Journal articles on the topic 'Representation of rape in film'
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Indriyana, Titik, and Choirul Ulil Albab. "Blaming the victim: Representation the victim of rape in M.F.A film." Informasi 50, no. 1 (August 4, 2020): 46–57. http://dx.doi.org/10.21831/informasi.v50i1.27861.
Full textSpallacci, Amanda. "Representing Rape Trauma in Film: Moving beyond the Event." Arts 8, no. 1 (January 9, 2019): 8. http://dx.doi.org/10.3390/arts8010008.
Full textProjansky, Sarah. "The Elusive/Ubiquitous Representation of Rape: A Historical Survey of Rape in U.S. Film, 1903-1972." Cinema Journal 41, no. 1 (2001): 63–90. http://dx.doi.org/10.1353/cj.2001.0023.
Full textAsrita, Stara. "Konstruksi Feminisme Perempuan Sumba." ARISTO 7, no. 1 (December 17, 2018): 147. http://dx.doi.org/10.24269/ars.v7i1.1388.
Full textGuarinos, Virginia, and Inmaculada Sánchez-Labella Martín. "Masculinity and Rape in Spanish Cinema: Representation and Collective Imaginary." Masculinities & Social Change 10, no. 1 (February 21, 2021): 25. http://dx.doi.org/10.17583/mcs.2021.5608.
Full textVuković, Vesi. "Violated sex: rape, nation and representation of female characters in Yugoslav new film and black wave cinema." Studies in Eastern European Cinema 9, no. 2 (February 12, 2018): 132–47. http://dx.doi.org/10.1080/2040350x.2018.1435204.
Full textMitchell, Claudia. "Feminist Activism against Rape Culture." Girlhood Studies 14, no. 1 (March 1, 2021): v—vi. http://dx.doi.org/10.3167/ghs.2021.140101.
Full textFerreday, Debra. "‘Only the Bad Gyal could do this’: Rihanna, rape-revenge narratives and the cultural politics of white feminism." Feminist Theory 18, no. 3 (July 28, 2017): 263–80. http://dx.doi.org/10.1177/1464700117721879.
Full textIkhsano, Andre, and Jakarudi Jakarudi. "Representation of Black Feminism in Hidden Figures." Nyimak: Journal of Communication 4, no. 2 (September 24, 2020): 169. http://dx.doi.org/10.31000/nyimak.v4i2.2358.
Full textGupta-Cassale, Nira. "Bearing Witness: Rape, Female Resistance, Male Authority and the Problems of Gender Representation in Popular Indian Cinema." Indian Journal of Gender Studies 7, no. 2 (September 2000): 231–48. http://dx.doi.org/10.1177/097152150000700206.
Full textCullhed, Sigrid Schottenius. "IN BED WITH VIRGIL: AUSONIUS’WEDDING CENTOAND ITS RECEPTION." Greece and Rome 63, no. 2 (September 16, 2016): 237–50. http://dx.doi.org/10.1017/s0017383516000115.
Full textBenhamou, Eve, and Eve Benhamou. "From the Advent of Multiculturalism to the Elision of Race: The Representation of Race Relations in Disney Animated Features (1995-2009)." Exchanges: The Interdisciplinary Research Journal 2, no. 1 (August 27, 2014): 153–67. http://dx.doi.org/10.31273/eirj.v2i1.106.
Full textStockbridge, Sally. "Rape and representation: the regulation of Hong Kong films in Hong Kong and Australia." Asian Studies Review 17, no. 3 (April 1994): 43–49. http://dx.doi.org/10.1080/03147539408712949.
Full textLewis, Desiree. "Static: race and representation in post-apartheid music, media and film." South African Theatre Journal 27, no. 1 (January 28, 2014): 76–78. http://dx.doi.org/10.1080/10137548.2014.876717.
Full textCovey, William B. "Reckoning Day: Race, Representation, and Redress in Women's Literature and Film." MFS Modern Fiction Studies 52, no. 3 (2006): 705–15. http://dx.doi.org/10.1353/mfs.2006.0057.
Full textSHEPPARD, W. ANTHONY. "Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives." Cambridge Opera Journal 17, no. 1 (March 2005): 59–93. http://dx.doi.org/10.1017/s0954586705001941.
Full textRoozbeh Koohshahee, Roohollah, and Alireza Anushirvani. "Representation of the Orient in Pasolini’s Arabian Nights." International Letters of Social and Humanistic Sciences 58 (September 2015): 123–29. http://dx.doi.org/10.18052/www.scipress.com/ilshs.58.123.
Full textLumby, Bronwyn, and Colleen McGloin. "Re-Presenting Urban Aboriginal Identities: Self-Representation in Children of the Sun." Australian Journal of Indigenous Education 38, no. 1 (January 2009): 27–35. http://dx.doi.org/10.1375/s1326011100000569.
Full textNelson, Camilla. "Miss Havisham’s Rage: Imagining the ‘Angry Woman’ in Adaptations of Dickens’ Famous Character." Adaptation 13, no. 2 (November 27, 2019): 224–39. http://dx.doi.org/10.1093/adaptation/apz027.
Full textStoddard, Jeremy D., and Alan S. Marcus. "The Burden of Historical Representation: Race, Freedom, and "Educational" Hollywood Film." Film & History: An Interdisciplinary Journal of Film and Television Studies 36, no. 1 (2006): 26–35. http://dx.doi.org/10.1353/flm.2006.0018.
Full textKienke, Chris. "Cute babies: How imagery and representation shape our collective beliefs." Visual Inquiry 8, no. 2 (June 1, 2019): 139–48. http://dx.doi.org/10.1386/vi_8.2.139_1.
Full textParker, Alexandra. "The spatial stereotype: The representation and reception of urban films in Johannesburg." Urban Studies 55, no. 9 (May 9, 2017): 2057–72. http://dx.doi.org/10.1177/0042098017706885.
Full textSokołowska-Paryż, Marzena. "The Truth (?) of Wartime Rape: Memory, Form, and Meaning in Helke Sander’s Liberators Take Liberties and Wojciech Tochman’s Today We’re Going to Draw Death." Violence Against Women 25, no. 13 (September 10, 2019): 1594–612. http://dx.doi.org/10.1177/1077801219869546.
Full textIrobi, Esiaba. "A Theatre for Cannibals: Images of Europe in Indigenous African Theatre of the Colonial Period." New Theatre Quarterly 22, no. 3 (July 11, 2006): 268–82. http://dx.doi.org/10.1017/s0266464x06000479.
Full textEngel, Rozanne. "Gender and Race in the South African Film Industry: A Comparative Analysis of the Representation in South African Film Festivals." Communicatio 44, no. 1 (January 2, 2018): 16–33. http://dx.doi.org/10.1080/02500167.2018.1444659.
Full textDowie-Chin, Tianna, Matthew Paul Stephens Cowley, and Mario Worlds. "Whitewashing Through Film: How Educators Can Use Critical Race Media Literacy to Analyze Hollywood’s Adaptation of Angie Thomas’ The Hate U Give." International Journal of Multicultural Education 22, no. 2 (August 31, 2020): 129. http://dx.doi.org/10.18251/ijme.v22i2.2457.
Full textDettleff, James. "Andean Female Representation in Peruvian Films from the Internal Armed Conflict." MEDIACIONES 14, no. 21 (October 29, 2018): 1–16. http://dx.doi.org/10.26620/uniminuto.mediaciones.14.21.2018.1-16.
Full textLi, Yumin. "Shape shifters: Racialized and gendered crossings inPiccadilly(1929) andShanghai Express(1932)." Sexualities 23, no. 1-2 (November 21, 2018): 170–200. http://dx.doi.org/10.1177/1363460718779800.
Full textFrühwirth, Timo, Philipp Bechtold, Elisabeth Güner, and Marie-Theres Krutner. "‘For better or for worse, there is history, there is the book and then there's the movie’: Foregrounding and Marginalizing African American Women in the Film Hidden Figures (2016)." European Journal of Life Writing 10 (September 8, 2021): WLS77—WLS105. http://dx.doi.org/10.21827/ejlw.10.37914.
Full textWigger, Iris, and Spencer Hadley. "Angelo Soliman: desecrated bodies and the spectre of Enlightenment racism." Race & Class 62, no. 2 (August 3, 2020): 80–107. http://dx.doi.org/10.1177/0306396820942470.
Full textWilliams, Maggie Griffith, and Jenny Korn. "Othering and Fear." Journal of Communication Inquiry 41, no. 1 (July 24, 2016): 22–41. http://dx.doi.org/10.1177/0196859916656836.
Full textRajgopal, Shoba Sharad. "“The Daughter of Fu Manchu”." Meridians 19, S1 (December 1, 2020): 389–409. http://dx.doi.org/10.1215/15366936-8566056.
Full textOkada, Jun. "Representation, Recognition, and the Possibility of a Radically Transformed Future: The Asian Americans Series." Film Quarterly 74, no. 1 (2020): 11–20. http://dx.doi.org/10.1525/fq.2020.74.1.11.
Full textChong, Sylvia Shin Huey. "Vietnam, the Movie: Part Deux." PMLA/Publications of the Modern Language Association of America 133, no. 2 (March 2018): 371–77. http://dx.doi.org/10.1632/pmla.2018.133.2.371.
Full textArkian, Muhammad Reyzha Noorsyam, M. Subur Drajat, and Dadi Ahmadi. "Peran Public Relations dalam Film Hancock." Inter Komunika : Jurnal Komunikasi 3, no. 2 (December 11, 2018): 145. http://dx.doi.org/10.33376/ik.v3i2.214.
Full textRahman, Sabina. "“Forget History. Forget What You’ve Seen Before. Forget What You Think You Know”: Re/Establishing Space for People of Color in Otto Bathurst’s Robin Hood." Bulletin of the International Association for Robin Hood Studies 3, no. 1 (July 15, 2021): 1–9. http://dx.doi.org/10.33043/biarhs.3.1.1-9.
Full textAbdullah Rashed, Atoof, and Laila M. Al-Sharqi. "Roses in Amber: Gendered Discourse in Disney’s 2017 Adaptation of Villeneuve’s Fairytale Beauty and the Beast." Arab World English Journal For Translation and Literary Studies 5, no. 1 (February 15, 2021): 126–43. http://dx.doi.org/10.24093/awejtls/vol5no1.9.
Full textAlemán, Sonya M., and Enrique Alemán. "Critical Race Media Projects." Urban Education 51, no. 3 (February 9, 2016): 287–314. http://dx.doi.org/10.1177/0042085915626212.
Full textConolly-Smith, Peter. "Race-ing Rape: Representations of Sexual Violence in American Combat Films." War & Society 32, no. 3 (October 2013): 233–51. http://dx.doi.org/10.1179/0729247313z.00000000025.
Full textMuqoddas, Ali, and Noor Hasyim. "Representasi Anti Diskriminasi pada Film Kartun 3D Zootopia (Kajian Semiotika Roland Barthes)." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 2, no. 02 (August 31, 2016): 151–66. http://dx.doi.org/10.33633/andharupa.v2i02.1217.
Full textCASSANO, GRAHAM. "“The Last of the World's Afflicted Race of Humans Who Believe in Freedom”: Race, Colonial Whiteness and Imperialism in John Ford and Dudley Nichols's The Hurricane (1937)." Journal of American Studies 44, no. 1 (October 1, 2009): 117–36. http://dx.doi.org/10.1017/s0021875809990703.
Full textMyers, Kathleen Ann. "An Archeology of Mexican Modernity." Mexican Studies/Estudios Mexicanos 37, no. 2 (2021): 232–62. http://dx.doi.org/10.1525/msem.2021.37.2.232.
Full textHowley, Colin Paul. "“Cycles of Change”: Slaying the Badger, the Tour de France and Contemporary Documentary Film." Journal of Sport and Social Issues 41, no. 6 (July 24, 2017): 493–507. http://dx.doi.org/10.1177/0193723517721702.
Full textMarcus, Sharon, Lynn A. Higgins, and Brenda R. Silver. "Rape and Representation." Tulsa Studies in Women's Literature 12, no. 1 (1993): 152. http://dx.doi.org/10.2307/463772.
Full textFredrick, David. "Beyond the Atrium to Ariadne: Erotic Painting and Visual Pleasure in the Roman House." Classical Antiquity 14, no. 2 (October 1, 1995): 266–88. http://dx.doi.org/10.2307/25011023.
Full textHolmlund, Chris, and Andrew Nestingen. "Journal of Scandinavian Cinema turns ten: About the past and for the future." Journal of Scandinavian Cinema 10, no. 3 (September 1, 2020): 225–34. http://dx.doi.org/10.1386/jsca_00025_1.
Full textSparrow, Robert. "Robots, Rape, and Representation." International Journal of Social Robotics 9, no. 4 (June 1, 2017): 465–77. http://dx.doi.org/10.1007/s12369-017-0413-z.
Full textBen-Youssef, Fareed. "The Birth and Death of a Professional Wrestling Alter-Ego: Takahara Hidekazu’s Gamushara and the Loss of a Transgressive Identity." Japanese Language and Literature 53, no. 2 (October 10, 2019): 203–31. http://dx.doi.org/10.5195/jll.2019.80.
Full textTourage, Mahdi. "The Eighth Biennial Conference of the International Society for Iranian Studies." American Journal of Islam and Society 27, no. 3 (July 1, 2010): 147–49. http://dx.doi.org/10.35632/ajis.v27i3.1323.
Full textBaines, Barbara J. (Barbara Joan). "Effacing Rape in Early Modern Representation." ELH 65, no. 1 (1998): 69–98. http://dx.doi.org/10.1353/elh.1998.0009.
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