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Journal articles on the topic 'Renaissance Coins'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Nygren, Christopher J. "Titian’sChrist with the Coin: Recovering the Spiritual Currency of Numismatics in Renaissance Ferrara." Renaissance Quarterly 69, no. 2 (2016): 449–88. http://dx.doi.org/10.1086/687607.

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AbstractTitian paintedChrist with the Coinfor Alfonso d’Este around 1516. The painting served as the cover piece for a collection of ancient coins and has been read as a commentary on politics and taxation. Instead, this article reveals how the painting reconfigured Alfonso’s interaction with ancient coins, transforming the everyday activity of the collector into an occasion of spiritual reformation. Reading numismatic antiquarianism against the exegetical tradition that accrued around the Gospel pericope (Matthew 22:21) reveals the painting as the nexus of two regimes of virtue — one Christia

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2

Ingo, G. M., T. de Caro, G. Padeletti, and G. Chiozzini. "Microchemical investigation on Renaissance coins minted at Gubbio (Central Italy)." Applied Physics A 79, no. 2 (2004): 319–25. http://dx.doi.org/10.1007/s00339-004-2526-0.

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3

Donawerth, Jane, and Sandra K. Fischer. "Econolingua: A Glossary of Coins and Economic Language in Renaissance Drama." Shakespeare Quarterly 38, no. 1 (1987): 117. http://dx.doi.org/10.2307/2870415.

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4

CUNNALLY, J. "ANCIENT COINS AS GIFTS AND TOKENS OF FRIENDSHIP DURING THE RENAISSANCE." Journal of the History of Collections 6, no. 2 (1994): 129–44. http://dx.doi.org/10.1093/jhc/6.2.129.

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5

Fantacci, Luca. "The dual currency system of Renaissance Europe." Financial History Review 15, no. 1 (2008): 55–72. http://dx.doi.org/10.1017/s096856500800005x.

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AbstractThe monetary system of late medieval and early modern Europe has been commonly described as irrational, in the light of later commodity money standards. In particular, the alterations in the legal value and/or in the metal content of most coins throughout this period have been regarded as a source of disorder and as a product of ignorance and abuse. This article suggests that the whole system, and its apparently awkward articulations, may have been deliberately designed to ensure complementarity between domestic and foreign trade. From this perspective, monetary alterations appear as t

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6

Stenhouse, William. "PANVINIO AND DESCRIPTIO: RENDITIONS OF HISTORY AND ANTIQUITY IN THE LATE RENAISSANCE." Papers of the British School at Rome 80 (September 24, 2012): 233–56. http://dx.doi.org/10.1017/s0068246212000116.

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This article argues that Onofrio Panvinio's 1571 study of the Roman triumph embodies a central innovation of sixteenth-century classical scholarship, the use of visual reconstructions alongside textual accounts to communicate the details of ancient ceremonies. Panvinio built on the work of predecessors, most notably Pirro Ligorio, to produce a densely-detailed image of the triumphal procession in the style of Roman bas-reliefs, using the evidence of coins, friezes and texts. This illustration can be seen as an alternative historical rendition, rather than as an accompaniment to a textual descr

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7

Bowsky, William M., Frederic C. Lane, and Reinhold C. Mueller. "Money and Banking in Medieval and Renaissance Venice. I: Coins and Moneys of Account." Journal of Interdisciplinary History 18, no. 1 (1987): 143. http://dx.doi.org/10.2307/204738.

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8

Chernega, Vladimir N., Olga V. Man’ko, and Vladimir I. Man’ko. "Probability Representation of Quantum States as a Renaissance of Hidden Variables— God Plays Coins." Journal of Russian Laser Research 40, no. 2 (2019): 107–20. http://dx.doi.org/10.1007/s10946-019-09778-4.

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9

Mackenney, Richard, Frederic C. Lane, and Reinhold C. Mueller. "Money and Banking in Medieval and Renaissance Venice. Volume I. Coins and Moneys of Account." Economic History Review 39, no. 3 (1986): 489. http://dx.doi.org/10.2307/2596378.

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10

Lopez, Robert S., Frederic C. Lane, and Reinhold C. Mueller. "Money and Banking in Medieval and Renaissance Venice. Volume I, Coins and Moneys of Account." American Historical Review 91, no. 3 (1986): 694. http://dx.doi.org/10.2307/1869228.

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11

Kokabian, Pezhwak. "Black Currency of Middle Ages and Case for Complementary Currency." Journal of Risk and Financial Management 13, no. 6 (2020): 114. http://dx.doi.org/10.3390/jrfm13060114.

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Monetary historians argue that two types of currencies were circulating in the middle ages of Europe. The first was the standard historical form of money made up of gold and silver coins, and the second was a set of small pieces of copper and other metallic substances used mainly in towns and townships for local trade as currency. Jetton and tokens are monetized objects that are not official currencies; they were of lower quality of the inferior metallic object, which were used for day-to-day transaction needs. The drive for local monetary decentralization is pointed to build up fiscal autonom

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12

Rustoiu, Aurel. "Commentaria archaeologica et historica (V). 1. About the Legionary Fort at Sarmizegetusa in AD 102–205 (Cassius Dio 68.9.7). 2. The Destiny of the “Dacian Gold”. About a Koson Type Coin Reused in the 16th Century in a Christian (Renaissance) Context." Ephemeris Napocensis 32 (April 20, 2023): 235–51. http://dx.doi.org/10.33993/ephnap.2022.32.235.

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"1. About the legionary fort at Sarmizegetusa in AD 102–105 (Cassius Dio 68.9.7). Cassius Dio (68.9.7) writes that after the end of the first Dacian war of Trajan, in 102 AD, the emperor left a legion in Dacia at Sarmizegetusa and auxiliary troops in other locations. Over time, the fragmentary accounts of Cassius Dio have been interpreted in two main ways. On one hand, the presence of a legionary fort was presumed in Hațeg Country, on the territory of future Colonia Ulpia Traiana Dacica Sarmizegetusa. On the other hand, this fort (stratopedon) was presumed to have functioned in the Orăștie Mou

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13

Kançal-Ferrari, Nicole. "An Italian Renaissance Gate for the Khan: Visual Culture in Early Modern Crimea." Muqarnas Online 34, no. 1 (2017): 85–123. http://dx.doi.org/10.1163/22118993_03401p005.

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This article introduces the Renaissance “Iron Gate” erected in 1503–4 in the Khan’s Palace in Bahçesaray, Crimea. It proposes a new interpretation of this famous portal in the residence of the Crimean khans, taking into consideration the broader cultural context of early modernity. The research focuses on the visual appearance of the Iron Gate and the content of its unique inscription. Comparison with other portals and a tomb from the Balkans, on one hand, and with titulature in inscriptions, coins, and diplomatic documents from the Turco-Mongol-Islamic environment, on the other, furnishes eno

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14

Микола, Гурмак. "Технології виготовлення медалей — від міфу до історії". ВІСНИК Львівської національної академії мистецтв, № 28 (19 травня 2016): 189–204. https://doi.org/10.5281/zenodo.51664.

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The article is about the gap between the technique means and figurative filling of modern medal art. Author studies a comparison of contemporary proportion between technique and image of medal and the same proportion of the Ancient, Middle-aged and Renaissance medal and coin. The way to get over this gap is also proposed. The author notes that the rises of medal art in previous eras were associated with the consummation of the combining of an image and a technology — in ancient times the mythology was taken as the basis of such a unity, in medieval times its place as a basis was replaced

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15

Balacci, Serghei, Valentina Ciochina, and Ion Balan. "The hygea chalice - symbolism, origin and relevance in medicine." Studia Universitatis Moldaviae. Seria Științe ale Naturii, no. 1(181) (June 2025): 31–37. https://doi.org/10.59295/sum1(181)2025_04.

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The Hygieia Bowl, a recognized pharmaceutical and medical symbol, has its origins in Greek mythology, being associated with Hygieia, the goddess of health and hygiene, daughter of Asclepius, the god of medicine. The Bowl with the coiled snake symbolizes the connection between drug treatments and disease prevention, reflecting the ancient philosophy of health, which emphasized the balance between healing and prevention. Used since Ancient Greece and Rome on coins, statues and mosaics, the symbol has been an important element in religious and medical rituals. In the Middle Ages and the Renaissan

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Goyal, Dr Akhil. "Evolution of Payment System and Rises of Mobile Payment." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 06 (2024): 1–5. http://dx.doi.org/10.55041/ijsrem35731.

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The evolution of payment systems highlights humanity's pursuit of efficiency, security, and convenience. Starting with barter systems, societies transitioned to commodity money like livestock and metals, eventually adopting metal coins around 600 BCE for their durability and divisibility. Paper money emerged in China during the Tang Dynasty, spreading to Europe as a lighter alternative. The Renaissance era saw banking institutions introduce bills of exchange and promissory notes. The 20th century brought charge and credit cards, followed by electronic payments with ATMs and digital cash. The 2

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Mattia, Mirko, Lucie Biehler-Gomez, Emanuela Sguazza, et al. "Ca’ Granda, an avant-garde hospital between the Renaissance and Modern age: a unique scenario in European history." Medical History 66, no. 1 (2022): 24–33. http://dx.doi.org/10.1017/mdh.2021.40.

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AbstractThe Ospedale Maggiore, known as Ca’ Granda, was founded in 1456 by will of Francesco Sforza, Duke of Milan, and was considered for almost five centuries a model for Milanese, Italian and even European healthcare. Attracting patients from all over Europe, the Ca’ Granda distinguished itself for the introduction of new treatments and innovative health reforms. In the burial ground of the hospital still lie the bodies of the deceased patients, who came from the poorest strata of the population. The study of their remains aims to give back a general identity and a story to each of these pe

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18

Robbert, Louise Buenger. "Money and Banking in Medieval and Renaissance Venice, 1: Coins and Moneys of Account. Frederic C. Lane , Reinhold C. Mueller." Speculum 61, no. 4 (1986): 952–54. http://dx.doi.org/10.2307/2854007.

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19

Manna, Bibek. "Swami Vivekananda: His Humanism." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 6 (2023): 161–65. http://dx.doi.org/10.31305/rrijm.2023.v08.n06.022.

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The concept of humanism is a core concept. Human being has social as well as moral values. The concept of humanism had elaborately been discussed by many contemporary Philosophers like Rabindranath Tagore, M. N Roy, M.K Gandhi. Vivekananda is one of them. He is one of the important social reformers like Raja Rammohan Roy in the Bengal Renaissance. We have gained many concepts related to humanism from the ancient scriptures like-’Bahujan hitaya, Bahujana sukhaya’ (For the welfare, peace and happiness of many), ‘Vasudhaiva Kutumbakam’ (The whole universe is one family), ‘Sarva Bhutahita’ (For th

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20

Fomina, Irina A. "Small Forms Of Ancient Plastic Art In The Context Of The Mythological Themes Of The Venetian Renaissance." Scientific and analytical journal Burganov House. The space of culture 20, no. 3 (2024): 69–85. http://dx.doi.org/10.36340/2071-6818-2024-20-3-69-85.

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he article is devoted to the earliest forms of antique collecting, glyptics, and numismatics, which had a noticeable influence on the formation of the mythological theme in the art of Venice at the end of the 14’th-16’th centuries. The publication explores the reasons for the emergence of interest in collecting antique cameos, ancient coins, and medals, as well as provides characteristics, descriptions, and a brief overview of the collections compiled on their basis. Various aspects of collecting ancient coinage and gems are explored, as well as the direct participation of Venetian artists of

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21

Belyakov, Andrey. "The Time of the Appearance of the Double-Headed Eagle on Sovereign Seals: A Dispute between Those who Agree and Those who Disagree." Quaestio Rossica 13, no. 2 (2025): 559–75. https://doi.org/10.15826/qr.2025.2.982.

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For over a hundred years, there have been debates in historiography about the origins of the Russian double-headed eagle. Specifically, there has been much discussion about whether the eagle is of Byzantine or imperial origin, as well as the time of its appearance as a symbol of statehood on seals. To solve these problems, researchers analysed ambassadorial books (primarily on relations with the Empire) and looked for analogies in certain works of art from the Renaissance. In general, this approach has become obsolete. The introduction into scholarly circulation of an unknown impression of the

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22

Redish, Angela. "Money and Banking in Medieval and Renaissance Venice, Vol. 1: Coins and Moneys of Account. By Frederic C. Lane and Reinhold C. Mueller. Baltimore: Johns Hopkins University Press, 1985. Pp. xx, 684. $45.00." Journal of Economic History 47, no. 1 (1987): 223–25. http://dx.doi.org/10.1017/s0022050700047525.

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23

Vargyas, Zsófia. "Adalékok Marczibányi István (1752–1810) műgyűjteményének történetéhez." Művészettörténeti Értesítő 71, no. 1 (2023): 45–78. http://dx.doi.org/10.1556/080.2022.00003.

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The art collection of István Marczibányi (1752–1810), remembered as the benefactor of the Hungarian nation, who devoted a great part of his fortune to religious, educational, scientific and social goals, is generally known as a collection of ‘national Antiquities’ of Hungary. This opinion was already widespread in Hungarian publicity at the beginning of the 19th century, when Marczibányi pledged that he would enrich the collection of the prospective Hungarian national Museum with his artworks. But the description of his collection in Pál Wallaszky’s book Conspectus reipublicae litterariae in H

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24

Herlihy, David. "Money and Banking in Medieval and Renaissance Venice. Volume 1: Coins and Moneys of Account. By Frederic C. Lane and Reinhold C. Mueller. (Baltimore, Md.: The Johns Hopkins University Press, 1985. xx + 684 pp. $45.00.)." Business History Review 60, no. 3 (1986): 527–28. http://dx.doi.org/10.2307/3115910.

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25

Khasanova, Z. F. "The chest decoration in modern life of Bashkir women: on the problem of preserving traditions." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2 (49) (June 5, 2020): 135–46. http://dx.doi.org/10.20874/2071-0437-2020-49-2-12.

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The purpose of this article is to study the methods for manufacturing, wearing and ways of use of the Bashkir chest decorations in the end of the 20th — beginning of the 21st c. The research area includes the Republic of Bashkortostan and neighboring regions where the Bashkirs live. Information for neighboring regions was collected using the Internet and social networks: VKontakte, Instagram, YouTube. The chronological framework of the study covers the end of the 20th — beginning of the 21st c., that is the time of a renaissance of traditions and the growth of interest in them. Field materials

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26

Carlsmith, Christopher. "Mocking Pope And Preacher." Teaching History: A Journal of Methods 31, no. 1 (2006): 3–18. http://dx.doi.org/10.33043/th.31.1.3-18.

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As we enter the twenty-first century, students increasingly rely upon visual imagery for their understanding of past (and present) events. My students can quote confidently from "Troy," "Alexander," "Amistad," and "JFK" to illustrate their knowledge of Classical Greek or American life, even as they struggle to memorize a basic chronology or analyze a written document. Although we might bemoan the rise of television, video games, and "McNewspapers" that favor style over substance, such reliance upon visual information is hardly unique to our era. Editorial cartoons, posters, and pamphlets for c

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Bullard, Melissa Meriam. "Frederic C. Lane and Reinhold C. Mueller. Money and Banking in Medieval and Renaissance Venice. Vol. I: Coins and Moneys of Account. Baltimore-London: The Johns Hopkins University Press, 1985. 47 ills. + 37t ables + 7 app. + xx + 684 pp. $45." Renaissance Quarterly 40, no. 2 (1987): 302–3. http://dx.doi.org/10.2307/2861711.

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Pagh, Lars. "Tamdrup – Kongsgård og mindekirke i nyt lys." Kuml 65, no. 65 (2016): 81–129. http://dx.doi.org/10.7146/kuml.v65i65.24843.

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TamdrupRoyal residence and memorial church in a new light Tamdrup has been shrouded in a degree of mystery in recent times. The solitary church located on a moraine hill west of Horsens is visible from afar and has attracted attention for centuries. On the face of it, it resembles an ordinary parish church, but on closer examination it is found to be unusually large, and on entering one discovers that hidden beneath one roof is a three-aisled construction, which originally was a Romanesque basilica. Why was such a large church built in this particular place? What were the prevailing circ

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Stoffel, Jean-François. "«Qui choisirait de poser ce flambeau dans un lieu autre ou meilleur que celui d’où il peut illuminer le tout simultanément ?»." Revue des questions scientifiques 189, no. 4 (2018): 409–58. http://dx.doi.org/10.14428/qs.v189i4.69343.

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Dans ce qui est sans doute le passage le plus célèbre du De revolutionibus, Copernic laisse entendre qu’il ne se trouvera personne pour positionner ce flambeau par excellence qu’est le Soleil dans un autre ou meilleur endroit que celui à partir duquel il peut illuminer le tout simultanément, à savoir le centre de ce temple suprêmement beau qu’est le monde. S’il laisse une tournure interrogative à cet argument de convenance et s’il l’énonce sans justification aucune tant il lui paraît relever de l’évidence, certains Coperniciens l’illustreront par une analogie : si, effectivement, telle doit êt

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30

Valentini, Maria. "Conflicting notions of time in Antony and Cleopatra." Time & Society 27, no. 3 (2015): 350–62. http://dx.doi.org/10.1177/0961463x15622396.

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The question of time is part of a general psychological reorientation which takes place in the Renaissance and appears in many of Shakespeare’s plays as a theme upon which to reflect. Time, no longer beneficial, becomes a source of anxiety: feudal time, linked to land and cultivation, providing comfort because the eternal repetition of natural cycles gives the illusion of reversibility, and therefore of a time which is redeemable, gives way to the notion of linear time, irreversible, unredeemable, the time of History (cf. Le Goff, Panofsky, Deleuze). In Antony and Cleopatra, we find these diff

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Olson, Jeannine. "Registres du Consistoire de Genève au temps de Calvin: Tome IX (15 février 1554–31 janvier 1555). Wallace McDonald, Isabella M. Watt, and Jeffrey R. Watt, eds. With James S. Coons. Travaux d’Humanisme et Renaissance 542. Geneva: Droz, 2015. xli + 366 pp. $142.68." Renaissance Quarterly 70, no. 2 (2017): 773–74. http://dx.doi.org/10.1086/693276.

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32

Kingdon, Robert M. "Théodore de Bèze. Corns sur les épîtres aux Romains et aux Hébreux, 1564-1566, d'après les notes de Marcus Widler; thèses disputées à l'Académie de Genève, 1564-1567. Ed. Pierre Fraenkel and Luc Perrotet. (Travaux d'Humanisme et Renaissance, 226.) Geneva: Librairie Droz, 1988. 443 pp. SWFIOO." Renaissance Quarterly 43, no. 1 (1990): 199–200. http://dx.doi.org/10.2307/2861814.

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Becker, Jochen, and Annemiek Ouwerkerk. "'De eer des vaderlands te handhaven': Costerbeelden als argumenten in de strijd." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 229–68. http://dx.doi.org/10.1163/187501785x00125.

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AbstractTwo things long stood in the way of the erection of statues in public in the Northern Netherlands, on the one hand the lack of a strong central government and on the other the wrongly interpreted - Calvinist interdict on them (Note 1). The first statue of this kind, that of Erasmus in Rotterdam by De Keyser (1622), was attacked by strict Calvinists, but noted throughout Europe as an early paradigm (Note 3). Not until the 19th century did the Netherlands join in the nationalistic 'statue craze', which was just breaking out then, with two monuments to the supposed Dutch inventor of print

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34

"ZECCA of LUCCA." Sculpture Review 49, no. 2 (2000): 18–19. http://dx.doi.org/10.1002/j.2632-3494.2000.tb00131.x.

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Within the walls of Lucca is maintained in working order the mint Zecca, opened in a.d. 650. Here is its history recounted by Giuliano Marchetti, renaissance man and master engraver at the mint, who welcomes school kids and tourists alike into the mint's museum. Unlike most museums, it is active producing coins to this day.

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Shep, Sydney. "Te Hao Nui. The Great Catch. Object Stories from Te Manawa." Journal of New Zealand Studies, no. 13 (January 24, 2013). http://dx.doi.org/10.26686/jnzs.v0i13.1204.

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If biography is second only to fiction in the latest New Zealand bestseller lists, object biography too has achieved a renaissance. Eighteenth-century 'it narratives' with their tales of 'babbling banknotes, canting coins, prosing pocket watches and soliloquizing snuffboxes' gave way in the nineteenth-century to fictionalized autobiographies of anthropomorphized talking books travelling, often tragi-comically, from one owner and one mise-en-scene to the next.

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Munoz, Sarah. "Des figures hors cadre L’émergence du corps sculpté dans l’architecture de la Renaissance en France." Art and Science, no. 1 (December 11, 2020). http://dx.doi.org/10.30687/va/2385-2720/2020/01/012.

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Sculpted Renaissance medallions, inspired by ancient coins and clipeatae imagines, were developed in French monuments from around 1500 to 1550. First applied to the surface of the wall and restricted to a face, they showed, around 1530-1540, transformations related to the adaptation and variation of the body in the decoration. Characters in very high relief, sometimes represented up to the hips, were multiplied, freed from their frame, addressing the viewer and creating illusion games when they were placed in false windows. These decorations thus testify to the relationship between structure a

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Munoz, Sarah. "Out-of-Frame Figures The Emergence of the Sculpted Body in Renaissance Architecture in France." Art and Science, no. 1 (December 11, 2020). http://dx.doi.org/10.30687/va/2385-2720/2020/06/012.

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Sculpted Renaissance medallions, inspired by ancient coins and clipeatae imagines, were developed in French monuments from around 1500 to 1550. First applied to the surface of the wall and restricted to a face, they showed, around 1530-1540, transformations related to the adaptation and variation of the body in the decoration. Characters in very high relief, sometimes represented up to the hips, were multiplied, freed from their frame, addressing the viewer and creating illusion games when they were placed in false windows. These decorations thus testify to the relationship between structure a

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38

De Lacroix, Pricile. "Rituels, mort et renaissance. Une redécouverte de l’artiste huron-wendat Pierre Sioui." Articles 29, no. 2 (2018). http://dx.doi.org/10.7202/1044164ar.

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Le travail de l’artiste huron-wendat Pierre Sioui est assez méconnu au Québec. Prolifique dans les années 1980 et ayant exposé aux quatre coins du Canada ainsi qu’aux États-Unis, Sioui a ensuite totalement disparu du milieu des arts contemporains autochtones. Une relecture du travail de cet artiste permet de redécouvrir un créateur fascinant tout à fait inscrit dans les préoccupations esthétiques et politiques de sa décennie. Sioui semble surtout avoir employé sa démarche artistique au service d’une redécouverte de son identité et de ses racines. Il l’a fait par le biais de recherches à la foi

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Awianowicz, Bartosz. "From IVDAEA CAPTA to LIVON(ia) POLOT(ia)Q(ue) RECEPTA. The reception of the famous reverse of Vespasian coins in Renaissance Poland." Wiadomości Numizmatyczne, November 8, 2019, 1–11. http://dx.doi.org/10.24425/wn.2019.131213.

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"Frederic C. Lane and Reinhold C. Mueller. Money and Banking in Medieval and Renaissance Venice. Volume 1, Coins and Moneys of Account. Baltimore: Johns Hopkins University Press. 1985. Pp. xx, 684. $45.00." American Historical Review, June 1986. http://dx.doi.org/10.1086/ahr/91.3.694.

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41

Boserup, Ivan, and Thomas Riis. "Saxos boginddelinger og deres ideologier." Fund og Forskning i Det Kongelige Biblioteks Samlinger 51 (December 18, 2015). http://dx.doi.org/10.7146/fof.v51i0.41265.

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In the first part of this joint paper on book divisions and their ideologies in the Gesta Danorum of Saxo Grammaticus (ca. 1200), Ivan Boserup points out that the edition of Saxo published by Karsten Friis-Jensen in 2005 is the first since the discovery of the Angers fragment in 1879, which is not in any way dominated by the endeavor to use the Angers fragment as a stepping stone for radical textual criticism of the Paris 1514 edition, i.e. the Editio princeps which is our main textual source to Saxo’s work. In contrast to the 1931 edition of Jørgen Olrik and Hans Ræder, and to scholars that h

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Haack, Julia. "Superconductivity for Nuclear Fusion: Past, Present, and Future." Arabian Journal for Science and Engineering, February 18, 2024. http://dx.doi.org/10.1007/s13369-024-08720-4.

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AbstractWithin fusion research and development, there are three main categories of fusion devices: magnetic confinement fusion, inertial confinement fusion, and magneto-inertial confinement. The focus on achieving power production has historically centered around magnetic confinement fusion, employing devices such as tokamaks, stellarators, and spheromaks. The plasma confinement in these machines relies on powerful magnetic fields generated from large, complex electromagnetic systems containing superconducting coils. Superconductivity, or the flow of current without resistance at low temperatu

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Lee, Tom McInnes. "The Lists of W. G. Sebald." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.552.

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Since the late 1990s, W. G. Sebald’s innovative contribution to the genre of prose fiction has been the source of much academic scrutiny. His books Vertigo, The Rings of Saturn, The Emigrants and Austerlitz have provoked interest from diverse fields of inquiry: visual communication (Kilbourn; Patt; Zadokerski), trauma studies (Denham and McCulloh; Schmitz), and travel writing (Blackler; Zisselsberger). His work is also claimed to be a bastion for both modernist and postmodernist approaches to literature and history writing (Bere; Fuchs and Long; Long). This is in addition to numerous “guide to

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