Relevant bibliographies by topics / Rengeōin (Temple : Kyoto, Japan)

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Academic literature on the topic 'Rengeōin (Temple : Kyoto, Japan)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Rengeōin (Temple : Kyoto, Japan)"

1

Kim, Jiwon. "The Origins of the Skirts Preserved at Myohoin Temple, Kyoto, Japan." Journal of Korean Dress 53 (May 31, 2025): 5–35. https://doi.org/10.47597/kds.53.1.

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2

Petrova, Olga. "Japan: Travel notes." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(1) (June 13, 2023): 18–24. http://dx.doi.org/10.31500/1992-5514.19(1).2023.283114.

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The article covers some of the most prominent cultural landmarks of central Japan. Nara, Kyoto, Osaka, and their suburbs and nearest region were the foundation and all the fundamental principles of Japanese architecture and art, in particular the art of calligraphy, ceramics, red lacquer painting, and the famous Japanese weaponry. Nara became Japan’s first permanent capital in 710 (by the order of Empress Gemmei), a 72-year period in Japanese history known as the “Nara Age.” It is noted that Buddhism, and later Zen Buddhism, first came to this territory from China. For twelve centuries, Buddhi
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3

Johnson, Norris Brock. "Geomancy, sacred geometry, and the idea of a garden: Tenryu-ji temple, Kyoto, Japan." Journal of Garden History 9, no. 1 (1989): 1–19. http://dx.doi.org/10.1080/01445170.1989.10410724.

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4

Lee, Sun-Yong. "Study on Mantras in the Thousand Buddhas Embroidered in Gold at Seiganji Temple in Kyoto, Japan." Journal of Buddhist Art 27 (March 30, 2019): 73–98. http://dx.doi.org/10.36620/bms.2019.27.3.

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Hayes, Matthew. "Faith, Devotion, and Doctrinal Knowledge." Journal of Religion in Japan 7, no. 1 (2018): 27–56. http://dx.doi.org/10.1163/22118349-00701001.

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Abstract The genre of kōshiki 講式 (ceremonial lectures) has, over the last decade, gained significant traction in the fields of Buddhist studies and Japanese religions, but its commentarial sub-genre remains largely unexplored. While kōshiki offer fertile ground for understanding devotional practices across nearly all Buddhist schools in Japan, commentaries reveal how Buddhists understood their liturgical content and, more narrowly, how this content was consumed and re-purposed through intellectual endeavor. This article contributes to this understudied area in two ways. First, it demonstrates
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GERLINI, Edoardo. "Textual heritage and digital archives – the case of the Hyakugo Archive in Kyoto." Open Research Europe 3 (December 20, 2023): 218. http://dx.doi.org/10.12688/openreseurope.16820.1.

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What are the effects and significance of inscribing an archive or group of documents in a heritage list? In light of the positive effects of digital technology on archival science, should all archives and past documents be considered “heritage,” or are some more significant than others? What are the implications and benefits of a heritage archive? Is creating a digital database of a specific archive considered part of heritage conservation? Is the term "heritagization" or "heritage making" a synonym for preservation or conservation? In this article, I will attempt to answer some of these quest
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Iba, Chiemi, Ayumi Ueda, and Shuichi Hokoi. "Field survey on frost damage to roof tiles under climatic conditions." Structural Survey 34, no. 2 (2016): 135–49. http://dx.doi.org/10.1108/ss-07-2015-0033.

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Purpose – Frost damage is well-known as the main cause of roof tile deterioration. The purpose of this paper is to develop an analytical model for predicting the deterioration process under certain climatic conditions. This paper describes the results of a field survey conducted to acquire fundamental information useful to this aim. Design/methodology/approach – A field survey of roof tile damage by freezing was conducted in an old temple precinct in Kyoto, Japan. Using detailed observations and photographic recordings, the damage progress was clarified. To examine the impact of climatic condi
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Tran, Minh Duc. "Digital Technology Application in Preserving and Promoting Traditional Cultural Values: International Experience and Lessons for Vietnam." International Journal of Human Research and Social Science Studies 02, no. 03 (2025): 75–83. https://doi.org/10.5281/zenodo.15105489.

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Abstract Digital technology is creating a turning point in global cultural heritage preservation, clearly demonstrated through pioneering projects like CyArk (USA) with its capability to 3D scan over 200 monuments - from Angkor Wat temple to the Statue of Liberty - to store multi-dimensional data for research and emergency reconstruction. Meanwhile, France makes its mark with ReViVA - an AI system analyzing ancient oil painting structures with 95% accuracy in restoring artistic masterpieces, opening a new approach for art conservation. The trend of integrating artificial intelligence and virtu
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Cho, Seung-mi. "The Other Side of the Tokugawa Shogunate"s Protection about the Temple Loan Business in the Early Modern Japan: the Formation of the Kyoto Shōrenin Myōmoku-kin and its Conditions in the Late 18th Century." Korean Historical Review 250 (June 30, 2021): 205–41. http://dx.doi.org/10.16912/tkhr.2021.06.250.205.

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Wu, Tianyue. "Images, Legends, and Relics Worship in Southern Song Mingzhou: Interpretating “King Aśoka Stupa” and “Relics’ Light” from the Daitokuji Old Collection’s 500 Luohans Paintings." Religions 15, no. 9 (2024): 1056. http://dx.doi.org/10.3390/rel15091056.

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The Daitokuji Old Collection’s 500 Luohans Paintings 五百羅漢圖, painted by Southern Song Mingzhou 明州 artists Lin Tinggui 林庭珪 and Zhou Jichang 周季常, have become a focal point in recent studies on the Chinese Buddhist material culture of the Song Dynasty. Among the 500 Luohans series, five paintings are related to the ancient Indian legend of Emperor Aśoka’s creation of 84,000 stupas. These paintings include “Building a Stupa” (No.78), “King Aśoka Stupa Emitting Light” (No.79), “Precious Stupa on the Rock” (No.80), and “Miracle of Light-Emitting Relics” (No.81), which are currently housed in the Dait
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Books on the topic "Rengeōin (Temple : Kyoto, Japan)"

1

Nakamura, Akei, active 1747-1781, author and Yamada Shōichi 1925-, eds. Sanjūsangendō munagi no yurai: 2-maku 3-ba. Kokuritsu Gekijō, 2016.

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2

(Kyoto, Japan) Rengeōin. Kokuhō Sanjūsangendō: National Treasure Sanjūsangen-dō. Sanjūsangendō Honbō, Myōhōin Monzeki, 2011.

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(Kyoto, Japan) Rengeōin. Sanjūsangendō no hotoketachi: Buddhist deities of Sanjūsangen-dō. Myōhōin Monzeki, Sanjūsangendō, 2011.

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4

(Kyoto, Japan) Kōdaiji. Kōdaiji: Kodai-ji Temple. Mitsumura Suiko Shoin, 2018.

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5

(Kyoto, Japan) Kiyomizudera. Kyōto Kiyomizudera: Kiyomizu-dera temple. Kitahossōshū Daihonzan Otowasan Kiyomizudera, 2011.

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(Kyoto, Japan) Kiyomizudera. Kyōto Kiyomizudera ten: Oku no In Gohonzon gokaichō kinen = Kiyomizu-dera temple. Otowasan Kiyomizudera, 2006.

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7

Japan), Sekihōji (Kyoto, ed. Jakuchū, gohyaku rakan, Sekihōji: Sekihôji Temple. Unsōdō, 2013.

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8

Hakubutsukan, Tōkyō Kokuritsu. Nanzenji: Kameyama Hōō 700-nen onki kinen = Treasures of a great Zen temple, the Nanzenji. Tōkyō Kokuritsu Hakubutsukan, 2004.

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9

Hōbutsukan, Tōji. Tōji to Kōbō Daishi shinkō: Tōji Mieidō chikai to inori no fūkei = Tōji Temple and devotion to Kobo-Daishi : the Mie-do, scenery of determination and prayer : special exhibition. Tōji Hōbutsukan, 2001.

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10

Tatsuta, Yoshio. Chūsei Tōji-ryō shōen no shihai to zaichi. Azekura Shobō, 2003.

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Book chapters on the topic "Rengeōin (Temple : Kyoto, Japan)"

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Fowler, Sherry D. "Painting the Six Kannon." In Accounts and Images of Six Kannon in Japan. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824856229.003.0006.

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A centerpiece of the corpus of extant iconic image sets of Six Kannon painting, of which five originals survive, is the large fourteenth-century set from the Hosomi Museum in Kyoto. Just how unstable the number six can be is demonstrated in the Six Kannon cult by the establishment of the Seven Kannon group, which is a phenomenon where both alternate Kannon types (Fukūkenjaku and Juntei used by Shingon and Tendai respectively) are included in one group. The Kyoto temple called Shichi Kannon’in historically enshrined such an example. Six Kannon joined by one Seishi (Skt. Mahāsthāmaprāpta), commo
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2

Baffelli, Erica. "The Android and the Fax: Robots, AI and Buddhism in Japan." In Ca’ Foscari Japanese Studies. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-527-8/012.

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In March 2019, a temple in Kyoto, Kōdaiji, unveiled to the public ‘Mindar’, a robot developed in collaboration with Ishiguro Hiroshi, a well-known robotics professor at Osaka University. The android is presented as the manifestation of Kannon, the bodhisattva of compassion. It can move, speak, and record what it sees. Mindar delivers sermons based on the Heart Sutra and, according to the temple’s priest, it will keep evolving and its knowledge will become endless. Mindar has received mixed responses from visitors, from those who cry during the sermons to those who feel it inappropriate for a r
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"Did the Silk Road(s) Extend from Dunhuang, Mount Wutai, and Chang’an to Kyoto, Japan? A Reassessment Based on Material Culture from the Temple Gate Tendai Tradition of Miidera." In Buddhism in Central Asia II. BRILL, 2022. http://dx.doi.org/10.1163/9789004508446_003.

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Conference papers on the topic "Rengeōin (Temple : Kyoto, Japan)"

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Hiramatsu, Yuko. "Creativity: The Writer as Transmitter and the Recipient as Reconstructor -The Dual Structure and the Imagination that Bridges the Gap between Them." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004689.

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This study examines creation by information recipients by the linguistic landscape survey in Nikko, a World Heritage Site in Japan. Linguistic landscape refers to the language signs along public roads. We can see traditional Japanese ways there. Old Japanese sometimes used a part of the ancient poems as a common culture in their poem, and from there, they created a double emotion of their own compositions and the ancient poems. This is a proactive and creative method in which the recipient adds a new vision to the one created by the creator/sender of the information. It is said Japanese langua
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