Academic literature on the topic 'Renowned not written'

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Journal articles on the topic "Renowned not written"

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van Velzen, Marjolein, and Peter Garrard. "From hindsight to insight – retrospective analysis of language written by a renowned Alzheimer's patient." Interdisciplinary Science Reviews 33, no. 4 (2008): 278–86. http://dx.doi.org/10.1179/174327908x392852.

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Wnęk, Jan. "Polskie książki z historii oświaty i wychowania (1945–1989) w ocenie ówczesnej krytyki." Biuletyn Historii Wychowania, no. 32 (February 12, 2019): 47–72. http://dx.doi.org/10.14746/bhw.2014.32.4.

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This article analyses the reviews of Polish books on the history of education and bringing up children in the years 1945-1989. It presents the ways in which critics reviewed new publications and shows the aspects which they paid special attention to. The reviews were published in the most renowned magazines among historians of education and raising children, such as ”Przegląd Historyczno-Oświatowy” (The History and Education Review), ”Rozprawy z Dziejów Oświaty” (Dissertations on the History of Education). Some of them were written by renowned specialists in the field. For contemporary historians, the reviews may constitute an interesting source of information on academic criticism from the times of the Polish People’s Republic. They may also bear witness to the hard work and efforts made towards conducting thorough studies into the history of education and bringing up children over various historical periods.
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Karetnikov, Nikolai. "Two Novellas." Tempo, no. 173 (June 1990): 44–47. http://dx.doi.org/10.1017/s0040298200019136.

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Before they performed my ballet Vanina Vanini in 1961, the renowned Bolshoi Theatre orchestra had never played any music that had been written in the 12-note system.There was a lot of tension at the first rehearsal. The musicians neither understood or accepted the music. Their heads turned in bewilderment every time a phrase was taken up by a different instrument to the one that had begun it. It gradually dawned on me, and the musicians themselves, that they were simply incapable of playing the piece.
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Drugas, Marius. "REVIEW OF THE BOOK “EMBODIED HOT COGNITIVE VULNERABILITY TO EMOTIONAL DISORDERS. FROM THEORY TO TREATMENT”, WRITTEN BY ALEXANDRU TIBA." Psychological Thought 14, no. 1 (2021): 265–68. http://dx.doi.org/10.37708/psyct.v14i1.608.

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This review presents a book that brings a fresh perspective on emotional disorders. The author of the book starts from renowned models in psychological counseling and psychotherapy and identifies the need for a different focus on factors that lead to vulnerability, namely the embodied hot cognition. Each chapter of the book carefully indicates the current state of research in the field (hot cognitions, distorted hot cognition, stress-related neuroadaptations, disturbed motivation, irrational beliefs), including recent neuropsychological findings. The final chapter presents an evidence-based treatment of emotional disorders. The book could be challenging for the beginners in psychological counseling, but also a delight for professionals in this field.
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Keizer, Arlene R. "Collateral Survivorship." Radical Teacher 114 (July 18, 2019): 48–50. http://dx.doi.org/10.5195/rt.2019.620.

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"Collateral Survivorship" analyzes my collegial friendship with a renowned fiction writer recently described as a “skilled predator” in an investigation of sexual harassment and abuse at an elite private academy in New England. Written for an audience of other scholars and writers, my essay is neither an indictment nor a defense; it’s an investigation of the forms of socialization that make even women like myself (feminist writers and scholars) vulnerable to such men. In short, "Collateral Survivorship" is focused upon the heterosexual erotics of instruction, not a particular individual.
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Peric, Djordje. "An unpublished letter by Milica Stojadinovic Srpkinja." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 84 (2018): 137–47. http://dx.doi.org/10.2298/pkjif1884137p.

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On the occasion of Milica Stojadinovic Srpkinja's anniversary, the author of the essay publishes one of her letters, so far left unpublished. The paper goes on to enumerate the first speeches by professors of Women's Colleges on Milica (in Belgrade, Kragujevac and Nis), on her life and literary works, which were written and published before the renowned literary-historical essays of Jovan Skerlic. The first among those women's essays (1900), by Katarina S. Pavlovic, a professor at the Women's College in Belgrade, is included integrally in the appendix.
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Schroeder, Susan. "SEMINARIES AND WRITING THE HISTORY OF NEW SPAIN: An Interview with Stafford Poole, C.M." Americas 69, no. 02 (2012): 237–54. http://dx.doi.org/10.1017/s0003161500002005.

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Over the course of the past half century, the field of colonial Latin American history has been greatly enriched by the contributions of Father Stafford Poole. He has written 14 books and 84 articles and book chapters and has readily shared his knowledge at coundess symposia and other scholarly forums. Renowned as a historian, he was also a seminary administrator and professor of history in Missouri and California. Moreover, his background and formation are surely unique among priests in the United States and his story is certainly worth the telling.
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Schroeder, Susan. "SEMINARIES AND WRITING THE HISTORY OF NEW SPAIN: An Interview with Stafford Poole, C.M." Americas 69, no. 2 (2012): 237–54. http://dx.doi.org/10.1353/tam.2012.0072.

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Over the course of the past half century, the field of colonial Latin American history has been greatly enriched by the contributions of Father Stafford Poole. He has written 14 books and 84 articles and book chapters and has readily shared his knowledge at coundess symposia and other scholarly forums. Renowned as a historian, he was also a seminary administrator and professor of history in Missouri and California. Moreover, his background and formation are surely unique among priests in the United States and his story is certainly worth the telling.
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Spivak, Gayatri Chakravorty. "PREFACE TO CONCERNING VIOLENCE: NINE SCENES FROM THE ANTI-IMPERIALISTIC SELF-DEFENSE." Film Quarterly 68, no. 1 (2014): 61–62. http://dx.doi.org/10.1525/fq.2014.68.1.61.

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Film Quarterly reprints the Preface to Göran Olsson’s documentary Concerning Violence: Nine Scenes from the Anti-Imperialistic Self-Defense. This preface written by renowned author, scholar and activitis Gayatri Chavrakovrty Spivak is handed out in printed form to audiences prior to screenings of the film. It is meant to set the tone and to provide background and commentary on the images that audiences will see in the film that aims to contextualize the writings of Frantz Fanon, in particular The Wretched of the Earth, upon which this film is based.
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Freeman, Miriam L. "A Re-Membering Conversation with Howard Goldstein." Families in Society: The Journal of Contemporary Social Services 88, no. 4 (2007): 543–49. http://dx.doi.org/10.1606/1044-3894.3676.

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Howard Goldstein (1922-2000) was a renowned social work educator and author. He was also my teacher. This article is a re-membering “conversation” between Howard and me, based on papers I wrote in his classes in 1972-73 and his written responses to them. In narrative therapy, remembering conversations acknowledge and privilege contributions of significant people to a person's preferred identity and life story. In this article I celebrate Howard's rich and continuing contributions to my life as a social worker and educator and suggest that these contributions remain vitally relevant to social work practice today.
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Dissertations / Theses on the topic "Renowned not written"

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Al, Khoury Wissam. "Des nullités en matière civile : essai de reconstitution d'une théorie en droit français et libanais en considération des perspectives européennes et internationales." Thesis, Montpellier 1, 2011. http://www.theses.fr/2011MON10031.

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La théorie des nullités, telle qu'exercée aujourd'hui en Droit civil, souffre d'une grave incohérence tant dans sa conceptualisation que dans son application. Il serait adéquat de parler de "cumul de théories". Car, de toutes les théories qui ont été élaborées, nulle n'a réussi à s'imposer comme seule compétente à régir toute la matière, et aucune, en revanche, n'a été définitivement éradiquée de la pratique juridique. De l'inexistence, à la rescision, aux nullités relative, absolue, virtuelle, partielle, conventionnelle, unilatérale, les modules du système d'annulation s'entassent sans qu'ils constituent un ensemble homogène susceptible de former une théorie pertinente, digne de la réputation historique et mondiale du Code civil français. Dans le mouvement d'européanisation et de mondialisation de l'activité juridique et législative, d'une part, et à l'heure où le chantier de la réforme du droit des obligations et des contrats est lancé, d'autre part, il semble que seule une théorie de nullité débarrassée de toute classification astreignante et dogmatique saurait remédier aux difficultés que soulève l'inlassable variation des circonstances. Dans cette perspective, désencombrer la nullité nous amène à dépoussiérer le noyau de la théorie et à remettre en avant le principe du but de la loi. Ceci implique aussi un élargissement de l'imperium du magistrat pour faire valoir le but de la loi, soit pour assurer la sauvegarde de l'intérêt général ou de l'ordre public, soit pour renforcer la protection du contractant faible au contrat<br>The theory of nullities, as exercised nowadays in civil Law, suffers from a severe incoherence as much in its conceptualization as in its applicafion. It would be adequate to talk of “accumulation of theories”. Since, of all the theories that have been elaborated, none has succeeded to impose itself as the only competent to cover the entire subject, and none, on the other side, has been definitely eradicated from the juridical practice. From the inexistence, to the rescission, to the relative, absolute, virtual, partial, conventional, unilateral nullities, the modules of the system of nullification accumulate without forming a homogenous set liable of forming an apt theory worth the historical and global reputation of the French civil Code. In light of the movement of Europeanization and globalization of the juridical and legislative activity from one part, and at the time when the site of the reform of the of the law of obligations and contracts has been launched, from the other part, it seems that only a theory of nullity free of any demanding and dogmatic classification would be able to remedy the difficulties arising from the tireless variation of circumstances. In this perspective, emancipating the nullity will lead us to dust the nucleus of the theory and put on forth the principle of the goal of the law. This also implies enlarging the “imperium” of the magistrate to emphasize the goal of the law, either to ensure the protection of the general interest or public order or to reinforce the protection of the contractor weak towards the contract
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Smeall, Cheryl Lynn. "How to become a renowned writer: Francesco Algarotti (1712-1764) and the uses of networking in eighteenth-century Europe." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103523.

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Venetian polymath Francesco Algarotti (1712-1764) was an internationally-renowned intellectual in his time. In 1737, he published a wildly successful popularization of Newtonian science for women entitled Il Newtonianismo per le dame, or Newtonianism for the Ladies. The fame he acquired after its appearance continued to increase over the course of his career, with the result that he was invited to join the court of Frederick II (the Great) of Prussia, and subsequently that of Augustus III of Saxony-Poland. In addition his sojourns at their respective courts in Berlin and Dresden, Algarotti travelled to and lived in many other European cultural centres, including Venice, Bologna, Rome, Paris, London, and St. Petersburg. Over the course of his travels, he forged friendships with many of the leading thinkers of the period, including Eustachio Manfredi, Francesco Maria Zanotti, Laura Bassi, Voltaire, Emilie du Châtelet, Pierre-Louis Moreau de Maupertuis, Lord Hervey, Lady Mary Wortley Montagu, and Antioch Cantemir. These contacts, and the numerous others he would come to form, would prove to be indispensable in the pursuit of his intellectual and financial goals. Algarotti's ambition was to become an internationally renowned writer. In a century in which scholarship was becoming increasingly international, and the market for, and reach of, printed material was considerably widened, aspiring writers faced both increased opportunities for fame and greater competition in securing the financial support they needed in order to pursue their art. Algarotti's example illuminates both the structures behind these conditions, and the strategies that could be employed in order to negotiate them, in a pan-European context. As an examination of his activities reveals, the formation, expansion, and maintenance of one's networks was crucial to one's intellectual success in eighteenth-century Europe.<br>Le penseur vénitien Francesco Algarotti (1712-1764) était un intellectuel de renommée internationale à son époque. En 1737, il a obtenu un franc succès en publiant un ouvrage de vulgarisation de la science newtonienne destiné à un public féminin, intitulé Il Newtonianismo per le dame, ou Le Newtonisme pour les dames. La notoriété qu'Algarotti a acquise avec cette publication a continué d'augmenter tout au long de sa carrière, et il fut conséquemment invité à joindre la cour de Frédéric II (Le Grand) de Prusse, puis celle d'Auguste III de Saxe-Pologne. En plus de ses séjours aux cours respectives de Berlin et de Dresde, Algarotti a voyagé et vécu dans plusieurs autres centres culturels européens, y compris Venise, Bologne, Rome, Paris, Londres et Saint-Pétersbourg. Au cours de ses voyages, il a forgé des amitiés avec plusieurs des grands penseurs de son temps, parmi lesquels Eustachio Manfredi, Francesco Maria Zanotti, Laura Bassi, Voltaire, Émilie du Châtelet, Pierre-Louis Moreau de Maupertuis, Lord Hervey, Lady Mary Wortley Montagu et Antioch Cantemir. Ces relations, ainsi que de nombreuses autres qu'il sera amené à développer, s'avéreront indispensables dans la poursuite de ses objectifs intellectuels et financiers. L'ambition d'Algarotti était de devenir un écrivain internationalement reconnu. Ce dernier a vécu au cours d'un siècle où le savoir devient de plus en plus international, un savoir à plus grande portée qui fait l'objet d'un marché, et dans lequel le monde de l'imprimé s'est considérablement développé. Les aspirants auteurs étaient confrontés, d'une part, à ces opportunités accrues d'acquérir la gloire, et d'autre part, à davantage de compétition afin de dénicher le support financier nécessaire à la poursuite de leur art. L'exemple d'Algarotti met en lumière les structures qui sous-tendent ces conditions, de même que les stratégies qui pouvaient être employées afin de les négocier, dans un contexte pan-européen. Ainsi que le révèle une analyse de ses activités, la formation, l'expansion et le maintien de ses réseaux était cruciale afin d'assurer son succès intellectuel dans l'Europe du dix-huitième siècle.
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Books on the topic "Renowned not written"

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Kaplan, Gregory. Arguments Against the Christian Religion in Amsterdam by Saul Levi Morteira, Spinoza's Rabbi. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462980105.

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This is the first book to offer a translation into English-as well as a critical study-of a Spanish treatise written around 1650 by Rabbi Saul Levi Morteira, whose most renowned congregant was Baruch Spinoza. Aimed at encouraging the practice of halachic Judaism among the Amsterdam-based descendants of conversos, Spanish and Portuguese Sephardic Jews who had been forced to convert to Christianity, the book stages a dialogue between two conversos that ultimately leads to a vision of a Jewish homeland-an outcome that Morteira thought was only possible through his program for rejudaisation.
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Wetering, Ernst. Rembrandt. The Painter Thinking. Edited by Wardy Poelstra. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462981522.

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Even during the artist's lifetime, contemporary art lovers considered Rembrandt van Rijn (1606-1669) to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt: The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates the painter's considerations that determined the striking changes in his development from an early age onwards. This gorgeously illustrated book explores how Rembrandt achieved mastery by systematic exploration of the 'foundations of the art of painting'. According to written sources from the seventeenth century, which were largely misinterpreted until now, these 'foundations' were considered essential at that time. From his first endeavours in painting, Rembrandt embarked on a journey past these foundations, thus becoming the 'pittore famoso', whom Count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes that cannot simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist's, Van de Wetering reveals how Rembrandt became the revolutionary painter that would continue to fascinate the art world. This ground breaking exploration reconstructs Rembrandt's theories and methods, shedding new light both on the artist's exceptional accomplishments and on the theory and practice of painting in the Dutch Golden Age. Everyone who is interested in the art of painting should read this phenomenal book, because it was written with incredible knowledge and experience on the subject. It shows in a clear and simple way how Rembrandt worked and the things he had to take into account. At the same time it offers a fantastic sample of Rembrandt's life's work, thanks to the well-chosen selection of illustrations. David Rijser, NRC Handelsblad
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Wetering, Ernst. Rembrandt. The Painter Thinking. Edited by Wardy Poelstra. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089645616.

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Even during the artist's lifetime, contemporary art lovers considered Rembrandt van Rijn (1606-1669) to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt: The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates the painter's considerations that determined the striking changes in his development from an early age onwards. This gorgeously illustrated book explores how Rembrandt achieved mastery by systematic exploration of the 'foundations of the art of painting'. According to written sources from the seventeenth century, which were largely misinterpreted until now, these 'foundations' were considered essential at that time. From his first endeavours in painting, Rembrandt embarked on a journey past these foundations, thus becoming the 'pittore famoso', whom Count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes that cannot simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist's, Van de Wetering reveals how Rembrandt became the revolutionary painter that would continue to fascinate the art world. This ground breaking exploration reconstructs Rembrandt's theories and methods, shedding new light both on the artist's exceptional accomplishments and on the theory and practice of painting in the Dutch Golden Age.
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Constantine, Cavarnos, ed. Fine arts and tradition: Four essays by the renowned Greek icon painter, writer, and philosopher Photios Kontoglou (1895-1965). Institute for Byzantine and Modern Greek Studies, 2004.

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Davison, Carol Margaret, and Monica Germana, eds. Scottish Gothic. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474408196.001.0001.

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Written from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors – all specialists in their fields – combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.
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Taggart, David, and Yasir Abu-Omar, eds. Core Concepts in Cardiac Surgery. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198735465.001.0001.

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This textbook provides the reader with up-to-date concepts in cardiac surgery encompassing many of its subdisciplines, including coronary artery surgery and conduit choice, valvular heart surgery, minimally invasive approaches, and surgery for heart and lung failure. It includes concise reviews of the relevant literature in addition to important technical details. The individual chapters are written by internationally renowned experts in their respective fields, providing the practicing cardiac surgeon with current updates in the specialty, and also covering controversial issues that would have a direct impact in everyday practice. This textbook is an invaluable resource for senior cardiac surgical trainees and practicing cardiac surgeons.
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Miziołek, Jerzy, and Joanna M. Sosnowska, eds. Triumf 1920. Obraz i pamięć. University of Warsaw Press, 2020. http://dx.doi.org/10.31338/uw.9788323548348.

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The book written to commemorate the hundredth anniversary of the Battle of Warsaw shows this historic battle in broad historical and cultural context. The main theme of the publication is the military triumph, which resulted from the heroic endeavour of the whole nation, military genius of the commander-in-chief and his generals, the work of radio intelligence officers and tremendous support of Polish Catholic Church. The comments of renowned historians are accompanied by reflections of art historians who present an iconographic panorama of Polish military triumphs, and the Battle of Warsaw in visual culture, as well as in collective memory, severely deformed during the Soviet dominance.
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Ferrell, Betty R., Nessa Coyle, and Judith Paice, eds. Oxford Textbook of Palliative Nursing. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199332342.001.0001.

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This landmark title is the key resource for nurses working in the field of palliative care. Edited by renowned nursing experts, and written by a dynamic team of internationally known authorities in nursing and palliative medicine, the Oxford Textbook of Palliative Nursing covers the gamut of principles of care from the time of initial diagnosis of a terminal disease to the end of a patient's life, and beyond. This online resource is written to highlight the nurse's vital role as part of an integrated palliative care team. Various care settings are discussed including the hospital, ICU, home care, and hospice. Chapters focus on the practical aspects of nursing care, including symptom assessment, patient teaching, family support, psychosocial aspects of palliation, and spiritual care. New to this edition are chapters on the National Consensus Project for Quality Palliative Care Guidelines, and palliative care of veterans, in rural settings, in disaster situations, in Eastern Europe, and in the Philippines.
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Schomberg, Lucy, Elizabeth Sage, and Nicholas Hart, eds. Challenging Concepts in Respiratory Medicine. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780199657742.001.0001.

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Challenging Concepts in Respiratory Medicine is a case-based guide to difficult scenarios in the field, covering many of the major subspecialty areas. Consisting of contemporary clinical scenarios with expert commentary, chapters are interspersed with the most up-to-date evidence, management strategies, guidelines, and controversies in management. Using handy ‘Clinical tips’, ‘Learning points’, and ‘Evidence base’ to enhance the learning process, Challenging Concepts in Respiratory Medicine includes valuable ‘Expert Comment’ written by a nationally or internationally renowned expert to provide a unique inside track on how the experts approach these types of challenging cases. Covering a range of respiratory and related conditions, including allergy, tuberculosis, asthma, and narcolepsy, this title is specifically designed for those preparing for their specialist exams.
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Iachello, F., and R. D. Levine. Algebraic Theory of Molecules. Oxford University Press, 1995. http://dx.doi.org/10.1093/oso/9780195080919.001.0001.

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Algebraic Theory of Molecules presents a fresh look at the mathematics of wave functions that provide the theoretical underpinnings of molecular spectroscopy. Written by renowned authorities in the field, the book demonstrates the advantages of algebraic theory over the more conventional geometric approach to developing the formal quantum mechanics inherent in molecular spectroscopy. Many examples are provided that compare the algebraic and geometric methods, illustrating the relationship between the algebraic approach and current experiments. The authors develop their presentation from a basic level so as to enable newcomers to enter the field while providing enough details and concrete examples to serve as a reference for the expert. Chemical physicists, physical chemists, and spectroscopists will want to read this exciting new approach to molecular spectroscopy.
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Book chapters on the topic "Renowned not written"

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Quercioli Mincer, Laura. "Nostalgia and Creaturality in H. Leivick’s Тhe Golem." In Biblioteca di Studi Slavistici. Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.04.

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This article examines some of the constituent elements of an often metaphysical "Jewish angst" or "Jewish toska" found in the Yiddish language drama "The Golem" (Der goylem, 1921). In this masterpiece by Russian Jewish writer H. Leivick, the renowned man-made clay giant clay of ancient Kabbalah legend, is the creature of sixteenth-century Rabbi Loew, the Maharal of Prague, and becomes an emblem of Jewish melancholic nostalgia. Such toska is directed simultaneously at the ontologically distant Creator, supremely unattainable, and at the equally unreachable messianic era. The Golem's sense of estrangement from his own existence, explored here in tandem with Leivick's biography, ultimately renders him a personification of nostalgia itself.
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Cremante, Renzo. "Una tragedia cinquecentesca italo-spagnola: La Reyna Matilda di Giovan Domenico Bevilacqua." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.9.

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The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16th Century, the tragedy La Reyna Matilda, written in Naples in Spanish by an Italian writer, Giovanni Domenico Bevilacqua, secretary of the Prince of Conca, Matteo di Capua, and preserved in a single, very rare Neapolitan edition of 1597. It necessarily precedes a brief overview of the other few previously printed works by the author, all in Italian, including the renown octave-rhyme translation of the De raptu Proserpinae by Claudiano. Set in the city of Tarragona at the time of Reconquista, the fabula ficta is characterized by the contamination of tragic plot and novelistic themes, the representation and exaltation of Spanish values and customs, with some reflections of contemporary Neapolitan reality, the pietistic and edifying motivations. Through detailed findings, both formal and intertextual, the analysis focuses, in particular, on the debts that the tragedy has, even before the contemporary Spanish developments of the genre, towards the 16th Century Italian tragic grammar, along the entire arc of its codification, from Trissino’s Sofonisba to Tasso’s Re Torrismondo.
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Ward, Ian. "Thinking the Unthinkable." In The Play of Law in Modern British Theatre. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474450140.003.0003.

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This chapter concentrates on the legal and political issues that arose during the so-called ‘war on terror’ in the first decades of the twenty-first century. Issues that were addressed, very directly, in a series of ‘verbatim’ plays written and produced in that moment. Amongst the most renowned were the so-called ‘Tribunal’ plays written by Richard Norton-Taylor. The genre, as the nomenclature suggests, sought to re-present various high-profile cases and judicial inquiries on the public stage. Whilst the chapter considers a number of different ‘verbatim’ plays, it focusses more closely on Norton-Taylor’s Called to Account. This play is unusual in that it presents a ‘virtual’ history of a fictitious trial, on war crimes charges, of the former Prime Minister, Tony Blair. In so doing, it challenges the defining pretence of the ‘verbatim’ genre; that the simple presentation of legal and quasi-legal transcript confirms the veracity of the text.
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Womack, Deanna Ferree. "Evangelical Awakening: Becoming Protestant in the Arab Renaissance." In Protestants, Gender and the Arab Renaissance in Late Ottoman Syria. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474436717.003.0002.

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Chapter 1 considers what it meant to become Protestant in the sectarian landscape of nineteenth-century Ottoman Syria in a period of widespread socio-cultural and political transformation. It compares and contrasts American missionary and Syrian Protestant views of evangelical identity and religious conversion as it examines Protestant conversion accounts written after 1860, including an account by the renowned scholar Butrus al-Bustani. Drawing upon shared values of literacy, Bible reading, and evangelistic printing, these narratives demonstrate how Syrian and American Protestants upheld the printed word as a cultural force, a concept that fit with the intellectual currents of the Nahda in the late Ottoman period. Whereas traditional studies of this literary renaissance characterize it as a secular movement, Syrian Protestants tell a story of nahdawi identity entwined with evangelical commitments.
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Brody, Robert. "The Geonic Period and the Background of Sa’adyah Gaon’s Activities." In Sa'adyah Gaon. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781904113881.003.0001.

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This chapter discusses the character and achievement of Rabbi Sa'adyah ben Joseph or Sa'adyah Gaon. It looks at Sa'adyah's day, in which the vast majority of Jews viewed themselves as subject to the authority of two ancient Jewish centres: Palestine and Babylonia. It also mentions spiritual leaders known as geonim that headed the prestigious and internationally renowned academies of Sura and Pumbedita in Babylonia and the central academy in Palestine. The chapter recounts the age of the geonim that was preceded by an even more obscure era, the savora'im. It analyses the famous Epistle of Sherira Gaon that was written in 986, which consists of questions on talmudic and halakhic issues that were sent by Jews from communities around the world to the senior members of the academies headed by the geonim.
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Torres, Patrícia Lupion, Marcus Vinicius Santos Kucharski, and Rita de Cássia Veiga Marriott. "Concept Maps and the Systematization of Knowledge." In Cases on Teaching Critical Thinking through Visual Representation Strategies. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5816-5.ch019.

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The act of doing research, reviewing recent literature, checking data, and articulating results and meanings are important but not enough when working with scientific publications in graduate schools. A vital part of the work is authoring an informative text that can be clear enough as to communicate findings of the study and, at the same time, reinforce chosen arguments. This chapter focuses on an experiment at a renowned Brazilian graduate school of education, which uses concept mapping and collective assessment of such maps as fundamental pre-writing stages to guide the authorship of well-thought, well-knit scientific/argumentative texts. Results indicate that the experiment was successful in making students negotiate meanings, clarify ideas and purposes, and write in an academically acceptable style. All this was conducted from a methodological standpoint that makes meaningful knowledge, collective construction, and the reflective, critical work of the author (from the first draft to the final collectively written version given), the foundations to perform a better job at communicating the processes and results of the investigative work.
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Micir, Melanie. "Modernists Explain Things to Me." In The Passion Projects. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691193113.003.0004.

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This chapter emphasizes that some impassioned biographical acts and archives range beyond the merely textual. It focuses on three examples of canonizing life narratives: the midcentury memoirs of modernism-in-the-making written by Margaret Anderson, Sylvia Beach, and Alice B. Toklas as anecdotal archives in which the stories of their relationships are strategically encrypted—and thus preserved—in larger stories of renowned bohemian communities. None of these memoirs sold well, and none were acclaimed by critics, then or now, as literary achievements in their own right. But the publication of each of these failed projects was silently accompanied by the accumulation and preservation of a collection of modernist artifacts. The chapter attends to both textual archives and material collections of art, photographs, and household goods. After taking stock of the relative failure of her memoirs, Anderson's decision to begin what she called her “collection” signaled her transition into this curatorial mode. It talks about Sylvia Beach's expansive collection of literary artifacts alongside Alice B. Toklas's dwindling collection of modernist art, and Jeremy Braddock's description of modernist collecting to posit collection and curation, rather than creation and innovation, as late modernist acts capable of turning years of personal witness into public testimony and commentary.
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Bloxham, Donald. "The ‘Middle Age’." In Why History? Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858720.003.0004.

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The first two sections of the chapter illustrate continuity with late antique and classical historiography in the areas of History as Identity, History as Memorialization, and History as Lesson. Remaining sections show that within historically oriented medieval thought there were three tendencies for which the medieval world is not generally renowned: the conceptualization of human cultural difference over time, with its associations of an awareness of anachronism and accompanying debates over the relevance of the past to the present; a literal sense of the past, with its associations of specificity and accuracy; and the capacity for often quite sophisticated source criticism. As we traverse time and place, distinctions between Latin and vernacular Histories also become relevant, as do distinctions between, say, monastic Histories and urban Histories, or baronial and royal genealogies. Each of these sorts of History had the potential to imply a different scale and periodization of time—a different ‘temporality’—as did technical and economic developments. A section is devoted to religious hermeneutics and theological–philosophical shifts, some of which cohered with Christian History as Speculative Philosophy, some of which ran separately to it, and some of which stood in tension with it. In the eleventh–thirteenth centuries the clergy made a great contribution to developments in source evaluation, and increasingly their endeavours took account of the different contexts in which the sacred texts had been written and those in which they were read.
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Lowe, Gill. "The Malicious Gene: An Evolutionary Games Strategy? Woolf’s Hawkish Inheritance." In Virginia Woolf and Heritage. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781942954422.003.0037.

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‘There is no possibility of being witty withot a little ill-nature; the malice of a good thing is the barb that makes it stick,’ Lady Sneerwell in Sheridan’s The School for Scandal (1777). The malicious gene: nature or nurture? On 4th May 1928 Virginia Woolf reported in her diary that she had enjoyed Elizabeth Robins’ recollection of Julia Stephen: ‘she would suddenly say something so unexpected, from that Madonna face, one thought it vicious’ (Woolf, 1980, p.183). Leslie Stephen too was renowned for his intermittent acerbic criticism. Occasionally Woolf’s apparently calm demeanour was similarly disturbed by startling sharp verbal attacks. Woolf’s mordant written statements seem calculated and controlled, carefully constructed as in a performance, often aimed at individuals and groups for which she felt a specific animus. A word that recurs to describe Woolf is ‘malicious’. Contemporaries, critics and Woolf herself recognised her judgemental predisposition. Leonard Woolf observed that ‘a monolithic humour’ was shared with family members, ‘All male Stephens—and many of the females—whom I have known have had one marked characteristic which I always think Stephenesque....It consisted in a way of thinking and even more in a way of thinking and expressing their thoughts which one associates pre-eminently with Dr Johnson’ (Sowing, 1960, p. 184). Genes may be seen to affect the social behaviour of their bearers. Analysing some specific examples of Woolf’s caustic observations, this paper will adapt the metaphor of ‘the selfish gene’ to explore her tendency to maliciousness. It will consider whether this might have been inherited behaviour; learned from family attitudes; influenced by the writers she most appreciated and/or evolved as a species-preserving survival strategy, adopted in response to her cultural environment.
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Atbaş, Zeynep. "Türk ve İslam Eserleri Müzesi." In Cengiz Han ve Mirası. Turkish Academy of Science, 2021. http://dx.doi.org/10.53478/tuba.2021.036.

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"Ottoman sultans showed a great interest in books; on the one hand, they had their palace workshops prepare manuscripts ornamented with unique illustrations and illuminations; on the other hand, they collected books created in other locations of the Islamic world through various means, such as, gifting, looting, and purchasing. The subject of this article involves the artistic manuscripts from the Ilkhanid era that entered the Topkapı Palace Treasury. Most manuscripts in the Topkapı Palace Library consist of copies and sections (juz’) of the Koran. With their illumination and binding, these large-format books designed by the skillful illuminators and bookbinders of the Ilkhanid era are early fourteenth-century masterpieces of Islamic art of the book. Among these are Koran sections prepared for the famous Ilkhanid ruler, Sultan Uljaytu Khodabanda, and the renowned vizier, Rashid al-Din. Some examples were written by the most illustrious Islamic calligraphers, Yaqut al-Musta’simi and Arghun Kamili, illuminated by the famous artist of the era who worked in Baghdad, Muhammad b. Aybak b. Abdallah, and bound by bookbinder Abd al-Rahman. The Ilkhanid era was also a time when fascinating and important manuscripts were prepared in terms of book illustration. Two of the three Mongol-era manuscripts in the Topkapı Palace collection are copies of the Jami’at-Tawarikh—a general history of the world prepared by a commission led by the vizier Rashid al-Din under the order of the Ilkhanid ruler Ghazan Khan— while the third is a copy of the Garshaspnama. In addition, some paintings that appear in one of the palace albums belong to a volume of the Jami’at-Tawarikh on the history of Mongol khans, which has not survived. The significant and unique paintings of the Ilkhanid era are the Miʿrajnama paintings made by Ahmed Musa featured in the album prepared for Bahram Mirza, the brother of the Safavid sultan, Shah Tahmasp. The preface of the album written by Dust Muhammad refers to the famous painter Ahmed Musa, who lived in the era of the Ilkhanid ruler Abu Said, to have “removed the veil from the face of painting and invented the painting that was popular in that era.” In addition, the author states that he illustrated a Miʿrajnama. However, only the eight album pages with miʿraj images have survived this work. Through their bindings, illuminations, calligraphy, and illustrations, Ilkhanid era manuscripts from the Topkapı Palace constitute a vital collection that demonstrates the advanced level reached by the arts of the book during this era. "
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Conference papers on the topic "Renowned not written"

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Meijuan, Zhao, Ang Lay Hoon, Florence Toh Haw Ching, and Sabariah Md Rashid. "Translating space from Chinese to English: A Case Study of Cao Wenxuan’s Bronze and Sunflower." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.5-2.

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Translated children’s works from English to Chinese have flooded China unprecedentedly since the end of the 19PthP century. However, there is a discrepancy in the translation of Chinese children’s works into the English language. This is maybe because western scholars are still largely ignoring Asian texts for young readers. Therefore, the research aims to fill the gap in the scholarship by studying the translated Bronze and Sunflower, which is a renowned work written by the Chinese first Hans Christian Anderson winner Cao Wenxuan, from the aspect of narrative space. A qualitative approach is adopted to compare the similarities and differences of narrative space between the source text and the target text. The samples will be taken from Cao Wenxuan’s Bronze and Sunflower and its English translation. The textual analysis is illuminated through the narratological framework, which is based on three-layered space: The topographic level, the chronotopic level and the textual level. The study explores how narrative space is constructed in the process of translating Bronze and Sunflower. It is hoped that the findings of the study will show how space is created in a different languagea, and that the translator prefers to change the narrative space rather than keeping the same spatial structure in the target text.
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