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1
Wang, Ru, and Xin Wu. "Analysis of Rhetorical Device---Repetition in “The Killers”." English Language Teaching 15, no. 12 (December 1, 2022): 139. http://dx.doi.org/10.5539/elt.v15n12p139.
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"The Killer" is known for its concise style, but has many repetitions in this short story, including words, phrases, and sentences. The repetition and concise style seems contradictory, but actually shows that Ernest Hemingway's unique narrative skills. This paper discusses how repetitive rhetoric plays an irreplaceable role in depicting characters and conveying themes.
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Breece, Matthew J. "Ethical Repetitions: Rhetorical Imitation and/as Algorithmic Judgment." Philosophy & Rhetoric 54, no. 4 (December 1, 2021): 348–73. http://dx.doi.org/10.5325/philrhet.54.4.0348.
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ABSTRACT In order to explore the possibilities of affirmative ethics and algorithmic judgment, this article puts machinic rhetoric in conversation with classical imitation pedagogy. Taking a machine-learning chatbot as my example, I examine how imitation and repetition in a restrictive economy of rhetorical models produces a limited affirmative ethics through dialectical relations. Drawing on Hannah Arendt's concept of representative thinking to theorize a procedure for algorithmic judgment, I argue that rhetorical training requires the affirmation of a plurality of models if it is to generate not only versatility but also ethical repetitions.
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Rahmadanti, Indah Pertiwi, Diana Kartika, Syahrial Syahrial, and Irma Irma. "THE RHETORIC AND COMPONENTS OF LOVE IN THE LYRICS OF A JAPANESE SONG ABOUT LOVE BY MAJIKO." Hikari: Jurnal Bahasa dan Kebudayaan 2, no. 2 (June 17, 2023): 142–54. http://dx.doi.org/10.37301/hikari.v2i2.31.
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Rhetoric can be defined as the art of using impressive words both orally and in writing. Rhetoric is usually created from the expression of thoughts and feelings through language that specifically shows the soul and personality of the writer. This study aims to explain the use of rhetoric and the components of love contained in the lyrics of a Japanese song about love by Majiko. The research method used is descriptive. The results of the research are rhetoric as follows: rhetoric of meaning, namely metaphor, simile, personification, hyperbole, oxymiron and rhetorical questions. Form Rhetoric namely Repetition, Parenthesis and Reticence. In each data found components of love namely intimacy, passion and commitment.
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Grimwood, Tom. "The Rhetoric of Demonic Repetition." Janus Head 19, no. 1 (2021): 77–90. http://dx.doi.org/10.5840/jh20211916.
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A number of writers have recently challenged the notion of the demonic as mere superstition, arguing for a need to understand the demonic in terms of the often-obscured ways in which it operates in relation to contemporary thought and critique. Building on this, this paper offers an analysis of the demonic as a rhetorical concept. Moving beyond the notion of the demonic as simply a trope at the disposal of a speaker or writer, the paper explores how the expression of the demonic performs a more foundational, repetitive, and indeed, deceptively banal role in shaping the discourses it inhabits. This precedes and frames the ethico-political discourses on evil commonly associated with demonology today.
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Yemini, Bat-Zion. "Empowering Women in the Lessons of Rabbanit Yemima Mizrahi." Review of Rabbinic Judaism 25, no. 1 (March 16, 2022): 70–89. http://dx.doi.org/10.1163/15700704-12341390.
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Abstract This paper examines the rhetoric used by Rabbanit Yemima Mizrahi in her weekly Torah portion lectures to women, in which she applies a feminine point of view. For eighteen years, Rabbanit Mizrahi has used her unique rhetorical style to attract a faithful, diverse audience of Jewish women in Israel and abroad. This study investigates her rhetoric in fifty videotaped lectures and presents five of her rhetorical tools: metaphor and simile, puns, syntactical-rhetorical repetition, humor, and slang. The study also examines how her rhetoric attracts women from all walks of life, irrespective of their level of religious observance, age, and socio-cultural background, and without proselytizing. Moreover, she uses her rhetoric in a direct way, avoiding any type of authoritative distance, to transmit a message of sisterhood through empowerment of women as she interprets the Torah portion.
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Knappe, Gabriele. "Classical rhetoric in Anglo-Saxon England." Anglo-Saxon England 27 (December 1998): 5–29. http://dx.doi.org/10.1017/s0263675100004774.
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This passage fromThe Wandererdemonstrates some of the rhetorical techniques which have been noted in Old English texts. Its most striking features are the rhetorical questions and the figure ofanaphorawhich is produced by the repetition of ‘Hwær’. Another rhetorical element is the use of the theme(topos)ofubi sunt(‘where are…?’) to lament the loss of past joys. In classical antiquity, features such as these, which served to create effective discourse, were the products ofars rhetorica. This art was distinguished from the more basic subject ofars grammaticain that rhetoric, the ‘ars … bene dicendi’ (Quintilian,Institutio oratoriaII.xvii.37), aimed at thegoodproduction of text (for oral delivery) with the aim of persuading the listeners to take or adopt some form of action or belief, whereas grammar, the ‘recte loquendi scientia’, was responsible forcorrectspeech and also for the interpretation of poetical texts (‘poetarum enarratio’: Quintilian,Institutio oratoriaI.iv.2). In terms of classical rhetoric, the above passage fromThe Wanderercould be analysed according to the three phases of the production of a text(partes artis)which pertain to both written and oral discourse:inventio(finding topics such as theubi sunt),dispositio(arranging the parts of the text) andelocutio(embellishing the text stylistically, for example with rhetorical questions and other figures and tropes).How and under what circumstances did the Anglo-Saxons acquire their knowledge of how to compose a text effectively?
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Hocking, Paul. "Repetition Indicating Form and Function." HIPHIL Novum 6, no. 1 (March 5, 2020): 2–19. http://dx.doi.org/10.7146/hn.v6i1.142749.
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It has long been observed that the repetition of literary devices has been used in the Bible and other ancient Near Eastern literature for the purpose of structuring the text and connecting related pericopes. The work done more recently under the TAPJLA project, labels the structuring aspect of repetition: “Repetitions as markers of architecture.” Also, the innovative work of Moshe Kline suggests that literary repetition has been used systematically in two-dimensional structuring of the Torah. This paper builds on these insights, together with elements of my own thesis on the rhetoric of Leviticus. It models an inductive, synchronic case study of a literary unit (Leviticus 23), to show how repetitions have been used both in the form and in the function of the unit, for composition and for suasion.
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Nesterenko, N. M., and C. V. Lyssenko. "Specificity of Repetition as a Rhetoric Device in public speech." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 36 (2019): 65–81. http://dx.doi.org/10.17721/2663-6530.2019.36.05.
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The article deals with the peculiarities of the intonation design of certain elements of such rhetorical reception as a repetition on the material of audio recordings of Shakespeare's plays in chronology, namely rhetorical questions related to expressions of a peculiar interogative modality. The article deals with the results of the study of the invariant features of the prosody of the interrogative sentences in dramatic discourse inchronological terms. Repetition as a means of emotional enhancement is considered. In public speaking, repetition serves as a means of expressing a specific function of information - convincing which adds a rich emotional and intonational content. Through repetition, the speaker deepens the semantic side of speech and heightens emotional impact. Syntactic concurrency, which is realized in the combination of repetitions of syntactic constructions and various intensifiers, has been analyzed, which is perceived as rhythmicality. The syntactical parallelism of identical questions or sentences is amplified and correlated with the identical prosodic contour of intonation groups. To achieve an emotional effect, when presenting syntactically parallel interrogative constructions of the second and third questions, actors can violate the rule of normative intonation of a question, using a gradually ascending scale. Or, on the contrary, to adhere to the normative intonation contours, and design them according to the canonical rule.
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Purwanti, Rr, Ratu Wardarita, and Arif Ardiansyah. "Rhetorical tools in a collection of poems Masih Ingatkah Kau Jalan Pulang by sapardi djoko damono and rintik sedu." JPGI (Jurnal Penelitian Guru Indonesia) 6, no. 2 (September 5, 2021): 503. http://dx.doi.org/10.29210/021080jpgi0005.
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This study aims to analyze the form of rhetorical tools in a collection of poems <em>Masih Ingatkah Kau Jalan Pulang</em> by Sapardi Djoko Damono and Rintik Sedu. Data analysis was carried out in a descriptive-qualitative manner consisting of words, phrases, or sentences in poetry. The results of the research are in the form of rhetorical means, consisting of simile, metaphor, personification, and synecdoche display, repetition structure manipulation, parallelism, polysyndeton, asyndeton, hyperbole, rhetoric, and climax, as well as images of sight, hearing, smell, touch, and motion. The function of rhetoric means is to intensify, enliven, provide clarity of imaginary images, aesthetically, emphasize, rhetorically, generate more effective associations of meaning, make it concrete, and make it easier to imagine. The dominant use of rhetorical means, in structural manipulation, is parallelism and repetition, in images are images of motion, sight, and hearing, in a presentation are metaphors and personifications. The learning design in SMP must be student-centered, paying attention to individual differences and selecting the right learning model.
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Davies, William. "‘I use the words you taught me’: Beckett and Political Repetition." Journal of Beckett Studies 30, no. 1 (April 2021): 100–116. http://dx.doi.org/10.3366/jobs.2021.0331.
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Repetition is a key element of Samuel Beckett's writing. Phrases, themes, even whole texts repeat themselves throughout his oeuvre. This article situates this habit of repetition within two contexts: the tumultuous politics of the 1930s and 1940s through which Beckett lived, in which the repetitions of propaganda came to define political existence; and the 2020 COVID-19 pandemic, in which nationwide lockdowns brought new forms of repetition to citizens around the world as societies strove to respond to the virus spread. In doing so, this article uses Beckett's responses to his historical moment to think through the political rhetoric of lockdown and national solidarity which emerged during the pandemic, particularly in the UK.
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Pieniążek-Niemczuk, Elżbieta. "Enhancing Politicians’ Persuasiveness: Some Remarks on the Importance of Rhetorical Figures of Repetition in Political Discourse." Language, Culture, Politics. International Journal 1 (December 9, 2021): 69–83. http://dx.doi.org/10.54515/lcp.2021.1.69-83.
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The modern political class, which has been established on democratic principles both in Europe and America, is keen to use rhetoric and tools it provides. Any attempt to define the influence of these tools principally refers to the essence of rhetoric which is persuasion. Persuasion, on the other hand, is core to political discourse which, according to Teun van Dijk (1997, p. 14) is contextual, therefore must be recognized by its functions and/or goals. The functions of the discourse are often expressed in rhetorical devices and therefore play an important role in achieving political goals. The pieces of information presented in this article depict rhetorical devices as useful in increasing persuasiveness. Attention is paid to figures of repetition which constitute a universal category of rhetorical devices and thus need to be examined in a greater detail, especially in a discourse whose users focus their efforts on constructing effective persuasion.
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Yang, Hoi-seok. "Laozi’s Rhetoric – Repetition of sound & word." JOURNAL OF CHINESE HUMANITIES 73 (December 31, 2019): 243–62. http://dx.doi.org/10.35955/jch.2019.12.73.243.
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Maru, Mister Gidion, Gin Gin Gustine, Slamet Setiawan, Julio Juniver Tadete, and Tirza Kumajas. "Interpreting repetition expressions in the writing of Trump’s addresses during the Covid-19 pandemic." Indonesian Journal of Applied Linguistics 12, no. 3 (January 31, 2023): 708–19. http://dx.doi.org/10.17509/ijal.v12i3.49511.
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The emergence of the Covid-19 pandemic has driven a world crisis that requires world leaders to respond by voicing their policies and solutions. The political addresses serve to be the path for these purposes. This creates the need for effective rhetorical strategies or forms used by leaders, particularly presidents, to address the current issues which are not commonly beheld. This study shares the result of the inquiry on the use of repetition in President Donald Trump’s speeches during the Covid-19 Pandemic in America. The study attempts to interpret the type of repetition found in the speeches and their general meaning implications. As a textual study, this research gained data from three speeches of Trump specifically addressing the issue of the Covid-19 pandemic delivered during his attempt to handle the emergence and spread of the Coronavirus in the U.S. since in American literature, an address is also viewed as a literary work, this study deployed Goffman’s frame analysis which is also regarded as double hermeneutic for the analysis process. The findings, then, designate that Trump, in his addresses, applied seven types of repetition; from anaphora to root repetition. Further, the study found that anaphora serves to be the most used repetition, which means the main rhetorical instrument in the addresses. In terms of meaning implications, the repetitions apparently imply the reawakening of the jeremiad structure in the address and the affirmation of the American sense of greatness and role in the world. The findings of this inquiry are hoped to add more theoretical constructions and strategies for rhetoric texts for both crisis and socio-political communication contexts. Its practical contribution goes toward defining and exemplifying language expressions and functions in communicative text writing.
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Russell, Nicolas. "The Rhetoric of Repetition in Marguerite de Navarre’s Heptaméron." French Forum 47, no. 2-3 (2022): 81–91. http://dx.doi.org/10.1353/frf.2022.a914322.
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Abstract: This article focuses on a specific instance of repetition in the Heptaméron , the frequent repetition of the word bien . Drawing on the scholarship of Robert Cottrell and Isabelle Garnier among others, the article first situates this specific instance of repetition within a broader framework of Marguerite’s use of repetition in her poetry and her prose and its relationship to her understanding of how human discourse can engage with the divine. The article then argues that while the word bien has an ostensibly positive meaning, Marguerite undermines its positive valence both in her use of it as an adjective of degree and as a noun by associating it with a broad range of both positive and negative human traits and dispositions. Thus, in the Heptaméron , the word bien comes to lose a fixed valence and comes to symbolize human discourse’s inadequacy to articulate the fundamental nature of the good, which for Marguerite is the souverain bien represented by God. However, Marguerite’s frequent repetition of the word bien in the Heptaméron also serves to cut through the polyvocal bruit of human discourse represented by the devisants’ stories and debates, offering the reader an opportunity for meditation on the inadequacy of human discourse to represent the souverain bien , which can be seen as a strategy emanating from the tradition of negative theology.
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عموری, نعيم. "The Motif of the Personality of Noah in the Poetry of Adeeb Kamal El-Din*." Kufa Journal of Arts 1, no. 21 (February 17, 2015): 119–38. http://dx.doi.org/10.36317/kaj/2014/v1.i21.6357.
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The phenomenon of motif was associated with the issue of repetition in the Arabic rhetorical lesson, and we note this modern theory that entered human literature in ancient criticism and rhetoric. The contemporary Iraqi immigrant poet who currently resides in Australia and still translates his emotions and feelings in his poetic language. The motif of the character of Noah A in the poetry of Adeeb Kamal El-Din has many connotations
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Paramita, Santi. "KAJIAN STILISTIKA DALAM KITAB SUCI DHAMMAPADA." ABIP : Agama Buddha dan Ilmu Pengetahuan 3, no. 1 (August 5, 2020): 70–86. http://dx.doi.org/10.53565/abip.v3i1.174.
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This book has a characteristic style of language that is different. Very rich in literary transfer, as well as his unique poetic expressions and additions to legendary stories when examined in the aspect of stylistics. This study aims to determine and describe the style of language and its functions used by the Buddha in the Dhammapada Scriptures, specifically Puppha Vagga and Naga Vaggha verses.
This study uses a stylistic approach, which is an approach that departs from the assumption, that language has an important role and role in the presence of literary works. Data collection is done by observation-interpretation-note taking techniques, while the data analysis technique used is descriptive-qualitative technique.
The results showed that the Buddha used the style of words and style of sentences and discourse. Word styles used include: figurative language and imagery. The figures of speech used include: simile, association, personification, and symbolic. Images that are used include visual images, feeling images, and olfactory images. The most dominant image of its use is the image of smell and feeling. The style of sentences and discourse used in the form of means of rhetoric include repetition and rhetorical questions. The dominant means of rhetoric are repetition and rhetorical questions. The implication of language style is in term of meaning
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Susatyo, Budi, and Dholiful Hadi. "STUDY OF LANGUAGE STYLES IN PRESIDENT-ELECT JOE BIDEN’S VICTORY SPEECH." Prominent 5, no. 2 (July 31, 2022): 88–100. http://dx.doi.org/10.24176/pro.v5i2.8050.
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This study is a study of the Language Style in a speech on Youtube com with its subtitle, entitled: President-elect Joe Biden stands on stage with his wife Jill, Saturday, Nov. 7, 2020, in Wilmington, Del. Transcript of President-elect Joe Biden’s victory speech Saturday night in Wilmington, Del., as delivered. Provided by the Biden campaign: The Language Style used by Joe Biden are: Repetition, Metaphor, Euphemism, Persuasion, Climax, Anti-tesis, Repetition, Rhetoric, Idiom, Literal Meaning, Persuasive Slogan.Language Style used by Joe Biden could give a positive comprehension, enthusiasm, motivation, understanding for the effectiveness of the audience as well as the listeners and the viewers. This can be understood from his speech that the audience often pay attention in each language style (can be seen on Joe Biden makes a history speech " in Wilmington.Messages can enhance 'understanding' or 'message comprehension'. The use of Language Style in Joe Biden speech can facilitate understanding. Complex ideas may be conveyed more clearly through Language Style or rhetoric. Stored messages can help to 'alert' a message. The use of various syntactic patterns or figurative words can help audiences remember an important element in the message. The message conveyed can increase the persuasion appeal. Key words: Figurative Meanings, Speeches, Rhetorics, Motivation, Enthusiasm
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Khalili, Sayed Mohammad Hasan, and Burhaniddin Qanet. "Rejection of the claim of Hashw in the Holy Quran." Journal of Humanities and Social Sciences Studies 4, no. 2 (April 9, 2022): 23–28. http://dx.doi.org/10.32996/jhsss.2022.4.2.4.
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The Holy Quran is a miraculous and irresistible book and it is a solid word with a strong and solid structure in which the literary industry can be understood with full clarity. One of the most important aspects of the expressive miracle of the Qur'an is the accuracy in using the words and secrets hidden in the reason for choosing each of its letters and words. Accordingly, the Holy Qur'an is free from all defects and shortcomings, such as: "ugly and mediocre obscenity", which in rhetoric is referred to as "condemned obscenity". However, in some Qur'anic verses and phrases, we see the useless repetition of the contents of the previous contents and what is apparently reprehensible, the main purpose of this study is to examine the dimensions and aspects of this group of Qur'anic verses in clear It is an expression and explanation that has been quoted from the great commentators. In this research, an attempt has been made to explain the semantic position of this group of non-verbal repetitions according to their theories and views (commentators). The reader should note that the spiritual repetition that has occurred in some verses includes rhetorical benefits such as emphasis, reproduction, and exaggeration, which are considered as literary arrays and give beauty and glory to speech.
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Freeman, Jane. "''Fair Terms and a Villain's Mind'': Rhetorical Patterns in The Merchant of Venice." Rhetorica 20, no. 2 (2002): 149–72. http://dx.doi.org/10.1525/rh.2002.20.2.149.
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In The Merchant of Venice Shakespeare draws on several aspects of the classical rhetorical tradition so widely studied in Renaissance England. The main characters have distinctive rhetorical styles: Launcelot and the would-be witty courtiers are rhetorically characterized by vices of language, Shylock by rhetorical questions and figures of repetition, and Portia by figures of thought. A close examination of the characters' rhetorical traits reveals significant similarities between Shylock's language and that of Declamation 95 in Sylvain's The Orator, and between Portia's forensic strategy and the classical theory of status. Written in the mid-1590s, The Merchant of Venice illustrates the very uses and abuses of rhetoric described in Henry Peacham's revised version of The Garden of Eloquence (1593).
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Litinskaya, Evgeniya. "RHETORIC AND POETICS OF DOSTOEVSKY’S PUSHKIN SPEECH." Проблемы исторической поэтики 19, no. 2 (May 2021): 141–75. http://dx.doi.org/10.15393/j9.art.2021.9583.
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The article examines the F. M. Dostoevsky’s Pushkin's Speech in the context of modern studies of the way ancient heritage was reflected in the writer's work. The analysis of the speech was carried out in the categories of rhetorical poetics. The author proves that the speech is structured according to the rules of epideictic eloquence, with a pronounced emotional component characteristic of Christian preaching. The author identifies established stylistic figures, the use of which is always justified: repetition, parallelism, gradation, amplification, polyphonic forms, period, allusion, irony. Rhetoric is translated into poetics. Pushkin's characters (Aleko and Onegin, Tatiana, Pimen) become images with apparent features of both Christian culture and antiquity. Evangelical motifs and images, allusions to antiquity, concepts of Orthodox and ancient culture are integrated in a journalistic form. Christ and Pushkin are connected figuratively in poetics and rhetoric of the speech. Dostoevsky creates a portrait of the Russian poet, his image, and it is no accident that the "speech" is called an essay by its author.
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Kayam, Orly. "Donald Trump’s rhetoric." Language and Dialogue 8, no. 2 (October 12, 2018): 183–208. http://dx.doi.org/10.1075/ld.00012.kay.
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Abstract The paper explores the rhetorical strategies Donald Trump employed during the 2016 U.S. presidential primary campaign. The study shows that Trump aimed at garnering public support by defining himself as an anti-politician or anti-political establishment candidate. His rhetorical strategies were aimed at building the depiction of his character as a successful businessman who came from outside the political realm to save America and restore it to its former greatness. He denounced the traditional rules of politics, avoided calculated, logical and politically correct utterances, and modeled himself as the only candidate who was fit for the presidency. The analysis reveals Trump’s prominent rhetorical strategies, and shows how each one of them fulfilled what I refer to as the ultimate “Anti-Political Rhetorical Strategy”, from an anti-politically correct strategy, which is by nature anti-political, to more common strategies such as negativity, simplicity, repetition and hyperbole.
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Shahzad, Muhammad Umair, Rabia Abid, and Muhammad Sheraz Khan. "Religio-Political Rhetoric: An Ideo-Stylistic Analysis of Qadri’s Speeches." Journal of Languages, Culture and Civilization 4, no. 4 (December 31, 2022): 455–63. http://dx.doi.org/10.47067/jlcc.v4i4.147.
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Rhetoric means an art of winning soul through the impressive use of language. Rhetoric and politics are inseparable from each other. Different religio-political scholars use different visual and verbal practices to impress their audience. The present study critically analyses the religious speeches of Mr. Tahir-ul-Qadri (a renowned religious scholar). These speech were delivered from 1997-2013 at various international forums in different countries of the world. The data was collected from the archive of Minhaj Ul Quran, the institution run under the supervision of the said speaker. The data has been analysed by employing an amended research model of Dijk (2004). The most frequently used analytical categories by the speaker in this research to propagate his religio-political ideologies include ‘actor description. authority’, ‘categorization’, ‘consensus’, ‘Evidentiality’, ‘Rhetorical Question’, ‘lexicalization’, ‘metaphor’, ‘number game’, ‘point of view’, ‘polarization’ and ‘repetition ‘.The findings of the study highlight that the speaker has very tactfully used different rhetorical devices to convince his audience about the peaceful nature of Islam and Muslims. Both immediate and implied audience have been communicated through the speeches.
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Kondratenko, N. V. "EXPRESSIVE SYNTAX IN PRESIDENTIAL DISCOURSE VLADIMIR ZELENSKY." Opera in linguistica ukrainiana, no. 29 (November 9, 2022): 313–24. http://dx.doi.org/10.18524/2414-0627.2022.29.262417.
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The article is devoted to the analysis of figures of expressive syntax presented in public speeches of the President of Ukraine Volodymyr Zelensky. The texts of presidential rhetoric, which was transformed during the Russian invasion on February 24, 2022, are considered. The peculiarities of presidential speeches, implemented at the syntactic level, are traced. Figures of expressive syntax are analyzed: syntactic repetition, syntactic anaphora, syntactic epiphora, syntactic parallelism, period. The material of the research was the texts of presidential speeches, represented in the daily video addresses of Volodymyr Zelensky to the Ukrainian people. The object of research was the Ukrainian presidential discourse, and the subject - the syntactic features of the political speeches of V. Zelensky. The purpose of the study is to identify and qualify the main means of expressive syntax used in the presidential rhetoric of V. Zelensky, which have influential potential. The material for the analysis was the speeches and addresses of V. Zelensky, presented on the official website of the President of Ukraine, starting from February 24, 2022. Both the texts of daily video appeals to the people of Ukraine and official speeches addressed to foreign leaders and communities are considered. It is proved that during the Russian-Ukrainian war a relatively new speech genre of political discourse, presented in the presidential rhetoric of V. Zelensky, became widespread - video appeals. The dynamic nature of this genre and its interactivity, enhanced by video and audio tools, required the actualization of linguistic means of influencing the addressee, among which the priority is the means of expressive syntax. V. Zelensky’s presidential discourse mostly presents syntactic repetitions (anaphora, epiphora, epanaphora), syntactic parallelism, antithesis, period and rhetorical questions.
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Mubarok, Ridwan Arzak. "Stilistika Novel "Ayat-Ayat Cinta" dan Implikasinya Sebagai Bahan Ajar Bahasa Indonesia." Dinamika 1, no. 1 (February 28, 2018): 22. http://dx.doi.org/10.35194/jd.v1i1.536.
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Artikel ini membahas gaya bahasa yang terdapat dalam novel “Ayat-Ayat Cinta” karya Habiburraman El Shirazy dan implementasinya dalam pengajaran sastra di MTs. Penelitian dilakukan menggunakan metode studi kasus dan kajian pustaka . Metode ini untuk menganalisis penggunaan sistem tanda yang mengandung ide, gagasan dan nilai estetis tertentu, sekaligus untuk memahami makna yang dikandungnya. Data penelitian ini berupa penggalan gaya bahasa dalam novel “Ayat-Ayat Cinta” yang diduga berisi kalimat-kalimat bergaya bahasa tertentu. Dari hasil penelitian ini ditemukan jenis-jenis gaya bahasa dalam novel “Ayat-Ayat Cinta” meliputi gaya bahasa klimaks, antiklimaks, paralelisme, antitesis, repetisi, hiperbola, silepsis, aliterasi, litotes, asonansi, eufemisme, pleonasme, paradoks, retoris, personifikasi, ironi, sarkasme, metafora, perumpamaan/ simile, dan metonimia. Gaya bahasa yang dominan dalam novel “Ayat-Ayat Cinta”, yaitu gaya bahasa hiperbola. Implikasi gaya bahasa dalam novel “Ayat-Ayat Cinta” terhadap pengajaran sastra di MTs menitikberatkan pada sumber bahan ajar. Kata kunci: stilistika, novel, gaya bahasa, bahan ajarThis article discusses the style of language contained in the novel "Ayat-Ayat Cinta" by Habiburraman El Shirazy and its implementation in the teaching of literature at MTs. The study was conducted using the case study method and literature review. This method is to analyze the use of sign systems that contain ideas, ideas and certain aesthetic values, as well as to understand the meaning they contain. The research data is in the form of fragments of language style in the novel "Ayat Ayat Ayat Cinta" which allegedly contains sentences in a specific language style. From the results of this study found the types of language styles in the novel "Ayat Ayat Ayat Cinta" include climax, anticlimax, parallelism, antithesis, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification. , irony, sarcasm, metaphor, simile, and metonymy. The dominant language style in the novel "Ayat-Ayat Cinta", namely the hyperbole language style. The implication of language style in the “-Ayat Cinta” novel towards the teaching of literature in MTs emphasizes the source of teaching material.Keywords: stylistics, novels, language style, teaching materials
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Moraru, Victor. "Presidential rhetoric as source of symbolic politics." Moldoscopie, no. 3(94) (February 2022): 129–43. http://dx.doi.org/10.52388/1812-2566.2021.3(94).10.
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This article focuses on some essential questions concerning the features of the rhetoric of political actors and aims to identify the stylistic hallmarks prevalent utilized in presidential speeches. It was selected for analysis the Barack Obama speech on Remarks by the President Naturalization ceremony on the 4th of July 2012. The speech in question is particularly interesting because it provides a useful insight into how a presidential message can be presented on an issue, which it considers important and current. The discourse is analyzed from the perspective of its inclusion in the action of symbolic politics of the President, taking into account the increasingly pronounced process of symbolizing the political arena. The perception of the problem of immigration in the vision of President Obama is pursued. Particular attention is paid to the complexity of the factors that determine the rhetorical manifestations of the orator’s position as a mode of political influence. They are established the conceptual peculiarities of Barack Obama’s July 4, 2012 speech, discourse is analyzed through the prism of special syntactic features realized, which promote message transfer and reinforcement of the spirit of the nation, are elucidated the tasks promoted by these hallmarks in delivering the intended messages. The substance of Obama’s presidential rhetoric is exemplified by the elucidation of rhetorical means such as parallelism, repetition, metaphors, and so on.
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Davison, Jane. "Rhetoric, repetition, reporting and the “dot.com” era: words, pictures, intangibles." Accounting, Auditing & Accountability Journal 21, no. 6 (August 2008): 791–826. http://dx.doi.org/10.1108/09513570810893254.
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Hawhee, Debra. "Bodily Pedagogies: Rhetoric, Athletics, and Sophists’ Three Rs." College English 65, no. 2 (November 1, 2002): 142–62. http://dx.doi.org/10.58680/ce20021282.
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Explores a connection that inhered in ancient practices, a connection not as apparently relevant to contemporary pedagogy, but just might be: that between rhetorical training and athletic training. Looks at two considerations that help render more salient the cultural and historical connections. Discusses how the sophists emphasized the materiality of learning, the corporeal acquisition of rhetorical movements through rhythm, repetition, and response.
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محمد, الدكتور حمزة بن بلاربى. "المهارات البلاغية لدى علقمة بن عبدة بائيته نموذجا." Sprin Journal of Arabic-English Studies 1, no. 04 (November 14, 2022): 72–81. http://dx.doi.org/10.55559/sjaes.v1i04.28.
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This article: entitled “Rhetorical Skills of Alqamah bin Abdah and his primitive poem as a model, in which the researcher spoke a brief overview of the poet’s life and the importance of rhetoric and its origin after defining it in language and terminology. In it, it presented its primitive that is closely related to rhetorical research and language, and tried to trace and elicit rhetorical images in it, mentioning Some results that benefit the rhetorical theory in terms of alliteration, counterpoint, and repetition in the poem. The researcher believes that following rhetorical studies is the key that reveals treasures for the secrets and jewels of the Glorious Qur’an. This is what made Muslim scholars to the forefront and diligence to show the rhetorical principles and their meanings and what is related to them and make them in an exact form. It enables a student of Arabic to understand it in the easiest way.
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Dunn, Kevin M. "Repetitive and Troubling Discourses of Nationalism in the Local Politics of Mosque Development in Sydney, Australia." Environment and Planning D: Society and Space 23, no. 1 (February 2005): 29–50. http://dx.doi.org/10.1068/d388.
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The contested nature of multiculturalism in Australia is stark in local debates over mosque developments in Sydney. Queer-theory concepts (citation, repetition, sedimentation, and troubling) are used to reveal the differing utilities of discourses on nationalism at this everyday level. Neoconservatives oppose the declining normativity of Anglo-Celtic culture, and nostalgically invoke “White (or Anglo-Celtic) Australia”. Mosque opponents are both limited and empowered by this discourse of nationalism. The official recognition of Australia's multicultural composition and the shift in rhetoric on national identity have provided a counterideology to the still hegemonic constructions of an Anglo-Celtic Australia. Muslim associations and their supporters have drawn on these symbolic tools in their arguments with planning-consent authorities, and in other local political forums. Through the repetition of their claims to local and national citizenship, and by evoking the rhetoric of multiculturalism, they challenged the hegemony of Anglo-Celtic culture. A deeper and broader multiculturalism may be sedimented through the reiterative deployment of the national discourse of multiculturalism.
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Smith, Cooper. "A New Defense for the Masoretic Text and מאס I in Job 36:5: Functional Repetition and an Unrecognized Allusion." Vetus Testamentum 72, no. 1 (June 10, 2021): 109–21. http://dx.doi.org/10.1163/15685330-bja10045.
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Abstract The Masoretic text of Job 36:5 is difficult due to the unexpected repetition of כביר in both cola and the lack of an object for the presumably transitive verb ימאס. These problems have given rise to numerous proposed emendations. However, relevant poetic parallels and a previously unrecognized allusion to Job 8:20 indicate that the Masoretic Text of Job 36:5 is meaningfully coherent and ought to be regarded as original. The seemingly gratuitous repetition and grammatical anomaly contribute to the rhetoric of the passage and so ought to be retained.
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Marwari, Badal Ram, Mir Allah Dino, and Rahmat Ullah. "A Critique on Rhetorical Devices Used by Pakistani Politicians to Increase their Vote Bank A Critical Discourse Analysis of Urdu Newspapers' Headline." Global Political Review IX, no. II (June 30, 2024): 1–15. http://dx.doi.org/10.31703/gpr.2024(ix-ii).01.
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This research study has investigated how Pakistani politicians use rhetoric in their addresses during the election campaigns 2024 to persuade their voters. The sole purpose of this research is to discover the dimensions and power of Rhetorical devices used by Pakistani politicians for their personal objectives. It has explored how politicians grab the attention of the public by using rhetorical choices in their discourses. The best and most frequent uses of Rhetorical devices by politicians are antithesis, allusion repetition, hyperbole, metaphor amplification, alliteration, parallelism, symbolism, allegory, and imagery. The current research study employs the Power, Ideology, and Manipulation Identification (PIMI) model, a novel problemâ oriented tool designed for the systematic examination of political discourse. This model integrates and adapts elements from two established analytical frameworks (Chilton & Schäffner, 1997; van Dijk, 2006) and is rooted in the theories and methodologies of Critical DiscoursemAnalysis (CDA).
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Zingesser, Eliza. "Chrétien the Jay: Avian Rhetoric in Philomena." Rhetorica 38, no. 2 (May 1, 2020): 156–79. http://dx.doi.org/10.1525/rh.2020.38.2.156.
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I argue here that the medieval French Philomena, found exclusively within the Ovide moralisé, a fourteenth-century translation and adaptation of Ovid's Metamorphoses, adumbrates a theory of vocal repetition as an aesthetic that is shared by both birds and humans. Various common rhetorical devices that foreground acoustic reduplication appear in high density in the text, where they are often collocated with evocations of birdsong. After exploring the parallels between these devices and the structure of avian vocalization, I show the presence of several passages in the text that can be read simultaneously as onomatopoeic evocations of birdsong and as standard referential language. I also propose a solution to the mysterious label associated with the text's author, “Chrétien li gois” (“Chrétien the jay”).
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Saefudin, Saefudin. "Lexical Cohesion Roles In Speech Rhetorical Strategy of 2016 U.S Presidential Debate, Trump Vs Clinton." Insaniyat: Journal of Islam and Humanities 4, no. 2 (May 31, 2020): 103–16. http://dx.doi.org/10.15408/insaniyat.v4i2.15119.
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This research aims at describing the speech text cohesion and its contribution to the rhetorical strategy used in the 2016 U.S Presidential debate between Trump and Clinton in their first campaign debate on the political topic area on achieving prosperity, America's direction, and securing America. As an effort to reach the purpose of research, the researcher applies qualitative descriptive method on Discourse Analysis (D.A.) as the theory to describe and analyze the lexical cohesion relation and rhetorical devices linguistically used in the discourse of presidential debate. Furthermore, based on the analysis, the data were found around 399 lexical cohesion devices of reiteration and 64 collocations used by Clinton, and as many as 576 lexical cohesion devices for reiteration and 58 markers of collocation relations were applied by Trump in the debate over U.S presidential debates. Repetition is the most dominant type of lexical cohesion at U.S presidential debate, both realized by Clinton and Trump. The repetition achieved by both debate partners was 39.74% and 63.25%. Some of the lexical relation roles used by the two pairs of candidates based on the topics discussed reveal some differences in their political objectives, namely, economic and industrial issues, law, trade, investment, labor, taxes, and terrorism. Meanwhile, the rhetorical tools used by the two candidate pairs include; metaphor, a list of three, parallelism, and contrastive pairs (antithesis). In addition, the debate rhetoric technique used by both candidates includes; anaphora, epiphora, and climax.
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Abdulla, Adnan K. "Rhetorical Repetition in Literary Translation." Babel. Revue internationale de la traduction / International Journal of Translation 47, no. 4 (December 31, 2001): 289–303. http://dx.doi.org/10.1075/babel.47.4.02abd.
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Abstract Repetition or reiteration is a phenomenon common in language, music, religion, and literature, and has been studied extensively by linguists and rhetoricians. Unfortunately, it has not been investigated in Translation Studies because repetition is essentially an aspect of comparative rhetoric, a burgeoning discipline that is still in an embryonic stage. Among other things, it deals with how a particular rhetorical device functions in a certain language, and whether that function is preserved, metamorphosed, or compromised in translation. A rhetorical device does not necessarily require verbatim translation, because one must take into consideration such factors as genre, discourse, and text. Rhetorical repetition is used for emphasis, exaggeration, or the creation of parallel structures. Sometimes, repetition is much more subtle, where it enhances the contents or the message of the literary work. Several translation examples are discussed within this context to show where and how translation fails because it has not taken into consideration the constraints behind reiteration. The paper attempts to show how different translators have rendered repetition in poetry and prose in literary texts from English and Arabic. Translators handle reiteration in one of three ways: translate repetition as repetition; opt for variation; or completely ignore it. Although there are as yet no established rules concerning the translation of repetition, it seems that in non-literary contexts, and unless reiteration is markedly motivated, it is safe to translate it as variation. In literary works, however, translation or repetition should be approached with greater caution because it is always foregrounded, and hence its translation as repetition is recommended. Variation or omission of repetition in translating literature could result in gross misjudgment and distortion of the author’s intention. Résumé La répétition ou réitération est un phénomène commun à la langue, la musique, la religion et la littérature; elle a été étudiée de façon approfondie par les linguistes et rhétoriciens. Malheureusement, elle n’a pas fait l’objet de recherches dans la Traductologie, car la répétition est essentiellement un aspect de la rhétorique comparative, discipline croissante encore au stade embryonnaire. Entre autres éléments, elle traite de la façon dont un outil rhétorique spécifique fonctionne dans un certain langage et si cette fonction est préservée, métamorphosée ou compromise dans la traduction. Un outil rhétorique ne suppose pas nécessairement de traduction mot-à-mot parce qu’il faut prendre en considération des facteurs comme le genre, le discours et le texte. La répétition rhétorique est utilisée pour créer de l’emphase, de l’exagération ou pour établir des structures parallèles. Parfois, la répétition est bien plus subtile lorsqu’elle met en évidence le contenu du message de l’oeuvre littéraire. Plusieurs exemples de traduction sont discutés pour démontrer où et comment la traduction présente des défauts parce qu’elle n’as pas pris en considération les contraintes derrière la réitération. L’article tente de montrer comment différents traducteurs ont rendu la répétition en poésie et en prose dans les textes littéraires, de la langue anglaise vers la langue arabe. Les traducteurs manient la réitération de l’une de ces trois façons: traduire la répétition telle qu’elle est; opter pour la variation; ou bien l’ignorer complètement. Bien qu’il n’existe pas encore de règles établies à propos de la traduction de la répétition, il semble que dans les textes non littéraires, et à moins que la réitération ne soit fortement motivée, il est prudent de la traduire comme une variation. Cependant dans les ouvrages littéraires, la traduction de la répétition devrait être abordée avec une plus grande prudence parce qu’elle est toujours au premier plan, et donc une traduction comme répétition est recommandée. La variation ou l’omission de la répétition lors de la traduction d’ouvrages littéraires pourrait avoir comme conséquence une appréciation gravement erronée et une distorsion de l’intention de l’auteur.
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Akram, Aiman Gul, and Liaqat Iqbal. "An Analysis of the Political Slogans in Pakistan from the Perspective of Rhetoric." Global Language Review VI, no. IV (December 30, 2021): 47–60. http://dx.doi.org/10.31703/glr.2021(vi-iv).05.
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The skillful usage of language by politicians in a persuasive manner holds great significance in the politics of democratic states. This paper attempts to study the diplomatic use of catchy and attractive political slogans to convince the voters to vote for them. Political slogans chanted in the processions of Pakistan Tehreek-i-Insaf (PTI) and Pakistan Muslim League-Noon (PML-N) during the 2018 general election campaign were recorded. These slogans served as the data which was analyzed from the perspective of rhetoric by using Hosu and Pavelea’s (2009) model. It was revealed that political slogans are composed persuasively by employing various rhetorical devices like rhyme, alliteration, repetition,synonyms, antonyms, statements, commands, questions, negative, optative sentences. It was also found that political slogans play an important role in convincing and gaining public support. Moreover, these slogans are tactfully formulated as linguistic means for propagating the ideas and visions of politicians.
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ABDUL-KAREEM, Milad Alaa, and Yaseen Adhab NASIR. "REPETITION USED BY PROFESSOR ABDULLAH AL-TAYYIB IN HIS BOOK AL-MURSHID “THE GUIDE TO UNDERSTAND THE POETRY OF ARABS AND ITS ARTISTRY”." RIMAK International Journal of Humanities and Social Sciences 03, no. 06 (July 1, 2021): 391–401. http://dx.doi.org/10.47832/2717-8293.6-3.35.
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Dr. Abdullah Al-Tayyib grew up in a family known for its knowledge and originality, when he became prominent in the early twentieth century through a group of publications, most notably the book (Al-Murshid) “The Guide to Understand Arab Poetry and its Artistry”, as it is considered as an encyclopedia in the study of Arabic poetry. He studied the ancients, but with a new view, especially his position of the elements of harmony in Arabic poetry, which adds a sweet resonance to his music, most notably repetition, which relies on two elements, which are pure repetition and alliteration, that were disputed among the ancients in being one or two elements, and by this, Al-Tayyib resolved the dispute. According to him, repetition is used for a main purpose, which is rhetoric. Rhetoric is achieved when the poet intends to strengthen composition, that is, the aspect of emotions, and it comes for three purposes: either to strengthen the tone by repeating a phrase or poetic verse; or to strengthen the formal meanings by repeating a proper name or a subject to strengthen a general meaning in the poem; or to strengthen the detailed meanings which depend on the repetition of a name or position, to strengthen a detailed meaning in the poem, such as mentioning different places in order to reveal an emotional aspect such as love poetry. In relation to alliteration, there are two types: dual alliteration, by which the writer views time through the words he uses such as (mujaddal and murammal); and rhymed alliteration, the writer views place according to the words he uses, by intending to use specific sounds and letters, and insists on repeating them, such as (dhuhliya, and dhaahil).
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STOESSEL, JASON. "Con lagreme bagnandome el viso: mourning and music in late medieval Padua." Plainsong and Medieval Music 24, no. 1 (April 2015): 71–89. http://dx.doi.org/10.1017/s0961137115000030.
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ABSTRACTIn the years before his death, Johannes Ciconia (1370?–1412) set to music several poems penned by the young Venetian humanist Leonardo Giustinian. One of the earliest of these settings is Con lagreme bagnandome el viso. This article proposes that both the poem and its setting by Ciconia operate within the emotional community of early humanists active at Padua in the decades around the year 1400. The public funeral oratory of one of the high-profile humanists active in this community in Padua, Pier Paolo Vergerio, reveals a renewed interest in ancient rhetoric that was instrumental in the development of new modes of self-expression within this emotional community. Different types of musical repetition in Ciconia's setting of Con lagreme serve as musical analogues to rhetorical figures of pathos witnessed in the orations of Vergerio.
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Talbert, Charles H. "Tracing Paul's Train of Thought in Romans 6–8." Review & Expositor 100, no. 1 (February 2003): 53–63. http://dx.doi.org/10.1177/003463730310000104.
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Romans 5:12–8:39 goes over again the same basic train of thought covered earlier in 1:18–5:11. In both 1:18–5:11 and 5:12–8:39 the argument moves from the human condition to the divine remedy to the role of the law to ultimate salvation. This form of reasoning, repetition with variation, has roots in ancient Greco-Roman rhetoric.
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Dumitrašković, Tatjana A. "RHETORIC AND POLITICS – THE POWER OF WORDS IN SHAKESPEARE'S JULIUS CAESAR." Филолог – часопис за језик књижевност и културу 14, no. 27 (June 30, 2023): 102–16. http://dx.doi.org/10.21618/fil2327102d.
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Shakespeare’s play Julius Caesar emphasises the connection between rhetoric and politics. Some scholars, like Gayle Greene and Kim Ballard, point out that rhetoric in Julius Caesar is extremely important for the central political problems and character analysis. They also argue that Shakespeare implicitly criticises and condemns rhetoric that hides moral and political truth. Language is the most influential tool for seizing power in the play. Shakespeare well understands that power comes from those politicians who know how to manipulate the passions of the common people. Shakespeare’s soldiers are at the same time skilful politicians who, by manipulating particular words and gestures, try to attain their own ambitious goals. Funeral speeches offer Brutus and Antony a chance to convince people of the value of their own ideology through the power of spoken words. Describing Caesar’s murder as the result of the conspirators’ efforts to maintain order in Rome, Brutus uses prose and parallelisms to create a sense of balance. Using blank verse, apostrophe, repetition and irony, Antony affects the feelings of the Roman people and causes them to revolt. Shakespeare emphasises that mastering rhetoric results in strong political power and control.
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Muckelbauer, John. "Imitation and Invention in Antiquity: An Historical-Theoretical Revision." Rhetorica 21, no. 2 (2003): 61–88. http://dx.doi.org/10.1525/rh.2003.21.2.61.
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Contemporary scholarship on classical imitation tends to analyze the practice by dividing it up based on the subjects and objects of imitation. The result of this common procedure has been an anachronistic solidification of disciplinary lines among rhetoric, philosophy, and poetics. An equally relevant effect has been the polarization of the practices of imitation and those concerned with invention. This paper seeks to elaborate a different taxonomy with which to approach imitation, one that focuses primarily on the encounter between subjects and objects in the actual practice of imitation. By attending to the complex relations of repetition and variation across disciplinary lines, this new taxonomy offers insight into the often overlooked connections between imitation and invention in the intersecting realms of rhetoric, philosophy, and poetics.
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Trabold, Bryan. "Walking the Cliff’s Edge: The New Nation’s Rhetoric of Resistance in Apartheid South Africa." College Composition & Communication 61, no. 2 (December 1, 2009): W100—W124. http://dx.doi.org/10.58680/ccc20099481.
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This article examines the rhetoric of resistance used by South African anti-apartheid journalists to expose the links between the apartheid government and death squads.By utilizing allusions, repetition, and a concept I refer to as “subversive enthymemes,” these journalists managed to reveal publicly information about death squad activity in a context of overwhelming constraints almost a full decade before these facts were confirmed by the Truth and Reconciliation Commission.
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Cherkashina, Tatiana T., and Natalia S. Novikova. "Semantic scripts of language and culture: “Sacred signs” by N. Roerich and the issue of sense increasing." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 109–25. http://dx.doi.org/10.37816/2073-9567-2021-59-109-125.
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The article considers repetition as a stylistic category focusing on the flexible use of repetitions by N. Roerich. The authors note that, arising as repetitions of the semes when using words from the same semantic field in the text, the repetitions form the core and peripheral parts, which casts doubt on the established hypothesis that they naturally complicate understanding of the text due to slowing down the movement of narrative. The study proves that, on the contrary, repetitions due to increased expressiveness and rhythmic tension make the text dynamic, somewhat impulsive, convexly expressing “counterpoint” style of the writer. The authors analyzed a number of works by N. Roerich, which allowed to conclude that repetitions, representing a conscious lexico-stylistic choice of a writer, become not only author’s means of transmitting informational content of a text, but also emotionally expressive, semantic clips of language and culture due to the aesthetic effect they produce. The paper displays various types of repetitions used by N. Roerich in genres of different styles and stylistically versatile. Paying attention to speech figures recognized by traditional rhetoric, in which repetitions are positionally fixed, we detected in N. Roerich`s works the other, not always positionally fixed repetitions — repetitions of words, repetitions of themes and repetitions of the semes. In this regard, the researchers attempt to explain the linguoculturological idea, philosophical reason for the occurrence of repetitions of this and that in the text in N. Roerich's works. The paper points out that special energy of the text that arises during repetition, bilateral tension-pressure of repeated text elements generates special attention to their semantic roll-over and, what is important, to the distant, semantic interdiscursive interaction of the “sacred” signs-symbols of N. Roerich. The fact of the increment of meaning due to the use of words from one thematic-situational group in the text refutes the controversy of Roerich's concept and confirms originality of the expression plan. The “sacred” signs of N. Roerich as semantic bonds are determined by a deep philosophical meaning due to the methods of contrast and numerous repetitions.
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LIU, Yuanchun. "“Qu” (去) and Formula of Time in Epitaph, and Avoidance of Rhetoric Repetition." Journal of Chinese Characters 17 (April 30, 2017): 65–77. http://dx.doi.org/10.14772/cscck.2017.17.65.
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Isro, Zuyinatul. "KAJIAN STILISTIKA CERPEN “JALAN GELAP LANGIT TERANG” KARYA ABDUL WACHID (Stylistics Study of Abdul Wachid’s Short Story “Jalan Gelap Langit Terang")." ALAYASASTRA 15, no. 2 (November 30, 2019): 153. http://dx.doi.org/10.36567/aly.v15i2.399.
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This research discusses imagery, diction and figure of speech in a short story entitled “Jalan Gelap Langit Terang” written by Abdul Wachid. This short story is one of the author’s works in a short story anthology, Bacalah Cinta, published by BukuLaela in 2005. This research reveals some figure of speeches such as diction, imagery and elaboration employed by the author of the short story. This research applied both stylistic approach and descriptive qualitative method. Data collection was done by close reading observation and note taking. The result shows that the author takes the advantage of connotative, English and Indonesian diction in some sentences. The imagery employed by the author covers personification, hyperbole, metaphor, repetition, rhetoric, elypsis, and antithesis. Moreover, the author tends to show repetition and symblolism in his style.
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Akinwotu, Samuel Alaba. "A pragma-rhetorical study of selected Pentecostal sermons in Nigeria." Crossroads. A Journal of English Studies, no. 33(2) (2021): 4–19. http://dx.doi.org/10.15290/cr.2021.33.2.01.
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This study examines persuasion and communicative intentions in Pentecostal sermons in Nigeria. Notwithstanding the high scholarly inputs in religious discourse, no single work has examined the devices employed to achieve persuasion and conviction as well as communicative intentions in Pentecostal sermons in Nigeria. This work examines twelve sermons of selected Pentecostal preachers in Nigeria by drawing insights from rhetoric and pragmatic act to account for persuasion and communicative intentions in the data. Findings reveal that preachers strategically deploy rhetorical question; direct address and direct command; metaphor; repetition and structural parallelism; and they develop convincing arguments through logic/reason. It is also revealed that preachers share experiences with their listeners and they assume divine role by speaking authoritatively to convince their listeners into accepting their propositions. Preachers perform pragmatic acts of asserting/stating, encouraging, assuring, directing, commanding, praising, etc. The study has further confirmed that Pentecostal sermons can be used for public mobilisation.
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Hase, Johanna. "Repetition, adaptation, institutionalization—How the narratives of political communities change." Ethnicities 21, no. 4 (March 18, 2021): 684–705. http://dx.doi.org/10.1177/1468796820987311.
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At times when migration and diversity are politically salient and controversially discussed, the rhetoric of staying ‘as we are’ is widespread. But how do ‘we’ actually change and how would ‘we’ know when it happens? Based on the premise that political communities are the products of narratives of peoplehood, this paper explores how such narratives evolve over time. It conceptualizes different modes of balancing narrative continuity and change. These modes – repetition, adaptation, and institutionalization – are illustrated with reference to evolving German narratives of peoplehood centring around (not) being a country of immigration. The paper argues that all modes lead to some degree of change in narratives of peoplehood. Against the backdrop of different understandings of the core of a narrative, it further discusses when such changes fundamentally affect who ‘we’ are. Overall, the paper invites scholars, policymakers, and citizens to think critically about the essential aspects of their political communities’ narratives and to be aware of the stories that ‘we’ are told and that ‘we’ tell ourselves.
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kwonikho and 北沢昭彦*. "Aspect of the rhetoric expression in the election advertisement ‒Focused on ellipsis and repetition‒." Japanese Modern Association of Korea ll, no. 40 (May 2013): 51–70. http://dx.doi.org/10.16979/jmak..40.201305.51.
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Dickson, Vernon Guy. "“A pattern, precedent, and lively warrant”: Emulation, Rhetoric, and Cruel Propriety inTitus Andronicus." Renaissance Quarterly 62, no. 2 (2009): 376–409. http://dx.doi.org/10.1086/599865.
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AbstractShakespeare'sTitus Andronicuscritically engages and enacts teachings and patterns of emulation, including those of Quintilian, Roger Ascham, and other contemporary humanists and playwrights, pressing emulation's uses to extremes that suggest that imitative self-fashioning potentially results in monstrous or fragmented characters, decisions, and texts. The professed aim of the grammar-school education, the ability to judge well, is conflicted byTitus's exposure of judgment as itself a contested concept, locked within a circularity of intertextual precedents. Titus's excessive, even parodic, repetition of emulative strategies acts as a rebuttal of seemingly straightforward humanist models of character, judgment, self, and decorum.
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Muhammad Luthfi Syaf and Malik Ibrahim. "Retorika Dakwah K.H Ahmad Bahauddin Nursalim Dalam Channel YouTube NU Online." Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan 14, no. 1 (June 4, 2023): 22–36. http://dx.doi.org/10.32505/hikmah.v14i1.6133.
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This study aims to analyze the preaching rhetoric of K.H. Ahmad Bahauddin Nursalim (Gus Baha) on the NU Online YouTube channel. In this research, the researcher used descriptive qualitative research and discourse analysis methods. Data collection techniques in this study used observation and documentation. In the data validation technique, the researcher used the terms observation and reference coverage. The preaching rhetoric of K.H. Ahmad Bahauddin Nursalim uses the delivery method, namely, script, memorizing, speaking suddenly, and speaking without preparation. Based on the type of rhetoric using dialogue and monology in KH Ahmad's choice of words, Bahauddin Nursalin uses unofficial, official, and conversational languages. Based on the tone category, using simple language style and medium language style Based on the category of sentence structure using parallelism, antithesis, and repetition. Based on voice style, use a relaxed pitch, moderate loudness, a fast rate, and pause with apa and uh. Based on the style of movement using body posture in a sitting position, appearance of manners with a white shirt, white sarong, and black cap, facial expressions and hand movements match the conditions spoken on stage. KH Ahmad Bahauddin Nursalin's hand movements as support for the words spoken Eye gaze as a form of respect
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Mahmoud, Reem, Mona Attia, and Nahwat Alarousy. "The GOLDEN FORMULA of Persuasion Via Rhetoric in Dale Carnegie’s How to Win Friends and Influence People: A Case Study." British Journal of Translation, Linguistics and Literature 3, no. 1 (February 20, 2023): 52–80. http://dx.doi.org/10.54848/bjtll.v3i1.49.
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Abstract The genre, self-help books, has always attracted the attention of the public reader through its unique persuasive language and its creatively employed Rhetoric. Over the past four decades, self- help books industry greatly flourished and became the world's bestselling genre in a limited time. People are always searching for quick and efficient solutions for most of their life problems. Self-help books promise to provide solutions for probably most of our life problems—worry problems, relationship problems, failures in carriers, curing bad personal traits and even fail at love (Dolby, 2005, p.4). This study embarks on how some specific persuasive rhetorical devices when creatively employed in the self-help text type can generate an outstanding persuasive effect. Self-help text-type is loaded with a bundle of creatively employed rhetorical devices that largely participated in making the self-help book genre a lifetime bestseller. Hence, drawing on Cockcroft and Cockcroft’s (2005) taxonomy for schematic and syntactic rhetorical devices, and Mulholland’s (2005) taxonomy for rhetorical persuasive tactics, the current study investigates the common linguistic features in Dale Carnegie's bestselling self-help book How to win friends and influence people (2010), represented in both schematic and syntactic rhetorical devices. This investigation aims to show how the employed rhetorical devices succeeded in generating an outstanding persuasive effect through addressing the readers’ logical, ethical, and emotional appeal—i.e. the Aristotelian persuasion modes: Logos, Ethos, and Pathos. The analysis of this study yields some significant findings, most important of which are the excessive implementation of some persuasive tactics like ‘Repetition’, ‘Questioning’ and ‘Rhetorical questions’, and ‘Antithesis’, and the merging of various rhetorical devices. In addition, the study reveals the creative narrative format of ‘Storytelling’ and provides novel academic naming for the specific types of ‘Rhetorical questions’, ‘Exemplification’ and ‘Storytelling’ employed in self-help text-type.