Relevant bibliographies by topics / Renaissance Gardens Architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Renaissance Gardens Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Renaissance Gardens Architecture"

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Fekete, Albert. "Late Renaissance Garden Art in the Carpathian Basin." Landscape & Environment 14, no. 2 (September 21, 2020): 1–19. http://dx.doi.org/10.21120/le/14/2/1.

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The aim of the article was to find, scientifically define and locate the most frequent occurrences of the Late Renaissance garden units of the Carpathian Basin. This article - as partial result of a research work entitled "Castle Garden Inventory in the Carpathian Basin" and conducted by teachers and students of the Faculty of Landscape Architecture and Urbanism of Szent István University, Budapest - aims to identify through historical research, on-site visits and assessments the current status of 148 Late Renaissance residency gardens located in seven different countries of the Carpathian Basin (Austria, Hungary, Slovakia, Ukraine, Romania, Croatia and Slovenia). Based on the archival and literary sources as well as the field studies carried out, we defined the spatial distribution of Late Renaissance residential gardens, we delineated six very characteristic Late Renaissance garden units and we defined the most typical Late Renaissance garden features for the region. At the same time, we explored and documented still existing values of garden history at some locations from the Renaissance era.
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Gorse, George L. "The Villa of Andrea Doria in Genoa: Architecture, Gardens, and Suburban Setting." Journal of the Society of Architectural Historians 44, no. 1 (March 1, 1985): 18–36. http://dx.doi.org/10.2307/990058.

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This paper reconsiders Andrea Doria's 16th-century villa in Genoa as an architectural and garden monument in relation to its original suburban setting. The villa has thus far been discussed primarily as a decorative monument, with scholars focusing their attention upon the interior fresco and stucco decorations of Perino del Vaga and façade paintings by Perino, Beccafumi, and Pordenone. However, these paintings have not been understood fully in terms of the architectural, garden, and suburban context of the villa, which serves as the focus of this study. A biographical sketch of Doria is followed by a building history of his villa, tracing its classical and Renaissance prototypes, the development of the building plan, and phases of construction. Giovanni Angelo Montorsoli's gardens of the 1540s are reconstructed from visual and literary sources, then related to the villa architecture and its suburban environs. A discussion of urban planning around the villa during the 1530s and 1540s shows how the villa functioned as a ceremonial entry monument into Genoa. Concluding remarks on the triumphal receptions of Emperor Charles V and Philip II at the Villa Doria during the mid-16th century underscore the importance of the villa's architecture, gardens, and suburb as a unified work of art.
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Banek, Tadeusz, Patryk Krupiński, and Margot Dudkiewicz. "Optimization in landscape architecture." E3S Web of Conferences 49 (2018): 00002. http://dx.doi.org/10.1051/e3sconf/20184900002.

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Contemporary architectural proposals usually have to meet many different criteria. The most important are functionality and aesthetics, as well as rationality understood as a reference to costs. In this approach, the architectural proposal appears as a solution to the typical task considered in the Multi-criteria Decision Theory in the discipline generally referred to as Optimization. The paper presents examples of sixteenthcentury garden compositions, to try to answer the question of what the then residents (aristocrats) and the creators who fulfilled their wishes, were guided by. The homeland of the Renaissance is Italy, and the characteristics of this style were: geometry of space in the form of axial arrangement of rooms, symmetry, sheared forms of evergreen plants, and motifs referring to mythology. The basis of the Renaissance garden composition is a simple network of roads and squares, strongly connected to the main building and the remaining garden architecture. Mathematical principles, such as golden division of the segment and the Fibonacci sequence, were used as a way to bring beauty and balance to a design. This style is characterized by clipped garden ground floors with boxwood and molded vegetation. Roses, tulips, peonies and lavender were planted between shaped hedges. The terrace arrangement of some gardens has forced the creation of additional structures, such as retaining walls, ramps, balustrades and stairs. The paper discusses the subject of the golden division and its share in individual garden compositions. The authors showed many mathematical relationships that architects used when designing the described garden assumptions.
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Vonešová, Veronika, Oldřich Vacek, and Jan Vaněk. "Restoration of a Rudolfine Mannerist historical castle garden." Horticultural Science 45, No. 2 (June 4, 2018): 101–10. http://dx.doi.org/10.17221/77/2017-hortsci.

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This paper discusses plant assortments in historical Mannerist gardens and their use during the restoration of such a historical garden. Mannerist gardens were founded in the territory of Bohemia at the time of Emperor Rudolf II. The model garden for the purposes of this paper is the castle garden in Brandýs nad Labem. There are no reliable historical resources which could specify the plant assortment cultivated in this garden at the time of its creation. However, the period of Rudolfine Mannerism is defined by known determinative elements of garden architecture as well as certain cultivated plant species. For this reason, it was possible to compile a list of elements which must conform to the individual forms of greenery (solitary, hedges, alleys, climbers, containers) and their spatial arrangement (point, line, shape) typical for Renaissance and Mannerist composition. The list was created with respect for the current cultural and climatic conditions by evaluating the current utilisation of the garden.
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Bentz, Katherine M. "The Afterlife of the Cesi Garden." Journal of the Society of Architectural Historians 72, no. 2 (June 1, 2013): 134–65. http://dx.doi.org/10.1525/jsah.2013.72.2.134.

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One of the most celebrated gardens in early modern Rome was built by Cardinal Federico Cesi (d. 1565) near St. Peter’s Basilica. Earlier studies of the site have concentrated on the famous sixteenth-century antiquities collection displayed in the garden. The Afterlife of the Cesi Garden: Family Identity, Politics, and Memory in Early Modern Rome shifts the scholarly focus to also examine the changing appearance, functions, and the broader social, political, and economic significance of the garden for the Cesi family and for the city of Rome over the course of the seventeenth and eighteenth centuries. Through a close analysis of visual evidence, unpublished archival documents, and a plan of the garden by the architect Giovanni Battista Contini (d. 1723), Katherine M. Bentz demonstrates that the long post-Renaissance afterlife of the Cesi Garden reveals the ways in which politics shaped specific urban environments in Rome, how aristocratic Romans considered and used gardens over generations, and the vital and symbolic role that the garden played for centuries.
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Obad Šćitaroci, Mladen, Mara Marić, and Mira Medović. "Perivoji Rijeke dubrovačke." Prostor 25, no. 2(54) (December 31, 2017): 172–89. http://dx.doi.org/10.31522/p.25.2(54).1.

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Rijeka dubrovačka, the area west of Dubrovnik’s historic core, is widely known for its abundance of Renaissance villas and gardens. This article presents 50 gardens of summer villas, developed between the 14th and the late 19th century with the majority of them created during the 15th and 16th century. This research reveals their cultural, historical, architectural, spatial, and ambient value and helps to establish the criteria for their evaluation.
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Mann, William A. "THE ARCHITECTURE OF WESTERN GARDENS: A DESIGN HISTORY FROM THE RENAISSANCE TO THE PRESENT DAY." Landscape Journal 12, no. 2 (1993): 195–97. http://dx.doi.org/10.3368/lj.12.2.195.

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Çaliş Kural, B. Deniz. "Review: Gardens of Renaissance Europe and the Islamic Empires: Encounters and Confluences, edited by Mohammad Gharipour." Journal of the Society of Architectural Historians 79, no. 1 (March 1, 2020): 107–9. http://dx.doi.org/10.1525/jsah.2020.79.1.107.

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MacDougall, Elisabeth Blair. "Review: The Italian Renaissance Garden: From the Conventions of Planting, Design, and Ornament to the Grand Gardens of Sixteenth-Century Italy by Claudia Lazzaro, Ralph Lieberman." Journal of the Society of Architectural Historians 52, no. 1 (March 1, 1993): 97–99. http://dx.doi.org/10.2307/990763.

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Friedman, Alice T. "Review: Garden and Grove: The Italian Renaissance Garden in the English Imagination, 1600-1750 by John Dixon Hunt; Princely Gardens: The Origins and Development of the French Formal Style by Kenneth Woodbridge." Journal of the Society of Architectural Historians 48, no. 1 (March 1, 1989): 89–90. http://dx.doi.org/10.2307/990415.

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Dissertations / Theses on the topic "Renaissance Gardens Architecture"

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Brochier, Diane. "D'Azay-Le-Rideau à Chenonceau : l'eau et la mise en scène de l'ensemble château-jardin à la Renaissance (1513-1560)." Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2005/document.

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Châteaux bâtis sur une rivière, Azay-le-Rideau et Chenonceau entretiennent des rapports privilégiés avec l’élément aquatique. Comment celui-ci était-il mis en scène dans le cadre du jardin ? Plantés sur des îles naturelles ou artificielles, ces derniers sont-ils le fruit d’une mode ou ont-ils été influencés par des oeuvres littéraires contemporaines ? Le jardin d’île du Songe de Poliphile de Francesco Colonna a-t-il été déterminant dans l’évolution du jardin français de la Renaissance et en particulier dans ceux d’Azay-le-Rideau et de Chenonceau ? La thèse aura pour objectif de préciser leurs caractéristiques (accès, clôture, terrassement, structuration, plantations) dont la place des aménagements hydrauliques dans la mise en scène de l’ensemble château-jardin entre 1513-1560. Nous aborderons également la question de l’importance de la promenade et de la vue sur le paysage autour de la demeure. Puis, nous envisagerons la possibilité que le végétal ait participé à la création d’un discours iconographique dans le parterre de Diane à Chenonceau
Built near a river, the casltes of Azay-le-Rideau and Chenonceau have a special relationship with the water element. What relationship did these gardens have with water? How was it used to showcase the garden? Planted on natural or artificial river islands, are these gardens the result of a trend or do they owe their creation to litterary works of their time? Was Francesco Colonna’s Island Garden of the Hypnerotomachia Poliphili determining in the evolution of French Renaissance gardens and particularly at Azay-le-Rideau and Chenonceau? The Phd we are presenting will aim to explain their caracteristics between 1513-1560, including the role of hydraulic constructions in the staging of the whole castle garden. We also will endeavor to study the importance of the question of the promenade and of the view of the landscape around the castle. Then, we will consider the possibility that plants had participated to an iconographic lecture of the « parterre de Diane »
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Nonaka, Natsumi. "The illusionistic pergola in Italian Renaissance architecture : painting and garden culture in early modern Rome, 1500-1620." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5293.

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The present dissertation is intended to be the first systematic investigation of the illusionistic pergola considered within the framework of the intellectual culture and the garden culture of early modern Rome. The subject is the fresco or mosaic decoration featuring a pergola – a depicted trelliswork covered with plants and peopled with birds – in the loggias, porticoes, and garden pavilions of villas and palaces in Rome and its environs. These pictorial fictions have survived in sufficient numbers to constitute a decorative trend, and moreover, appear in clusters at specific periods, which can be partly explained by means of the cultural factors predominant at the time. The dissertation discusses these pergolas in relation to antiquarian culture, the collecting of plants and birds, the study of natural history, garden furnishings and the art of treillage, thereby contextualizing them within the culture of early modern Rome. The dissertation assembles the first corpus of illusionistic pergolas in the period 1500-1620, updating a much earlier general corpus of 1967 by Börsch-Supan, and distinguishes three distinct periods of the proliferation of these pictorial fictions in Rome and its environs: the first period (1517-1520), the second period (1550-1580), and the third period (1600-1620). Important cultural issues relevant to each period are identified,and proposed as the frameworks for study. These include the reference to the antique and to the vernacular, mediation between indoors and outdoors, the tension between art and craft and the ambiguity of the pseudo-architectural, semantic and aesthetic cross reference between architecture and garden, and the reflection of the intellectual culture. On examination, the illusionistic pergolas are revealed to be a nexus of interrelationships between built structure, ornamented surface, garden and landscape, as well as multivalent embodiments of emerging ideas and sensibilities concerning the experience of architectural space and nature. By taking into account the middle ground of architecture and garden, the study explores the multivalence of ephemeral garden furnishings and their fictive counterparts, opening up a new perspective on the sites examined, and attempts to see a resonance of the tradition in modern times.
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Books on the topic "Renaissance Gardens Architecture"

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Ree, Paul van der. Italian villas and gardens. Munich: Prestel Verlag, 1992.

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C, Shepherd J. Italian gardens of the Renaissance. 5th ed. New York: Princeton Architectural Press, 1993.

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Ree, Paul van der. Italian villas and gardens: A corso di disegno. 2nd ed. Munich: Prestel, 1993.

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Gerrit, Smienk, and Steenbergen Clemens M, eds. Italian villas and gardens: A corso di disegno. Munich, Germany: Prestel, 1992.

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Ree, Paul van der. Italian villas and gardens: A corso di disegno. Amsterdam: Thoth, 1992.

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Roberto, Schezen, ed. Roman gardens: Villas of the countryside. New York, N.Y: Monacelli Press, 1997.

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Shepherd, John Chiene. Italian gardens of the Renaissance. London: Academy Editions, 1986.

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1900-, Jellicoe Geoffrey Alan, ed. Italian gardens of the Renaissance. 4th ed. London: Academy Editions, 1994.

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Fagiolo, Marcello. Roman gardens. New York, N.Y: Monacelli Press, 1997.

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Château de Blois (Blois, France), ed. Jardins de châteaux à la Renaissance. Paris: Gourcuff Gradenigo, 2014.

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Book chapters on the topic "Renaissance Gardens Architecture"

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Franco Taboada, José Antonio. "Wood as an Essential Material in Architectural and Civil Engineering Models from the Renaissance to the Architectural Avant-Garde." In Lecture Notes in Civil Engineering, 285–320. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03676-8_10.

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Guest, Clare E. L. "Renaissance gardens." In Routledge Research Companion to Landscape Architecture, 32–44. Routledge, 2018. http://dx.doi.org/10.4324/9781315613116-4.

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"Labyrinths in the Gardens of the Renaissance." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.010.

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"Gardens and Photography." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.074.

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"The Gardens of Buontalenti." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.013.

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"Masonic Gardens in Sicily." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.052.

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"Glasshouses and Winter Gardens." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.061.

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"Introduction: The Architecture of the Garden and Architecture in the Garden." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.003.

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"The Imperial Gardens of Russia." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.048.

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"The Gardens of Hubert Robert." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.050.

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Conference papers on the topic "Renaissance Gardens Architecture"

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Fernandes, Inês. "The utopia of paradise in architecture—gardens, countryside, and landscape in Roman and Renaissance villas." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-8.

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