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Journal articles on the topic 'Repetitive patterns (Decorative arts) in architecture'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Ye, Manbo. "From Components to Semantics: A Study on the Spatial Configuration and Cultural Encoding Mechanism of Guangfu Plaster Sculpture Imagery." International Journal of Education and Social Development 3, no. 3 (2025): 8–12. https://doi.org/10.54097/wtgc0p10.

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This study focuses on the visual configuration and cultural semantic mechanisms of Guangfu plaster sculpture in traditional architecture. It proposes a three-dimensional nested model of “Image–Component–Semantics” to explore how plaster imagery is functionally configured and culturally encoded through architectural components. Based on case studies of iconic sites such as the Chen Clan Ancestral Hall and Foshan Zumiao Temple, the analysis reveals that Guangfu plaster images are systematically organized according to the functional roles of components, conveying hierarchical values, cultural ide

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Priester, Ann. "Bell Towers and Building Workshops in Medieval Rome." Journal of the Society of Architectural Historians 52, no. 2 (1993): 199–220. http://dx.doi.org/10.2307/990786.

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Thirty-five medieval bell towers, along with dozens of churches such as S. Clemente, S. Crisogono, S. Maria in Trastevere, and S. Lorenzo fuori le mura, survive as testimony to a boom in ecclesiastical construction in Rome during the twelfth and early thirteenth centuries. This article focuses on these bell towers, using computer database analysis of their architectural and decorative features to investigate the nature of building workshops in medieval Rome. A comparison of a number of variable features among the bell towers, such as masonry techniques, cornices, and decorative details, uncove

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Khan, Sonia Nasir, and Muhammad Ahsan Bilal. "The Architecture plan of Qutb Complex (Delhi) and its Decoration Analysis." PERENNIAL JOURNAL OF HISTORY 1, no. 1 (2020): 49–68. http://dx.doi.org/10.52700/pjh.v1i1.21.

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The Qutb complex in Delhi contains the array of early Sultanate Period Muslim monuments that demonstrate the earliest artwork development stage of Muslim monuments from 12 to 13th century especially the architecture style and the stone carving patterns that exists in the monuments of this complex like in masjid Quwat-ul Islam (1191 A.D), Qutab Minar (1202 A.D), Illttutmish Tomb (1235 A.D), Alai Darwaza (1311 A.D). These splendid monuments have a new architectural style in India. Their beautiful carvings in red sandstone and marble that includes the patterns of arabesque style along with Kufic

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4

Karim, Somayeh, Parnaz Goodarzparvari, Mohammad Aref, and Pardis Bahmani. "A COMPARATIVE STUDY OF THE GEOMETRIC MOTIFS OF THE ATEEQ MOSQUE (SHIRAZ) AND THE CORDOBA MOSQUE (CORDOBA) WITH A CONTEXTUAL APPROACH." Journal of Islamic Architecture 6, no. 2 (2020): 93–102. http://dx.doi.org/10.18860/jia.v6i2.10113.

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Islamic art is an introverted art derived from mystical thought and believes expressed in artistic activities and is pure, indigenous, and commensurate with the spirit and social status of its time; Islamic architecture also has an Islamic foundation, and it has a close relationship with the decorative arts. In this regard, mosques are considered the most significant Islamic architecture achievements; in most cases, geometrical shapes and motifs with religious and natural themes have been used. Therefore, the present study's primary purpose is to study the geometric patterns of the Ateeq Mosqu

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B, Zadorozhny. "THE ART OF STAINED GLASS IN THE ARCHITECTURE OF TEMPLE BUILDINGS OF THE RENAISSANCE PERIOD IN LVIV." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 2 (2021): 38–43. http://dx.doi.org/10.23939/sa2021.02.038.

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The stained glass art of temples and chapels of the Renaissance period occupies a special place in the fine arts of Lviv. Special attention is drawn to the stained glass windows of Lviv's sacred buildings, which impress with their aesthetics, composition, colours, and artistic expressiveness. In the process of studying stained glass windows in the decoration of Renaissance churches and chapels in Lviv, the manufacturing technology, compositional solution, their colour scheme were analyzed and the main features of their artistic and figurative expression were revealed. Renaissance stained glass

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Olin, Martin. "Tessinarna i Venedig." Sjuttonhundratal 6 (October 1, 2009): 7. http://dx.doi.org/10.7557/4.2757.

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<p>The Tessins in Venice</p><p>Foreign royalty and other travelers visiting Venice in the early eighteenth century encountered a flourishing of the arts. This vibrant artistic life could be transposed to new settings, as a number of Venetian painters worked for courts north of the Alps. When the statesman and <em>connoisseur</em> Carl Gustaf Tessin, Swedish Ambassador to Vienna, visited Venice in 1736, it was with the intention of hiring a decorative painter for the new royal palace in Stockholm. His first choice was Giovanni Battista Tiepolo, but his services pro

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Rovenko, Elena V. "Music is an Architecture Revived: a Gothic Cathedral as a Model for a Perfect Musical Composition as Seen by Vincent D’Indy." Contemporary Musicology, no. 3 (2021): 43–72. http://dx.doi.org/10.56620/2587-9731-2021-3-043-072.

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Vincent d’Indy developed his own understanding of the ideal algorithm of constructing musical forms. In support of his concept, he took a general artistic perspective. His aim, apparently, was to confirm the special status of the suggested compositional strategies as universal for different kinds of art. These strategies are grounded in such categories as rhythm, order, proportionality, and symmetry inherent to any kind of spatial/temporal art with architecture and music representing the extremes of the spatial/temporal continuum. D’Indy established the correlations between the spatial/tempora

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Pourmahmoud, Sadaf, and Asghar Fahimifar. "A Study on the ‘Philosophy of Decoration’ in the Seljuk Period (5th to 6th Centuries CE) Emphasizing the Dome of ‘Taj Al- Molk’ of the Isfahan Grand Mosque." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 40, no. 2 (2024): 353–64. http://dx.doi.org/10.21638/spbu17.2024.215.

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The Seljuk period (5th–6th Centuries CE) is one of the most important historical periods of Islamic Iran in various arts formed and developed in accordance with Islamic beliefs. Bricklaying decoration is one of the most valuable types of Persian Architectural decorations, and The Seljuk period is the era of extraordinary development and progress of this art and the ‘Taj Al-Molk’ Dome of the Isfahan Grand Mosque is known as its masterpiece. In fact, the flourishing of bricklaying decoration and its relationship to Seljuk’s cultural and religious beliefs in the sphere of aesthetics is the subjec

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Alisher, Anna. "Art history dynamics of theater scenography." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 170–75. http://dx.doi.org/10.32461/2226-3209.2.2021.240004.

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The purpose of the article is to study the peculiarities of the dynamics of the development of theatrical scenography by the solution of plot compositions, art forms, metaphorical images, specific features of mizantsen, national color. The methodology is based on the study of art history literature, conference materials, monographs, thematic literature, which corresponds to the disclosure of this work. The method of cultural and historical analysis helps to explore the tendencies of the development of Ukrainian scenography of the XX-XXI centuries. The comparative method, based on the considera

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Lipitskaya, Valentina. "Soviet Sport: Attempts of Galvanizing Eidos in Modern Films about Outstanding Soviet Athletes." Ideas and Ideals 16, no. 2-2 (2024): 430–40. http://dx.doi.org/10.17212/2075-0862-2024-16.2.2-430-440.

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The author believes that the so-called cinematic speaking on the Soviet, that is, an array of texts, formulated within the contours of fi lm, television, and other screen arts, is one of the representative sources shaping the domestic discourse of the reception of the Soviet. Within the framework of this work, research attention is focused on the consideration of modern Russian films about the legends of Soviet sports, which, in the area of the abovementioned cinematic speaking, appeal to a number of phrase themes, such as sports, personality, heroism, asceticism, service, and moral values. Ac

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Wattimena, Lucas. "Wisata Kampung Adat Huaulu di Pulau Seram, Maluku." Kapata Arkeologi 11, no. 1 (2016): 67. http://dx.doi.org/10.24832/kapata.v11i1.282.

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Traditional tourist village research of Huaulu on the Seram Island Central Mollucas, Mollucas Province. Is an early overview of their potential cultural resources and their supporters can be developed as a tourist destination. The purpose of this research is to know and understand the aspects of what can be developed from the cultural resources and support as a tourism destination.A qualitative approach as a method of research using data collection techniques; interviews, surveys or observation, and literature study. The results showed that the traditional tourist village of Huaulu is potentia

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سليم, داليا محمد عزت أبو مسلم. "الإبداع التصميمي الغير مرئي (نظام الكيره) في معالجة أسطح وعناصر الفراغ الداخلي من خلال نمو النسق التكراري في العمارة والفنون الإسلامية وذلك قبل النسق التكراري المعاصر (نظام بنروز) = Creativity of Design for Alternative Invisible Geometry (Girih) : The Formation of Interior Elements through Growth Repetitive Patterns in Architecture and Islamic Arts before the Penrose Patterns". مجلة العمارة والفنون والعلوم الإنسانية, № 6 (квітень 2017): 172–91. http://dx.doi.org/10.12816/0036894.

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13

Koza, KURT KIRTAY. "The Tree of Life in Turkish Culture, Its Use in Tiles and Ceramics as a Motif." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, no. 2 (2023): 129–43. https://doi.org/10.5281/zenodo.8025629.

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The tree, which is the most commonly used pattern in myths involving the creation of the world and the existence of humanity, primitive humanity attributed divine characteristics to it by reaching deep into the soil with its roots, reaching into the sky with its branches, surpassing other living beings in size, and having a long life span. Apart from the cosmic, divine beings who have always been watched in the sky, there has been a tree after animals and humans, which has grown from seed. Such respect, interest and fear felt towards the tree in various societies on Earth gradually led to the

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Naz, Farhana, and Kamran Ahmad. "Modern Islamic Design and Cultural Heritage in Bahria Mosque, Lahore." Journal of Architecture and Built Environment Research (JABER) 1, no. 2 (2025). https://doi.org/10.51846/jaber.v1i2.3898.

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This study explores the use of geometric principles in the architecture of the Bahria Mosque, Lahore, as a representation of Islamic art and spirituality. Islamic architecture is renowned for its intricate geometrical patterns, which embody cultural values and spiritual beliefs. At the Bahria Mosque, the integration of geometry extends beyond ornamental elements to encompass architectural features that create a visual and experiential harmony. The mosque’s design incorporates Islamic geometric patterns in both interior and exterior spaces, blending traditional forms with contemporary expressio

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Rita, Paula, Nuno Bastos, and Andreia Hall. "Interlacing Islamic Art with the Teaching of Symmetry in Portuguese Schools." Symmetry: Art and Science | 12th SIS-Symmetry Congress, 2022, 48–54. http://dx.doi.org/10.24840/1447-607x/2022/12-05-048.

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After five centuries of Muslim presence in Portugal, it would be unthinkable to assume that, apart from the naming of regions, towns, and villages (Algarve, Ourém, Alcabideche), Islamic culture has not left its mark on Portuguese society. It is not possible to ignore the impact of Islamic art on Portuguese art and architecture, especially in decorative arts such as tiles or crockery. That rich and long cultural heritage can be used to promote the teaching of Mathematics in schools. Ge- ometry can be explored through the analysis of decorative art found in Portuguese historical build- ings, in

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Zahra, Ahmed Al-Zadjali. "The Influence of Islamic Arts on Omani Weaving Motifs." September 1, 2015. https://doi.org/10.5281/zenodo.1109347.

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The influence of Islam on arts can be found primarily in calligraphy, arabesque designs and architecture. Also, geometric designs were used quite extensively. Muslim craftsmen produced stunning designs based on simple geometric principles and traditional motifs which were used to decorate many surfaces. The idea of interlacing simple rectilinear lines to form the patterns impressed Arabs. Nomads of Persia, Turks and Mongols were equally impressed with the designs so they begin to use them in their homes in carpet weaving. Islamic designs, motifs and colours which were used became common place

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17

Özrili, Yaşar. "An Attempt to Understand Islamic Arts With Deconstruction." Diyanet İlmi Dergi, June 5, 2024. http://dx.doi.org/10.61304/did.1423036.

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Deconstruction is not about destroying a whole, but about understanding how it is constructed. It is first taking it apart and then trying to understand the whole. It can also be considered as a kind of self-criticism towards the work of art, which is deconstructed to create paradoxical situations and reconstruct it. It is the breaking down of fundamentalism, of stereotypes, of traditional thought patterns, and the search for new ways and different motivational methodologies in the inspiration jargon of Islamic art. This study is not a technical roadmap on how to apply deconstruction in Islami

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18

Muhammad, Siti Aisyah, and Normaisarah Mohd Rosdi. "Application of Motifs Woodcarving in Preserving Its Authenticity in Istana Balai Besar, Kota Bharu Kelantan." International Journal of Integrated Engineering 15, no. 6 (2023). http://dx.doi.org/10.30880/ijie.2023.15.06.027.

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A palace is the legitimate house of a noble monarchy or excessive dignitary. The palaces of the Malay Kings are derived from the architecture of the Malay houses but in a larger scale.However, since it was a government palace, its structure had to be changed to accommodate its dual functional structure. In addition to accommodating the king, the palace also functions as a hub for administrative work.Therefore, traditional Malay royal palaces were decorated with carved decorative elements depicting intricate carvings in specific patterns, shapes, sizes and arrangements. Various sculptural eleme

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Hwang, Yoonjae, Sungwon Jung, and Eun Joo Park. "Predicting and analysing initiator crime environments based on machine learning for improving urban safety." Archnet-IJAR: International Journal of Architectural Research, February 28, 2024. http://dx.doi.org/10.1108/arch-09-2023-0229.

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PurposeInitiator crimes, also known as near-repeat crimes, occur in places with known risk factors and vulnerabilities based on prior crime-related experiences or information. Consequently, the environment in which initiator crimes occur might be different from more general crime environments. This study aimed to analyse the differences between the environments of initiator crimes and general crimes, confirming the need for predicting initiator crimes.Design/methodology/approachWe compared predictive models using data corresponding to initiator crimes and all residential burglaries without con

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Lund, Curt. "For Modern Children." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2807.

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“...children’s play seems to become more and more a product of the educational and cultural orientation of parents...” — Stephen Kline, The Making of Children’s Culture We live in a world saturated by design and through design artefacts, one can glean unique insights into a culture's values and norms. In fact, some academics, such as British media and film theorist Ben Highmore, see the two areas so inextricably intertwined as to suggest a wholesale “re-branding of the cultural sciences as design studies” (14). Too often, however, everyday objects are marginalised or overlooked as objects of s

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21

Brien, Donna Lee. "Do-It-Yourself Barbie in 1960s Australia." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3056.

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Introduction Australia has embraced Barbie since the doll was launched at the Toy Fair in Melbourne in 1964, with Mattel Australia established in Melbourne in 1969. Barbie was initially sold in Australia with two different hairstyles and 36 separately boxed outfits. As in the US, the initial launch range was soon followed by a constant stream of additional outfits as well as Barbie’s boyfriend Ken and little sister Skipper, pets, and accessories including her dreamhouse and vehicles. Also released were variously themed Barbies (including those representing different careers and nationalities)

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Dwyer, Simon. "Highlighting the Build: Using Lighting to Showcase the Sydney Opera House." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1184.

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IntroductionThe Sydney Opera House is Australia’s, if not the world’s, most recognisable building. It is universally recognised as an architectural icon and as a masterpiece of the built environment, which has captured the imagination of many (Commonwealth of Australia 4). The construction of the Sydney Opera House, between 1959 and 1973, utilised many ground-breaking methods and materials which, together, pushed the boundaries of technical possibilities to the limits of human knowledge at the time (Commonwealth of Australia 36, 45). Typical investigations into the Sydney Opera House focus on

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23

Maybury, Terry. "Home, Capital of the Region." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.72.

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There is, in our sense of place, little cognisance of what lies underground. Yet our sense of place, instinctive, unconscious, primeval, has its own underground: the secret spaces which mirror our insides; the world beneath the skin. Our roots lie beneath the ground, with the minerals and the dead. (Hughes 83) The-Home-and-Away-Game Imagine the earth-grounded, “diagrammatological” trajectory of a footballer who as one member of a team is psyching himself up before the start of a game. The siren blasts its trumpet call. The footballer bursts out of the pavilion (where this psyching up has taken

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Roney, Lisa. "The Extreme Connection Between Bodies and Houses." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2684.

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   Perhaps nothing in media culture today makes clearer the connection between people’s bodies and their homes than the Emmy-winning reality TV program Extreme Makeover: Home Edition. Home Edition is a spin-off from the original Extreme Makeover, and that fact provides in fundamental form the strong connection that the show demonstrates between bodies and houses. The first EM, initially popular for its focus on cosmetic surgery, laser skin and hair treatments, dental work, cosmetics and wardrobe for mainly middle-aged and self-described unattractive participants, lagged after

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Hall, Karen, and Patrick Sutczak. "Boots on the Ground: Site-Based Regionality and Creative Practice in the Tasmanian Midlands." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1537.

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IntroductionRegional identity is a constant construction, in which landscape, human activity and cultural imaginary build a narrative of place. For the Tasmanian Midlands, the interactions between history, ecology and agriculture both define place and present problems in how to recognise, communicate and balance these interactions. In this sense, regionality is defined not so much as a relation of margin to centre, but as a specific accretion of environmental and cultural histories. According weight to more-than-human perspectives, a region can be seen as a constellation of plant, animal and h

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