Relevant bibliographies by topics / René Magritte

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Academic literature on the topic 'René Magritte'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "René Magritte"

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Weinstein, Cindy. "La Reproduction interdite: Magritte's Reproduction of Pym." Poe Studies 55, no. 1 (2022): 32–58. http://dx.doi.org/10.1353/poe.2022.a864936.

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ABSTRACT: This essay links the representation of faces in Poe's The Narrative of Arthur Gordon Pym —their disfigurement, unrecognizability, self-estrangement—with the absent face in René Magritte's La Reproduction interdite . A triadic relation exists among three figures in the painting: Poe, Magritte, and the (unseen) man in the mirror, Edward James. For example, Poe's writings inspired Magritte, whose oeuvre includes several versions of Le Domaine d'Arnheim ; Magritte's interest in language, particularly apparent in Ceci n'est pas une pipe and La Clef des songes , intersects with Poe's lingu
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BOUZIDA, Fethi, and Ali ELLOUMI. "This is not banal or the image as poetic of the banal." Advances in Social Sciences Research Journal 8, no. 5 (2021): 129–36. http://dx.doi.org/10.14738/assrj.85.10173.

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Our objective in this article is to ask the question of the conceptual contribution of René Magritte's work through its relationship with meaning. Beyond trying to express the meaning of his images. Rather, it is to infringe the notion of the "banal" that Magritte has certainly articulated in his work. What is at stake in Magritte's work escapes meaning. So we are faced with an image in itself, in its poetic dimension ; thought-out production of visibility which calls for a view uncluttered from all eyes. In short, an image that sends us back to a pure visual perception.
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Kim, Young Jin. "Characteristics of Surrealism and Study of Authors : Centered on Salvador Dalí, René Magritte, M. C. Escher." Korea Institute of Design Research Society 10, no. 2 (2025): 822–34. https://doi.org/10.46248/kidrs.2025.2.822.

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Surrealism is an artistic movement that breaks the boundaries of reality, exploring the unconscious and repressed realities to inspire new forms of creativity and imagination in art. Emerging in the early 20th century, surrealism significantly influenced not only the visual arts but also a wide range of media including film, advertising, and literature. In particular, René Magritte’s use of objet and dépaysement techniques conveyed powerful messages through irrational and enigmatic expressions. This study aims to examine the surrealist worldview and artistic intentions of three representative
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Smith Soto, Alan. "«Ceci n’est pas Vallejo», o «¿Quién no tiene su vestido azul?»: Vallejo y Magritte en traje de hombre." Archivo Vallejo 1, no. 1 (2018): 14. http://dx.doi.org/10.34092/av.v1i1.36.

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El poeta peruano César Vallejo y el pintor belga René Magritte comparten querencias estéticas y vitales fundamentales, llevar al lector o el espectador por una serie de signos que chocan con el vacío aparente, el misterio, el surco prolífico. Una aracterística compartida es la frecuencia del motivo de la ropa masculina burguesa, signo de identidad del que el poeta se va despojando y en el cual el pintor insiste para dar con pasmoso aplomo en el misterio.
 ABSTRACTThe Peruvian poet, César Vallejo, and the Belgian painter, René Magritte share fundamental esthetic and vital lost homes, a yea
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TYSON, JANET. "RENÉ MAGRITTE: BEYOND PAINTING BY PATRICIA ALLMER." Art Book 17, no. 3 (2010): 77–78. http://dx.doi.org/10.1111/j.1467-8357.2010.01122_1.x.

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Rothman, Roger. "A Mysterious Modernism: René Magritte and Abstraction." Konsthistorisk Tidskrift/Journal of Art History 76, no. 4 (2007): 224–39. http://dx.doi.org/10.1080/00233600701544716.

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Bourjea, Serge. "René Magritte : « Le visage recouvert d’un drap … »." Contemporary French and Francophone Studies 10, no. 4 (2006): 463–73. http://dx.doi.org/10.1080/17409290601040502.

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Meurer, Clio Elizabeth De Carvalho. "René Magritte : Les Proses de Distances (1928)." Interfaces 29, no. 1 (2010): 49–66. http://dx.doi.org/10.3406/inter.2010.1352.

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Alexandre Cavalcante de Miranda, José, and Maria De Fátima Barbosa de Mesquita Batista. "A CONTRAJUNÇÃO SEMIÓTICA NA OBRA DE RENÉ MAGRITTE." Acta Semiótica et Lingvistica 24, no. 1 (2019): 98–109. http://dx.doi.org/10.22478/ufpb.2446-7006.2019v24n1.49256.

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O Surrealismo foi uma escola estética de grande importância para a História da Arte ocidental. Mesmo sendo uma arte que protestava contra as crises provocadas pelos sistemas burgueses, isso não diminuiu sua força expressiva e influência sobre outros países, incluindo o Brasil. Iniciado em Paris, logo após a primeira Grande Guerra, este movimento artístico contaria com um pintor belga de enorme expressividade: René Magritte. O presente trabalho busca observar sob a ótica de três escolas da Semiótica apenas uma estratégia utilizada por Magritte para quebrar o jogo de representação do real, a qua
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Bigeli, Alan Ricardo Floriano, and Gustavo Henrique Dionisio. "O estranhamento do banal: a poética magritteana sob um olhar psicanalítico." Estudos Interdisciplinares em Psicologia 9, no. 1 (2018): 26. http://dx.doi.org/10.5433/2236-6407.2018v9n1p26.

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O presente artigo pretende construir possíveis relações entre a psicanálise e algumas das obras mais inquietantes de René Magritte (1898 – 1967), mantendo consonância com a curadoria de uma exposição sobre o artista, chamada “Magritte: The Mystery of the Ordinary”. Para tanto, além de nos debruçarmos sobre materiais de comentadores e críticos da obra do pintor, investigamos também os textos produzidos pelo próprio Magritte, nos quais o pintor versa sobre conceitos fundamentais para a compreensão de seu pensamento artístico: emoção estética, poética, mistérios do cotidiano, estranhamento (resso
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Dissertations / Theses on the topic "René Magritte"

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Yu, Myongja. "René Magritte : écriture, peinture." Poitiers, 1995. http://www.theses.fr/1995POIT5012.

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Etude de l'evolution des idees de rene magritte (1898-1967) sur les mots et les images qui comporte quatre parties : "genese d'un peintre", "sous lesigne des mots et des images", "pensee image", "poetiqsue de l'art de magritte". Evolution vers l'alliance des mots et des images pour rendre visible la veritable "pensee" inspiree qui tend a aboutir la conception magrittienne du "veritable art de peindre" : c'est une poesie "visible". L'art de magritte vise a "obliger" la pensee, a "penser" ("voir") et a devenir libre a travers les images liberees. Cette peinture est le "signe materiel de la liber
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Ávila, Roberta Vieira da Cunha. "Julio Cortázar e René Magritte." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/182800.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2017.<br>Made available in DSpace on 2018-01-23T03:17:34Z (GMT). No. of bitstreams: 1 349628.pdf: 1492625 bytes, checksum: 3035035f66f3a240e0dc79bf8190ecf1 (MD5) Previous issue date: 2017<br>Essa dissertação é uma proposta de leitura comparada de Julio Cortázar e René Magritte. Para realizar essa análise, foram destacados, principalmente, os contos de Cortázar ?Circe? publicado em Bestiário, de 1951, e ?Axolote?, publicado em Final de Jog
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Joemets, Micheline. "René Magritte, a critique of reification." Master's thesis, Université Laval, 1991. http://hdl.handle.net/20.500.11794/33550.

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Cet ouvrage examine les oeuvres de René Magritte datant de 1925 à 1933. L’auteur considère les oeuvres crées au cours de ces années comme appartenant à deux moments distincts d’un même cheminement critique des relations marchandes. Le premier moment est situé de 1925 à 1927, le second en 1933, au seuil de la découverte d’un processus de formation d’images appelé "objet- réponse". Ces deux périodes sont considérées comme étant basées sur des modes de construction opposés. Les oeuvres datant de la première période sont perçues comme étant le résultat d’une volonté de nier les principes structure
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Meurer, Clio Elizabeth de Carvalho. "Joan MIRÓ, René MAGRITTE : écriture et création picturale." Paris 7, 2008. http://www.theses.fr/2008PA070003.

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C'est en procédant à une analyse de l'interaction entre l'écriture et l'image dans les œuvres de Joan Miró et de René Magritte que ce travail de mise en contraste cherche à vérifier quel est le rôle joué par l'écriture dans la création picturale - vérifier comment le langage écrit influence, interfère et/ou s'incorpore dans la genèse de l'œuvre d'art. Le texte est structuré autour de quatre axes centraux d'analyse, chacun comportant son propre fondement théorique et méthodologique. Le premier axe examine les fondements du modus operandi des deux artistes, et vise à mettre en valeur l'importanc
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Rodrigues, Ana Paula Dias [UNESP]. "Lygia Fagundes Telles e René Magritte: diálogos entre textos e telas." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99116.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-02-26Bitstream added on 2014-06-13T20:20:12Z : No. of bitstreams: 1 rodrigues_apd_me_sjrp.pdf: 957510 bytes, checksum: 55e3937d74fcb290d6d51e27de575279 (MD5)<br>Considerando a evolução nos campos da produção artística e do próprio exercício crítico, o presente trabalho consiste em uma análise comparativa entre três contos da escritora brasileira Lygia Fagundes Telles e três telas do pintor belga René Magritte. Essa análise demonstra, a partir do conceito de homologia estrutural desenvolvido
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Rodrigues, Ana Paula Dias. "Lygia Fagundes Telles e René Magritte : diálogos entre textos e telas /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/99116.

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Orientador: Sérgio Vicente Motta<br>Banca: Maria de Lourdes Ortiz Gandini Bladan<br>Banca: Aguinaldo José Gonçalves<br>Resumo: Considerando a evolução nos campos da produção artística e do próprio exercício crítico, o presente trabalho consiste em uma análise comparativa entre três contos da escritora brasileira Lygia Fagundes Telles e três telas do pintor belga René Magritte. Essa análise demonstra, a partir do conceito de homologia estrutural desenvolvido por Aguinaldo José Gonçalves, as correspondências estruturais e procedimentais entre Pintura e Literatura e, também, suas especificidades
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Greeley, Robin Adèle. "Image, text and the female body : René Magritte and the surrealist publications." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/74338.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.<br>Includes bibliographical references (leaves 66-73).<br>In 1935, Andre Breton published his speech Qu'est-ce que le Surrealisme? with Rene Magritte's drawing, "Le Viol" (The Rape) on its cover. The image, a view of a woman's head in which her facial features have been replaced by her torso, was meant to shock the viewer out of complacent acceptance of present reality into "surreality," that liberated state of being which would foster revolutionary social change. Because "Le Viol" is such a violently charged im
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Santos, Carolina Junqueira dos. "A ordem secreta das coisas: René Magritte e o jogo do visível." Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/VPQZ-6X4PYA.

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Loeuvre de René Magritte, loin des projecteurs du Surréalisme, est une oeuvre silencieuse. Une peinture tournée vers la pensée, vers lanalyse des images, du langage et de la représentation. Magritte a dédié la plupart de sa vie à cette recherche infatigable et, tout le temps, à deux questions: quelle est la place de limage? Quelle est la place du mot? Dans ce texte, jadopte la stratégie de mapprocher de son oeuvre par une voie tortueuse et incertaine. Ainsi, je fais reculer à un temps mythique la question sous-jacente à sa production, en me présentant comme la détentrice des souvenirs dune gen
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Pettersson, Emma. "Människosonens beständighet : Bildanalys av två surrealistiska konstverk." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24846.

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Syftet med detta arbete är utifrån litteraturuppgifter samt analys beskriva Salvador Dalis och René Magrittes konstnärliga arbetsmetod, och utifrån detta göra en egen visuell gestaltning. Metoden jag har använt mig utav är litteratur, bildandalys och konstnärliga gestaltningar.Salvador Dalis metod i Minnets beständighet bygger på gränslöshet och fantasi, med tydliga semiotiska inslag. Du som betraktare avgör vad som ses, vill du se målningarna enkelt och bara uppleva det som är målat, eller vill betraktaren sjunka in i en värld av nyskapande, suddiga gränser och bortom alla regler. René Magrit
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Moraes, Walmira Sodré Austríaco [UNESP]. "Sob o domínio da metáfora: transposição de imagens poéticas (em) entre Edgar Allan Poe e René Magritte." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/137917.

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Submitted by WALMIRA SODRÉ AUSTRÍACO MORAES null (walmira.sodre@hotmail.com) on 2016-04-12T00:03:48Z No. of bitstreams: 1 TESE MORAES, Walmira Sodré Austríaco .pdf: 20646176 bytes, checksum: f74fdb48a92c1f63709f47e5cfb4d9c2 (MD5)<br>Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-04-13T13:50:30Z (GMT) No. of bitstreams: 1 moraes_wsa_dr_sjrp.pdf: 20646176 bytes, checksum: f74fdb48a92c1f63709f47e5cfb4d9c2 (MD5)<br>Made available in DSpace on 2016-04-13T13:50:30Z (GMT). No. of bitstreams: 1 moraes_wsa_dr_sjrp.pdf: 20646176 bytes, checksum: f74fdb4
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Books on the topic "René Magritte"

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Magritte, René. René Magritte. Chr.Belser AG f ur Verlagsgesch afte &Co.KG, 2003.

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Venezia, Mike. René Magritte. Children's Press, 2002.

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Wilkinson, Alan G. René Magritte: L'Anniversaire. Art Gallery of Ontario, 1994.

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Magritte, Musée René. Musée René Magritte : 10 ans: René Magritte Museum 10 jaar = René Magritte Museum 10 years. Musée René Magritte, 2009.

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Magritte, René. René Magritte, 1898-1967. Ludion, 1998.

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Meuris, Jacques. René Magritte, 1898-1967. Benedikt Taschen, 1992.

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Keur, Marieke, ed. René Magritte, 1898-1967. Taschen, 1990.

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David, Sylvester, and Whitfield Sarah, eds. René Magritte, catalogue raisonné. Menil Foundation, 1992.

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Michel, Draguet, Borràs Maria Lluïsa, and Villa comunale dell'Olmo (Como, Italy), eds. René Magritte: L'impero delle luci. Ludion, 2006.

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Ronny Van de Velde (Gallery : Antwerp, Belgium), ed. René Magritte: Peintures et gouaches. R. Van de Velde, 1994.

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Book chapters on the topic "René Magritte"

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Lipinski, Lisa. "René Magritte." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-98390-5_151-1.

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Wild, Gerhard. "Magritte, René." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12981-1.

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Wild, Gerhard. "Magritte, René: Die Prosaschriften." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12982-1.

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Subbotsky, Eugene. "The magic crystal of RenÉ Magritte." In Science and Magic in the Modern World. Routledge, 2018. http://dx.doi.org/10.4324/9780429490378-2.

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Haubl, Rolf. "Depersonalisierung im Werk von René Magritte." In Orte des Unheimlichen. Vandenhoeck & Ruprecht, 2006. http://dx.doi.org/10.13109/9783666451768.115.

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Block, David L., Kenneth C. Freeman, and Ivâo Puerari. "Shrouds of the Night – Galaxies and René Magritte." In Galaxies and their Masks. Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7317-7_2.

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Lipinski, Lisa. "Introduction." In René Magritte and the Art of Thinking. Routledge, 2019. http://dx.doi.org/10.4324/9781315114149-1.

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Lipinski, Lisa. "Bringing Thought to Life." In René Magritte and the Art of Thinking. Routledge, 2019. http://dx.doi.org/10.4324/9781315114149-2.

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Lipinski, Lisa. "The Use of Speech in Painting." In René Magritte and the Art of Thinking. Routledge, 2019. http://dx.doi.org/10.4324/9781315114149-3.

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Lipinski, Lisa. "The Mystery of the Visible." In René Magritte and the Art of Thinking. Routledge, 2019. http://dx.doi.org/10.4324/9781315114149-4.

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