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1

Raphael. Raphaël, grâce et beauté. 2nd ed. Milan: Skira, 2001.

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2

Zuccari, Alessandro. I pittori di Sisto V. Roma: Palombi, 1992.

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3

Pommier, Edouard. Théories du portrait: De la Renaissance aux Lumières. [Paris]: Gallimard, 1998.

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4

Lorne, Campbell, Attwood Philip, and National Gallery (Great Britain), eds. Renaissance faces: Van Eyck to Titian. London: National Gallery Co., 2008.

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5

Bentley-Cranch, Dana. The renaissance portrait in France and England: A comparative study. Paris: Champion, 2004.

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6

1929-, Rogers Mary, ed. Fashioning identities in Renaissance art. Aldershot, [England]: Ashgate, 2000.

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7

Čarkina, Viktorija. Volti rinascimentali: Galleria Durerarts. Signa (FI): Masso delle Fate edizioni, 2019.

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8

Palais des beaux-arts (Brussels, Belgium), ed. Portraits de la Renaissance aux Pays-Bas. Lichtervelde: Hannibal, 2015.

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9

Dana, Bentley-Cranch, ed. The Renaissance portrait in France and England: A comparative study. Paris: H. Champion, 2004.

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10

Uffizi, Galleria degli, ed. The Medici on Wall Street: Portraits from the Uffizi Gallery. [Florence]: Edizioni Polistampa, 2004.

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11

Weber, Annette. Venezianische Dogenporträts des 16. Jahrhunderts. Sigmaringen: Jan Thorbecke, 1993.

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12

Augusto, Gentili, Morel Philippe, and Cieri Via Claudia, eds. Il ritratto e la memoria: Materiali. Roma: Bulzoni, 1989.

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13

Augusto, Gentili, Morel Philippe, and Cieri Via Claudia, eds. Il ritratto e la memoria: Materiali. Roma: Bulzoni, 1993.

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14

1545, Baldung Hans d., ed. Hans Baldung Grien (1484/85-1545): Selbstbildnis und Selbstinszenierung. Köln: Böhlau Verlag, 2010.

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15

Art, Philadelphia Museum of, and John G. Johnson Collection (Philadelphia, Pa.), eds. Medici portraits. Philadelphia: The Museum, 1985.

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16

Caprio, Bonaventura. Giulia Farnese: Il volto scomparso. Grotte di Castro (VT): Annulli editori, 2019.

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17

1497-1543, Holbein Hans, Sander Jochen, Suchtelen Ariane van, Buvelot Quentin, Ploeg, Peter van der, 1965-, Mark Bieke van der, Runia Epco, and Mauritshuis (Hague Netherlands), eds. Hans Holbein the Younger, 1497/98-1543: Portraitist of the Renaissance. The Hague: Royal Cabinet of Paintings Mauritshuis, 2003.

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18

The moment of self-portraiture in German renaissance art. Chicago: University of Chicago Press, 1993.

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19

Suzuki, Yoko. Studien zu Künstlerporträts der Maler und Bildhauer in der venetischen und venezianischen Kunst der Renaissance: Von Andrea Mantegna bis Palma il Giovane. Münster: Lit, 1996.

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20

The painter's reflection: Self-portraiture in Renaissance Venice, 1458-1625. Firenze: L.S. Olschki Editore, 2000.

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21

Bellany, John. John Bellany: A renaissance. [Edinburgh]: National Galleries of Scotland, 1989.

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22

National Gallery of Art (U.S.). Virtue & beauty: Leonardo's Ginevra de' Benci and Renaissance portraits of women. Washington, D.C: National Gallery of Art, 2001.

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23

Freedman, Luba. Titian's portraits through Aretino's lens. University Park, Pa: Pennsylvania State University Press, 1995.

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24

School, Philly Free, ed. Self-Portrait: The Vessel. Conshohocken, Pa: Internet Archive, 2016.

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25

1947-, Humfrey Peter, and Kimbell Art Museum, eds. Giovanni Battista Moroni: Renaissance portraitist. Fort Worth, Tex: Kimbell Art Foundation, 2000.

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26

Tintoretto. Jacopo Tintoretto, portraits. Milano: Electa, 1994.

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27

Axel, Vécsey, and Szépművészeti Múzeum (Hungary), eds. A titokzatos férfi: Tiziano, szürke szemű férfi képmása = The enigmatic man : Titian, portrait of a man with blue-green eyes. Budapest: Szépművészeti Múzeum, 2006.

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28

Pini, Margherita. Rinascimento: I ritratti. Bagno a Ripoli, Florence (Italy): Scala, 2012.

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29

Huguenin, Angela Fabienne. Hässlichkeit im Portrait: Eine Paradoxie der Renaissancemalerei. Hamburg: Verlag Dr. Kovač, 2012.

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30

Lorenza, Mochi Onori, ed. La Fornarina di Raffaello. Milano: Skira, 2002.

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31

Jaśniewicz, Aleksandra. Portret w Gdańsku: Od schyłku średniowiecza do późnego baroku (1420-1700) : malarstwo, rysunek. Gdańsk: Muzeum Narodowe w Gdańsku, 2018.

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32

Hansbauer, Severin. Das Oberitalienische Familienporträt in der Kunst der Renaissance: Studien zu den Anfängen, zur Verbreitung und Bedeutung einer Bildnisgattung. Würzburg: S.J. Hansbauer, 2004.

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33

Galleria nazionale d'arte antica (Italy), ed. Raffaello incontra Raffaello. Roma: Palombi, 2011.

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34

1498?-1554, Moretto da Brescia, ed. Moretto da Brescia: Bildnisse : Studien zu Form, Wirkung und Funktion des Porträts in der italienischen Renaissance. Korb: Didymos-Verlag, 2011.

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35

2, Art Recess, ed. Mary Harju Self-Portrait 2006. Conshohocken, Pa: Art Recess 2, 2015.

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36

Champlin, Marjorie Weeden. Changing the face of Shakespeare. [s.l: s.n.], 1996.

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37

Sebastian, Schmidt. Abbild, Selbstbild: Das Porträt in Nürnberg um 1500. Wiesbaden: Harrassowitz Verlag, 2018.

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38

1452-1519, Leonardo da Vinci, and Musei capitolini (Rome Italy), eds. Leonardo da Vinci: Il musico. Cinisello Balsamo (Milano): Silvana, 2010.

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39

Pagden, Sylvia Ferino. Sofonisba Anguissola, la prima donna pittrice: Die Malerin der Renaissance (um 1535-1625) Cremona-Madrid-Genua-Palermo. Wien: Kunsthistorisches Museum Wien, 1995.

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40

Anonymous. Portrait, M. Harju West Philadelphia '01. Edited by Philly Free School. West Philadelphia, Pa: Internet Archive, 2015.

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41

Venezia, Gallerie dell'Accademia di, and Kunsthistorisches Museum Wien Gemäldegalerie, eds. Jacopo Tintoretto: Ritratti. Milano: Electa, 1994.

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42

Tintoretto. Jacopo Tintoretto: E i suoi incisori. Milano: Electa, 1994.

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43

Giorgione. Giorgione e Savoldo: Note di un ritratto amoroso. Genova: Sagep, 2014.

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44

Mariarita, Signorini, and Friends of Florence, eds. The lady with a cameo: Ortensia de' Bardi da Montauto, a portrait by Alessandro Allori. Florence, Italy ; Washington, DC: Friends of Florence, 2006.

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45

Bournet-Bacot, Marianne. Le portrait de couple en Allemagne à la Renaissance: D'un genre au genre. Rennes: Presses universitaires de Rennes, 2014.

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46

Lorenza, Mochi Onori, Fondazione arte e civiltà (Milan, Italy)., and Musei di Porta Romana (Milan, Italy)., eds. La Fornarina di Raffaello. Milano: Skira, 2002.

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47

Uffizi, Galleria degli, ed. Santi, poeti, navigatori--: Capolavori dai depositi degli Uffizi. Firenze: Polistampa, 2009.

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48

Caterina, Caneva, and Galleria degli Uffizi, eds. I volti del potere: La ritrattistica di Corte nella Firenze granducale. Firenze: Giunti, 2002.

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49

Judith, Rosenthal, and Williams Karen. Raffael und das Porträt Julius' II: Das Bild eines Renaissance-Papstes = Raphael and the portrait of Julius II : image of a Renaissance pope. Petersberg: Michael Imhof Verlag, 2013.

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50

Woods-Marsden, Joanna. Renaissance self-portraiture: The visual construction of identity and the social status of the artist. New Haven: Yale University Press, 1998.

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