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Dissertations / Theses on the topic 'René Magritte'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Yu, Myongja. "René Magritte : écriture, peinture." Poitiers, 1995. http://www.theses.fr/1995POIT5012.

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Etude de l'evolution des idees de rene magritte (1898-1967) sur les mots et les images qui comporte quatre parties : "genese d'un peintre", "sous lesigne des mots et des images", "pensee image", "poetiqsue de l'art de magritte". Evolution vers l'alliance des mots et des images pour rendre visible la veritable "pensee" inspiree qui tend a aboutir la conception magrittienne du "veritable art de peindre" : c'est une poesie "visible". L'art de magritte vise a "obliger" la pensee, a "penser" ("voir") et a devenir libre a travers les images liberees. Cette peinture est le "signe materiel de la liber

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Ávila, Roberta Vieira da Cunha. "Julio Cortázar e René Magritte." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/182800.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2017.<br>Made available in DSpace on 2018-01-23T03:17:34Z (GMT). No. of bitstreams: 1 349628.pdf: 1492625 bytes, checksum: 3035035f66f3a240e0dc79bf8190ecf1 (MD5) Previous issue date: 2017<br>Essa dissertação é uma proposta de leitura comparada de Julio Cortázar e René Magritte. Para realizar essa análise, foram destacados, principalmente, os contos de Cortázar ?Circe? publicado em Bestiário, de 1951, e ?Axolote?, publicado em Final de Jog

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3

Joemets, Micheline. "René Magritte, a critique of reification." Master's thesis, Université Laval, 1991. http://hdl.handle.net/20.500.11794/33550.

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Cet ouvrage examine les oeuvres de René Magritte datant de 1925 à 1933. L’auteur considère les oeuvres crées au cours de ces années comme appartenant à deux moments distincts d’un même cheminement critique des relations marchandes. Le premier moment est situé de 1925 à 1927, le second en 1933, au seuil de la découverte d’un processus de formation d’images appelé "objet- réponse". Ces deux périodes sont considérées comme étant basées sur des modes de construction opposés. Les oeuvres datant de la première période sont perçues comme étant le résultat d’une volonté de nier les principes structure

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4

Meurer, Clio Elizabeth de Carvalho. "Joan MIRÓ, René MAGRITTE : écriture et création picturale." Paris 7, 2008. http://www.theses.fr/2008PA070003.

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C'est en procédant à une analyse de l'interaction entre l'écriture et l'image dans les œuvres de Joan Miró et de René Magritte que ce travail de mise en contraste cherche à vérifier quel est le rôle joué par l'écriture dans la création picturale - vérifier comment le langage écrit influence, interfère et/ou s'incorpore dans la genèse de l'œuvre d'art. Le texte est structuré autour de quatre axes centraux d'analyse, chacun comportant son propre fondement théorique et méthodologique. Le premier axe examine les fondements du modus operandi des deux artistes, et vise à mettre en valeur l'importanc

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5

Rodrigues, Ana Paula Dias [UNESP]. "Lygia Fagundes Telles e René Magritte: diálogos entre textos e telas." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99116.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-02-26Bitstream added on 2014-06-13T20:20:12Z : No. of bitstreams: 1 rodrigues_apd_me_sjrp.pdf: 957510 bytes, checksum: 55e3937d74fcb290d6d51e27de575279 (MD5)<br>Considerando a evolução nos campos da produção artística e do próprio exercício crítico, o presente trabalho consiste em uma análise comparativa entre três contos da escritora brasileira Lygia Fagundes Telles e três telas do pintor belga René Magritte. Essa análise demonstra, a partir do conceito de homologia estrutural desenvolvido

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Rodrigues, Ana Paula Dias. "Lygia Fagundes Telles e René Magritte : diálogos entre textos e telas /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/99116.

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Orientador: Sérgio Vicente Motta<br>Banca: Maria de Lourdes Ortiz Gandini Bladan<br>Banca: Aguinaldo José Gonçalves<br>Resumo: Considerando a evolução nos campos da produção artística e do próprio exercício crítico, o presente trabalho consiste em uma análise comparativa entre três contos da escritora brasileira Lygia Fagundes Telles e três telas do pintor belga René Magritte. Essa análise demonstra, a partir do conceito de homologia estrutural desenvolvido por Aguinaldo José Gonçalves, as correspondências estruturais e procedimentais entre Pintura e Literatura e, também, suas especificidades

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7

Greeley, Robin Adèle. "Image, text and the female body : René Magritte and the surrealist publications." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/74338.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.<br>Includes bibliographical references (leaves 66-73).<br>In 1935, Andre Breton published his speech Qu'est-ce que le Surrealisme? with Rene Magritte's drawing, "Le Viol" (The Rape) on its cover. The image, a view of a woman's head in which her facial features have been replaced by her torso, was meant to shock the viewer out of complacent acceptance of present reality into "surreality," that liberated state of being which would foster revolutionary social change. Because "Le Viol" is such a violently charged im

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Santos, Carolina Junqueira dos. "A ordem secreta das coisas: René Magritte e o jogo do visível." Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/VPQZ-6X4PYA.

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Loeuvre de René Magritte, loin des projecteurs du Surréalisme, est une oeuvre silencieuse. Une peinture tournée vers la pensée, vers lanalyse des images, du langage et de la représentation. Magritte a dédié la plupart de sa vie à cette recherche infatigable et, tout le temps, à deux questions: quelle est la place de limage? Quelle est la place du mot? Dans ce texte, jadopte la stratégie de mapprocher de son oeuvre par une voie tortueuse et incertaine. Ainsi, je fais reculer à un temps mythique la question sous-jacente à sa production, en me présentant comme la détentrice des souvenirs dune gen

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Pettersson, Emma. "Människosonens beständighet : Bildanalys av två surrealistiska konstverk." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24846.

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Syftet med detta arbete är utifrån litteraturuppgifter samt analys beskriva Salvador Dalis och René Magrittes konstnärliga arbetsmetod, och utifrån detta göra en egen visuell gestaltning. Metoden jag har använt mig utav är litteratur, bildandalys och konstnärliga gestaltningar.Salvador Dalis metod i Minnets beständighet bygger på gränslöshet och fantasi, med tydliga semiotiska inslag. Du som betraktare avgör vad som ses, vill du se målningarna enkelt och bara uppleva det som är målat, eller vill betraktaren sjunka in i en värld av nyskapande, suddiga gränser och bortom alla regler. René Magrit

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10

Moraes, Walmira Sodré Austríaco [UNESP]. "Sob o domínio da metáfora: transposição de imagens poéticas (em) entre Edgar Allan Poe e René Magritte." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/137917.

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Submitted by WALMIRA SODRÉ AUSTRÍACO MORAES null (walmira.sodre@hotmail.com) on 2016-04-12T00:03:48Z No. of bitstreams: 1 TESE MORAES, Walmira Sodré Austríaco .pdf: 20646176 bytes, checksum: f74fdb48a92c1f63709f47e5cfb4d9c2 (MD5)<br>Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-04-13T13:50:30Z (GMT) No. of bitstreams: 1 moraes_wsa_dr_sjrp.pdf: 20646176 bytes, checksum: f74fdb48a92c1f63709f47e5cfb4d9c2 (MD5)<br>Made available in DSpace on 2016-04-13T13:50:30Z (GMT). No. of bitstreams: 1 moraes_wsa_dr_sjrp.pdf: 20646176 bytes, checksum: f74fdb4

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Mensa, Torras Marta. "L'altra cara de René Magritte, el publicista. Una anàlisi de contingut dels anuncis del dominical d'El País (1995-2005)." Doctoral thesis, Universitat Autònoma de Barcelona, 2007. http://hdl.handle.net/10803/4130.

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La tesi investiga la relació entre l'art de René Magritte i la publicitat actual. Es vol esbrinar si durant un determinat període de temps es detecta una permanència de l'art magrittià en peces gràfiques actuals i per tant es pot determinar l'existència de "publicitat magrittiana". Per tal d'acotar aquest objectiu s'empra la metodologia de l'anàlisi de contingut amb una mostra de 6.360 anuncis editats en la publicitat impresa del dominical espanyol d'"El País Semanal" (El País). A la vegada, es realitza un recorregut comparatiu entre les etapes pictòriques i publicitàries de l'artista belga, f

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Linardi, Ana Beatriz. "Lautreamont / Magritte : poesia e artes plasticas nos cantos de Maldoror." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251276.

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Orientador : Joaquim Brasil Fontes<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-07-28T00:21:01Z (GMT). No. of bitstreams: 1 Linardi_AnaBeatriz_M.pdf: 39958102 bytes, checksum: 2bd51290db8cec4da6c1012120be4514 (MD5) Previous issue date: 2001<br>Mestrado

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13

Chao, Shun-liang. ""Aegri somnia" : the grotesque in the works of Richard Crashaw, Charles Baudelaire, and René Magritte." Thesis, University College London (University of London), 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.758580.

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14

Biserni, Marcella. "Le polyèdre de Magritte : Reflets littéraires de l’objet peint, filmé et scénarisé." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3082.

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Cette thèse se propose d’analyser les différents aspects de l'art de R. Magritte dans son interdisciplinarité. Le premier chapitre prend comme point de départ le versant philosophique et linguistique que l’on peut remarquer dans son œuvre, pour analyser de façon détaillée les aspects mimétiques et sémiotiques. L'utilisation que fait Magritte de certaines formes de la rhétorique rend évidente l'importance de l'aspect graphémique du mot, gouverné par le visible. La coïncidence entre les deux contraires (sémiosis et mimesis) laisse percevoir l'espace qui les sépare. D'un point de vue comparatiste

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Moraes, Walmira Sodré Austríaco. "Sob o domínio da metáfora : transposição de imagens poéticas (em) entre Edgar Allan Poe e René Magritte /." São José do Rio Preto, 2016. http://hdl.handle.net/11449/137917.

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Orientador: Norma Wimmer<br>Banca: Manuel Fernando Medina<br>Banca: Paulo Sérgio Nolasco dos Santos<br>Banca: Giséle Manganelli Fernandes<br>Banca: Nelson Luís Ramos<br>Resumo: O corpus desta pesquisa constitui-se dos contos de Edgar Allan Poe, The Domain of Arnheim or Landscape Garden, publicado pela primeira vez em 1847, e Landor's Cottage. A pendant to "The Domain of Arnheim", publicado pela primeira vez em 1849. Aos dois contos agrupam-se as pinturas de René Magritte que recebem o mesmo título do conto de Poe: The Domain of Arnheim (1938), The Domain of Arnheim (1944), The Domain of Arnhei

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16

Bigeli, Alan Ricardo Floriano. "Contribuições de uma poética magritteana para a psicanálise : diálogos entre processos de subjetivação e obra de arte /." Assis, 2019. http://hdl.handle.net/11449/191230.

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Orientador: Gustavo Henrique Dionisio<br>Resumo: O pintor belga René Magritte provoca nossa subjetividade com uma série de inquietações amparadas na realidade cotidiana. Ele se dedica a encontrar sua resolução pictórica para problemáticas das relações aparentemente banais, mas que apresentam aspectos estranhamente misteriosos. Aqui propomos aproximações entre a obra de Magritte e a Psicanálise, compreendendo as singularidades poéticas e subjetivas do pintor, introduzidas pelo termo emoção estética. Primeiramente, mostramos as diferentes perspectivas do Surrealismo na França e na Bélgica, fazen

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Tyson, Janet Stiles. "Two Annunciations: Examples of interpellation or offers of reception? a comparative analysis of pictures by Roger van der Weyden and René Magritte." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3912/.

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This thesis uses reception theory, as formulated by the late Wolfgang Iser, as well as ideas about interpellation or hailing, to compare and analyze two paintings: The Annunciation (c. 1435) by Roger van der Weyden and Personal Values (1952) by René Magritte. It demonstrates that interpellation and reception are part of the same process, and that reception theory is especially suited to this comparison and analysis-because it allows consideration of ways in which the comparable pictorial structures of both paintings facilitate their intentions. It argues that those intentions are to engage vie

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Pinto, Nilma de Almeida. "Relaçao entre texto e imagem na obra em busca do tesouro de Magritte, de Ricardo da Cunha Lima." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24547.

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Morais, Rogério Cavalcante de. "A POÉTICA DO CONTO E A QUESTÃO DO OLHAR NA LITERATURA." Pontifícia Universidade Católica de Goiás, 2016. http://localhost:8080/tede/handle/tede/3250.

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Made available in DSpace on 2016-08-10T11:07:16Z (GMT). No. of bitstreams: 1 ROGERIO CAVALCANTE DE MORAIS.pdf: 2888343 bytes, checksum: 703c15350891bd366f004d12d08a2c12 (MD5) Previous issue date: 2016-02-19<br>This thesis aims to establish relationships between different artistic systems involving intertextualities and relations between text and image. We analyze homological procedures between them. Selected texts from different periods, styles and language system. These texts are listed in order to provide readings that can mobilize fruitful way of the senses. The corpus is made up of the s

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Godet, Marie. "Le poids du réel. Les surréalistes bruxellois et l'objet dans les années 1940." Doctoral thesis, Universite Libre de Bruxelles, 2017. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/241978.

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Cette thèse se propose d’étudier le surréalisme bruxellois durant les années 1940, à travers le prisme de l’objet. Les termes d’héritage, de poncif, de génération, d’avant-garde et de scandale en façonnent le cadre. Le poids des événements historiques s’y fait continuellement ressentir. Particulièrement peu unifiées sur le plan politique et artistique, les années 1940 sont synonymes d’intenses turbulences pour le surréalisme, officiellement lancé en 1924. Les jeunes poètes qui entament leur parcours à cette époque sont pratiquement nés au même moment que le mouvement dans lequel ils s’insèrent

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Hung, Li-Na, and 洪麗娜. "A Study on René Magritte in relation to Collage 1925-1930." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/65234572965959124233.

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碩士<br>臺北市立師範學院<br>視覺藝術研究所<br>92<br>The Belgian painter René Magritte, who applied as a rule the style of trompe l’oeil and juxtaposed the different objects in his paintings, had a designation “painter of hand-painted collages”claimed by another surrealist Max Ernst. This is the early commentary about the issue Magritte’s painting with collages, hence the heterogeneity of the objects of his paintings became not only a surface apprehension, but also an expression of surrealist visual image. Particularly, the reconciliation of opposites between the different images represents the accidental meeti

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Brown, Ainsley Robyn. ""Poète d'images" et "peintre de mots" : Paul Éluard, René Magritte et les rapports interartistiques entre la poésie et la peinture." Thèse, 2005. http://hdl.handle.net/1866/17245.

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Parsuram, Sirola. "The mirror as device : a study of the mirror motif in select examples of South African and western artworks." Thesis, 2010. http://hdl.handle.net/10413/3494.

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Pereira, Anabela Lopes 1966. "Artes visuais e construção de sentido." Master's thesis, 2014. http://hdl.handle.net/10451/11325.

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Tese de mestrado, Educação artística, Universidade de Lisboa, Faculdade de Belas Artes, 2014<br>The interest in this research topic comes from the professional practice of the researcher. As a Visual Arts teacher she acknowledged that plastic experimentation is not followed by activities designed to develop skills of artistic appreciation. Being aware that school and art education in school have an important role in literacy, understood as the ability to encode and decode various forms of representation, intended to contribute to the development of students' autonomy in discerning visual langu

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Chen, Zhi He, and 陳志和. "The research of teaching materials the design of rene magritte works." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/22685975779390982696.

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Yu, Hui-Hsin, and 虞慧欣. "The Study of Surrealist Images on Works of Salvador Dali and Rene Magritte." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/z37q8r.

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碩士<br>國立臺灣師範大學<br>美術學系<br>105<br>ABSTRACT 　　The main purpose of this research is to study from the origin of surrealis m, the related theory, the growth background of Dali and Magritte and the evolution of painting style to summarize the relevant data. And to analyze the differences of their performance skills, performance themes, and painting theory. 　　Dali and Magritte are both the painters of surrealism. But their performances are different due to their different growth background, personality and life experience. Dali’s keen on the theory of the Freud’s philosophical theory and to practi

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Chien, Jui-pi, and 簡瑞碧. "Michel Foucault''''s Theory of Signs in Relation to the Works of Rene Magritte." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/90035371011191448868.

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Wang, Juei-Ting, and 王瑞婷. "La Trahison des Images : A Study of Representation in Rene Magritte’s Paintings." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/8wcjm3.

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碩士<br>國立臺北藝術大學<br>美術史研究所<br>98<br>Argubly the most significant painting of Surrealist painter Rene Magritte is “La Trahison des images”, dated in 1929-1930. This work sited his realms of interests in the relationship between words and images, as to the discussion of Representation. In the mid-1960’s after Magritte read Michel Foucault’s famous “Les Mots et les choses”, they exchanged letters for defining the issues “resemblance”,”similitude”and”representation”. Then Foucault published a book “Ceci n’est pas une pipe” in 1973 which brought at the apogee of these issues. The range of

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Lin, Lee-Kai, and 林俐凱. "The Counter(-)point of Perspectives: Toward a Semiotic Poetics of Collage-Like Images by Giorgio de Chirico and Rene Magritte." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/86264081138837565332.

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碩士<br>臺南藝術學院<br>藝術史與藝術評論研究所<br>89<br>Abstract This thesis, The Counter(-)point of Perspectives: Toward a Semiotic Poetics of Collage-Like Images by Giorgio de Chirico and Rene Magritte, is based on the broad sense of perspective as “ways of seeing,” taking Chirico and Magritte’s paintings as examples, for investigating of “counter-point” and “counterpoint” as collage’s aesthetic texture. Today “collage” is so deeply involved in our daily life that it goes far beyond its original meaning of glue-attached-collage. By juxtaposing contradictions, the magic of collage enlighte

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Marsales, Rita Miller. "Rene Magritte's segmented women: Studies based on two paintings in the Menil Collection (Belgium)." Thesis, 1992. http://hdl.handle.net/1911/13598.

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Rene Magritte, Surrealist painter, represented women in segmented forms. He enclosed portions of female anatomy in frames and painted representations of broken, sculpted torsos. In this he was inspired by the example of de Chirico's poetic painting, Rodin's use of partial forms to represent whole beings, and by collage concepts involving the dissolution and reconstruction of images. Although Magritte's nudes were undeniably erotic, his ultimate conclusion seems to be that the mystery of woman is beyond the power of art's representation. Framing and fragmentation, as represented in two painting

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Boyle, Mark. "Do you like my pics? : exhibition and exegesis as self reflective study." Thesis, 2012. https://vuir.vu.edu.au/21477/.

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This research thesis, Do you Like My Pics, investigates perceived value in art through the recreation of well-known paintings. Using photography and photo-manipulation the content of the image has been recreated in another medium in order to dissociate the tangible, actual image from the aura of the artist who created it.

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