Relevant bibliographies by topics / Representations in film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Representations in film'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Representations in film"

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Sjö, Sofia. "Struggling bodies and body struggles: explorations of body and religion in contemporary Nordic film." Scripta Instituti Donneriani Aboensis 23 (January 1, 2011): 400–416. http://dx.doi.org/10.30674/scripta.67397.

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This study focuses on representations of the body and religion in Nordic film. The aim is to illustrate the kinds of representations of religion and the body that can be found in contemporary Nordic films, demonstrate how these representations relate to religion, the body and film more generally, and explore what perceptions of and attitudes to the body and religion the representations suggest. The analysis begins with an introduction to religion and film studies, religion in Nordic film and the themes and films chosen for this study. After this a short overview of earlier studies dealing with the body, film, and religion is presented, before delving into the issue of the body and religion in Nordic film. The article is concluded by reflecting on the more over-arching ideas and attitudes that the material can be argued to point to and the possible changes and challenges the films express.
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Reagan, Leslie J. "Representations and Reproductive Hazards of Agent Orange." Journal of Law, Medicine & Ethics 39, no. 1 (2011): 54–61. http://dx.doi.org/10.1111/j.1748-720x.2011.00549.x.

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United States Air Force planes fly across mountains of green forest; behind them, fine white streams of chemical spray fill the sky. The planes fly alone or in formation covering wide swaths of the entire landscape. These images of the herbicide spraying during the United States-Vietnam War are ubiquitous in media material about Agent Orange, the most heavily used of the fifteen herbicides sprayed during the war. This representation of the war does not include guns, grenades, tanks, bombs, or dead bodies. Instead, contemporary documentary filmmakers offer images of airplanes and chemical barrels to provide evidence of another weapon of war, pan dead and leafless forests in an otherwise lush landscape of green, and zero in on children’s deformed bodies to show the lasting environmental and health effects of Agent Orange. In this essay I share preliminary thoughts from my new project on Agent Orange and film in the United States and Vietnam. The bulk of social science writing on Agent Orange has focused on American veterans and their fight to secure benefits, while film scholars have analyzed the Vietnam War in Hollywood movies and television. I investigate documentary film, the transnational activism that generates these films, and the representations of gender, disabilities, bodies, history and culture within them. Here I offer a close reading of two turn-of-the-twenty-first-century documentaries about Agent Orange in Vietnam.
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Nugin, Raili. "Mobile Lives, Immobile Representations." Transfers 8, no. 2 (June 1, 2018): 87–112. http://dx.doi.org/10.3167/trans.2018.080206.

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The article looks at how cultural constructs of “urban” and “rural” are used in policy measures. The question is opened by analyzing twenty-five short films submitted for the competition Once upon a Time in Our Village organized by the Estonian Ministry of Agriculture and Just Film (a nonprofit organization). The competition calls for young people to “depict the future and possibilities of rural life.” The aim was to prevent out-migration of young people from the rural areas. As the data show, the films echo cultural constructions that depict the rural as opposed to the urban: traditional, quiet, and a haven of the national past. The future and technological possibilities are something that are constructed as an urban phenomenon, and thus, not present in the films.
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Fessas, Nikitas. "Representations of Disability in 1960s Greek Film Noirs." Journal of Literary & Cultural Disability Studies 14, no. 3 (August 1, 2020): 281–99. http://dx.doi.org/10.3828/jlcds.2020.18.

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Using a critical psychoanalytic framework, the article examines representations of disability in two Greek film noirs from the 1960s, namely The Secret of the Red Mantle and The Fear. While the films are in no way unambiguously progressive, they allow for an anti-ableist reading and therefore challenge stereotypical representations of disability in 1960s Greece.
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Cortvriend, Jack. "Stylistic convergences between British film and American television: Andrew Haigh’s Looking." Critical Studies in Television: The International Journal of Television Studies 13, no. 1 (February 25, 2018): 96–112. http://dx.doi.org/10.1177/1749602017746115.

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This article compares Andrew Haigh’s HBO series, Looking, with his feature films Weekend and 45 Years. It addresses the role of the showrunner, particularly in relation to transmediality and transnationality suggesting there is a convergence between British film and American quality television. In doing this, it also addresses the particularities of Haigh’s style, representations of homonormativity and LGBT+ characters in popular television and the representation of national and ethnic difference in Looking.
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Díaz-Cuesta Galián, José. "Man as Rescuer and Monster in Steven Spielberg's Film Text "Schindler's List"." Journal of English Studies 5 (May 29, 2008): 63. http://dx.doi.org/10.18172/jes.121.

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This journal article addresses the confrontation between two extreme representations of man in Steven Spielberg’s Schindler’s List (1993): the rescuer and the monster. It is my contention that these representations simplify two of the moral options –good versus evil– from which men can freely choose according to both Judaism and Catholicism, which are the two religious cults the film alludes to. This article has a three-fold structure. The first part focuses on the godlike representation of Oskar Schindler2 and his relation to key episodes in the Bible. The second one deals with Amon Goeth, Schindler’s mirror image and the incarnation of evil in the film. The third part surveys Spielberg’s blending of religious traditions in some films prior to Schindler’s List. As a conclusion it is proposed that the godlike man who rescues his people is not only Oskar Schindler, but also Steven Spielberg.
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Skardhamar, Anne Kari. "Changes in Film Representations of Sami Culture and Identity." Nordlit 12, no. 1 (February 1, 2008): 293. http://dx.doi.org/10.7557/13.1346.

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My intention is to analyse changes in ideas and discursivestrategies in selected films from 1929 to 2007 as regardsrepresentations of Sami culture and Sami identity in Finnmark. In different ways the films indicate a conflict of cultures and point to problems of exploitation of indigenous peoples, which may be regarded as part of Nordic colonialism.The emphasis will be on Lajla (1929) and the prize-winningVeiviseren (1987). The story of the young girl Lajla is told from a non-Sami point-of-view, and the mode of representation of otherness is of importance. In 1937 an abbreviated version of Lajla by the same director was presented, and a comparison of the two versions will show changes in the representation of ethnicity. Per Høst's narrative documentaries Same-Jakki (1957) and SamiÆllin (1972), seen from an ethnic Norwegian perspective, will briefly be discussed and compared to the ideas and discourse in Lajla.The action film Veiviseren (The Guide) (1987) by Nils Gauprepresents a totally different perspective by focusing on power relations, religious attitudes and ethical values. The language of the film is Sami. Finally, Gaup's most recent film, Kautokeinoopprøret (Kautokeino riot) (2007), a narrative based on historical events, will be briefly discussed.
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Gegen. "“War on Terror”: The Limitation of Representation of the Film." Scientific and Social Research 3, no. 2 (July 13, 2021): 141–44. http://dx.doi.org/10.36922/ssr.v3i2.1118.

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History was always written by the winners. Despite the fact that the history of the War on Terror is relatively new, Hollywood is quick to develop a visual history of the conflict. Hollywood’s excellent realism aesthetics were successful in justifying the goal and method of the “war on terror,” interrupting ongoing reality to influence and reconstruct public memory about what happened. This dissertation will use three awarded and influential case studies: The Hurt Locker, Zero Dark Thirty and American Sniper to demonstrate the fragmentation of film representation, that the film only speaks for “us.” The dissertation aims to uncover the hidden political unawareness behind film representations, the manner in which those films provide limited versions of what happened, and how the films emphasise the self-subjectivity while objectifying the other.
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Santyaputri, Lala, Olivia Nursalim, and Catherine Karenina. "Eksplorasi Visual Naratif Indonesia-Tionghoa dalam Film Karya Mahasiswa." DESKOMVIS: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa dan Media 1, no. 1 (March 9, 2020): 46–55. http://dx.doi.org/10.38010/dkv.v1i1.6.

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Indonesian-Chinese in Indonesian films rarely become the main subject of the narrative and even still marginalized. Marginalization in Indonesian-Chinese looks back at the Indonesian history, which doesn’t provide the similar space as other Indonesian citizens. The development of Indonesian films now gives new space to new filmmakers, especially those academicaly speaking graduated from film schools. Narative and visual analysis was carried out on two works on Indonesian-Chinese by using a narrative research methodology with a qualitative approach. Stages of research conducted by the director will be the starting point in this research, especially in studying history. The research objects of these studies taken the biopic documentary "Lebih Cina dari Tionghoa" (2019), and the fiction genre film "Bulikan"(2019). These two films represent present-day and Indonesian-Chinese representations. This research is a study of representation on the visualization and narration of film by young generation.
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Pieldner, Judit. "Representations of Female Alterity in Contemporary Hungarian and Romanian." Acta Universitatis Sapientiae, Philologica 5, no. 1 (July 1, 2013): 95–110. http://dx.doi.org/10.2478/ausp-2014-0008.

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Abstract The present study carries out a comparative/contrastive analysis of two ways of contemporary Hungarian and Romanian film discourse, namely magic realism and micro-realism, and will focus on the representation of the woman in the contemporary films entitled Witch Circle (Dezső Zsigmond, 2009),exploring a subversive female mythologem of a confined traditional community, that of the Csángó people, Bibliothéque Pascal (Szabolcs Hajdú, 2010),which creates a private mythology, materialised in form of surrealist images, of the female self interpreting herself out of her conditions, and Beyond the Hills (Cristian Mungiu, 2012), drawing its topic from a real event -reality generating fiction-that inspired Tatiana Niculescu Bran’s Deadly Confession [Spovedanie la Tanacu), Judges’ Book [Cartea Judecătorilor), as well as Zsolt Láng's The Monasteryr of Protection (Az oltalom kolostora). Beyond dealing with related female patterns, the films imder discussion are engaged in mediating collective and private mental representations, as well as in creating film narratives with the convergent feature of juxtaposing the real and the mythical. The films approach the topic from distinct possibilities of cinematic representation and offer, in my view, a complementary and intercultural image of the woman trapped between the East and the West, between social and religious institutions and victimised by the stereotypical view of society.
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Dissertations / Theses on the topic "Representations in film"

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Woodward, Suzanne. "Imagining possibilities: trans representations in mainstream film." Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/16575.

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Trans representations have been a part of film since its inception, and this project is an investigation of the ways that audiences have been encouraged to imagine trans identities and experiences and understand trans issues. Because of the enduring and widespread popularity of these films, and the power and influence of the medium itself, it is important to understand what they enable for mainstream audiences as well as the role they play in cultural discourses about heteronormativity. The ways that the films construct trans narratives and characters tends to be closely tied to the genre they are intended to be part of, and they are understood according to these conventions. This project therefore uses genre analysis to examine mainstream trans representation, in conjunction with the developments in politics and academic discourses that have shaped contemporary understandings of trans stories. The project covers the four genres that dominate in mainstream trans films: comedy, horror, melodrama, and musicals. Each genre is dealt with in a separate chapter, but the links and intersections between them are explored as well. The chapters consider the particular influences, conventions, constraints, and innovations specific to each genre, through close reading of a few key texts, as a way of tracing the shifts that have occurred and the conventions that have endured, and offers suggestions as to why and how these elements survive or transform. Through tracing these developments, this project identifies the ways in which trans representations in popular film have played a role in developing and maintaining the trans visibility in mainstream society, and contributed to cultural discourses and understandings of trans issues. Despite the problems and stereotypes inherent in many of these films, they prevent trans identities from being erased or ignored. The films open up gaps in the heteronormative monolith, which can be ever be fully resealed, and which provide a space for other possibilities to be imagined.
Whole document restricted until Jan. 2013, but available by request, use the feedback form to request access.
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Phillips, Diane. "Women's rites, representations of childbearing in film." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37611.pdf.

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Weinhold, Florian. "Self/other representations in Aleksei Balabanov's 'Zeitgeist movies' : film genre, genre film and intertextuality." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/selfother-representations-in-aleksei-balabanovs-zeitgeist-movies-film-genre-genre-film-and-intertextuality(29460f94-0440-431c-8d59-53133c73489f).html.

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This thesis uses the prism of genre to explore the character of self/other representations in five 'genre films' made by the Russian filmmaker Aleksei Balabanov and released between 1997 and 2006. It provides the first book-length study of Balabanov and aims to shed new light on the complexity of genre films and their representation techniques in an influential area of post-Soviet Russian cinema. The thesis aims to deconstruct the widespread perception of Balabanov as a populist director of 'mere genre movies', which are replete with xenophobic self/other representations. The films under investigation are linked through their developments of genre, evolving themes, an overarching narrative and multiple dialogicity among themselves, with their audiences and with Hollywood. They are shown to reflect the changing post-Soviet Russian Zeitgeist and its historical context. They do so by self-consciously deploying Hollywood genres and blending them with transgeneric modes/styles under the influence of renowned cinematic and literary inter-/transtextual works. The study examines the relationship between Balabanov's articulation of post-Soviet Russian identity vis-à-vis representations of dominant others, such as America, the Caucasus, Western Europe, Ukraine and, importantly, what the films portray as society's ruling criminal elites (primarily the New Russian 'gangsters').Combining the concepts of film genre with inter-/transtextuality within close film-textual analyses, the thesis focuses on the filmic texts and their visual, sound and narrative elements, which together indicate particular genre blends and their parabolic/allegorical potential. The analytical chapters investigate how these impinge upon the ideological orientation of Balabanov's approach to self/other representations. Film genre thus provides a method for exploring the articulations of an evolving post-Soviet Russian identity in Balabanov's work. The thesis reveals the director's self-consciously ambiguous perspectives on Russia's self, its own otherness in a globalised/ing world and the corrupting influences of the country's state-Socialist militarist past, previous and current military conflicts and the country's capitulation to the capitalist market. The application of a conceptual framework drawn from film genre studies enables the thesis to explore how these popular genre films become a platform for presentations of an internally divided Russian national self in its interactions with its various constitutive others, themselves characterised by diversity and inner heterogeneity. As a result, the thesis provides a long-overdue methodological interpretation of the most controversial segment of Balabanov's oeuvre and challenges received bi-partite views of this hitherto largely misrepresented auteur.
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SMITH, ERIN LIANNE. "HAUSERSTUCKE: REPRESENTATIONS IN TWENTIETH-CENTURY GERMAN FILM AND THEATER." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/192244.

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Cherabi-Labidi, Nadia. "Les representations sociales dans le cinema algerien de 1964 a 1980." Paris 3, 1987. http://www.theses.fr/1987PA030072.

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Analyse de la cinematographie algerienne a partir d'un corpus de 5 films realises de 1964 a 1980. Analyse diachronique de cet ensemble pour saisir la dynamique des representations sociales sur deux decennies et analyse synchronique pour saisir les liens entre un ensemble de representations dessinant les contours de l'imaginaire. Quatre axes de reflexion : - la representation de l'espace (rapport ville campagne) - la representation du temps (passe present) - la representation des univers sociaux (classes et milieux sociaux, personnages referentiels) - la representation des femmes. Cinq films etudies : "le vent des aures" (m. L. Hamina, 1965); "le vent du sud" (m. S. Riadh, 1975); "echebka" (g. Bendedouche, 1975), "omar gatlatou (m. Allouache, 1976); "leila et les autres" (s. A. Mazif, 1978). Ces films, etudies dans une perspective socio-semiotique, ont fait l'objet d'une analyse textuelle et intertextuelle et ont fini par constituer un seul texte dont chaque film revelait un aspect particulier du cinema algerien. Ainsi ont ete mis en lumiere certains fragments de films pour : cerner l'entite spectateur algerien ("omar gatlatou"); analyser un generique, debut de film, en remarquant qu'il etait aussi le lieu d'un debat sur le cinema (generique de "omar gatlatou"); analyser deux fins de film en observant leur retroaction sur la lecture de tout le film ( ("vent des aures" et "echebka"); analyser les titres de film et l'effet d'echo et d'interdiscursivite; reperer la reference et l'auto-reference que contiennent les films par rapport au cinema, a la tv et aux cineastes; observer les cliches narra- tifs et descriptifs et leur effet sur la fiction ("vent du sud"); observer les op- positions spatiales (rural urbain) et leurs formes culturelles dans les films (tra- dition modernite). Le tout s'est trouve synthetise dans l'analyse de l'affiche du film "leila et les autres", a laquelle est consacree la derniere partie de ce travail
Analysing algerian film making from a corpus of five motion pictures produced between 1964 and 1980. Biachronic analysis of these pictures to understand the dynamics of social paintings over two decades and synchronic study to grasp the connections between such paintings outlining the imagery. Four realms of reflection : - depiction of spce (city vs country) - depiction of time (past vs present) - depiction of social media (social classes and characters to refer to) - paintings of womankind five movies have been studied : "le vent des aures" (m. L hamina, 1965) - "le vent du sud" (m. S. Riadh, 1975) - "echebka" (g. Bendedouche, 1975) - "omar gatla- tou" (m. Allouache, 1976) - "leila et les autres" (s. A. Mazif, 1978). Those pictures have been studied through a socio-semiotic viewpoint, a textual and intertextual analysis, and ended up coalescing into a single body, a particular aspect of which each movie uncovered. Thus some excempts from these were brought to attention for : - encompassing the entity "algerian audience" or algerian spectator - analyzing a soundtrack and the beginning of a motion picture that shows a discussion about movie making (soundtrack from "omar gatlatou"; - studying the last pictures from two movies, particularly their retroaction on a rerun of the whole movies; - pondering over titles, the echoing effect and interdiscursivity; - pinpointing the referents and the self referring bearings inside motion pictu- res with regard to cinema, television and moviemakers; - searching for narrative and descriptive stereotypes and their effects over fiction; - bringing forth space oppositions (town vs country) and the cultural forms
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Coles, Fen. "Frightful pleasures : representations of lesbian monsters in American horror film." Thesis, University of Warwick, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412851.

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Schuckman, Emily E. "Representations of the prostitute in contemporary Russian literature and film /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/7168.

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Fedosik, Marina. "Representations of transnational adoption in contemporary American literature and film." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 226 p, 2009. http://proquest.umi.com/pqdweb?did=1818417541&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Hogbin, Timothy Charles. "Viewing the rushes : representations of drug use in British film." Thesis, University of Manchester, 2002. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490382.

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Oliveira, Sandra Cristina Reis Marques de. "Representations of American youth in Hollywood film in the 1980s." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/2762.

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Mestrado em Estudos Ingleses
O presente trabalho propõe-se examinar diferentes representações da adolescência no cinema de Hollywood, particularmente na década de 80. Esta dissertação inicia a sua análise debruçando-se sobre as representações da adolescência no cinema de Hollywood, no período após a II Guerra Mundial, numa tentativa de determinar alguns acontecimento que afectaram a forma como essas representações evoluíram até ao final da década de 80. Finalmente, uma reflexão sobre os aspectos mais relevantes das representações da adolescência no cinema na época conservadora de Ronald Reagan. ABSTRACT: This present study aims to examine different representations of American youth in Hollywood film, particularly in the 1980s. This dissertation begins with an examination of some representations of American youth after World War II in an attempt to investigate the trends which affected its representations and how they have evolved from then until the end of the 1980s. Finally, it offers some detailed reflections on depictions of adolescence in Hollywood film during the Reagan years.
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Books on the topic "Representations in film"

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Daughters of desire: Lesbian representations in film. London: Cassell, 1998.

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Bergmann, Jochen Achilles Ina. Representations of Evil in Fiction and Film. Trier: WVT, 2009.

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Transgressive bodies: Representations in film and popular culture. Farnham: Ashgate Pub., 2010.

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Signifying female adolescence: Film representations and fans, 1920-1950. Westport, CT: Praeger, 2000.

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America in literature and film: Modernist perceptions, postmodernist representations. Burlington, VT: Ashgate, 2011.

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Abele, Silke. Even angels fall: Feminist film theory and the representations of girls in American teen film. Birmingham: University of Birmingham, 2000.

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Greven, David. Representations of femininity in American genre cinema: The woman's film, film noir, and modern horror. New York, NY: Palgrave Macmillan, 2011.

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Greven, David. Representations of femininity in American genre cinema: The woman's film, film noir, and modern horror. New York, NY: Palgrave Macmillan, 2011.

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Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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Hotel stories: Representations of escapes and encounters in fiction and film. Trier: WVT, Wissenschaftlicher Verlag Trier, 2009.

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Book chapters on the topic "Representations in film"

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Mazey, Paul. "Pastoral Music: Representations of Landscape." In British Film Music, 49–82. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33550-2_3.

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Avery, Simon, and Nicolas Tredell. "Re-representations: Film and Television Adaptations." In Thomas Hardy, 139–45. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-02168-7_8.

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Trigos, Ludmilla A. "Centennial Representations in Fiction and Film." In The Decembrist Myth in Russian Culture, 95–118. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230104716_5.

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Naselli, Mara. "Representations of evil in early film." In The History of Evil in the Early Twentieth Century, 289–300. 1 [edition]. | New York : Routledge-Taylor & Francis, 2016.: Routledge, 2018. http://dx.doi.org/10.4324/9781351138369-18.

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Medina, Raquel. "Old Age and Alzheimer’s Disease in Film." In Cinematic Representations of Alzheimer’s Disease, 15–43. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-53371-5_2.

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Rosenholm, Arja. "The Masculine North in Popular Russian Film." In Visual Representations of the Arctic, 217–36. New York, NY : Routledge, 2021. | Series: Routledge interdisciplinary perspectives on literature: Routledge, 2021. http://dx.doi.org/10.4324/9781003158295-16.

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Greven, David. "Transformations of the Woman’s Film." In Representations of Femininity in American Genre Cinema, 29–80. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118836_3.

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Sarrazin, Natalie. "Indian Film Music: Aesthetics, Hybrids, and Representations." In Focus: Popular Music in Contemporary India, 96–135. New York : Routledge, 2020. | Series: Focus on world music: Routledge, 2019. http://dx.doi.org/10.4324/9780429505249-6.

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Shonekan, Stephanie. "Money and Media: Radio; Television; Film Representations." In Soul, Country, and the USA, 47–71. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137378101_3.

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Nornes, Abé Mark. "Cherry Trees and Corpses: Representations of Violence from WWII." In The Japan/America Film Wars, 147–62. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205289-7.

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Conference papers on the topic "Representations in film"

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Kakimpa, B., H. P. Morvan, and S. Hibberd. "Solution Strategies for Thin Film Rimming Flow Modelling." In ASME Turbo Expo 2015: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/gt2015-43503.

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This paper explores the role of surface tension, grid resolution, inertia term representation and temporal discretisation scheme in the numerical simulation of shear-driven thin-film rimming flows. An ideal film formulation and solution strategy, suitable for the simulation of smooth, shock and pool solutions is presented. Shock and pool solution stability is shown to be dependent on the provision of sufficient grid refinement to resolve key flow features present in the solution such as steep fronts and small wavelength capillary waves. A minimum grid refinement criterion is proposed based on the findings from a parametric study. A previously established dependence of solution stability on surface tension is shown to be linked to the sensitivity of the wavelengths of disturbances in the capillary zone on the surface tension coefficient. Solution strategies utilising un-physically high surface tension values to guarantee stability, are explored and shown to enhance stability by modifying the solution in the capillary zone to one that is resolvable on the available grid. The role of inertia in solution stability is also investigated and simplified inertia representations are shown to primarily affect accuracy but not stability.
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Zhang, Jingsheng, and Shana Smith. "Shape Similarity Matching With Octree Representations." In ASME 2006 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/detc2006-99397.

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Shape matching is one of the fundamental problems in content-based 3D shape retrieval. Since there are typically a large number of possible matches in a shape database, there is a crucial need to perform shape matching efficiently. As a result, shapes must be reduced into a simpler shape representation, and computational complexity is one of the most important criteria for evaluating 3D shape representations. To meet the need, the investigators have implemented a new effective and efficient approach for 3D shape matching, which uses a simplified octree representation of 3D mesh models. The simplified octree representation was developed to improve time and space efficiency over prior representations. In addition, octree representations are rapidly becoming the standard file format for delivering 3D content across the Internet. The proposed approach stores octree information in XML files, rather than using a new data file type, to facilitate comparing models over the Internet. New methods for normalizing models, generating octrees, and comparing models were developed. The proposed approach allows users to efficiently exchange shape information and compare models over the Internet, in standardized data and data file formats, without transferring exact model files. The proposed approach is the first step in a project which will build a complete 3D model database and data retrieval system, which can be incorporated with other data mining techniques.
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Vrasandyka, Theo, and Suzy Azeharie. "Representation of Local Wisdom in Film." In International Conference on Economics, Business, Social, and Humanities (ICEBSH 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210805.119.

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Antunes, Manoella M., Cristiane Cozin, Fausto A. A. Barbuto, Rigoberto E. M. Morales, and Hendy T. Rodrigues. "Analysis of Slug Frequency Correlations for Two-Phase Gas-Liquid Horizontal Slug Flow." In ASME 2014 4th Joint US-European Fluids Engineering Division Summer Meeting collocated with the ASME 2014 12th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/fedsm2014-21672.

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Multiphase flows in pipelines show several flow patterns depending on the industrial applications where they appear. In oil and gas production, typical flow rates, geometries and the physical properties of the phases make slug flow to be the most common of all patterns. This kind of flow is characterized by an intermittent succession of an aerated liquid slug region and a long, turbulent gas bubble surrounded by a liquid film. Due to its complexity, slug flow modelling has been a challenge to many researchers over the last four decades. Presently, steady-state one-dimensional models based on the unit cell concept and more accurate physical representations based on either two-fluid or slug tracking models embedding transient flow capabilities are available. These models require closure relationships for predicting flow parameters. In the present work, a literature review on frequency correlations is presented. An analysis of the performance of those correlations with experimental data for horizontal slug flows was carried out and its results are presented.
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Hasan, Nusair, and Bakhtier Farouk. "Enhancing Supercritical Fluid Extraction Using Acoustic Excitations." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88991.

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A computational fluid dynamics model of supercritical fluid extraction of a solute (caffeine) from a fixed bed of porous solid matrix (coffee beans) using a supercritical solvent (carbon dioxide) is developed. The mathematical model is developed considering diffusion-controlled transport in the particle and film mass transfer resistance around the particle. Accurate representations of the transport properties of supercritical carbon dioxide are considered. The conservation equations are numerically solved using an implicit finite volume method. Supercritical fluid extraction of a solute from a solid matrix has a slow dynamics even when solute free solvent is re-circulated and therefore improvements in the mass transfer process are required. The effect of acoustically excited flows on supercritical fluid extraction in a fixed bed extractor is investigated. Harmonically oscillating inlet wall boundary condition is used to model a piezoelectric transducer. The use of acoustic excitation represents a potential efficient way of enhancing mass transfer processes. Application of acoustic excitations at the fundamental frequency of the extractor (f = 996 Hz) increased the overall yield by about 15%. The effects produced by compressions and decompressions, as well as by radiation pressure and streaming contribute to the enhancements.
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Turchet, Luca, and Panos Kudumakis. "Requirements for a File Format for Smart Musical Instruments." In 2019 International Workshop on Multilayer Music Representation and Processing (MMRP). IEEE, 2019. http://dx.doi.org/10.1109/mmrp.2019.00011.

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Turchet, Luca, and Panos Kudumakis. "Requirements for a File Format for Smart Musical Instruments." In 2019 International Workshop on Multilayer Music Representation and Processing (MMRP). IEEE, 2019. http://dx.doi.org/10.1109/mmrp.2019.8665380.

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Yulianeta, Ms. "Ronggeng: Cultural Artifact and Its Representation in Indonesian Film." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/amca-18.2018.134.

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Chen, Yugang. "Digital movie clothing with film clothing visual art representation." In 2016 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/essaeme-16.2016.49.

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Aflah, Hasnil, and Rahmanita Ginting. "Representation of Islamic Values in Film Duka Sedalam Cinta." In International Conference on Media and Communication Studies(ICOMACS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icomacs-18.2018.7.

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Reports on the topic "Representations in film"

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Álvarez-Hernández, C., B. González de Garay-Domínguez, and FJ Frutos-Esteban. Gender representation in contemporary Spanish teen films (2009-2014). Revista Latina de Comunicación Social, December 2015. http://dx.doi.org/10.4185/rlcs-2015-1079en.

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Haynes, T., and D. Noveck, eds. Network File System (NFS) Version 4 External Data Representation Standard (XDR) Description. RFC Editor, March 2015. http://dx.doi.org/10.17487/rfc7531.

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Flabbi, Luca, Claudia Piras, and Scott Abrahams. Female Corporate Leadership in Latin America and the Caribbean Region: Representation and Firm-Level Outcomes. Inter-American Development Bank, January 2016. http://dx.doi.org/10.18235/0000249.

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Shepler, S., M. Eisler, and D. Noveck, eds. Network File System (NFS) Version 4 Minor Version 1 External Data Representation Standard (XDR) Description. RFC Editor, January 2010. http://dx.doi.org/10.17487/rfc5662.

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Haynes, T. Network File System (NFS) Version 4 Minor Version 2 External Data Representation Standard (XDR) Description. RFC Editor, November 2016. http://dx.doi.org/10.17487/rfc7863.

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Greenan, Nathalie, and Jacques Mairesse. Organizational Change in French Manufacturing: What Do We Learn From Firm Representatives and From Their Employees? Cambridge, MA: National Bureau of Economic Research, August 1999. http://dx.doi.org/10.3386/w7285.

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Tennant, David. Business Surveys on the Impact of COVID-19 on Jamaican Firms. Inter-American Development Bank, May 2021. http://dx.doi.org/10.18235/0003251.

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The datasets come from two surveys of Jamaican businesses conducted between May and June 2020. Two sets of self-administered surveys were conducted using Survey Monkey. A very small sample of financial institutions was surveyed to gain perspective on the challenges facing financiers as a result of the pandemic, and their efforts to respond to such challenges. Nine financial institutions completed this survey, and the results were used to complement the information derived from the second and major survey. The second survey targeted non-financial businesses operating in Jamaica. The sample of firms was selected from a list of all registered Jamaican firms, obtained from the Companies Office of Jamaica. A stratified random sample was used based on firm type, region, and sector. Some firms may have also participated in the study through contact made by their respective affiliations, which were approached to endorse the study and encourage their members to engage. A total of 390 firms completed the second survey. A significant degree of representation was achieved across size, type and age of business, sector and location of operation. Good gender representation was also achieved.
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