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Journal articles on the topic 'Renowned not written'
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1
van Velzen, Marjolein, and Peter Garrard. "From hindsight to insight – retrospective analysis of language written by a renowned Alzheimer's patient." Interdisciplinary Science Reviews 33, no. 4 (2008): 278–86. http://dx.doi.org/10.1179/174327908x392852.
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Wnęk, Jan. "Polskie książki z historii oświaty i wychowania (1945–1989) w ocenie ówczesnej krytyki." Biuletyn Historii Wychowania, no. 32 (February 12, 2019): 47–72. http://dx.doi.org/10.14746/bhw.2014.32.4.
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This article analyses the reviews of Polish books on the history of education and bringing up children in the years 1945-1989. It presents the ways in which critics reviewed new publications and shows the aspects which they paid special attention to. The reviews were published in the most renowned magazines among historians of education and raising children, such as ”Przegląd Historyczno-Oświatowy” (The History and Education Review), ”Rozprawy z Dziejów Oświaty” (Dissertations on the History of Education). Some of them were written by renowned specialists in the field. For contemporary historians, the reviews may constitute an interesting source of information on academic criticism from the times of the Polish People’s Republic. They may also bear witness to the hard work and efforts made towards conducting thorough studies into the history of education and bringing up children over various historical periods.
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Karetnikov, Nikolai. "Two Novellas." Tempo, no. 173 (June 1990): 44–47. http://dx.doi.org/10.1017/s0040298200019136.
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Before they performed my ballet Vanina Vanini in 1961, the renowned Bolshoi Theatre orchestra had never played any music that had been written in the 12-note system.There was a lot of tension at the first rehearsal. The musicians neither understood or accepted the music. Their heads turned in bewilderment every time a phrase was taken up by a different instrument to the one that had begun it. It gradually dawned on me, and the musicians themselves, that they were simply incapable of playing the piece.
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Drugas, Marius. "REVIEW OF THE BOOK “EMBODIED HOT COGNITIVE VULNERABILITY TO EMOTIONAL DISORDERS. FROM THEORY TO TREATMENT”, WRITTEN BY ALEXANDRU TIBA." Psychological Thought 14, no. 1 (2021): 265–68. http://dx.doi.org/10.37708/psyct.v14i1.608.
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This review presents a book that brings a fresh perspective on emotional disorders. The author of the book starts from renowned models in psychological counseling and psychotherapy and identifies the need for a different focus on factors that lead to vulnerability, namely the embodied hot cognition. Each chapter of the book carefully indicates the current state of research in the field (hot cognitions, distorted hot cognition, stress-related neuroadaptations, disturbed motivation, irrational beliefs), including recent neuropsychological findings. The final chapter presents an evidence-based treatment of emotional disorders. The book could be challenging for the beginners in psychological counseling, but also a delight for professionals in this field.
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Keizer, Arlene R. "Collateral Survivorship." Radical Teacher 114 (July 18, 2019): 48–50. http://dx.doi.org/10.5195/rt.2019.620.
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"Collateral Survivorship" analyzes my collegial friendship with a renowned fiction writer recently described as a “skilled predator” in an investigation of sexual harassment and abuse at an elite private academy in New England. Written for an audience of other scholars and writers, my essay is neither an indictment nor a defense; it’s an investigation of the forms of socialization that make even women like myself (feminist writers and scholars) vulnerable to such men. In short, "Collateral Survivorship" is focused upon the heterosexual erotics of instruction, not a particular individual.
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Peric, Djordje. "An unpublished letter by Milica Stojadinovic Srpkinja." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 84 (2018): 137–47. http://dx.doi.org/10.2298/pkjif1884137p.
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On the occasion of Milica Stojadinovic Srpkinja's anniversary, the author of the essay publishes one of her letters, so far left unpublished. The paper goes on to enumerate the first speeches by professors of Women's Colleges on Milica (in Belgrade, Kragujevac and Nis), on her life and literary works, which were written and published before the renowned literary-historical essays of Jovan Skerlic. The first among those women's essays (1900), by Katarina S. Pavlovic, a professor at the Women's College in Belgrade, is included integrally in the appendix.
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Schroeder, Susan. "SEMINARIES AND WRITING THE HISTORY OF NEW SPAIN: An Interview with Stafford Poole, C.M." Americas 69, no. 02 (2012): 237–54. http://dx.doi.org/10.1017/s0003161500002005.
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Over the course of the past half century, the field of colonial Latin American history has been greatly enriched by the contributions of Father Stafford Poole. He has written 14 books and 84 articles and book chapters and has readily shared his knowledge at coundess symposia and other scholarly forums. Renowned as a historian, he was also a seminary administrator and professor of history in Missouri and California. Moreover, his background and formation are surely unique among priests in the United States and his story is certainly worth the telling.
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Schroeder, Susan. "SEMINARIES AND WRITING THE HISTORY OF NEW SPAIN: An Interview with Stafford Poole, C.M." Americas 69, no. 2 (2012): 237–54. http://dx.doi.org/10.1353/tam.2012.0072.
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Over the course of the past half century, the field of colonial Latin American history has been greatly enriched by the contributions of Father Stafford Poole. He has written 14 books and 84 articles and book chapters and has readily shared his knowledge at coundess symposia and other scholarly forums. Renowned as a historian, he was also a seminary administrator and professor of history in Missouri and California. Moreover, his background and formation are surely unique among priests in the United States and his story is certainly worth the telling.
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Spivak, Gayatri Chakravorty. "PREFACE TO CONCERNING VIOLENCE: NINE SCENES FROM THE ANTI-IMPERIALISTIC SELF-DEFENSE." Film Quarterly 68, no. 1 (2014): 61–62. http://dx.doi.org/10.1525/fq.2014.68.1.61.
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Film Quarterly reprints the Preface to Göran Olsson’s documentary Concerning Violence: Nine Scenes from the Anti-Imperialistic Self-Defense. This preface written by renowned author, scholar and activitis Gayatri Chavrakovrty Spivak is handed out in printed form to audiences prior to screenings of the film. It is meant to set the tone and to provide background and commentary on the images that audiences will see in the film that aims to contextualize the writings of Frantz Fanon, in particular The Wretched of the Earth, upon which this film is based.
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Freeman, Miriam L. "A Re-Membering Conversation with Howard Goldstein." Families in Society: The Journal of Contemporary Social Services 88, no. 4 (2007): 543–49. http://dx.doi.org/10.1606/1044-3894.3676.
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Howard Goldstein (1922-2000) was a renowned social work educator and author. He was also my teacher. This article is a re-membering “conversation” between Howard and me, based on papers I wrote in his classes in 1972-73 and his written responses to them. In narrative therapy, remembering conversations acknowledge and privilege contributions of significant people to a person's preferred identity and life story. In this article I celebrate Howard's rich and continuing contributions to my life as a social worker and educator and suggest that these contributions remain vitally relevant to social work practice today.
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Kiener, Ronald C. "The Hebrew Paraphrase of Saadiah Gaon'sKitĀb al-AmĀnĀt wa'l-I'tiqĀdĀt." AJS Review 11, no. 1 (1986): 1–25. http://dx.doi.org/10.1017/s0364009400001495.
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Saadiah Gaon (882–942) was a prolific and pioneering teacher, sage, and communal leader who pursued his wide-ranging studies with a singleminded commitment. His was the first Rabbanite translation of the Hebrew Bible into Arabic; his was one of the first Hebrew dictionaries; hisSiddurmarked one of the first attempts to regularize the liturgy. HisKitāb al-Amānāt wa l-I'tiqādā(Book of Beliefs and Opinions)was the first major work of medieval Jewish philosophy. Written during his renowned forced retirement in the year 932 C.E., theKitāb al-Amānātrepresents the beginning of a long and noble tradition of Judeo-Arabic philosophy.
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Peric, Djordje. "Poetess Amelija, the secret love of Mileta Jaksic." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 86 (2020): 167–83. http://dx.doi.org/10.2298/pkjif2086167p.
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Analysing the early love poetry by the renowned Serbian poet Mileta Jaksic Lenski (1869-1935), literary historians have noticed that it was written for a mysterious darling whom he never named but rather addressed in his verses as ?bud?, ?flower? and ?little flower?. While conducting fieldwork in Belgrade, the author of this article met the daughter of the forgotten Serbian poetess Smiljka Stanimirovic-Amelija (1877-1962), who shared with him her own mem?ories of her mother and the preserved manuscript of her poems with accompanying documents, revealing that Amelija indeed was the anonymous love of young Jaksic, his ?undestined fianc?e?.
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Sargent, Joseph. "MORALES, JOSQUIN AND THE L'HOMME ARMÉ TRADITION." Early Music History 30 (September 8, 2011): 177–212. http://dx.doi.org/10.1017/s0261127911000040.
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The expansive tradition of Renaissance L'homme armé masses often prompts considerations of how composers competed with, imitated or emulated one another. For fifteenth-century settings, written in close chronological proximity, such comparisons have yielded important channels of influence. But they are less effective in explaining L'homme armé masses from the mid-sixteenth century, written after this tradition's heyday and less immediately concerned with proximate influence. This article addresses the relationships between two pairs of L'homme armé masses by composers of two separate generations: Cristóbal de Morales and Josquin des Prez. Besides uncovering close links between these works relating to source tune treatment, mode, texture and overall style, it offers a new contextualisation for these practices. Morales does not compete with, imitate or emulate Josquin; rather, he reanimates the L'homme armé tradition by adapting features from its most renowned practitioner and translating them into a contemporary musical language.
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Mahmood, Muhammad Tariq, та Dr Muhammad Munir Azhar. "ARABIC: الإسهاماة العلمیة للسید سلیمان الندوی فی السیرة النبویة". ĪQĀN 2, № 03 (2019): 1–14. http://dx.doi.org/10.36755/iqan.v2i03.97.
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Syed Suleiman Nadvi is one of the most famous and prominent writer and Religious scholars of Sub-Continent. He has written a number of books in different languages i.e., Arabic, Urdu. This article narrates the literary services of Syed Suleiman Nadvi about the Seerat-al-Nabi. One of his renowned writing is ‘Seerat-al-Nabi’. He, through his writings and lectures has demonstrated his love for Holy Prophet. Basically, Seerat-al-Nabi is one of his prominent book which is a complete biography of Holy Prophet and is considered authentic source of Seerat studies. It has seven parts. First two parts have been written by Allama Shibli Nomani while the other five parts are written by Syed Suleiman Nadvi. This book provides comprehensive details about the life of holy Prophet (SAW) and it has been translated in different languages. He also delivered eight lectures about Seerat-al-Nabi which are available in the book form named; Khutbaat-e-Madras. To aware and inspire the children about the life of the Holy Prophet Muhammad (SAW) he wrote a book Rahmat-e-Alam. In these writings he presented whole life span of the Holy Prophet in a brilliant and comprehensive manner.
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Upton, Andrew. "In Testing Times: Conducting an Ethnographic Study of UK Animal Rights Protesters." Sociological Research Online 16, no. 4 (2011): 13–21. http://dx.doi.org/10.5153/sro.2442.
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This article reflects upon the experience of conducting research into a UK-based, though internationally-renowned, animal rights group. The article firstly rationalizes the ethnographic research methodology used to approach Stop Huntingdon Animal Cruelty (SHAC). Secondly, it describes the effect of unforeseen factors (from adverse media attention to ongoing criminal investigations) on the Author's ability to forge research relationships with informants within the movement, and how these challenges were overcome. Given the interdisciplinary focus of the project, this manuscript will be of interest to scholars wishing to investigate ‘hard-to-reach’ social groups, and particularly those who have written on reflexivity and power in research relationships.
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Nicolau, Felix. "Longitudinal and Cross-Sectional Cultural Developments." Swedish Journal of Romanian Studies 1, no. 1 (2018): 184–86. http://dx.doi.org/10.35824/sjrs.v1i1.17355.
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Romulus Bucur is a renowned writer and literary critic. He is also faculty member at Transylvania University of Braşov, institution well-known for its courses of creative writing and translation studies. “Glosses” is a nimbly written theoretical book wherein many topics are analyzed. One of the most important is the work of Alexandru Muşina, editor, writer, professor, and mentor of the Group of Braşov (a fertile contingent of writers still holding sway in Romanian literature).
 The second part of the volume is dedicated to the Romanian translations from the classical and contemporary Chinese culture. Mention must be made about the semiotic approach to all literary works glossed about.
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Everist, Mark. "Meyerbeer'sIl crociato in Egitto: mélodrame, opera, orientalism." Cambridge Opera Journal 8, no. 3 (1996): 215–50. http://dx.doi.org/10.1017/s0954586700004730.
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Il crociato in Egittowas the last in a series of Italian operas written by Giacomo Meyerbeer between 1817 and 1824. Although hisEmma di ResburgoandMargherita d'Anjouhad been successful in Venice and Milan, it wasIl crociatothat put Meyerbeer in the first rank of internationally renowned composers of Italian opera. The work's contemporary popularity makes it an important element in the history of early nineteenth-century Italian opera, and the abundant source material that survives for the opera permits a reconstruction of its early history. Furthermore, the publication in facsimile of a copyist's score from the première at La Fenice and the recording of the work by Opera Rara have encouraged a modern revaluation.
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Richards, D. S. "Edward Lane's Surviving Arabic Correspondence." Journal of the Royal Asiatic Society 9, no. 1 (1999): 1–25. http://dx.doi.org/10.1017/s135618630001590x.
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The career and scholarship of Edward William Lane, the renowned Orientalist and Arabic lexicographer, have been closely described and evaluated. His life is soon to be the subject of a further study, one planned by Jason Thompson. It may therefore be opportune to take a look at a modest cache of letters in Arabic, both addressed to and written by Lane, which is held in the Griffith Institute at the Ashmolean Museum in Oxford. These letters were deposited, along with a manuscript version of Lane's unpublished Description of Egypt and other papers and drawings, by his great-great-nephew, Austin Lane Poole, in 1947.
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Liu, Yu, Christoph Anderl, and Bart Dessein. "Seng Zhao’s The Immutability of Things and Responses to It in the Late Ming Dynasty." Religions 11, no. 12 (2020): 679. http://dx.doi.org/10.3390/rel11120679.
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Seng Zhao and his collection of treatises, the Zhao lun, have enjoyed a particularly high reputation in the history of Chinese Buddhism. One of these treatises, The Immutability of Things, employs the Madhyamaka argumentative method of negating dualistic concepts to demonstrate that, while “immutability” and “mutability” coexist as the states of phenomenal things, neither possesses independent self-nature. More than a thousand years after this text was written, Zhencheng’s intense criticism of it provoked fierce reactions among a host of renowned scholar–monks. This paper explores Zhencheng’s main points as well as the perspectives and motives of his principal adversaries in order to shed light on the nature of philosophical discourse during the late Ming dynasty.
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Maksimovic, Svetlana. "Olivier Messiaen's quartet for the end of time, secret of form: Movement VI." Muzikologija, no. 5 (2005): 307–12. http://dx.doi.org/10.2298/muz0505307m.
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Knowing that Messiaen's early period, especially The Quartet for the End of Time, got so many written comments and discussions and from renowned critics, musicologists and composers it is hard to believe that anything different could possibly come out about the structure, form or concept in his work. Still, another look at these works would be valuable, since the concept of form is far from explored. The focal point of this text is the sixth movement from the Quartet and its concept of form. It unveils the relation between Messiaen's music ideas and the ancient Greek tragedy and the depth of the influence that Greek art had on his concept of form. The influence goes as far as the "suggestion of ring composition".
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Srivastava, Vinay Kumar. "Pilgrimage, Tourism and Leisure: A Tribute to Ishwar Modi." Journal of the Anthropological Survey of India 68, no. 1 (2019): 95–113. http://dx.doi.org/10.1177/2277436x19844893.
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This article written in honour of Ishwar Modi, a renowned teacher of sociology at the University of Rajasthan, explores the relationship between three concepts—pilgrimage, tourism and leisure. Although these categories may be seen as overlapping, and an individual may consider his pilgrimage as an example of touring the unknown lands with an objective to have leisure, in theoretical terms, each one of them has its own defining properties. If religious submission is central to pilgrimage, tourism and leisure may be viewed as non-religious pursuits, although certain types of tourism may be religious as well. In fact, the idea of religious tourism may be taken up for defining pilgrimage. Pilgrimage is not a secular practice, notwithstanding the loose use of this term by an individual.
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Averyanov, Yuri. "Источники по истории суфийской обители Сейида Али Султана (г. Димотика, Греция)". Islamology 6, № 1 (2013): 32. http://dx.doi.org/10.24848/islmlg.06.1.02.
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This paper is devoted to one of renowned abdals (saints) who migrated to Balkan in the 14th century. It is Seyyid ‘Ali Sultan who was nicknamed Qyzyl-deli. The author reconstructed his life on the basis of the wide spectrum of written sources: historical chronicles, hagiography (particularly, «Vilayet-name-i Seyyid ‘Ali Sultan»), mystic hymns (nefes) and waqfs. According to the Bektashi tradition, Seyyid ‘Ali Sultan was the link between Haji Bektash and Balym Sultan who has been educated in his tekke. The author puts his figure between two mystical type: the doctrine of the early Sufi masters of Bektashiyya and «janissarian» Sufism of the 16th century. He also touches upon the issue of history of genesis of Sufi tekkes in the Balkan peninsula in the early centuries of the Ottoman conquest.
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Östenberg, Ida. "VENI VIDI VICIAND CAESAR'S TRIUMPH." Classical Quarterly 63, no. 2 (2013): 813–27. http://dx.doi.org/10.1017/s0009838813000281.
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Without doubt,veni vidi viciis one of the most famous quotations from Antiquity. It is well known that it was Julius Caesar who coined the renowned expression. Less frequently discussed is the fact that ‘I came, I saw, I conquered’ was announced as written text. According to Suetonius, Caesar paraded a placard displaying the wordsveni vidi viciin his triumph held over Pontus in 46b.c.(Suet.Iul. 37.2):Pontico triumpho inter pompae fercula trium verborum praetulit titulum VENI VIDI VICI non acta belli significantem sicut ceteris, sed celeriter confecti notam.In his Pontic triumph he exhibited among the biers of the procession a placard (titulus) with three words VENI VIDI VICI, not to show the deeds performed in the war, as in the others, but to mark out how fast the war had been concluded.
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Rottenberg, Débora. "El deseo despostado." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 50, no. 2 (2015): 311–25. http://dx.doi.org/10.1075/rro.50.2.06rot.
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In this paper we analyze Salomé de chacra, a play written by the very renowned Argentinian dramatist Mauricio Kartun. We intend to make a reading of this work based on the irony that arises from the oscillation between the piece and other texts. To study the dialogue that the play establishes with other texts we review some of its relations of transtextuality linked in the piece to metathatricality. We argue that Salomé de chacra, in its incorporation of the ironic difference based on transtextuality and its relationship with metatheatricality, moves away from a passive reception of the myth and translates it to local circumstances. From this translation and thanks to the author’s own poetics, the piece allows an approach to a worldview of Argentina’s history and an unmasking of some of its underlying values.
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Kolodnyi, Anatolii M. "Editorial word." Ukrainian Religious Studies, no. 87 (March 26, 2019): 9–11. http://dx.doi.org/10.32420/2019.87.1415.
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This issue of Ukrainian Religious Studies (UR) is the first in 2019 to open a new page in the history of our professional publication. The complete digitization of all the UR numbers from 1996, which were published on the website of the National Library of Ukraine named after VI Khmelnytsky, was carried out. Vernadsky, located the journal on the new platform OpenJournalSestem, entered several scientometric databases responsible for global indexing of scientific publications (Google Scholar, Copernicus). We have updated the composition of the editorial board, which introduced world-renowned religious scholars. Changed our editorial policy, which is clearly written on their page. Now it has become more transparent and open: all articles to the SD will be submitted via the Internet and will be double-blind reviewed. In this way we are approaching the world standards for writing and publishing scientific articles.
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Santos, Gildenir Carolino, and Rosemary Passos. "Editorial: English." ETD - Educação Temática Digital 7, no. 2 (2008): 6. http://dx.doi.org/10.20396/etd.v7i2.783.
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ETD – Educação Temática Digital is reaching its 18a edition, searching, in each issue, to contribute with the shaping of our reader knowledge, with articles, short communications, reports and essays that discusses big matters of education, presented in thematic sections. This means that the contributions have an interdisciplinary coverage, as a way to maintain the initial proposal of being “A journal of the educator/researcher”, with only eight years of existence. This special edition with the main subject “Deaf Education”, is made up of 25 original papers written by specialized professionals in this area, in parallel with the works of the GES - the Deaf Education Research Group of the Faculty of Education of the Campinas State University. This group comprises three research subgroups that count on the participation of professionals of other renowned institutions, which study and do research about deafness...
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Ardiansyah, Nur Muhammad, and Vidya Mandarani. "An Analysis of Figurative Language Elements upon an American Short Story Entitled “The Monkey’s Paw." JEES (Journal of English Educators Society) 3, no. 1 (2018): 13. http://dx.doi.org/10.21070/jees.v3i1.1326.
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This article describes the study of semantic in a specified domain of figurative language upon a selected work of American English literature, in form of short story written by the renowned writer and author, William Wymark Jacobs, entitled as ‘The Monkey’s Paw’. Several objectives are deduced by the researcher in quest of finding the forms of this figurative language within the passage. Briefly, figurative language itself is a feature of every languages, which emphasized the use of expression to symbolize a different meaning from the usual literal interpretation. In our analysis of ‘The Monkey’s Paw’, the varieties of figurative language: Metaphor, Personification, Hyperbole, Symbolism, also another terms used to represent unusual words construction or combination such as Onomatopoeia, Idiom, and even Imagery, are discussed in order in relation with true meaning discovery behind each figurative language properties.
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Schoisswohl, Oliver, and Evangelos C. Papakitsos. "Automated metric profiling and comparison of Ancient Greek verse epics in Hexameter." Linguistik Online 103, no. 3 (2020): 159–77. http://dx.doi.org/10.13092/lo.103.7192.
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This article describes a software tool, named Dactylo, which is capable of performing metrical analysis, alias scansion, of epics written in hexameter. The automated scansion is based on well-known scanning rules of various theoretical works. The development methodology introduces the concept of computerized metric profiling and metric distance, which is a measurement value that reflects the degree of similarity or dissimilarity between different epics. For this purpose, eight renowned epics have been scanned, including Iliad and Odyssey, with plenty of statistical information. Based on these outcomes, these epics can be classified in groups that reflect very well the three periods of their creation, namely Classical, Hellenistic and Late Antiquity. Dactylo demonstrates its ability to produce statistics for hexameter’s metric patterns in a massive scale, easily and accurately, becoming so a contribution of Computational Linguistics to the diachronic comparative and quantitative language studies.
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Wiet, Victoria. "The Actress in Nature: Environments of Artistic Development in Victorian Fiction and Memoir." Nineteenth Century Theatre and Film 45, no. 2 (2018): 232–53. http://dx.doi.org/10.1177/1748372718823663.
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This essay provides a new approach to reading actress memoirs in light of the influence of environmental thinking on Victorian culture more broadly and acting theory in particular. By demonstrating that actress autobiographies were written within a discursive domain that understood human temperaments and biographical trajectories to be fundamentally shaped by social and physical surroundings, I examine how renowned actresses narrate the conditions within which their temperament developed. In order to do so, I first examine the entanglement of environment and character in novels about actress protagonists in order to develop a framework for analysing the narrative qualities of actress memoirs. This essay focuses specifically on the trope of the ‘wild’ girl who, undisciplined by parents or teachers, develops a sensitive yet wilful and even anti-social temperament that enables her to become an actress praised for her authentic displays of spontaneous emotion.
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Van Houts, Elisabeth. "Hereward and Flanders." Anglo-Saxon England 28 (December 1999): 201–23. http://dx.doi.org/10.1017/s0263675100002325.
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Hereward ‘the Wake’ is renowned as one of the leaders of the English resistance to the Normans in the late 1060s and early 1070s. His involvement in the resistance is noted by all main sources, even though the extent to which he was responsible for actions in Ely and Peterborough remains to be elucidated. He is listed as a pre-Conquest Lincolnshire landholder and tenant in Domesday Book, which is the only contemporary source to mention, but not date, his outlawry. Hereward's career as an outlaw is shrouded in mystery, due to the lack of detail in contemporary sources and also to the rise of stories incorporated in theGesta Herewardi (The Deeds of Hereward), written in the twelfth century, which claim that he went as a mercenary to Cornwall, Ireland and Flanders. Two sections of theGesta Herewardiare devoted to his exploits in the county of Flanders, and there is a curious third passage describing his relationship to Gilbert of Gent, the richest post-Conquest Flemish settler in England, who is said to have been Hereward's godfather. The purpose of this article is to take a fresh look at these passages and to assess them in the light of sources written on the Continent which seemingly confirm theGestasections on Flanders.
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Teemus, Moonika. "Friedrich Ludwig von Maydells Brief aus Rom vom Jahr 1823." Baltic Journal of Art History 12 (December 8, 2016): 111. http://dx.doi.org/10.12697/bjah.2016.12.06.
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The article studies a letter from Friedrich Ludwig von Maydell (1795– 1846), the most renowned representative of Romanticism in Estonia, to his uncle Otto Christian Sigismund von Ungern-Sternberg (1778–1861), written in Rome at the beginning of the year 1823. It was the turning point in Maydell’s life when he had decided to give up the studies in law at the University of Tartu and to devote himself to art. For this reason, Maydell like many of his contemporaries travelled to Rome. In his letter, now preserved in the National Archives in Tartu, Maydell describes his everyday life in Rome and the efforts he has made to “follow his true path”. Additionally, it appears that it was the founder and leader of the Nazarene movement, Johann Friedrich Overbeck (1789–1869), who played an influential role in Maydell’s decision about whether or not to become an artist.
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Bregman, Alvan. "‘The Reproducer to the Reader’." Reinardus / Yearbook of the International Reynard Society 22 (December 16, 2010): 16–32. http://dx.doi.org/10.1075/rein.22.02bre.
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In November 1844, Samuel Naylor published his Reynard the Fox: A Renowned Apologue of the Middle Age, Reproduced in Rhyme. The book was beautifully produced, much reviewed and generally very well received. In June 1846, however, a cruelly negative review appeared in Blackwood’s Edinburgh Review, one that Naylor answered in 1847 in a separately printed Postscript. A.L. Willoughby, the only scholar to have written about Naylor and his translation, was unable to locate a copy of the Postscript and knew nothing about its contents. No subsequent notice has been made of the Postscript, a copy of which I have now discovered, and which I describe and analyze in this article. The Postscript, entitled “The Reproducer to the Reader” consists of a long critical and imaginative dialogue between the author and a spectral Reynard, thus providing a hitherto unknown and unusual literary incarnation of this character.
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Ataie, Iraj Jannatie. "Poems." Index on Censorship 17, no. 9 (1988): 30. http://dx.doi.org/10.1080/03064228808534537.
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Iraj Jannatie Ataie (b. 1947), renowned in Iran as a poet, playwright and songwriter, was imprisoned under the Shah and is now in exile from the Khomeini regime. He lives in Britain, where several of his plays have recently been staged to great critical acclaim. Prometheus in Evin, staged in Farsi at the Royal Court in London last year, was hailed by The Guardian as ‘a brilliant and compelling universal story … which must place [Ataie] in the forefront of international playwrights today’. The play, which examines with ruthless honesty the lot of. the intellectual under repressive regimes, has now been produced in English (in Ataie's own translation) by the Mazdak Theatre Group (Young Vic Studio, 3–22 October 1988). A benefit reading of Ataie's poems, in aid of the Kurdish refugees, will be held at the Young Vic on 16 October 1988. The poems below were written in English.
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Yang, Linling. "Reading of Qing Ming and its derivative forms—From the Perspective of Cognitive Poetics." Learning & Education 9, no. 2 (2020): 34. http://dx.doi.org/10.18282/l-e.v9i2.1392.
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Chinese poetry plays an important part in Chinese literature, and has been the focus of research and the way for Chinese people savor life and for their self-cultivation. The appearance of cognitive poetics shed the new light on the research of literature, especially on poetry. It rose up from the 1970s, combining the theories of literature and those of linguistics, and emphasized the recording and interpreting the psychological state of readers or, simply their reading of the texts which involves information processing, individual psychological states, it was naturally connected with the researches on the mind, cognition, and of course the investigation of language itself. This paper mainly attempts to applying cognitive linguistic theories to interpreting a very renowned Chinese ancient poem Qing Ming, written by Du.mu, a poet from Tang dynasty, and meanwhile digs it deeper about the above phenomena: various combinations of the same elements should have such different artistic and aesthetic effect.
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Davies, Eirlys E. "Shifting voices: A comparison of two novelists’ translations of a third." Meta 52, no. 3 (2007): 450–62. http://dx.doi.org/10.7202/016731ar.
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Abstract This paper compares the English and French translations of Mohamed Choukri’s autobiographical work originally written in Arabic under the title Al khubs al hafi. The translations are somewhat unusual in that both were published long before the source text became available, and in that they were done by two renowned novelists (Paul Bowles and Tahar Ben Jelloun) while Choukri himself was a completely unknown writer. The comparison reveals many contrasts. The English version favours a fragmentary, often disjointed style, with simple everyday vocabulary and frequent repetition, while the French version uses more sophisticated syntax and more specialised and varied lexis. There are also differences in content; the English version often remains more implicit than the French and yet provides more horrific details, and it frequently opts for foreignization where the French features the strategy of domestication. It is suggested that these contrasts reflect the ways in which the novelists’ own voices have influenced the way in which they express the voice of Choukri.
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Santore, Cathy. "Julia Lombardo, “Somtuosa Meretrize“: A Portrait by Property." Renaissance Quarterly 41, no. 1 (1988): 44–83. http://dx.doi.org/10.2307/2862244.
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The examination of the life and times of Julia Lombardo through the inventories of her possessions (Appendices I & II) enhances our understanding of the role of the courtesan in sixteenth-century Venetian society. Conserved in the archives of the Istituzioni di Rico vero e di Educazione, they are the only inventories of a Venetian courtesan from the Renaissance which have come to light. These documents afford an intimate glimpse into the interior of a prostitute's home in a city renowned for such services. Julia herself invites a closer look by what she reveals and conceals in her Condiccion(Appendix III). In composing this statement of her assets, written in her own hand, she puts to use the wiles needed for success in her mestiere. Other documents excluded from the appendices but utilized in the text aid in developing a picture of this woman. The comments of her contemporaries augment the image.
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Frago, Marta. "Reconfigurations of the classical hero in the digital age: Aaron Sorkin’s The Social Network and Steve Jobs." Fotocinema. Revista científica de cine y fotografía, no. 14 (December 4, 2017): 159. http://dx.doi.org/10.24310/fotocinema.2017.v0i14.3597.
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The movies The Social Network (David Fincher, 2010) and Steve Jobs (Danny Boyle, 2015) are biographies of two outstanding figures in the digital revolution: the young multimillionaire Mark Zuckerberg, Facebook co-founder and CEO, and the famous co-founder and executive chairman of Apple, Steve Jobs. Written by the renowned screenwriter Aaron Sorkin, what these two movies have in common is that they present different orders or layers of meaning, allowing us to see beyond the life of the protagonists in the interpretation. Sorkin, in both stories, delves deeply into the psychological characteristics of the geniuses. In addition, in both cases, he creates a dramatic character, which can be identified with archetypes and familiar figures from western narrative, the tragic hero and the narcissist. But additionally, he shows these characters as icons of our times and through them presents a reflection on nowadays and the impact the digital revolution has had in the last few decades.
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ΤCHKOIDZE, Eka. "Η επανάσταση του Nικ. Φωκά και του Νικ. Ξιφία (1021-1022): η τελευταία εσωτερική κρίση στη βασιλεία του Βασιλείου Β΄ (976-1025)". BYZANTINA SYMMEIKTA 24, № 1 (2015): 313. http://dx.doi.org/10.12681/byzsym.1128.
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The Phokas-Xiphias Revolution was the third and the last revolution of the age-long reign of Basil II the Bulgar-slayer, led by two renowned generals, Nikephoros Xiphias and Nikephoros Phokas. It broke out in Cappadocia in 1022 with the purpose to overthrow the Byzantine Emperor. Medieval narratives that relater these events written in Greek, Arabic, Georgian, or Armenian, all agree that this insurrection was extremely serious. It involved a large number of rebels within the empire and the insurrectionists were widely believed to be in contact with forces outside the empire, including the Georgian king George I (1014-1027). The revolution broke out when the military conflict between Byzantium and Georgia was still ongoing. Some Georgians including the noble Pheris were actively involved in it. In this article all existing sources on this issue are analyzed. An emphasis is given on the causes of the revolution and its consequences on the Empire’s foreign policy.
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DUAN, QING, and HELEN WANG. "Were Textiles used as Money in Khotan in the Seventh and Eighth Centuries?" Journal of the Royal Asiatic Society of Great Britain & Ireland 23, no. 2 (2013): 307–25. http://dx.doi.org/10.1017/s1356186313000217.
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The kingdom of Khotan lay 2,628 kilometres to the north-west of the Tang capital at Chang'an. Strategically located in the south-west of the Taklamakan Desert, Khotan was a meeting point of different ethnic groups, languages, cultures and traditions, and was renowned as a centre of Buddhism. With its unique combination of influences, Khotanese society was quite different from that of Turfan to the north of the Taklamakan. In addition to the indigenous practices and traditions that developed in Khotan, this kingdom was always under the influence of major external political powers: Khotan was a vassal kingdom of the Hephtalites or Turkic peoples during the sixth century, came under increasing Chinese influence in the seventh and eighth centuries, was under Tibetan occupation from the 790s to 840s, and thereafter under the Chinese again. The secular documentary evidence from Khotan, written in Khotanese and Chinese, from the seventh and eighth centuries reflects everyday life there, and reveals the impact of Chinese administrative changes on traditional practices.
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Mačianskaitė, Loreta. "French-Lithuanian Universe of Literary Critique by Greimas." Interlitteraria 24, no. 2 (2020): 334–53. http://dx.doi.org/10.12697/il.2019.24.2.6.
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The idea for the present article came from the doubt expressed in the thesis of the world-renowned Algirdas Julius Greimas (1917–1992) that there is an unbridgeable gap between his Lithuanian essays and French semiotics. The analysis of texts written in Lithuanian in 1943–1955, dedicated to Cervantes, Verlaine, and Corneille unveils the most important methods of his analytical work: prioritizing the text over its context; the aim to uncover the author’s authenticity. Greimas used the model of structural similarities between French and Lithuanian literatures for constructing Lithuanian literary history. In his estimation of Lithuanian poets, Greimas aimed at finding authors of the European level; a principle of analogies is fruitfully used for understanding their works. Lithuanian essays show that Greimas also wrote them as a semiotician. Some of Greimas’s contemplations about literature also indicate the limits of his thinking, but the body of his works still reveals a surprising integrity of his personality.
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JANICK, Jules, and Arthur O. TUCKER. "Were Juan Gerson the Illustrator and Gaspar de Torres the Author of the Voynich Codex?" Notulae Botanicae Horti Agrobotanici Cluj-Napoca 45, no. 2 (2017): 343–52. http://dx.doi.org/10.15835/nbha45210693.
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The bizarre Voynich Codex, discovered in 1912 in Italy by the Polish book dealer Wilfrid Voynich (1864-1930), is written in a coded language with has eluded decipherment despite repeated attempts by world renowned cryptologists. Plant, animal, and mineral identifications as well as iconographic evidence indicate that the Voynich Codex is a 16th century work of New Spain. A typographical ligature based on the initials “JGT” in the first botanical image (folio 1v) suggests that artist was Juan Gerson, Tlacuilo, indigenous painter known for the apocalypse paintings in the monastery Asuncion de Nuestra Senora of Tecamachalco. The name “Gasp. Torres” also embedded in the first botanical image suggests that the author could be Gaspar de Torres, medical doctor, estate lawyer, master of students at the College of Santa Cruz in Tlatelolco from 1568-1572, and Governor of Cuba in 1580. Iconographic similarities between the paintings of Juan Gerson and the Voynich Codex, along with a biography of Gaspar de Torres provide additional support for this conjecture.
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Xie, Miya Qiong. "“Borderland Translation”." Journal of World Literature 4, no. 4 (2019): 552–80. http://dx.doi.org/10.1163/24056480-00404006.
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Abstract This paper explores the complexity of translation of borderland literature through a case study of the Japanese and Chinese translations of the Korean short story “The Red Hill.” Written by the renowned Korean writer Kim Tong-in (김동인, 1900–1951) in 1932, this story features the Korean agrarian community in the Northeast Asian borderland of Manchuria and is conventionally considered a masterpiece of Korean national literature. When it was translated into Japanese and Chinese and anthologized in inland Japan and the Japanese Manchukuo respectively, the three texts of the same story in three languages conveyed different and contradictory national/imperial claims over Manchuria, a Northeast Asian frontier. This case study demonstrates how the very act of translating and anthologizing, as a process of linguistic transposition across cultural and national constituencies, may crystallize the sense of territorial competition through revealing, reshuffling, and redefining the covert intricacy of national relations in the original text.
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Silva, Reinaldo. "The Tastes from Portugal: Food as Remembrance in Portuguese American Literature." Ethnic Studies Review 31, no. 2 (2008): 126–52. http://dx.doi.org/10.1525/esr.2008.31.2.126.
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Contemporary Portuguese American literature written by Thomas Braga (1943-), Frank Gaspar (1946-), and Katherine Vaz (1955-) share a profusion of topics - with ethnic food being, perhaps, the most representative one. What these writers have in common is that their roots can be traced to Portugal's Atlantic islands - the Azores - and not to continental Portugal. They are native Americans and write in English, though their characters and themes are Portuguese American. Some of them lived close to the former New England whaling and fishing centers of New Bedford and Nantucket, which Herman Melville has immortalized in Moby-Dick and in his short story, “The 'Gees,” in The Piazza Tales. These seaports were renowned worldwide and eventually attracted Azorean harpooners. The Azorean background of Thomas Braga and Frank Gaspar helps us to understand why fish and seafood feature so extensively in their writings instead of dishes containing meat as is the case in the fiction of Katherine Vaz.
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Gramstadt, Marie-Therese. "Zandra Rhodes’ ‘Works of Art’ (1979–1988): From Feminine Frills to Goddess Saris." Costume 50, no. 2 (2016): 244–64. http://dx.doi.org/10.1080/05908876.2016.1165954.
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By 1979 the British fashion designer Zandra Rhodes (b. 1940) was well established and internationally renowned for her colourful hand screen-printed silk chiffon crinoline dresses. The femininity of her chiffon dresses ensured their continuation as best–sellers beyond 1979, but little has been written about her other dress designs during the 1980s. During this period Rhodes introduced new styles including her heavily beaded ‘exotic tunics’ and designer saris worn over hip panniers. Zandra Rhodes’ designs were perceived as feminine when worn by the designer herself, her models and her clientele; and represented as feminine in their portrayal in magazines and newspapers at the time. Using original records held in the Zandra Rhodes Archives, London, as well as material gathered during the Zandra Rhodes Digital Study Collection project (Jisc, 2011–2013), this article examines the period 1979–1988 within a framework of feminine representation and also considers Rhodes’ proposition that her designs are ‘works of art’.
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Choi, Erin, Sonia Khan, Laxmi Chintakayala, Katherine Holder, Bernardo Galvan, and Steven Berk. "Classic clinical descriptions of disease: curing medical education with a dose of the past." Southwest Respiratory and Critical Care Chronicles 9, no. 37 (2021): 54–59. http://dx.doi.org/10.12746/swrccc.v9i37.799.
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The importance of clinical skills, including obtaining patient history and performing physical examination, has been de-emphasized in the modern medical school curriculum. With advancements in diagnostic technologies, the clinical presentation of diseases in medical textbooks has been simplified, diminished, and largely replaced with detailed pathophysiology and laboratory findings. The implementation of the United States Medical Licensing Exam (USMLE) Step 1 has also contributed in pushing medical education toward classroom-based learning rather than emphasizing clinical experience. Clinical skills competency is crucial to accurately diagnose patients and simultaneously lowers health care costs by not relying on unneeded diagnostic tests. To address this gap in medical knowledge, a group of students at Texas Tech University Health Sciences Center, Lubbock, Texas, have created a website documenting classic clinical disease descriptions written by some of the renowned physicians from the 19th and 20th centuries, including Osler, Flint, Gowers, etc. This website will continue to grow and will be a useful tool for professors, physicians, and medical students.
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Stumpf, Ida Regina Chitto, Samile Andrea de Souza Vanz, Natália Gastaud, Rosely Vargas, and Silvia Maria Puentes Bentancourt. "Neotropical Ichthyology: trajectory and bibliometric index (2003 - 2010)." Neotropical Ichthyology 9, no. 4 (2011): 921–26. http://dx.doi.org/10.1590/s1679-62252011005000050.
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The Neotropical Ichthyology journal was created in 2003 and soon became one of the main publications in its field as it is reflected in the number of articles submitted every year and the fact that it has been indexed by both SciELO and ISI. In order to understand the reasons for its trajectory, the journal history was recovered and bibliometric indices on author, citation and impact factor were mapped for the period between 2003 and 2010. A descriptive study on journal information source and a bibliometric study of the 388 articles published by the journal and the 642 articles that cite it have been carried out. Bibliometric analyses showed that 75.8% of the articles had been written by Brazilian authors and 91.3% had been published in collaboration. The journal was cited by 171 different publications from 28 countries, including renowned journals in the field. Self-citation accounted for 26.8% of journal citation. Analyses have been able to show that strict evaluation control and editing of the articles have contributed towards its success and internationalization.
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Bellon, Richard. "“The great question in agitation”: George Bentham and the origin of species." Archives of Natural History 30, no. 2 (2003): 282–97. http://dx.doi.org/10.3366/anh.2003.30.2.282.
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George Bentham initially expressed reservations about Darwin's Origin of species (1859). What most troubled Bentham was the potentially disruptive nature of Darwin's ideas for natural history. Bentham, renowned even among other naturalists for always proceeding with the utmost intellectual caution, decided to ignore Darwin's theory. This reticence disappointed Darwin, who pressured Bentham unsuccessfully to give an assessment of the Origin. Bentham did, however, publicly praise Darwin's work on the fertilisation of orchids as an ideal model for natural history research. Finally, in his 1863 presidential address to the Linnean Society, Bentham directly addressed “the great question in agitation”, evolution. His judicious praise of the Origin would, Darwin was convinced, “do more to shake the unshaken & bring on those leaning to our side, than anything written directly in favour of transmutation.” Bentham's tentative conversion to evolution came only after Darwin's work, particularly on orchids, convinced him that evolution would add “stability” to systematic work. As a result, evolution's influence on systematic botany was largely conservative. It validated, rather than challenged, the method, systems, world view and intellectual authority of established experts like Bentham.
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Rafiq, Mr Muhammad, and Mr Sayed Ata Ullah Bukhari. "An Analysis of the Novel “Al-Wadul Haq” by Taha Hussain." Journal of Religious Studies I, no. II (2018): 168–80. http://dx.doi.org/10.33195/uochjrs-v1i2642018.
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This article discusses the famous novel “Al-Wadul Haq” published on 1939 in Berut, written by renowned Arabic novelist Dr. Taha Hussain who was the most Influential Egyptian writer of 20th century and the founder of the most modernist movement in the Middle East and North Africa. In this article certain aspects of the novel is visualized, consequently, unity and narration of characters, facts, events and dialogues are delinated. All the characters of novel are real and historical. In this novel dialogues are according to standard as well as situation. Due to the survival of the historical events, reader does not suffer apprehension during studying of the novel. Elegantly the novel is culminated and having tremendous position because the novelist has completed all the aspects artistically. He narrated the brutality of Kufare Makkah on the Muslims. He also described the emigration of the Muslims to Ethopia and Madina. As well as he mentioned bettle of Badar and brotherhood between Muslims. Keywords: Al-Wadul Haq, Africa, Ethopia, Badar, Yasir
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Ferreiro, Alberto. "Braulio of Zaragoza’s Letters on Mourning." Augustinianum 59, no. 1 (2019): 161–97. http://dx.doi.org/10.5840/agstm20195918.
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Braulio of Zaragoza (c. 585/595-651) was one of the most prolific writers of seventh century Visigothic Spain. The collection of 44 letters that he wrote are a unique and rich depository of information for that era and region of western Christendom. He was a personal adviser to three Visigothic kings, Chinthila and Chindasvinth and Reccesvinth, and he correspondended with his renowned contemporary Isidore of Seville. This study focuses on the letters that he directed at people who had lost a loved one and who needed consolation in their moment of mourning. The letters do not reveal anything about funerary burial practices, but they do yield a rare personal glimpse of what the Church taught about mourning the dead. Personal letters by their very nature are a literary means where peopleexpress their intimate feelings, in this case both those who were the recipients and Braulio who wrote to them. We see the Bishop of Zaragoza at his pastoral best in the letters of consolation written to family and friends who were mourning.
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Конурбаев, Марклен, Marklen Konurbaev, Салават Конурбаев та Salavat Konurbaev. "An essay on the history and hermeneutics of Naṣīḥat Al-mulūk by Ghazālī, Abu Hamid Muḥammad ibn Muḥammad Al-tūsī: hermeneutic code". Servis Plus 9, № 4 (2015): 55–68. http://dx.doi.org/10.12737/14574.
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Abstract: A hermeneutic analysis of the Oriental Philosophers’ writings is invariably a matter of great challenge and difficulty. It is always full of allegory and literary divagations which intersperse a smooth flow of argumentation. This paper is written by Marklen Konurbaev, Professor of Literature at Moscow State University and his son Salavat, a student of Arabic Philosophy. The paper consists of six parts and attempts to reveal the hidden message of a famous extract from the renowned book Ihya Ulum Al Din by a Persian philosopher Ghazālī, Abu Ḥamid Muḥammad Ibn Muḥammad Al-Tūsī, devoted to the analysis of the notion of “fairness” in the doings of a ruler. The hermeneutic analysis was performed based on the methodology propounded by Roland Gérard Barthes — a French literary theorist, philosopher, linguist and critic. This is the first ever attempt to put together the methodological efforts of a Western scholar and profoundly oriental piece of philosophy. Results of the hermeneutic study are stunning and elucidating. The paper could be recommended to the students of literature and philosophy at the universities and colleges.