Relevant bibliographies by topics / Renaud Barbaras

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Renaud Barbaras'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Renaud Barbaras"

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Goy, Mathias. "Entretien avec Renaud Barbaras." Le Philosophoire 46, no. 2 (2016): 135. http://dx.doi.org/10.3917/phoir.046.0135.

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San, Emre. "Entretien avec Renaud Barbaras." Le Philosophoire 52, no. 2 (2019): 125. http://dx.doi.org/10.3917/phoir.052.0125.

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Sacrini, Marcus. "Renaud Barbaras, leitor de Husserl." Cadernos Espinosanos, no. 27 (December 15, 2012): 95. http://dx.doi.org/10.11606/issn.2447-9012.espinosa.2012.89471.

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Neste texto, tenta-se explicitar algumas das principais marcas da leitura crítica de Husserl proposta por Barbaras. Destaca-se o reconhecimento da importância de Husserl como o desbravador do campo fenomenológico, mas também como limitador da compreensão desse campo, o qual seria, segundo o filósofo alemão, coordenado por tipos eidéticos objetivos.
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Pechar, Jiří. "Merleau-Ponty et Renaud Barbaras." Chiasmi International 18 (2016): 353–62. http://dx.doi.org/10.5840/chiasmi20161829.

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SILVA, Claudinei Aparecido de Freitas da. "O Elogio do Poético em Renaud Barbaras." PHENOMENOLOGICAL STUDIES-Revista da Abordagem Gestáltica 25, no. 2 (2019): 209–17. http://dx.doi.org/10.18065/rag.2019v25n2.11.

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Galhardo, Paula. "Percepção e exílio." Revista Filosófica de Coimbra 27, no. 54 (October 7, 2018): 333–38. http://dx.doi.org/10.14195/0872-0851_54_9.

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Este curto ensaio sobre o trabalho de Renaud Barbaras toma como fio condutor a relação entre percepção e separação: se a percepção exige que o sujeito se inscreva em uma certa continuidade ontológica com o mundo do qual ele provém, como pensar a necessária separação entre o sujeito e o mundo? Essa temática nos conduz, por um lado, a examinar um ponto de continuidade entre o trabalho de Renaud Barbaras e o de Merleau‑Ponty, pois ambos se propõem a pensar a questão do pertencimento. Por outro, ela nos leva a analisar a maneira pela qual Renaud Barbaras, caracterizando o modo de ser do sujeito como movimento, se distancia da filosofia de Merleau‑Ponty e abre caminho para uma perspectiva filosófica inédita, na qual a separação entre o sujeito e o mundo deve ser entendida como uma forma singular de exílio.
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Goy, Mathias. "Métaphysique du sentiment de Renaud Barbaras." Le Philosophoire 50, no. 2 (2018): 211. http://dx.doi.org/10.3917/phoir.050.0211.

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Galabru, Sophie. "Les Recherches phénoménologiques de Renaud Barbaras." Le Philosophoire 52, no. 2 (2019): 91. http://dx.doi.org/10.3917/phoir.052.0091.

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Citot, Vincent. "Vie et intentionnalité, de Renaud Barbaras." Le Philosophoire 22, no. 1 (2004): 177. http://dx.doi.org/10.3917/phoir.022.0177.

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Larison, Mariana. "Renaud Barbaras e a vitalidade da fenomenologia." Cadernos Espinosanos, no. 27 (December 15, 2012): 179. http://dx.doi.org/10.11606/issn.2447-9012.espinosa.2012.89475.

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A fenomenologia de Renaud Barbaras é uma das poucas que continua hoje tentando aprofundar, de maneira original, o caminho aberto pela fenomenologia husserliana. Mas qual é, precisamente, o caminho escolhido por Barbaras para se inscrever na tradição fenomenológica? De que modo se insere no diálogo aberto por esta tradição? Neste texto, tentaremos repor os problemas e conceitos principais que nos permitem compreender a continuidade e a ruptura que apresenta a fenomenologia barbarasiana em relação a esta tradição, assim como alguns dos limites de sua própria proposta.
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Dissertations / Theses on the topic "Renaud Barbaras"

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Vogler, Barbara Renate [Verfasser]. "Zur Reproduktionsbiologie der Fossa (Cryptoprocta ferox) / Barbara Renate Vogler." Berlin : Freie Universität Berlin, 2009. http://d-nb.info/1023621606/34.

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Frieß, Friederike Renate [Verfasser], Wolfgang [Akademischer Betreuer] Liebert, and Barbara [Akademischer Betreuer] Drossel. "Neutron-Physical Simulation of Fast Nuclear Reactor Cores / Friederike Renate Frieß ; Wolfgang Liebert, Barbara Drossel." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2017. http://d-nb.info/1138212237/34.

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Renaudie, Johan [Verfasser], Taniel [Akademischer Betreuer] Danelian, Barbara [Akademischer Betreuer] Mohr, and Wolfgang [Akademischer Betreuer] Kiessling. "A synthesis of Antarctic Neogene radiolarians : taxonomy, macroevolution and biostratigraphy / Johan Renaudie. Gutachter: Taniel Danelian ; Barbara Mohr ; Wolfgang Kiessling." Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät I, 2014. http://d-nb.info/1052579329/34.

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Reiner, Barbara Anna Maria [Verfasser], Renate [Akademischer Betreuer] Oberhoffer-Fritz, Jochen [Gutachter] Weil, Renate [Gutachter] Oberhoffer-Fritz, and Guido [Gutachter] Pieles. "Präventives Screening von Kindern und Jugendlichen mit angeborenem Herzfehler : Gesundheitsbezogene Lebensqualität, Sportmotorik und kardiovaskuläre Gesundheit / Barbara Anna Maria Reiner ; Gutachter: Jochen Weil, Renate Oberhoffer-Fritz, Guido Pieles ; Betreuer: Renate Oberhoffer-Fritz." München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/1229086552/34.

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Prášek, Petr. "LE DEVENIR-AUTRE DE L'EXISTENCE, ESSAI SUR LA PHÉNOMÉNOLOGIE CONTEMPORAINE." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-404294.

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The Becoming-other of the Existence, Essay on Contemporary Phenomenology, is both a systematic and a historical study of phenomenology. By choosing a systematic problem of becoming-other of the existence it attempts to present and to confront five major contemporary phenomenologists in France within a single phenomenological field: Henri Maldiney, Claude Romano, Jean-Luc Marion, Renaud Barbaras, and Marc Richir. The study enters phenomenology with Edmund Husserl and presents some key original concepts invented by two generations of post-husserlian authors who marked out the road to contemporary phenomenology: Martin Heidegger, Erwin Straus, Maurice Merleau-Ponty, Jan Patočka, Emmanuel Lévinas. Then it turns to "evential empiricism" in the work of Maldiney and Romano who consider the existent and the world in their belonging-together: the event is thus understood as co-birth of the subject and the world. Nevertheless, because of the fact that the existence that "becomes-other" is necessarily a finite existence, a radically separated existence from the metaphysical transcendence of the world, three other authors must become involved in the discussion: Marion, whose adonné is a limit of the givenness, and then Barbaras and Richir who explore the most archaic layers of the subjectivity within a...
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Quinke, Barbara Renate [Verfasser]. "Intraindividuelle und interindividuelle Unterschiede der Inhalationskinetik von Ethylen in Sprague-Dawley-Ratten / vorgelegt von Barbara Renate Quinke." 2006. http://d-nb.info/983779775/34.

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Will, Barbara Dorothea [Verfasser]. "Der Einfluss von Enalapril auf die renale Ausscheidung von NT-proBNP in gesunden Probanden / vorgelegt von Barbara Dorothea Will." 2006. http://d-nb.info/984138110/34.

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Nelting, Barbara Renate [Verfasser]. "Eine Untersuchung zur Entwicklung der mentalen Repräsentation von Zahlen bei Kindern der zweiten Schulklasse anhand der Navon-Aufgabe / vorgelegt von Barbara Renate Nelting geb. Krüger." 2007. http://d-nb.info/984952357/34.

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Books on the topic "Renaud Barbaras"

1

Looking for the Proletariat: Socialisme Ou Barbarie and the Problem of Worker Writing. BRILL, 2014.

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Hastings-King, Stephen. Looking for the Proletariat: Socialisme Ou Barbarie and the Problem of Worker Writing. Haymarket Books, 2015.

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Book chapters on the topic "Renaud Barbaras"

1

Barbaras, Renaud. "Renaud Barbaras." In Quadrige, 355–63. Presses Universitaires de France, 2015. http://dx.doi.org/10.3917/puf.zarka.2015.01.0355.

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Snyder, Sherri. "Eighteen." In Barbara La Marr. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813174259.003.0019.

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This chapter, building upon the foundation of Barbara’s vamp typecasting established in Chapter 16, involves a comprehensive exploration of a pivotal point in Barbara’s film acting career. She filmsBlack Orchids (1922) and Quincy Adams Sawyer (1922);The Prisoner of Zenda (1922) reaches theaters; producer Arthur Sawyer begins managing her career; andBlack Orchids, renamed Trifling Women, is released. Barbara’s success in the aforementioned films, principallyThe Prisoner of Zenda and Trifling Women, and their influence upon her career are delineated. Details pertaining to production, critical reception, and plot synopses accompany each film. Particular attention is given to Barbara’s work on Trifling Women, as it is the film that most strongly affects her career; furthermore, it is while making this film that Barbara is obliged to conceal her pregnancy. Her son is born in secret after her work on Trifling Women concludes.
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Curtis, Cathy. "A Taste of Success." In Alive Still, 59–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190908812.003.0005.

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In 1956, Nell joined the new Poindexter Gallery. Reviewers praised her first show. The following year, she was awarded a residency at Yaddo (the artists’ colony in Saratoga Springs, New York), meeting poets Jane Mayhall and May Swenson. Afterward, she traveled to Mexico City and Oaxaca, where she worked at night by the light of an oil lamp. On her return, she spent several weeks at the MacDowell Colony in New Hampshire, followed by another stay at Yaddo in December, when her fellow residents were poets Barbara Guest and Jean Garrigue. Nell spent the summer of 1958 in a rented studio in Gloucester. It was there that ARTnews writer Lawrence Campbell visited her to write a major piece about her work on Harbor and Green Cloth, illustrated with photographs by her friend Rudy Burckhardt. A second version of this painting was purchased by the Whitney Museum of American Art.
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Sklair, Leslie. "Corporate Starchitects and Unique Icons." In The Icon Project. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190464189.003.0009.

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Although some find it unpleasant and others find it flippant, the term ‘starchitect’ is theoretically useful for the sociology of architecture. It connects the world of the architect with the world of celebrity, and it con­nects architecture as an esoteric aesthetic practice with architecture as an industry in the public eye. Over the last few years, the term has become well established in the mass media and in trade publications, and it is also, slowly, starting to be taken seriously by scholars in and around architecture (e.g., McNeill 2009, Ponzini and Nastasi 2011; Knox 2012; Gravari-Barbas and Renard-Delautre 2015). The quest for fame, of course, is not new. Leon Battista Alberti, universal man, prodigious self-promoter of the early renaissance, and still an architectural notable, wrote an allegorical play on fame in the 1440s, recently reprinted (Alberti 1987). Neither Frank Lloyd Wright (1869–1959) nor Le Corbusier (1887–1965, Corb) shunned public­ity; both were what we would now call celebrities. Their rivalry is well documented, mostly in arguments around different conceptions of modernism—they never met. Noting that Wright called the Villa Savoye, one of Corb’s most celebrated buildings, ‘a box on stilts’, the cultural historian Nicholas Cox Weber, in his life of Corb, comments: ‘Today, it is an icon of twentieth-century design and has spawned countless imitations all over the world’ (2008: 288; see also Etlin 1994). Wright and Corb died around the time capitalist globalization was beginning to establish itself as a truly global system, and their own lives contained significant measures of socially produced iconicity. Although these terms were not used about them during their lifetimes, they can be considered proto-global and proto-iconic architects, by which I mean that the terms ‘global’ and ‘iconic’ are fruitfully employed today about them and their surviving architectural works. So, before considering the starchitects of our time, it is instructive first of all to delve briefly into the careers of these two most iconic architects of the first half of the 20th century. Wright and Corb both enjoy institutional legacies and continue to have plenty of enthusiasts.
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