des modèles provenant des traités
This thesis project, developed under the tutorship shared by Málaga University and L’EPHE, focuses on the transformations which the architectural languages experience in Italy and Spain, particularly in Andalusia, during the second half of the sixteenth century. In comparison to Italy, the Spanish architects’ assimilation of the Vitruvian principles occurred later in time and it was based on the treatises. During the thirties decade, Diego de Sagredo’s treatise The Roman’s Measures was published, which deals with the human body proportions and the architectural orders. The translation of Sebastiano Serlio’s Quarto and Terzo Libro, by Francisco de Villalpando, happened in 1552, and subsequently two more translations of the Vitruvian treatise were written by Miguel de Urrea in 1568, though published in 1582, and Lázaro de Velasco, between 1554 and 1568. In Andalusia we may observe the process of assimilation of Antiquity principles in Andres de Vandelvira’s works, as in the Sacred Chapel of the Saviour and in the Sacristy of Jaén’s Cathedral, one of the most remarkable testimonies of the Spanish Renaissance. In the profane architecture domain, Pedro Machuca, in the Palace of King Charles the Fifth, circa 1527, had already incorporated the Vitruvian principles that he had acquired during his voyage to Rome between 1517 and 1520. The the long building process of this monument shows the manner in which the specificities of the architectural vocabulary changed in the following decades, evolving from a more honest Classicism to a more ornamental one. This project proposes a detailed analysis of the influence of artistic treatises on the evolution of architectural languages, concentrating on a classification of the most representative works in this period in Jaén and Geneva. This study will elucidate the manner in which imported models merge with local traditions. We devote especial attention to the technical craftsmanship that, in the case of Spain, is narrowly linked to the stonemasons’ skill and the building system for the later medieval cathedrals. We proceed through a detailed study of the monuments, mainly works of Vandelvira and Alessi, based on architectural and archival research. The objective is distance our conclusions from generally assumed concepts, like Mannerism, in favour of an analysis determined by testimonies. Once we identity the models that emerge from the adapted treatises, we question ourselves about the way those models are assimilated at a formal and technical level. The study of the historical context in which this adaptation develops will reveal the significance of the models, often related to political legitimizations. This parallelism between Italy and Spain shows the importance that local traditions gain in the event of these progressive transformations. On the other hand, we will evince in our reflection the persistence of the classical principles established during this period, some of which would endure for centuries. This project ensures a better understanding of Classicism between 1540 and 1575 in Spain, supported by a parallelism with Italy. Thus we may clarify the role local traditions play and the way they produce a new synthesis with the models extracted from the artistic treatises

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Kramer, Erik Russell. "H2ODC: The Renaissance of Water Culture in D.C." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/24776.

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Washington DC is seen as a center of politics, bureaucracy, litigation, legislation, and the trading of power and resources. For this reason outsiders are both attracted to and repelled from our city. For many of us transplants and government workers, a large portion of our collective self-image is dictated by the ebb and flow of our governing body.
Master of Architecture

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Barry, Marie Porterfield. "Lesson 08: The Renaissance." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/9.

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This lesson covers artworks created during the Renaissance in Europe. It begins with a preface on artworks created prior to the Renaissance that focused on Christian ideology and iconography. Artists discussed include Botticelli, Donatello, Michelangelo, Bernini, and Leonardo da Vinci.

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Lee, Jae Yong M. Arch Massachusetts Institute of Technology. "Renaissance of the ramp : reconceptualization of National Assembly's architectural symbolism and accessibility." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/115615.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (page 72).
This thesis examines the architectural potential through the functional extension of the plaza and reconstruction of the symbolic National Assembly to answer questions. Creating a space of ramps will heighten perceptions of accessibility of the National Assembly. The plaza becomes the place of communication as it establishes a new relationship between the space of the ramp and the National Assembly. Today, the perception of the National Assembly in Seoul, Korea is as an authoritarian and inaccessible space. The large plaza in front of the building is only accessible if one passes the security check; as a result, normal citizens rarely use the area. Because the building is only 30 years old, rebuilding an entire new structure is neither feasible nor plausible. Considering this situation and the history, what kind of architectural transformation could be made to change people's perception towards the National Assembly Building and its surrounding area? What architectural language or device could be used to enhance the accessibility and symbolism of the space? The space of the ramp symbolizes equal accessibility and facilitates a political dialogue between citizens and the government. Instead of being a mere vertical circulation device from floor to floor, the ramp is designed in diverse ways to acquire a more meaningful status, both functionally and symbolically. Unlike the columns which were used merely as ornamentation in the National Assembly, columns in the new architecture structurally support the ramp as well as symbolically support people coming to this new space to see the National Assembly from different perspectives. The monumentality of the authoritative architecture becomes diluted through a transparent and approachable public space that generates a new image of Korea's political architecture. This architectural intervention hopefully results in changing the perception towards the National Assembly from an authoritarian and inaccessible space to an open and accessible space.
by Jae Yong Lee.
M. Arch.

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Wheeler, Katherine Jean. "The reception and study of Renaissance architecture in Great Britain, 1890-1914." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/38540.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
"February 2007."
Includes bibliographical references (p. 267-292).
The writing of Renaissance architectural history in the period 1890-1914 in Great Britain changed dramatically. Despite modernism's tenet of rejecting history from design, Renaissance architectural history in Great Britain functioned as both an alternative to and a source of inspiration for modernism. At first Renaissance architecture supplied a stylistic alternative to the Gothic Revival; then it acted as a bastion against modernist influences from the Continent. Finally, it provided a foundation of aesthetic principles applicable to modern design. With the advent of university programs in architecture, the writing of architectural history became more formalized, marking the beginning of architectural history's autonomy as a discipline and foreshadowing modernism's rejection of history from the design process. In my dissertation I analyze the perceptions and presentations of Renaissance architecture in order to investigate the relationship between history and design in architectural education, literature, and practice at the turn of the century in Great Britain. An analysis of architectural curricula, designs, and publications from this period reveals the development of an autonomous architectural history and the foundations of a modern architecture.
by Katherine Jean Wheeler.
Ph.D.

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Georgel, Christophe. "Architecture, espace et représentation en Lorraine à la Renaissance (1500-1550)." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20021.

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La structure et le régime symboliques de l'architecture et de l'espace architectual en Lorraine au moment du renouveau stylistique à l'aube de la Renaissance sont analysés dans trois champs géographiquement et historiquement dépendants les uns des autres : 1) la production régnicole sous les ducs René II et Antoine qui s'articule autour du palais ducal de Nancy, élevé dans le contexte idéologique postérieur à la Bataille de Nancy. La représentation et la légitimation du pouvoir, dans le cadre d'une rénovation humaniste de l'idéal chevaleresque, se diffusent alors principalement à travers la forme logique et discursive du mythe qui permet de fonder l'origine providentielle de la souveraineté dynastique. . . 2) le De Artificili Perspectiva (Toul, 1505) de Jean Pèlerin, dit le Viator, clerc qui bénéficia de la protection de René II. . . 3) l'architecture religieuse dans le diocèse de Toul à partir de l'introduction des ordres à l'église de Blénod-lès-Toul. . .
At the dawning of the Renaissance the stylistic renewel of the structure and symbolic functionality of the architectural space in Lorraine is analysed in three geographical styles interdependent historically : 1) the production of the ruling-class under the Dukes René II and Antoine situated around the ducal palace in Nancy. . . 2) the analysis of the "poetic threshold", of the draughtsmanship of the treaty, De Artificiali Perspectiva (Toul, 1505) by Jean Pèlerin. . . 3) from the introduction of the orders of the church of Blénod-lès-Toul. .

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Davies, Paul. "Studies in the Quattrocento centrally planned church." Thesis, Courtauld Institute of Art (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319331.

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Grube, Hans Achim. "Renaissance der E-Werke : historische Industriearchitektur im Wandel /." Berlin : Jovis, 2003. http://catalogue.bnf.fr/ark:/12148/cb40025428k.

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Books on the topic "Renaissance Architecture"

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1920-, Murray Peter, ed. Renaissance architecture. Milano: Electa, 1996.

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Peter, Murray. Renaissance architecture. Milano: Electa, 1985.

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Markschies, Alexander. Icons of Renaissance Architecture. Munich, Germany: Prestel Verlag, 2003.

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Auguste Henri Victor Grandjean de Montigny. Tuscan architecture: The Renaissance masterpieces. Mineola, N.Y: Dover Publications, 2012.

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Furnari, Michele. Atlante del Rinascimento: Il disegno dell'architettura da Brunelleschi a Palladio. [Napoli]: Electa Napoli, 1993.

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Burckhardt, Jacob. The architecture of the Italian Renaissance. Chicago: University of Chicago Press, 1987.

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Mielke, Friedrich. Treppen der Gotik und Renaissance. Fulda: Deutsches Zentrum für Handwerk und Denkmalpflege, 1999.

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Heydenreich, Ludwig Heinrich. Architecture in Italy, 1400-1500. New Haven: Yale University Press, 1996.

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Burckhardt, Jacob. The architecture of the Italian Renaissance. Chicago: University of Chicago Press, 1985.

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Alexander, Nagel. Anachronic renaissance. New York: Zone Books, 2010.

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Book chapters on the topic "Renaissance Architecture"

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Duvernoy, Sylvie. "Renaissance Architecture." In Handbook of the Mathematics of the Arts and Sciences, 1–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70658-0_10-1.

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Duvernoy, Sylvie. "Renaissance Architecture." In Handbook of the Mathematics of the Arts and Sciences, 1245–60. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-57072-3_10.

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Roth, Leland M., and Amanda C. Roth Clark. "Renaissance Architecture." In Understanding Architecture, 318–53. 4th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003143956-20.

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De Raedt, Nele. "Architecture and Renaissance." In Encyclopedia of Renaissance Philosophy, 1–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-02848-4_660-2.

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De Raedt, Nele. "Architecture and Renaissance." In Encyclopedia of Renaissance Philosophy, 192–205. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_660.

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De Raedt, Nele. "Architecture." In Encyclopedia of Renaissance Philosophy, 1–14. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-02848-4_660-1.

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Brown, Alison. "Art and architecture." In The Renaissance, 56–64. Third edition. | New York : Routledge, 2020. | Series: Seminar studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429055560-14.

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Hoffmann, Volker. "Giotto and Renaissance Perspective." In Architecture, Mathematics and Perspective, 5–32. Basel: Birkhäuser Basel, 2010. http://dx.doi.org/10.1007/978-3-0346-0518-2_2.

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Gloag, John, and Hilton Wright. "The Renaissance in Europe." In Guide to Western Architecture, 191–238. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003333494-8.

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Gloag, John, and Hilton Wright. "The Renaissance in England." In Guide to Western Architecture, 239–306. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003333494-9.

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Conference papers on the topic "Renaissance Architecture"

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XIAOXIA, BAI, ZHANG SHANSHAN, and JIANG YILIN. "Renaissance Healthcare and Hospital Architecture." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.86.

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Kepczynska-Walczak, Anetta. "Contemporary Renaissance Architect - Yet Architect?" In eCAADe 2008: Architecture "in computro" - Integrating methods and techniques. eCAADe, 2008. http://dx.doi.org/10.52842/conf.ecaade.2008.445.

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Jacazzi, Danila, and Raffaela Fiorillo. "Castelli e arsenali delle isole balcaniche nella Peregrinatio di Bernhard von Breydenbach." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18077.

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The voyage across the Mare Nostrum has had many meanings over the centuries: from the devotional purposes predominant in the pilgrimages of the Middle Ages, from the commercial exchanges that saw the establishment of merchant colonies in the main cities and harbour ports, to the movement of armies during the crusades and the diplomatic missions of ambassadors, nobles and knights during the Renaissance. From the 15th century onwards, relations between Italian courts and Mediterranean countries were not limited to mercantile aspects: scholars, clergymen and men of culture, driven by the Renaissance season and the rediscovery of the classical world, visited the Holy Land. Renaissance travellers of Franco-Renaissance culture left some of the most interesting depictions of the cities they visited in their diaries. The Peregrinatio in Terram Sanctam published in 1486 by Bernhard von Breydenbach, canon of Mainz, represents one of the main models of an itinerary in the Holy Land accompanied by some of the greatest expressions of the cartographic culture of the end of the century.

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Broglia, Francesco, and Mirco Pucci. "Freehand draw and the study of military architecture." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18076.

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This paper aims at analysing medieval and Renaissance fortifications by freehand draw. Freehand draw has been used for this purpose since the so called ‘epoca della transizione’and its fortune reached its peak with the study of Renaissance fortifications (XV-XVI century).Physical survey by scale sketches and drawings is a technique of Italian and European Renaissance tradition. It is a fundamental first step in understanding buildings and how they were designed.This research took into consideration the following case studies: fortifications in the State of Presidii – on the border between Lazio and Tuscany -, fortifications of the Tuscan archipelago, fortresses and fortified surrounding walls in Emilia Romagna.Freehand draw allowed us to recognize on the one hand the geometrical matrixes of the shapes taken into consideration and on the other hand the relations between design principles - which inspired military architects - and the effective realizations.

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Gao, Y., and J. Xu. "Renaissance with recycled materials: Reconstruction of Guifeng Temple." In Proceedings of the International Conference on Civil, Architecture and Environmental Engineering (ICCAE2016). CRC Press/Balkema P.O. Box 11320, 2301 EH Leiden, The Netherlands: CRC Press/Balkema, 2017. http://dx.doi.org/10.1201/9781315116259-34.

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Perojević, Snježana, and Branislav Trifunović. "The Aquila tower: a part of the Renaissance coastal defence system of Pučišća." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11423.

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At the end of the fifteenth century the Ottoman Empire won the land at the middle of the eastern side of the Adriatic, between the town of Omiš and the Neretva River. Thus exposing the northern settlements of the island of Brač, which were under the Venetian Administration at the time, to immediate danger from the Turkish invasion. The settlement of Pučišća was particularly vulnerable. Therefore, the settlement was intensively fortified, and a series of thirteen individual small coastal towers was built, after which the entire settlement was named Castello Pucischia in 1600. One of these towers –the Aquila tower– had a key role in defending Pučišća during the Ottoman-Venetian War, also known as the War of Cyprus (1570-1573). The Aquila tower was built at the beginning of the sixteenth century and today it is a well-preserved detached building situated on the Pučišća coast. Despite all the damage and transformations endured in the past, all the tower elements have been sufficiently preserved to reconstruct its original appearance, including the residential character of the overall interior: a stone wardrobe and a built-in stone basin (Cro. pilo), a fireplace, stairs, as well as those of a defensive character: mechanisms for lifting the drawbridge, loopholes, cannon openings, channels for extracting gunpowder smoke. The wooden beams’ supports in the walls above the first floor have also been preserved, as well as the barrel vault over the ground floor and the groin vault over the second floor which are still intact even today. On the external of the tower, the original corbels of machicolations as well as the semi-circular cornice above the escarp are partially preserved. By analysing the remains of the tower and by studying historical and bibliographic sources, a reconstruction of the original appearance of the Aquila tower has been made, both for the external and internal part, including transformations that took place over the time, since its construction to the present day. This has contributed to the knowledge of the typology of Renaissance coastal fortifications as well as to providing basis for potential renovation and reconstruction of the Aquila tower.

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Villada Paredes, Fernando. "De cerca medieval islámica a frente abaluartado: génesis y evolución del Frente de Tierra de Ceuta." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11403.

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From Medieval Islamic Wall to Bastioned Land Front: Genesis and evolution of the Land Front of CeutaCeuta is built on a peninsula at the southern shore of the Strait of Gibraltar. It’s a strategic point for communications between the Mediterranean Sea and the Atlantic Ocean and between two continents: Europe and Africa. As Ceuta ships rule the Gibraltar Strait in Medieval and Modern Ages, main defensive efforts were tuned of to Land Front. Consequently, in 950 ‘Abd al-Rahman III built a new fence in order to protect the madina reusing Roman and Byzantine fortifications. Although repaired and enlarged by Almohads, Marinids, and Portuguese, these walls and towers protected the Land Front of Ceuta until the sixteenth century. But, at this moment, pirobalistic artillery development had made this defensive device obsolete and a new bastioned front, an early and outstanding example of the new Renaissance ideas for the defense of the cities, was built. Archival documents, cartographic sources, etc., let us follow the main lines of this evolution. Recently, an archaeological research project has added new data on how this evolution, from Medieval to Renaissance fortifications, took place.

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Abos, Ileana Ana. "CULTURAL HERITAGE AT THE CROSSROADS: THE RENAISSANCE CASTLES OF THE MURE? VALLEY, TRANSYLVANIA, ROMANIA IN THE 20TH-21ST CENTURIES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs05.06.

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The Mure? Valley is one of Romania's most culturally cohesive landscapes. Its cultural heritage intertwines with Western and Central Europe. Europe's cultural heritage includes this region's heritage. Starting in the 16th century, several noble residences were constructed in this region in magnificent geographical surroundings. Some of these were built according to designs based on Italian Renaissance architectural treatises. The most impressive style of Transylvanian Renaissance architecture is represented by these monuments. These belonged to noble and princely families, and they varied greatly in terms of size and demand. Around them, parks were constructed, and the castle contained a remarkable collection of books and artwork. After being nationalised in 1949, they underwent significant changes under communism. Some of these changes destroyed them, and others are irreparable. This work aims to illustrate the changes the magnificent Renaissance mansions of the nobility have undergone over time. These changes occurred in the 20th and 21st centuries. On the inside, there were numerous changes. In addition, the parks that border these architectural complexes have been changed or eliminated. The cultural landscape has irrevocably changed. Our research shows three main categories of Renaissance castles in the Mures Valley. A) Saved monuments, where you can see how they were preserved and incorporated into tourist routes. It may also involve returning castles to the community. B) Crumbling castles represent the opposing polarity. C) Castles undergoing restoration. According to their legal standing, castles are either privately owned, owned by the state, or owned by Catholic or Reformed churches. Preserving these monuments and the cultural landscape they generate preserves a significant part of our implicit cultural heritage and European identity.

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Zapata Parra, José Antonio. "El castillo de Mula (1520-2020). Historia de la construcción de una fortaleza renacentista." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11355.

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The castle of Mula (1520-2020). History of the construction of a Renaissance fortressFive hundred years after the construction of the castle of Mula, which was ordered to build the I Marqués de los Vélez, Pedro Fajardo Chacón, as a result of his expulsion from the town during the communal uprisings of the kingdom of Murcia. The fortress, a work of masonry, built on the old Andalusian citadel, has a novel construction in the southeast of the peninsular from the point of view of the multi-aesthetic. The conservation of documentation related to its construction between 1520 and 1531, allows us to approach the work of the stonecutters and master gunners.

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Samol, Piotr. "INFLUENCE OF THE LOCAL BUILDING TRADITION ON RENAISSANCE ARCHITECTURE IN ROYAL PRUSSIA." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/2.3/s20.017.

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Reports on the topic "Renaissance Architecture"

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Cavallo, Eduardo A., Arturo Galindo, Victoria Nuguer, and Andrew Powell. Open configuration options 2022 Latin American and Caribbean Macroeconomic Report: From Recovery to Renaissance: Turning Crisis into Opportunity. Inter-American Development Bank, March 2022. http://dx.doi.org/10.18235/0004180.

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Economic growth in Latin America and the Caribbean was stronger than expected in 2021 but waned at the start of 2022. High commodity prices due to the war between Russia and Ukraine will provide a boost to exporters, while imposing significant costs on commodity importers and pushing up inflation across countries. The ongoing conflict, together with policy normalization in advanced economies, carries significant risks for the region. Volatility in financial markets could depress investment and bring down growth further. Policymakers need to take urgent measures to boost inclusive growth. As minor fixes are unlikely to result in notable benefits, governments should consider more fundamental resets of policy frameworks. This report analyzes growth prospects, monetary policy, and external and financial sectors. The recommendations stress the need for a new architecture for both fiscal and labor market policies. Policymakers should seize the window of opportunity provided by the COVID-19 crisis and global security concerns to improve the outlook for the region.

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