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Dissertations / Theses on the topic 'Renaissance'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 July 2025

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1

D’Amato, Gianni. "Renaissance des Bürgers." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2013/6344/.

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2

Giraud, Christophe. "Une renaissance inachevée ?" Clermont-Ferrand 2, 2005. http://www.theses.fr/2005CLF20012.

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Postulant l'inversion progressive des courants migratoires, cette thèse étudie la revitalisation des montagnes françaises. Le cadre retenu et le recensement font l'objet d'un examen initial. On analyse ensuite les soldes migratoires, avant de procéder au partage entre arrivées et départs. La deuxième partie aborde la notion de " migrant" et définit les "nouveaux habitants" par leur origine extérieure au territoire envisagé. Le profil des "arrivants" est affiné à l'intérieur de 39 cantons-témoins. Les motifs d'installation (emplois, cadre de vie) sont entrevus, de même que les dispositifs d'acc

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3

Godard, Anne. "La Renaissance dialogique : imitation et dialogisme dans les dialogues de la Renaissance." Paris, EHESS, 2000. http://www.theses.fr/2000EHES0042.

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4

Lees-Jeffries, Hester Mary Monica. "Fountains in Renaissance literature." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619607.

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5

Pontiff, Brenda Renee'. "The American renaissance festival." Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9947.

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6

Levergeois, Bertrand. "L'encyclopédisme de la Renaissance." Paris 10, 1997. http://www.theses.fr/1997PA100012.

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Apres avoir examine l'etat de la recherche sur l'encyclopedisme de la renaissance, il appa♭ rait que cette question a ete soit traitee partiellement, soit negligee, alors qu'en amont comme en aval de cette periode les etudes sont plus nombreuses. Dans un premier temps, l'objet encyclopedie est etudie via a) le terme "encyclopedie" et son apparition au xvie siecle (page de titre de ringelberg, naissance du neologisme, son adaptation en langue vulgaire) ; b) l'idee d'encyclopedie depuis l'antiquite (expose et cri♭ tique de la these d'h. -i. Marrou a propos de l'"enkukiios paideia") jusqu'a l'hum

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7

Barry, Marie Porterfield. "Lesson 08: The Renaissance." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/9.

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This lesson covers artworks created during the Renaissance in Europe. It begins with a preface on artworks created prior to the Renaissance that focused on Christian ideology and iconography. Artists discussed include Botticelli, Donatello, Michelangelo, Bernini, and Leonardo da Vinci.

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8

Hernandez, Lucia. "Nietzsche et la Renaissance." Thesis, Tours, 2008. http://www.theses.fr/2008TOUR2017.

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Ma recherche sera consacrée au regard que posait Nietzsche (1844-1900) sur, selon ses propres mots, cet « âge d’or », la Renaissance. Il s’agira de traiter de l’évaluation de la Renaissance par Nietzsche. Cette étude portera sur une analyse des auteurs de la Renaissance que Nietzsche a lu, comme par exemple Miguel de Cervantès (1547-1616) et parfois même apprécié tel que Michel de Montaigne (1533-1592) ou encore Nicolas Machiavel (1469- 1527). Elle m’amènera aussi à traiter de l’image de l’artiste et du génie de la Renaissance qu’il soit peintre comme par exemple Raphaël (1483-1520), sculpteur

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9

Zorich, Jonathan P. "Alexander VI: Renaissance Pope." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5213.

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The life of Pope Alexander VI has been the object of controversy for centuries. He has often been portrayed in terms of moral extremes. Those historians who have been critical of his methods and motives have depicted the Borgia pope as evil incarnate. For them, Alexander VI was the ultimate symbol of papal corruption. Those historians sympathetic with the church have claimed that Alexander was a slandered and misunderstood figure. In reality, Alexander VI could most accurately be described as temporal prince so typical of the Renaissance. In many respects, he was no better or worse than any ot

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10

Chakravarti, Paromita. "Renaissance discourses of folly illustrated with examples from English Renaissance drama, especially Shakespeare." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421739.

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11

Manuel, Franck. "L'âne astrologue : les Pronostications joyeuses en Europe (1476-1623)." Toulouse 2, 2006. http://www.theses.fr/2006TOU20110.

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À partir de la fin du XVe siècle apparaissent dans toute l'Europe des parodies textes prophétiques, le plus souvent astrologiques, intitulés pronostications. Après une étude des textes sources et du contexte polémique dans lequel ils apparaissent, l'analyse porte sur l'ensemble des parodies, délimitant au sein d'une grande diversité des groupes cohérents : calendriers parodiques, énigmes en prophétie, pronostications joyeuses et pronostications satiriques. La recherche se concentre alors sur le groupe le plus représenté et le plus riche, les pronostications satiriques, pour comprendre les rapp

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12

Hamlett, Lydia Kate. "The sacristy in Renaissance Venice." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/252030.

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13

Leino, Marika Annikki. "Italian Renaissance plaquettes in context." Thesis, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408126.

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14

Williams, Ella O. "The Harlem Renaissance: A handbook." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1987. http://digitalcommons.auctr.edu/dissertations/990.

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The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rap

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15

Lazarus, Micha David Swade. "Aristotle's Poetics in Renaissance England." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:fea8e0e3-df54-4b57-b45d-0b46acd06530.

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This thesis brings to light evidence for the circulation and first-hand reception of Aristotle's Poetics in sixteenth-century England. Though the Poetics upended literary thinking on the Continent in the period, it has long been considered either unavailable in England, linguistically inaccessible to the Greekless English, or thoroughly mediated for English readers by Italian criticism. This thesis revisits the evidentiary basis for each of these claims in turn. A survey of surviving English booklists and library catalogues, set against the work's comprehensive sixteenth-century print-history,

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16

Liu, Yang. "Renaissance of the Mogao Grotto." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83847.

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Dunhuang, an oasis city in the desert, preserved the flourishing, vanished and renaissance of the Silk Road in the past two thousand years. Due to the significant position located at the nodes of the routes on the Silk Road, Dunhuang has experienced a variety of cultural influences. Given its cruel desert climate where caravans were threatened by unpredictable dangers, Dunhuang became a religious center, especially for the development of Buddhism. Mogao Grotto is forever a shining pearl of Dunhuang. There are a total of 735 caves that have been identified and stretch the length of a 5578-feet

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17

Toda, K. "T.S. Eliot and Renaissance drama." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1463322/.

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The crucial importance of non-Shakespearian Renaissance dramatists to T.S. Eliot is evident in both his poetry and his prose. Eliot himself drew attention to this: he credited his own ‘poetic formation’ to the ‘minor Elizabethan dramatists’, and when reviewing his ‘critical output for the last thirty-odd years’ in 1951, he confessed himself ‘surprised to find how constantly I have returned to the drama, whether by examining the work of the contemporaries of Shakespeare, or by reflecting on the possibilities of the future.’ As C.S. Lewis disapprovingly wrote, Eliot’s ‘sympathy with depraved poe

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18

Sturm, Eduard. "Die Nietzsche-Renaissance in Italien /." Wien : VWGÖ, 1991. http://catalogue.bnf.fr/ark:/12148/cb356921628.

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19

Büscher, Mareile. "Künstlerverträge in der Florentiner Renaissance /." Frankfurt am Main : V. Klostermann, 2002. http://catalogue.bnf.fr/ark:/12148/cb399930253.

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20

Hahn, Nancy A. "Machiavelli's Prince: A renaissance pasquinade." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1264.

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21

Szekeres, Veronika <1957&gt. "Conduct Books in the Renaissance." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10495.

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The aim of my thesis is to identify Baldessar Castiglione's influence on the "conduct book" genre in the English Renaissance.In the first part of my dissertation I focus on the general definition and historical background of the Italian Renaissance. In this context I deal with Castiglione's literary work Il libro del cortegiano, its origin and the purpose of the author. Moreover I pay close attention and analyse Sir Thomas Hoby's English translation of Castiglione's volume, the strengths and weaknesses of the adaptation and the aim of the translator, Sir Thomas Hoby. In addition I draw conclus

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22

Mayer, Dana Bentley-Cranch. "A comparative historical study of the pre-Renaissance and Renaissance portrait in France and England." Thesis, Birkbeck (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409295.

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23

Kline, Jonathan Dunlap. "Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/4976.

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Art History<br>Ph.D.;<br>My dissertation studies the typological juxtaposition and syncretic incorporation of classical and Christian elements-subjects, motifs, and forms-in the art of the Italian Renaissance and the significant meaning of classical subjects and figures in such contexts. In this study, I analyze the interpretative modes applied to extra-Biblical and secular literature in the Italian Tre- and Quattrocento and the syncretic philosophies of the later Quattro- and early Cinquecento and reevaluate selected works of art from the Italian Renaissance in light of the period claims and

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24

Rohrmüller, Marc. "Architektur- und Ingenieurzeichnungen der deutschen Renaissance." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-24415.

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Am 1. April 2009 fiel der Startschuss für das von der Deutschen Forschungsgemeinschaft für 18 Monate geförderte Projekt „Architektur- und Ingenieurzeichnungen der deutschen Renaissance. Digitalisierung und wissenschaftliche Erschließung des Zeichnungsbestandes von 1500 – 1650“. Beantragt wurde es von der Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB) in Kooperation mit dem Kunsthistorischen Institut der Universität zu Köln und dem Max-Planck-Institut für Wissenschaftsgeschichte in Berlin.

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25

Wells, Donald Douglas Barbour Reid. "Political platonism in the English Renaissance." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1164.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English; Department/School: English.

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26

Davidson, Mark. "New build gentrification : London's riverside renaissance." Thesis, King's College London (University of London), 2006. https://kclpure.kcl.ac.uk/portal/en/theses/new-build-gentrification--londons-riverside-renaissance(870714ae-656d-4ddf-9185-6f92891f4224).html.

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27

Turner, Lewis. "Gender renaissance : re-configurations of femininity." Thesis, Lancaster University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418436.

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28

Salkeld, Duncan. "Madness in Shakespearean and Renaissance drama." Thesis, Cardiff University, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293065.

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29

Schwarz, A. B. Christa. "Gay voices of the Harlem Renaissance." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297966.

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30

Chowdhury, Sajed Ali. "Dissident metaphysics in Renaissance women's poetry." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45264/.

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This thesis considers the idea of the 'metaphysical' in sixteenth- and seventeenthcentury women's poetry, notably by exploring the female-voiced lyrics affiliated with Marie Maitland (d. 1596) in the Scottish manuscript verse miscellany, the Maitland Quarto (c. 1586). The study aims to reintegrate important strands of Renaissance culture which have been lost by too exclusive a focus on English, male writing and contexts. For many literary historians the 'metaphysical' refers overwhelmingly to Dryden's pejorative categorization of Donne and his followers. However, Sarah Hutton has recently show

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31

McCue, Maureen Clare. "British Romanticism and Italian Renaissance art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2680/.

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This study examines British Romantic responses to Italian Renaissance art and argues that Italian art was a key force in shaping Romantic-period culture and aesthetic thought. Italian Renaissance art, which was at once familiar and unknown, provided an avenue through which Romantic writers could explore a wide range of issues. Napoleon’s looting of Italy made this art central to contemporary politics, but it also provided the British with their first real chance to own Italian Old Master art. The period’s interest in biography and genius led to the development of an aesthetic vocabulary that m

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32

Withers, Wendy B. "Cupid's Victimization of the Renaissance Male." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1679.

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Following the path of the use of the Petrarchan sonnet in Renaissance England, this article explores why this specific form was so prevalent from the court of Henry VIII to that of his daughter, Elizabeth I. The article pays specific attention to the works of Sir Philip Sidney, Shakespeare, Richard Barnfield, and Lady Mary Sidney Wroth, paying close attention to social, political, and gender issues of the period.

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33

Gazzaz, Lama. "Renaissance of Saudi Women leaders' achievement." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/14736.

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This research investigated cultural and social factors that influenced or allowed Saudi women to become leaders. It also examined those values that are synchronous with cultural and social factors that improved their access to leadership opportunities. An understanding of the factors and values that enabled these Saudi women to succeed leads to better knowledge of formation of leadership character. The context in which these Saudi women achieved their successful goal of becoming leaders, provides insight into their development as leaders and contribute to leadership studies in a traditional an

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34

Cohen, Judith. "Reading Petrarch: The Renaissance Composer's View." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37089.

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35

Heller, Karl. "Gedanken zur Vivaldi-Renaissance der Gegenwart." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38320.

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36

Pereira, Carlos Henriques. "Naissance et renaissance de l'équitation portugaise." Paris 3, 2002. http://www.theses.fr/2002PA030122.

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Notre travail est divisé en quatre parties. La première partie est consacrée au premier traité d'équitation portugaise : " O livro da ensinança de bem cavalgar toda sela " de Dom Duarte (1435). Dom Duarte est le premier écrivain équestre post-antique à avoir analyser la préparation mentale du cavalier. La peur est le premier élément que le cavalier doit vaincre pour atteindre les hautes sphères de l'art équestre. Il a réalisé aussi la première codification de la tauromachie équestre. Son livre constitue un document précieux pour l'histoire de l'équitation médiévale européenne. La deuxième part

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37

Deletage, Valérie. "Phnom Penh : renaissance d'une capitale sacrifiée." Bordeaux 3, 2006. http://www.theses.fr/2006BOR30012.

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Au début des années 1970, le Cambodge est secoué par des troubles politiques internes mais aussi régionaux qui vont laisser place, en avril 1975, au régime khmer rouge. Ce nouveau gouvernement d'obédience communiste extrémiste impose, sans transition ni délai, une révolution agrarienne à tout un peuple. Cas unique dans l'histoire mondiale, en quelques jours Phnom Penh et les autres villes du pays sont totalement vidées de leur population. La population déportée dans les campagnes est réduite en esclavage sous la surveillance constante de " l'Angkar ", pouvoir indéfini, xénophobe et omnipotent.

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38

Little, William Lee. "Renaissance Commentaries on the Epistula Sapphus." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1563391908235177.

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39

Stumpf-Condry, Claudia. "The renaissance of Antinous (1500-1550)." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269970.

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40

McDonnell, Sharon Frances Irene. "Male poisoners in renaissance revenge tragedies." Thesis, Sheffield Hallam University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706122.

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Poisonings are the staple of revenge tragedies of the late Elizabethan and Jacobean periods, and contrary to a common perception that poison is a female weapon, male characters are often portrayed as the main perpetrators. I argue in this thesis that the plays discussed show a distinct type of male poisoner who employs poison as a weapon in a way that effeminises and emasculates them. I shall explore the character traits of this distinct male poisoner in six revenge tragedies: Hamlet, The Tragedy of Hoffman, The Revenger’s Tragedy, The Tragedy of Claudius Tiberius Nero, The Second Maiden’s Tra

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41

Bickmann, Isa. "Odilon Redon und die italienische Renaissance." [Heidelberg] : Universität Heidelberg / Universitätsbibliothek, 2007. http://nbn-resolving.de/urn:nbn:de:bsz:16-artdok-2729.

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42

Reeds, Karen. "Botany in medieval and Renaissance universities." New York : Garland, 1991. http://books.google.com/books?id=quLaAAAAMAAJ.

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Thesis (Ph. D.)--Harvard University, 1975.<br>"Annex: 'Renaissance humanism and botany, ' Annals of science 33 (1976), 519-542 [and] 'Publishing scholarly books in the sixteenth century, ' Scholarly publishing, April 1983, 259-274." Includes bibliographical references (p. 261-283) and index.

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43

Lange, Marjory. "An anatomy of English Renaissance tears." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186565.

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This dissertation traces shifts in the way tears were perceived during the English Renaissance, from roughly 1509 to 1660. Examining medical treatises, sermons, and lyric poetry, I demonstrate that tears and weeping underwent a paradigm shift both as literary symbols and phenomena. Although this revaluation is inconsistent between the different discourses, by the end of the Renaissance, patterns in place a century earlier had been significantly challenged, even redefined, as the most popular model in each genre gradually yielded to new insights. Chapter One examines medical treatises, primaril

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44

Slakey, Mark. "Calvin's hermeneutics in the American Renaissance." Thesis, Bangor University, 2001. https://research.bangor.ac.uk/portal/en/theses/calvins-hermeneutics-in-the-american-renaissance(08fc0c82-19b4-4b77-bd93-5a13be8b1c33).html.

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This thesis traces the development of Calvinist hermeneutic practices and their implications for social order as they relate to the writings of Ralph Waldo Emerson and Nathaniel Hawthorne. The tension in Calvinist reform between its liberating, individualistic piety and its strict, pure social order carried over into hermeneutic practice, resulting in three distinct hermeneutic traditions: the dogmatism upheld by the ecclesiastical and political elite; the subjective dogmatism of "inspired" radicals; and an open hermeneutics which emphasized receptivity to new meaning but recognized the import

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45

Maxson, Brian Jeffrey. "The Humanist World of Renaissance Florence." Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1107043913.

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This book offers a major contribution for understanding the spread and appeal of the humanist movement in Renaissance Florence. Investigating the connections between the individuals who were part of the humanist movement, Brian Jeffrey Maxson reconstructs the networks that bound them together. Overturning the problematic categorization of humanists as either professional or amateurs, a distinction based on economics and the production of original works in Latin, he offers a new way of understanding how the humanist movement could incorporate so many who were illiterate in Latin, but who noneth

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46

Hughes, Sarah Elizabeth. "An interdisciplinary unit on the Renaissance." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1277.

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47

Berriet, Thomas. "Poétiques du blâme à la Renaissance." Paris 7, 2014. http://www.theses.fr/2014PA070112.

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Cette thèse trouve son origine dans une hésitation de la poésie de la Renaissance entre deux postures critiques : d'un côté celle qu'implique le jeu satirique hérité d'Horace, de l'autre celle qui relève du blâme issu de la poésie archaïque ou de la tradition rhétorique. Son objectif est de mettre en lumière, au-delà des désaccords de surface, ce que révèle cette hésitation, afin de mieux comprendre la signification du projet épidictique des poètes de la Renaissance. La perspective de ce travail n'est donc pas générique ou formelle, mais s'inscrit dans une poétique anthropologique. Son origina

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48

Forwood, Matthew. "Poetry and the Rise of the Renaissance Artist: An investigation into the interdisciplinary nature of the Renaissance." Thesis, Department of History, 2011. http://hdl.handle.net/2123/7979.

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This thesis investigates the role poetry played in the rise of the Renaissance artist. It argues that the poetic technique ekphrasis influenced the theoretical writings of Leon Battista Alberti (1404-1472) and became the basis for Giorgio Vasari’s praise of Michelangelo as ‘divine’ (1550). It shows how poetry became a source of inspiration, in subject matter and in technique, of Sandro Botticelli’s illustrations of the Divine Comedy (1480-1500). It investigates how Alberti and Leonardo da Vinci argued that painting should be considered a dignified profession in wider society and how their argu

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49

Trébosc, Delphine. "Confronter l'art : les collections de raretés de la Renaissance française." Paris 1, 2004. http://www.theses.fr/2004PA010573.

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L'étude aborde les cabinets de raretés de la Renaissance française en tant que lieux d'exposition artistique et créations produisant un effet visuel intentionnel. Elle ambitionne de comprendre pourquoi et comment on exposait des oeuvres d'art dans des collections éclectiques et s'attache à déterminer les conditions et les modalités de la rencontre et du mélange des oeuvres et objets d'art modernes et antiques, des artefacts exotiques, des spécimens naturels et des instruments en leur sein. Ce travail comprend une analyse de leurs contenus, formes d'agrégation et déterminations socioculturelles

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50

Araujo, Fatima Ribeiro. ""Voyages du goût" : les échanges, les transformations et les synthèses d'aliments entre l'Europe, l'Afrique et l'Amérique du XVème au XVIIème siècles." Paris 7, 1992. http://www.theses.fr/1992PA070060.

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Il s'agit d'une etude sociologie, historique et anthropologique sur les premiers echanges, transformations et syntheses d'aliments entre les peuples de l'europe, l'afrique et l'amerique (specifiquement le bresil) pendant les grands voyages du quinzieme au dix-huitieme siecles. Nous essayons aussi de connaitre l'alimentation europeenne du quinzieme au dix-septieme siecles et celles des offices des caravelles qui vouageaient vers l'outre mer. Nous observonc egalement les aliments connus et inconnus des europeens, qui etaient retrouves sur la route maritime; les premiers contacts entre les hommes

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