Relevant bibliographies by topics / Repatriation of cultural heritage

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Academic literature on the topic 'Repatriation of cultural heritage'

Author: Grafiati
Published: 20 February 2023

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Journal articles on the topic "Repatriation of cultural heritage"

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Thorleifsen, Daniel. "The repatriation of greenland’s cultural heritage." Museum International 61, no. 1-2 (May 2009): 25–29. http://dx.doi.org/10.1111/j.1468-0033.2009.01662.x.

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Conley, Bridget, and Vernelda Grant. "Human remains within an Apache knowledge ecology." Human Remains and Violence 8, no. 2 (October 2022): 4–17. http://dx.doi.org/10.7227/hrv.8.2.2.

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This edited transcript of conversations between an Apache cultural heritage professional, Vernelda Grant, and researcher Bridget Conley explores the knowledge that should guide the repatriation of human remains in the colonial context of repatriating Apache sacred, cultural and patrimonial items – including human remains – from museum collections in the United States. Grant provides a historical overview of the how Apache elders first grappled with this problem, following the passage of the Native American Graves Protection and Repatriation Act (1990) in the US Congress. She explains how and why community leaders made decisions about what items they would prioritise for repatriation. Central to her discussion is an Apache knowledge ecology grounded in recognition that the meaning of discrete items cannot be divorced from the larger religious and cultural context from which they come.
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Ingelson, Allan, and Ifeoma Owosuyi. "Reviewing the experience with the repatriation of sacred ceremonial objects: A comparative legal analysis of Canada and South Africa." International Journal of Cultural Property 29, no. 3 (August 2022): 217–41. http://dx.doi.org/10.1017/s0940739122000200.

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AbstractRecent global interest in preserving cultural identity and heritage for the future of previously colonized Indigenous groups has prompted the resuscitation of local and Indigenous cultures from the brink of extinction. The pertinence of protecting and managing cultural heritage as an endowment that transcends generations of people and serves as a ligature between their past, present, and future cannot be overstated. In this respect, the repatriation or restitution of sacred ceremonial objects (SCOs) and cultural artifacts constitutes an integral aspect of reviving Indigenous people’s cultural and living heritage, which has been eroded by colonialism and other forms of occupation. In Alberta, Canada, the First Nations Sacred Ceremonial Objects Repatriation Act is the foremost legislation that provides a formal mechanism for the return of SCOs to the First Nations. Thus far, it has successfully facilitated the repatriation of several hundred repatriated several SCOs. In contrast, South Africa’s primary heritage legislation, the National Heritage Resources Act, lacks direction and detail on the restitution of SCOs, specifically to cultural communities. With the aid of a comparative approach, this article critically examines one successful approach to the repatriation of specific sets of heritage objects in Canada and analyzes South Africa’s legal frameworks that consider SCOs as a component of its national estate within its framework for restitution and the promotion of cultural revival in cultural communities.
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Wergin, Carsten. "Healing through Heritage?" Anthropological Journal of European Cultures 30, no. 1 (March 1, 2021): 123–33. http://dx.doi.org/10.3167/ajec.2021.300109.

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This Forum contribution builds on the ethnographic engagement with restitution projects as places of transcultural encounter. Based on data collected in 2019 during repatriation ceremonies in Berlin and Leipzig, I show how a responsibility for human remains that was shared between European museums and Australian Indigenous custodians set in motion processes of healing, both among Indigenous groups and those working with these collections in Europe. I further argue that ethnographic museums change in these processes from supposedly passive exhibition spaces to spaces of socio-critical engagement. Finally, I explore the decolonial potential of such collaborative engagements with heritage within and beyond European borders that are motivated by provenance research and repatriation practices.
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Prażmowska-Marcinowska, Karolina. "Repatriation of Indigenous Peoples’ Cultural Property: Could Alternative Dispute Resolution Be a Solution? Lessons Learned from the G’psgolox Totem Pole and the Maaso Kova Case." Santander Art and Culture Law Review 8, no. 2 (December 30, 2022): 115–38. http://dx.doi.org/10.4467/2450050xsnr.22.015.17028.

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Considering that the vast majority of the objects constituting Indigenous Peoples’ cultural heritage are now located outside their source communities, the restitution of cultural property has become a pressing issue among Indigenous Peoples worldwide and should be understood as part of Indigenous Peoples’ historical (as well as current) encounter with colonization and its consequences. As such, this article investigates whether international cultural heritage law offers any possibilities for successful repatriation and to what extent the shortcomings of the framework in place could be complemented by alternative dispute resolution (ADR) mechanisms and the new mandate of the Expert Mechanism on the Rights of Indigenous Peoples (Expert Mechanism). First, crucial concepts in the repatriation debates are explained. Next the factual background of the case studies of the G’psgolox Totem Pole and Maaso Kova are presented. This is followed by a discussion of the most pertinent mechanisms of international cultural heritage law and the place of Indigenous Peoples’ rights within such a framework. Subsequently, the concept of ADR is introduced, and the details of the negotiation processes between the Haisla First Nation (Canada) and the Yaqui People (Mexico, the United States) – both with the Museum of Ethnography in Stockholm (Sweden) – are presented. Finally, the article evaluates to what extent ADR could be an appropriate mechanism for the settlement of disputes concerningIndigenous Peoples’ cultural property, andwhether the Expert Mechanism is a well-suited body for facilitating the process of repatriating Indigenous Peoples’ cultural heritage.
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Browne, Kim Victoria, and Tumendelger Dashdorj. "Mongolia’s Fossilised Heritage." Inner Asia 24, no. 1 (April 12, 2022): 131–61. http://dx.doi.org/10.1163/22105018-02302020.

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Abstract It has been almost 100 years since the pioneering expedition of the American Museum of Natural History (New York) to the Gobi Desert led by Roy Chapman Andrews in 1922. Therefore, it is an opportune time to examine the contribution Andrews made to palaeontology in central Asia and to consider the question of education and repatriation in the context of the protection of Mongolia’s fossilised heritage. Furthermore, this paper investigates the threat to Mongolia’s rare and exceptional cultural heritage posed by modern-day fossil poachers along with domestic efforts to combat the illicit fossil trade in central Asia. This paper concludes with an examination of the repatriation from the United States of Tarbosaurus bataar and the establishment of the Central Museum of Mongolian Dinosaurs dedicated to repatriated dinosaur specimens.
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Simpson, Moira. "Museums and restorative justice: heritage, repatriation and cultural education." Museum International 61, no. 1-2 (May 2009): 121–29. http://dx.doi.org/10.1111/j.1468-0033.2009.01669.x.

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Schmidtke, Sabine. "The Zaydi Manuscript Tradition: Virtual Repatriation of Cultural Heritage." International Journal of Middle East Studies 50, no. 1 (January 31, 2018): 124–28. http://dx.doi.org/10.1017/s0020743817001003.

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The manuscript tradition of the Zaydi branch of Shiʿism, which since the 9th century has been preserved primarily in Yemen, is nowadays dispersed over countless libraries in Yemen and the Middle East, Turkey, Europe, and the United States, of which only a fraction has been digitized and is available for open access. Its treasures came to the attention of scholars outside Yemen at a relatively late stage. Whereas the bulk of Arabic manuscripts nowadays housed in the libraries of Europe were acquired between the 17th and 19th centuries in centrally located cities and regions such as the Ottoman capital Istanbul, Syria and Palestine, and Egypt—all strongholds of Sunnism—the collections of Zaydi/Yemeni manuscripts were established only at the end of the 19th and first decades of the 20th century. Among the European explorers and merchants who collected manuscripts in South Arabia and later sold them to libraries in Europe was Eduard Glaser, who visited Yemen on four occasions between 1882 and 1894. After Glaser sold the manuscripts purchased during his first and second journey to the Königliche Bibliothek zu Berlin in 1884 and 1887, Wilhelm Ahlwardt made them the last acquisition to be included in his Catalogue of Arabic Manuscripts, published between 1887 and 1899. The third Glaser collection was purchased in 1889 by the British Museum in London—with the exception of the Lane collection that was purchased in 1891 and 1893, it was the last acquisition to be included in Charles Rieu's Supplement to the Catalogue of Arabic Manuscripts published in 1894. The fourth Glaser collection was sold in 1894 to the Kaiserlich-Königliche Hofbibliothek in Vienna, constituting the most important acquisition of Arabic manuscripts by the library at the time—unlike the Berlin and London Glaser collections, the Vienna Glaser manuscripts were never described in a published catalogue. An even larger collection of Zaydi/Yemeni manuscripts was brought together by the Italian merchant Giuseppe Caprotti during his sojourn in South Arabia from 1885 to 1919. Portions of the Caprotti collection now belong to the Bavarian State Library in Munich and the Biblioteca Apostolica Vaticana, while the majority of the collection is owned by the Biblioteca Ambrosiana in Milan. European libraries and increasingly US libraries have continuously purchased manuscripts of Yemeni provenance during the 20th and 21st centuries.
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Reddy, Sita. "Sacrilege and Cultural Heritage: Intangibles in Repatriation Case Law." Anthropology News 51, no. 5 (May 2010): 4. http://dx.doi.org/10.1111/j.1556-3502.2010.51504.x.

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Gundu, Zacharys Anger. "Looted Nigerian heritage – an interrogatory discourse around repatriation." Contemporary Journal of African Studies 7, no. 1 (August 31, 2020): 47–65. http://dx.doi.org/10.4314/contjas.v7i1.4.

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The colonial assault on African culture and heritage culminated in the indiscriminate looting of African cultural resources, many of which are icons in public and private museums and institutions in Europe and North America. Many more are in auction houses and art galleries outside the continent. While there is no comprehensive audit of these materials, they are estimated to run into hundreds of thousands. In this paper, attempts are made to identify the different genres of looted Nigerian materials in Europe and North America. Factors that have continued to exacerbate the looting of the country’s cultural resources are identified and attempts are made to suggest possible strategies for the repatriation of these looted treasures.
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Dissertations / Theses on the topic "Repatriation of cultural heritage"

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Jessiman, Stacey Rae. "Understanding and resolving cultural heritage repatriation disputes between indigenous peoples and museums." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/51635.

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Disputes between Indigenous peoples and Western museums over repatriation of cultural heritage involve numerous complex issues -- legal, ethical, historical, cultural, spiritual, political and economic, among others – that necessitate a particularly thoughtful approach to resolving such disputes. Resolution of such disputes by negotiation or other alternative dispute resolution (“ADR”) processes should not involve simply finding quick, theoretically “win-win” solutions such as replicas or loans. Because these disputes often involve complex issues such as traumatic colonial injustices and profound differences in cultural values and dispute resolution paradigms, the dispute resolution process must involve a period of exploration and acknowledgement of such issues and differences by the parties, which I term “Relationship Building”, as a necessary precursor to any stage of problem-solving. By analysing the negotiations between various Western museums and the Kwakwaka’wakw and Haisla First Nations of British Columbia, Canada over the repatriation of cultural objects removed from their traditional territories by colonial forces in the early 20th century, this thesis seeks to demonstrate how engaging in a stage of Relationship Building early in the negotiation process is key to ensuring the parties understand their dispute holistically and experience a constructive, not destructive, process and outcome.
Law, Faculty of
Graduate
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Brown, Reuben Jay. "Following footsteps: The kun-borrk/manyardi song tradition and its role in western Arnhem Land society." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15671.

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In western Arnhem Land, a diverse song tradition—referred to as kun-borrk in Bininj Gunwok language and manyardi in Mawng language—continues to be passed down over many generations. Today, these songs play a central role in a wide variety of public occasions including funeral ceremonies, diplomacy or exchange ceremonies, formal events such as cultural festivals and informal excursions to ancestral country with family, or visiting researchers. Following in the footsteps of their fathers, grandfathers, and ancestors before them who sang in languages now endangered or understood only by ancestral spirits, Aboriginal songmen continue to teach these songs and their accompanying dances to younger generations, and compose new songs which have been given to them by deceased spirits in dreams, while women pass on their expertise in dancing and directing aspects of the ceremony, as well as their knowledge of particular song-sets. Bringing together historically and linguistically informed performance ethnography and music analysis, this thesis describes the social significance of western Arnhem Land song traditions to the everyday lives of both Bininj/Arrarrkpi (Aboriginal people) and Balanda (non-Aboriginal people). Each chapter analyses performances of kun-borrk/manyardi in different social contexts, which have in common the theme of intercultural encounter and exchange. The author traces his own journey on the road to learning about Bininj/Arrarrkpi culture by participating in social events in and around the communities of Gunbalanya and Warruwi in western Arnhem Land, accompanied by kun-borrk/manyardi songmen and their families. (Since many aspects of Aboriginal sociality and knowledge are gendered, the study reflects the perspective of men in particular that the author collaborated with). For hundreds of years since the arrival of Macassans from South Sulawesi to their shores, Aboriginal people have performed their songs in ceremony for outsiders and for neighbouring clan and language groups to establish good relations. This thesis shows how, as social circumstances in Arnhem Land change, kun-borrk and manyardi continue to play a fundamental role in mediating relationships and maintaining traditional culture and values, laying out a path for the next generation to follow.
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Rosenthal, Jessica S. "The “Twice-Looted” Archives: Giving Voice to the Long-Silenced Witnesses of World War II." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/177.

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The “twice-looted” archives refer to a vast body of documents that were looted by Nazi agencies during, and again by Soviet Army units immediately following World War II. The archives were taken in the context of the two most intensive programs of cultural heritage looting in modern history. Their fate remained unknown until the fall of the Soviet Union in 1991. Since then, many efforts have been made to return the documents to their original owners. However, significant obstacles have hindered restitution, leaving a large body of foreign archives in Russia. By connecting the history and current status of the “twice-looted” archives to archival theory and ethical principles on cultural heritage property, this thesis provides a foundation from which to approach archival restitution. The analysis of recent additions to archival theory provides new understandings of archival meaning that may facilitate the restitution of archives displaced by war. Reviewing the details of the archives’ successive seizures leading to their extended residency in the secret “Special Archive” (TsGOA) and discussing restitution developments on national and international levels reveals how exploitation of archives during war violates archival principles. Concluding with specific case studies further illustrates the complex nature of archives and archival meaning and its significance for archival restitution. These discussions reveal the damages that result when archives become targets of war. This in turn, encourages respect for archives and brings attention to the necessity of safeguarding archival heritage.
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Ekberg, Toscano Frida. "Värdet av repatriering. En biografi av totempålen G’psgolox’s repatriering från Sverige till Kanada. (Svenska)." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446747.

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The study is an archaeological biography of the G'psgolox totem pole told from the Haisla people's perspective in Canada and adopts cultural relativism and the theory of ontology to highlight their experience and perspective on the repatriation process of the G'psgolox totem pole. The research has been limited to studying the totem pole only based on an emic perceptive, the Haisla people, and departures from secondary sources consisting of films, Haisla organizations websites, and literature where they shared their experiences. For the Haisla people, the G'psgolox totem pole is not like all other totem poles erected during their traditional potlatch ceremonies. This pole was created when Hailsa culture, society, traditions, beliefs, and identity were dying out due to, among other things, the European colonization and the consequences that it brought with it, such as "The Indian Act" in Canada. This act aimed to eradicate the country's indigenous cultures and inculcate the "white way," which turned into a mass extinction threat to different First Nations in Canada, such as the Haisla people. Therefore, since its creation, the G'psgolox totem pole has immeasurable value for Haisla's people since it symbolizes survival, strengthening of Haisla's culture and identity after almost disappearing. However, the pole was taken without consent ending in Sweden, which affected Haisla society and led to a series of international events, where the Haisla people strived to repatriate the G'psgolox totem pole to its origins. Previous studies of the repatriation process have, with some exceptions, mainly adopted the Western perspective, giving only the Western reality of the events, distorting the arguments in the repatriation debate to its advantages. The study shows that Haisla has a holistic perspective on their surroundings where everything is integrated, connected, and influences each other through time and space, including tangible and intangible material and across the living and spiritual world, which differs from the Western perspective, and more when it comes to the understanding of the value of cultural heritage. Therefore, through the repatriation process, the Western beliefs clash against Haisla's reality and value over their cultural heritage. Although this, the Western way tended to dominate the whole repatriation before, during, and after the process, minimizing, in this case, the Haisla peoples perspective and the cultural value that the G'psgolox totem pole could bring to them.
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Lange, Christian. "Samiska Fornlämningar Då, Nu & Alltid : En kvalitativ-komparativ litteraturstudie om dagens samiska relation till fornlämningar i det samiska kulturlandskapet." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-91187.

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The work investigates the relationship the Swedish indigenous people, the Sámi people, have towards their cultural remains in the Sámi cultural landscape. It is investigated through a qualitative-comparative literature studie which is primarily conducted through an analysis of four websites; two Sámi controlled websites and two swedish county administration controlled websites. The relationship the Sámi people have towards their ancient cultural remains can be seen through studies of their relationship towards graves and old settlement remains, (swe:kåtatomter) which reflects a relationship that is contested by factors such as the threat of exploitation of the Sámi cultural landscape, and by the challenges that comes with repatriation cases. The work emanates from a postcolonial perspective which can be seen throughout the entire work and which is primarily based on reconciliation as a concept within postcolonial theory
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Ojala, Carl-Gösta. "Sámi Prehistories : The Politics of Archaeology and Identity in Northernmost Europe." Doctoral thesis, Uppsala universitet, Arkeologi, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-108857.

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Throughout the history of archaeology, the Sámi (the indigenous people in northern Norway, Sweden, Finland and the Kola Peninsula in the Russian Federation) have been conceptualized as the “Others” in relation to the national identity and (pre)history of the modern states. It is only in the last decades that a field of Sámi archaeology that studies Sámi (pre)history in its own right has emerged, parallel with an ethnic and cultural revival among Sámi groups. This dissertation investigates the notions of Sámi prehistory and archaeology, partly from a research historical perspective and partly from a more contemporary political perspective. It explores how the Sámi and ideas about the Sámi past have been represented in archaeological narratives from the early 19th century until today, as well as the development of an academic field of Sámi archaeology. The study consists of four main parts: 1) A critical examination of the conceptualization of ethnicity, nationalism and indigeneity in archaeological research. 2) A historical analysis of the representations and debates on Sámi prehistory, primarily in Sweden but also to some extent in Norway and Finland, focusing on four main themes: the origin of the Sámi people, South Sámi prehistory as a contested field of study, the development of reindeer herding, and Sámi pre-Christian religion. 3) An analysis of the study of the Sámi past in Russia, and a discussion on archaeological research and constructions of ethnicity and indigeneity in the Russian Federation and the Soviet Union. 4) An examination of the claims for greater Sámi self-determination concerning cultural heritage management and the debates on repatriation and reburial in the Nordic countries. In the dissertation, it is argued that there is a great need for discussions on the ethics and politics of archaeological research. A relational network approach is suggested as a way of opening up some of the black boxes and bounded, static entities in the representations of people in the past in the North.
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Breske, Ashleigh M. L. "Politics of Repatriation: Formalizing Indigenous Cultural Property Rights." Diss., Virginia Tech, 2018. http://hdl.handle.net/10919/96766.

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This project will be an empirical study into repatriation as a political practice. This theoretically-oriented project investigates how institutions and cultural values mediate changes in the governance of repatriation policy, specifically its formalization and rescaling in the United States. I propose a critical approach to understanding repatriation; specifically, I will draw together issues surrounding museums, repatriation claims, and indigenous communities throughout the development of the Native American Graves Protection and Repatriation Act (NAGPRA) in 1990 and current repatriation policy. The interdisciplinary academic narrative I build will explore practices of repatriation and how it relates to the subject of indigenous cultural rights. Using the University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia, PA and the Field Museum of Natural History in Chicago, IL as models for the repatriation process, I will show the historic political tensions and later attempts to repatriate culturally significant objects and human remains in the United States. By examining entrenched discourses prior to NAGPRA and what changed to allow a new dominant discourse in the debates over repatriation claims, I will show that culturally-structured views on repatriation and narratives surrounding indigenous cultural property were transformed. By examining ownership paradigms and analyzing discourses and institutional power structures, it is possible to understand the ramifications of formalizing repatriation. The current binary of cultural property nationalism/cultural property internationalism in relation to cultural property ownership claims does not represent the full scope of the conflict for indigenous people. Inclusion of a cultural property indigenism component into the established ownership paradigm will more fully represent indigenous concerns for cultural property. Looking at the rules, norms and strategies of national and international laws and museum institutions, I will also argue that there are consequences to repatriation claims that go beyond possession of property and a formalized process (or a semi- formalized international approach) can aid in addressing indigenous rights. I will also ask the question, does this change in discourse develop in other countries with similar settler colonial pasts and indigenous communities, i.e. in Canada, New Zealand, Australia? My work will demonstrate that it does. Essentially, the repatriation conversation does not immediately change in one country and then domino to others. Instead, it is a change that is happening concurrently, comparative to other civil rights movements and national dialogues. The cultural and institutional shifts demanding change appear to have some universal momentum. The literatures to which this research will contribute include: museum studies, institutional practices, material cultural and public humanities, and indigenous right.
PHD
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Innocenti, Perla. "From cultural heritage to cultural heritage informatics : critically investigating institutions, processes and artefacts." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4658/.

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Background and rationale: Collecting is a basic human activity, a cultural phenomenon establishing cultural values, defining authenticity and creating new identities for collected objects and collectors. For more than a decade, I have studied cultural heritage collections from three key interwoven perspectives. These approaches are evident in the six publications selected for this submission: • Architectural and organisational perspective: at the Vatican Gallery (Innocenti 2001a), Uffizi (Innocenti 2003a) and Biblioteca Laurenziana (Innocenti 2002a) I investigated institutional collector and key stakeholder strategies for designing collection space and displays. I then applied this analysis to‘knowledge architecture’ for industrial design artefacts and processes (Innocenti 2004c). • Procedural and functional perspective: from Palladio drawings (Innocenti 2005a) to industrial design knowledge bases (Innocenti 2004a), I investigated how to digitize, archive, render and make accessible cultural heritage as an accurate iconic representation, interwoven with documentary and cultural contexts. The work further led me to study the authenticity of born-digital artworks (Innocenti 2012c). • Artefact perspective: I explored how artists and institutional collectors address the preservation of artworks, from the Renaissance desks of the Biblioteca Laurenziana (Innocenti 2002a) to digital artworks (Innocenti 2012c), and the historical and theoretical implications of their choices. In each of these areas, I contextualized the interrelations between cultural heritage discourse and the history of collecting cultural artefacts within given historical, social and cultural periods. My work began in Italy, where cultural heritage is deeply rooted and widespread, and moved on to encompass Europe and North America in tracing the evolution of cultural heritage collectors’ strategies. I adopted an interdisciplinary approach, engaging perspectives, methods and theoretical frameworks from art history, art theory, museography, museology, library and information science, information technology, social anthropology and engineering. Starting from this multi-focal vantage point my research has resulted in contributions to knowledge, methods and theory. These publications on one hand demonstrate the continuum of key issues in cultural heritage creation, preservation and access as manifested in the strategies of institutional collectors and artists. On the other hand, they highlight the new paradigms and transformations introduced by digital and communication technologies, the shaping of cultural heritage informatics to address these transformations and the theoretical and methodological implications underlying them. Through my scholarly research, I contributed to progressing the canonical historicisation of cultural heritage, museography and museology, and to exploring the new paradigms and transformations introduced by digital and communication technologies to the disruptive and exciting world of cultural heritage informatics. The portfolio: The portfolio is a selection from Perla Innocenti’s more than forty publications of research carried out since 2001 on cultural heritage and informatics with the Universitá degli Studi di Roma ‘La Sapienza’, Scuola Normale Superiore di Pisa, Istituto Nazionale di Archeologia e Storia dell’Arte in Rome, Pinacoteca Nazionale di Bologna, Italian Ministry of Cultural Heritage and Fondazione Andrea Palladio, Politecnico di Milano and EU-funded projects SHAMAN and MeLa. Six scientific publications are presented: two journal articles, a scholarly treatise, a published conference paper, key chapters from a monograph and one book chapter from an edited volume. The works have two key themes relevant to the critical analysis and understanding of heritage institutions’ evolution up to the digital age. The themes illustrate the contribution each publication has made to the literature and explain the relationship between the works submitted, including developments which have occurred between one piece and another. Theme I: Evolution of museography, museology and heritage studies Three publications are presented under this theme, each of these presenting the critical analysis of cultural heritage institutions and their artefacts within the historical evolution of museums and libraries. Publication I presents the critical analysis of the museographic principles applied by Luca Beltrami to the design of the Vatican Gallery, investigated and contextualised within its museographical and cultural history (Innocenti 2001a). Publication II presents the critical analysis and findings of the museological and museographical principles applied by Corrado Ricci to the Uffizi Gallery in the 19th Century, compared with the contemporary principles in the Uffizi applied by the former Superintendent and Italian Ministry Antonio Paolucci (Innocenti 2003a). Publication III presents the analysis and original findings of Michelangelo’s ergonomic design of the Biblioteca Laurenziana fittings, within the historical evolution of libraries (Innocenti 2002a). Theme II: Creating, managing, disseminating and preserving digital cultural heritage The publications presented in this theme relate to methodologies and processes characterising diverse typologies of analogue and digital cultural heritage and the emerging field of cultural informatics. Publication IV presents the novel methodological approach defined and applied within a relevant digitization project of Andrea Palladio manuscripts and maps (Innocenti 2005a). Publication V presents the outcomes of my investigation defining and implementing an online knowledge-based system supporting research and teaching of industrial design, which is formally considered part of Italian cultural heritage (Innocenti 2004a). Publication VI discusses the repositioning of traditional conservation concepts of historicity, authenticity and versioning in relation to born-digital artworks, based on findings from my research on preservation of computer-based artefacts by public collectors (Innocenti 2012a).
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Khabra, Gurdeep. "The heritage of British Bhangra : popular music heritage, cultural memory, and cultural identity." Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2015320/.

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Authorised narratives of British popular music history have been deployed as representations of national identity by a range of institutions and individuals. The London 2012 Olympic Games opening ceremony, for example, presented a range of musical artists and songs that had been selected to represent aspects of British cultural identity to an international audience. The following year, a speech delivered by British Prime Minister David Cameron cited examples of British popular music in order to demonstrate British cultural successes in an international field. This thesis argues that authorised narratives such as these have failed to reflect the diversity of music cultures in the UK, drawing upon literature that highlights the concerns of ethnic minority groups who are frequently faced with exclusion from mainstream heritage narratives, and on a case study on British Bhangra music. British Bhangra is a musical genre closely associated with the BrAsian community, and in this thesis it is used to explore the relationship between popular music heritage and multiculturalism and address the following research questions: How have individuals involved with the British Bhangra music industry and audience groups responded to authorised narratives (Smith, 2006) of British popular music? How has British Bhangra been constructed as heritage – whether authorised, un-authorised or self-authorised – and where is this taking place and by whom? In order to address these questions, the thesis adopts two methodological approaches: qualitative research in the form of ethnographic fieldwork, and the analysis of particular musical works produced by British Bhangra artists and promoted as heritage – such as songs featuring in audience-constructed online charts attempting to define the ‘50 Best British Bhangra albums’. The ethnographic fieldwork was conducted in three areas in England: Bradford and Leeds in the North-East of England, Birmingham, and Tower Hamlets in East London, and enabled an exploration of British Bhangra heritage sites and practices in each location. Face-to-face and email interviews were also conducted with artists, music promoters and archivists involved with the British Bhangra music industry as well as with Bhangra audiences, and published interviews from print and online sources were consulted. This helped to examine British Bhangra heritage from the perspective of the artist, audience and music industry workers involved. At the same time specific British Bhangra songs were analysed in order to explore musical constructions of national identity and cultural memory and related concepts, such as ‘homeland’ or ‘authenticity’, both of which emerged as highly valued by British Bhangra audiences and artists. Attempts by artists and music journalists to construct a ‘canon’ of British Bhangra music frequently involve efforts to evaluate these musical works in terms of their perceived ability to express authenticity, or to evoke connections with a rural Punjab. The music is analysed in relation to such debates, and the way in which particular artists and songs have become enshrined within British Bhangra music heritage practices is explored.
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Schaub, Mareike. "Natural and Cultural Heritage in Tourism on Gotland : Heritage Tourism Characteristics and the Relation of Natural and Cultural Heritage." Thesis, Uppsala universitet, Institutionen för samhällsbyggnad och industriell teknik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414410.

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This thesis researches into the heritage tourism characteristics on Gotland. Many destinations see a great potential to develop new tourism products around their heritage and thus meet a rising demand for enriching and unique visitor experiences. However, different considerations and stakeholders need to be taken into account to foster a sustainable development. The Swedish island of Gotland in the Baltic Sea has a long history as a tourism destination and is rich in heritage resources of diverse origin. A qualitative approach has been taken to study which traits characterise heritage related tourism to Gotland, and which potentials and challenges are seen by major stakeholders in the tourism and heritage development. One protruding result has been the strong connection between natural and cultural elements at the heritage sites as well as in tourism demand. Also the tourism strategy for Gotland strives for a further development of nature and culture as thematic tourism areas. Hence, a closer look has been taken into the relation of these two heritage elements. With help of the concept and methodology of heritagescapes two heritage sites have been analysed in a case study approach. The result shows that the integration of natural and cultural heritage to create cohesive and immersive visitor experiences at one site is challenging. However, taking both heritage elements into account can create synergies and they enhance how the respective other heritage element is experienced. This can broaden which visitor groups are attracted and in which season. Furthermore, the heritagescape approach gives practical management implications for the sites.
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Books on the topic "Repatriation of cultural heritage"

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Tünsmeyer, Vanessa. Repatriation of Sacred Indigenous Cultural Heritage and the Law. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6.

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Chhabra, Deepack. Sustainable marketing of cultural and heritage tourism. Abingdon, Oxon, England: Routledge, 2010.

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Sustainable marketing of cultural and heritage tourism. Milton Park, Abingdon, Oxon: Routledge, 2010.

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Alberta, Provincial Museum of. The Scriver Blackfoot collection: Repatriation of Canada's heritage. Edmonton: Provincial Museum of Alberta, 1990.

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Borák, Mečislav. The lost heritage of cultural assets: The documentation, identification, restitution and repatriation of the cultural assets of WWII victims : proceedings of the international academic conference in Brno, 20.-21.11.2003. Prague: Tilia Publishers, 2005.

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Arctic Studies Center (National Museum of Natural History), ed. Akuzilleput igaqullghet =: Our words put to paper : sourcebook in St. Lawrence Island heritage and history. Washington, D.C: Arctic Studies Center, National Museum of Natural History, Smithsonian Institution, 2002.

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1961-, Bell Catherine E., and Napoleon Val 1956-, eds. First Nations cultural heritage and law: Case studies, voices, and perspectives. Vancouver, BC: UBC Press, 2008.

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V, Prott Lyndel, ed. Finishing the interrupted voyage: Papers of the UNESCO Asia-Pacific Workshop on the 2001 Convention on the Protection of the Underwater Cultural Heritage, 18-20 November 2003, Hong Kong SAR, China. Bangkok: UNESCO, 2006.

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UNESCO Asia-Pacific Workshop on the 2001 Convention on the Protection of the Underwater Cultural Heritage (2003 Hong Kong, China). Finishing the interrupted voyage: Papers of the UNESCO Asia-Pacific Workshop on the 2001 Convention on the Protection of the Underwater Cultural Heritage, 18-20 November 2003, Hong Kong SAR, China. Bangkok: UNESCO, 2006.

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Union, IUCN-The World Conservation, ed. Cultural heritage. Quetta: IUCN--the World Conservation Union, 2000.

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Book chapters on the topic "Repatriation of cultural heritage"

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Tünsmeyer, Vanessa. "Repatriation Models." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 431–58. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_9.

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Kynourgiopoulou, Vasiliki. "National Identity Interrupted: The Mutilation of the Parthenon Marbles and the Greek Claim for Repatriation." In Contested Cultural Heritage, 155–70. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7305-4_7.

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Tünsmeyer, Vanessa. "Repatriation of Sacred Indigenous Heritage Under International Cultural Heritage Law." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 143–80. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_3.

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Tünsmeyer, Vanessa. "Evaluation of Repatriation in U.S. Law." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 281–302. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_5.

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Tünsmeyer, Vanessa. "Repatriation of Sacred Indigenous Heritage in U.S. Law." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 183–280. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_4.

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Tuensmeyer, Vanessa M. "Repatriation and Multilevel Heritage Legislation in Canada and Australia: A Comparative Analysis of the Challenges in Repatriating Religious Artefacts to Indigenous Communities." In Art, Cultural Heritage and the Market, 183–206. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45094-5_8.

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Ikram, Salima. "Collecting and Repatriating Egypt’s Past: Toward a New Nationalism." In Contested Cultural Heritage, 141–54. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7305-4_6.

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Tünsmeyer, Vanessa. "Evaluating the Position of Indigenous Sacred Cultural Heritage in Canadian Law." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 409–28. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_8.

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Tünsmeyer, Vanessa. "Repatriation of Sacred Indigenous Cultural Heritage Under International Human Rights Law." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 49–141. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_2.

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Tünsmeyer, Vanessa. "Summary, Conclusion and Recommendations." In Repatriation of Sacred Indigenous Cultural Heritage and the Law, 459–80. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89047-6_10.

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Conference papers on the topic "Repatriation of cultural heritage"

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TOBIAS, PHILLIP V. "HOMINID FOSSILS AS UNIVERSAL AND NATIONAL CULTURAL HERITAGE: AN ESSAY ON PAST AND PRESENT ATTITUDES TOWARDS THE OWNERSHIP OF HOMINID FOSSILS AND THE QUESTION OF REPATRIATION." In Science for Cultural Heritage - Technological Innovation and Case Studies in Marine and Land Archaeology in the Adriatic Region and Inland - VII International Conference on Science, Arts and Culture. WORLD SCIENTIFIC, 2010. http://dx.doi.org/10.1142/9789814307079_0022.

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Browne, Kim Victoria. "International Cultural Heritage Law The Internationalisation of Cultural Heritage." In Annual International Conference on Law, Regulations and Public Policy. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2251-3809_lrpp14.11.

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Raptis, George E., Christos Fidas, and Nikolaos Avouris. "Cultural Heritage Gaming." In UMAP '17: 25th Conference on User Modeling, Adaptation and Personalization. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3099023.3099090.

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Ciolfi, Luigina, Areti Damala, Eva Hornecker, Monika Lechner, Laura Maye, and Daniela Petrelli. "Cultural heritage communities." In C&T '15: Communities and Technologies 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2768545.2768560.

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Ibragimov, Musa. "Main Stages Of Chechen Nationality Rehabilitation And Its Repatriation." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.473.

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Brown, Benedict, Kevin Cain, Paolo Cignoni, Paul Debevec, Greg Downing, and Mashhuda Glencross. "Computation & cultural heritage." In ACM SIGGRAPH 2009 Courses. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1667239.1667249.

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Barua, Suman. "Cultural Heritage in Bangladesh." In 6th International Conference on Modern Approach in Humanities. acavent, 2018. http://dx.doi.org/10.33422/6mah.2018.11.22.

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Ben Ellefi, Mohamed, Pierre Drap, Odile Papini, Djamal Merad, Jean-Marc Boi, Jean-Philip Royer, Jérôme Pasquet, Jean-Christophe Sourisseau, Filipe Castro, and Mohammad Motasem Nawaf. "Cultural Heritage Resources Profiling." In Companion of the The Web Conference 2018. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3184558.3191598.

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Deiana, R. "Geophysics for Cultural Heritage." In NSG2021 27th European Meeting of Environmental and Engineering Geophysics. European Association of Geoscientists & Engineers, 2021. http://dx.doi.org/10.3997/2214-4609.202120200.

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Nicolas, Stéphane, Thierry Paquet, and Laurent Heutte. "Digitizing cultural heritage manuscripts." In the 2003 ACM symposium. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/958220.958231.

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Reports on the topic "Repatriation of cultural heritage"

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Fay, Kathryn, and George Calfas. Endangered cultural heritage : global mapping of protected and heritage sites. Construction Engineering Research Laboratory (U.S.), August 2017. http://dx.doi.org/10.21079/11681/22789.

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Sweeney, Liam, and Kurtis Tanaka. Teaching with Cultural Heritage Materials During the Pandemic. Ithaka S+R, March 2022. http://dx.doi.org/10.18665/sr.316459.

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Rush, Laurie W. Heritage Forward: The Central Command Historical-Cultural Advisory Group. Fort Belvoir, VA: Defense Technical Information Center, October 2013. http://dx.doi.org/10.21236/ada592284.

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Buichik, A. G. Clinronomy - the science of preserving the historical and cultural heritage. Modern Science: Actual Problems of Theory and Practice №3, March 2019. http://dx.doi.org/10.18411/buichik-ag-doi-1.

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Fedirko, O. P., A. A. Krupianko, and N. A. Fedirko. HISTORICAL AND CULTURAL HERITAGE: EVOLUTION AND TRANSFORMATION OF THE NOTION. "Росток", 2018. http://dx.doi.org/10.18411/fed-2018-33.

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TUMENOVA, S. A., and G. D. BAZIEVA. SOCIAL AND ECONOMIC PROBLEMS OF CONSERVATION AND USE OF CULTURAL HERITAGE. "Известия Кабардино-Балкарского научного центра РАН", 2018. http://dx.doi.org/10.18411/2018815562.

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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Soyluoğlu, Mehmetcan. Underwater cultural heritage protection in Cyprus and its contribution to Roman archaeology. Honor Frost Foundation, 2020. http://dx.doi.org/10.33583/mags2020.05.

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Kaufman, Peter. Towards a New Audiovisual Think Tank for Audiovisual Archivists and Cultural Heritage Professionals. Netherlands Institute for Sound and Vision, January 2018. http://dx.doi.org/10.18146/2018thinktank01.

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Wescott, Konstance L., Jennifer M. Abplanalp, Jeff Brown, Brian Cantwell, Merrill Dicks, Brian Fredericks, Angie Krall, et al. San Luis Valley - Taos Plateau Landscape-Level Cultural Heritage Values and Risk Assessment. Office of Scientific and Technical Information (OSTI), October 2016. http://dx.doi.org/10.2172/1347580.

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