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1

Jansen, Jeroen. Brevitas: Beschouwingen over de beknoptheid van vorm en stijl in de renaissance. Verloren, 1995.

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2

Stephan, Hoppe, Müller Matthias, Nussbaum Norbert, Fitzner Sebastian, and Milošević Ana, eds. Stil als Bedeutung: Stil als Bedeutung in der nordalpinen Renaissance : Wiederentdeckung einer methodischen Nachbarschaft. Schnell & Steiner, 2008.

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3

Der Stil des Neuen: Die europäische Renaissance. Klett-Cotta, 1997.

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4

Mândrescu, Gheorghe. Arhitectura în stil Renaștere la Bistrița. Presa Universitară Clujeană, 1999.

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5

Karlsruhe, Staatliche Kunsthalle, ed. Von Schönheit und Tod: Tierstillleben von der Renaissance bis zur Moderne. Staatliche Kunsthalle Karlsruhe, 2011.

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6

1954-, O'Brien John, and Quainton Malcolm, eds. Distant voices still heard: Contemporary readings of French Renaissance literature. Liverpool University Press, 2000.

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7

Gnann, Achim. Raphael und der klassische Stil in Rom, 1515-1527. Electa, 1999.

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8

Ångström, Inga Lena. Altartavlor i Sverige under renässans och barock: Studier i deras ikonografi och stil 1527-1686. Almqvist & Wiksell International, 1992.

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9

Ronberg, Gert. A way with words: The language of English Renaissance literature. E. Arnold, 1992.

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10

Attridge, Derek. Peculiar language: Literature as difference from the Renaissance to James Joyce. Methuen, 1988.

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11

Arbeitskreis für Hausforschung (Germany). Sektion Südtirol, ed. Der Überetscher Stil: Renaissancearchitektur an der Schnittstelle von Nord und Süd : Tagungsband der Regionalgruppe Alpen, 24. und 25. Oktober 2014, in Schloss Moos-Schulthaus, Eppan. Athesia Verlag, 2018.

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12

The Algebra geometrica of Paolo Bonasoni circa 1575: Being the only known work of this nearly forgotten Renaissance mathematician, excepting a still unpublished treatise on the division of circles : the only reported manuscript, through the courtesy of the University of Bologna. Golden Hind Press, 1985.

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13

School, Philly Free, ed. Sweet Pears (painting). Internet Archive, 2016.

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14

Kazakova, Gandalif. The problem of formation of romantic historicism and rehabilitation of medieval culture in the creative heritage of F. R. de Chateaubriand. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1044190.

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The monograph is devoted to the literary and scientific heritage of the famous French writer, historian, philosopher, thinker, diplomat and statesman F. R. de Chateaubriand, whose scientific works were practically unknown to the Russian reader for many decades. Being the founder of French romanticism and laying the main elements of this direction of culture, F. R. de Chateaubriand nevertheless causes numerous disputes and questions. The monograph shows the process of formation of the writer's romantic worldview on the example of his early works, which still retain traces of the literature of t
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15

Jansen, Jeroen. Brevitas: Beschouwingen over de beknoptheid van vorm en stijl in de renaissance. Verloren, 1995.

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16

Schilderkunst in Florence tussen 1400 en 1430: Een onderzoek naar stijl en stilistische vernieuwing. Universiteit Leiden, 2004.

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17

Stil novo. Rizzoli, 2012.

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18

Römische Grabmäler der Hochrenaissance: Typologie, Ikonographie, Stil. Rhema, 2010.

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19

K, Johnson Michael. Can't Stand Still: Taylor Gordon and the Harlem Renaissance. University Press of Mississippi, 2019.

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20

K, Johnson Michael. Can't Stand Still: Taylor Gordon and the Harlem Renaissance. University Press of Mississippi, 2019.

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21

Can't Stand Still: Taylor Gordon and the Harlem Renaissance. University Press of Mississippi, 2019.

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22

Can't Stand Still: Taylor Gordon and the Harlem Renaissance. University Press of Mississippi, 2019.

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23

Quainton, Malcolm, and John O'Brien. Distant Voices Still Heard: Contemporary Readings of French Renaissance Literature. Liverpool University Press, 2000.

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24

(Editor), John O'Brien, and Malcolm Quainton (Editor), eds. Distant Voices Still Heard: Contemporary Readings of French Renaissance Literature. Liverpool University Press, 2000.

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25

(Editor), John O'Brien, and Malcolm Quainton (Editor), eds. Distant Voices Still Heard: Contemporary Readings of French Renaissance Literature. Liverpool University Press, 2000.

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26

Klaniczay, Tibor. Renaissance und Manierismus: Zum Verhältnis Von Gesellschaftsstruktur, Poetik und Stil. de Gruyter GmbH, Walter, 2022.

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27

Koozin, Kristine. Vanitas Still Lifes of Harmen Steenwyck: Metaphoric Realism (Renaissance Studies, Vol 1). Edwin Mellen Pr, 1990.

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28

L'Alba Del Rinascimento Ovvero Il Dolce Stil Novo. Solfanelli, 2019.

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29

Stein, Gabriele. Word Studies in the Renaissance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198807377.001.0001.

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The rediscovery of the classical texts of Greek and Latin antiquity, the progress in the sciences, and the immense extension of the geographical knowledge of the world during the Renaissance created an unparalleled need for vocabulary expansion in the European languages. Latin was still the language of learning, but a growing nationalism called for a lexical development in the vernaculars. The printing press made possible the production of dictionaries and their wide dissemination. Sixteenth-century Europe is linguistically characterized by a high productivity in dictionary publications. These
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30

Snyder, Jean E. Burleigh Spirituals and the Harlem Renaissance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0017.

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This chapter examines the controversy between Harry T. Burleigh and his colleagues and critics over the issue of spirituals during the Harlem Renaissance. Although Burleigh was still regarded as the pioneer and by most as the master arranger of spirituals during the mid-1920s, there were dissenting voices. Henry Krehbiel, for example, warned against oversophistication of African American folk music “by standardizing its form, making it conform to the standard of music of European conception.” Carl Van Vechten also criticized Burleigh and his colleagues for relying on the Hampton and Fisk colle
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31

Low and high style in Italian Renaissance art. Garland Publishing, 1997.

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32

The Dutch table: Gastronomy in the golden age of the Netherlands. Pomegranate Artbooks, 1994.

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33

Plimpton, Taylor, and Gary Evans. SOL Still Our Lions: The Rise, Fall, and Renaissance of Detroit and its Pro Football Team. Cresting Wave Publishing, 2022.

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34

SOL Still Our Lions: The Rise, Fall, and Renaissance of Detroit and Its Pro Football Team. Cresting Wave Publishing, 2022.

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35

Plimpton, Taylor, and Gary Evans. SOL Still Our Lions: The Rise, Fall, and Renaissance of Detroit and Its Pro Football Team. Cresting Wave Publishing, 2022.

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36

Evans, Gary. SOL Still Our Lions: The Rise, Fall, and Renaissance of Detroit and Its Pro Football Team. Cresting Wave Publishing, 2022.

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37

Evans, Gary. SOL Still Our Lions: The Rise, Fall, and Renaissance of Detroit and Its Pro Football Team. Cresting Wave Publishing, 2022.

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38

Preston, Katherine K. The Renaissance of English-Language Opera in America. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371655.003.0003.

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This chapter examines the two most important English-language troupes active during the late 1860s and early 1870s. Caroline Richings, known as a “manageress” or “directress,” performed before, during, and after the Civil War. Her success shows conclusively that Americans of the immediate postwar period were still interested in English-language opera, even though most music critics believed that this style of performance was old-fashioned and passé. Many believed that Richings created the English-language-opera renaissance in America. The Scottish soprano Euphrosyne Parepa arrived in America i
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39

Dover Masterworks: Color Your Own Still Life Paintings. Dover Publications, Incorporated, 2014.

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40

Murchison, Gayle. New Paradigms in William Grant Still’s Blue Steel. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0008.

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This chapter examines the aesthetics underlying William Grant Still's Blue Steel and contextualizes it as a Harlem Renaissance work engaged with the African past and Still's diasporic present. Composed in 1934, Blue Steel was envisioned by Still as an African American opera—one that not only treated an African American subject, but was also rooted in African American and African diasporic culture—namely, its syncretic religion, voodoo or voudon. The chapter first takes a look at Still's first exposure to and early attempts at opera before discussing his collaborators in the creation of Blue St
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41

Battersby, Christine. Gender and Genius. Bloomsbury Publishing Plc, 1989. http://dx.doi.org/10.5040/9781350926790.

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During the Middle Ages and the Renaissance, women were blamed for having too much passion, imagination, and sexual appetite. By the late eighteen century, however, these qualities had been valued and appropriate for male artists. As new and old concepts of woman and genius clashed, there evolved a rhetoric of sexual apartheid which today still affects our perceptions of cultural achievement.
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42

Hartmann, Anna-Maria. English Mythography in its European Context, 1500-1650. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807704.001.0001.

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Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies—texts that collected and explained ancient myths—were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, because they have been wrongly considered mere copies of their European counterparts. This monograph studies the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross. By placing their te
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43

Peculiar Language: Literature as Difference from the Renaissance to James Joyce. Routledge, 2004.

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44

Womack, Deanna Ferree. Protestants, Gender and the Arab Renaissance in Late Ottoman Syria. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474436717.001.0001.

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The Ottoman Syrians - residents of modern Syria and Lebanon during the Ottoman Empire - formed the first Arabic-speaking Evangelical Church in the region. Protestants, Gender and the Arab Renaissance in Late Ottoman Syria offers a fresh narrative of the encounters of this minority Protestant community with American Presbyterian missionaries, Eastern churches and Muslims at the height of the Nahda (or Arab renaissance), from 1860 to 1915. Drawing on rare Arabic publications, the book challenges histories that focus on Western male actors. Instead it shows that Syrian Protestant women and men we
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45

Onuf, Nicholas Greenwood. Traditional Societies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190879808.003.0003.

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Traditional society is modernity’s “other”—that against which we moderns identify ourselves as modern. We believe that we live in a world of extraordinary dynamism unlike any other, while other societies honor their traditions and change very little. If modernity gets its start in the Renaissance, as Foucault held In The Order of Things, then, by his account, the Renaissance was still a traditional society and remained so. In such societies, similarities among things-as-they-seem are always significant; similitudes make their appearance in and as normatively potent signs. Just as children lear
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46

Ronberg, Gert. A Way With Words: The Language of English Renaissance Literature. Edward Arnold, 2000.

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47

Attridge, Derek. Peculiar Language: Literature as Difference from the Renaissance to James Joyce. Routledge, 2004.

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48

Luna, Antonio Bayés de. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198784906.003.0069.

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The electrocardiogram (ECG) is one of the simplest, inexpensive, safest, and reproducible techniques that exist in medicine. During the current renaissance of electrocardiography, we need to improve how to interpret an ECG. This is especially important because currently the automatic interpretation still needs medical supervision. In spite of the great relevance of the ECG in the diagnosis of heart diseases, this section also includes a chapter that expresses the limitations of the ECG, entitled ‘The abnormal ECG without apparent heart disease and the normal ECG in serious heart disease: two e
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49

Sweet Pears (painting). IA, 2019.

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50

Irises and Scissors. Internet Archive, 2015.

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