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1

Daughters of desire: Lesbian representations in film. London: Cassell, 1998.

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2

Bergmann, Jochen Achilles Ina. Representations of Evil in Fiction and Film. Trier: WVT, 2009.

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3

Transgressive bodies: Representations in film and popular culture. Farnham: Ashgate Pub., 2010.

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4

Signifying female adolescence: Film representations and fans, 1920-1950. Westport, CT: Praeger, 2000.

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5

America in literature and film: Modernist perceptions, postmodernist representations. Burlington, VT: Ashgate, 2011.

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6

Abele, Silke. Even angels fall: Feminist film theory and the representations of girls in American teen film. Birmingham: University of Birmingham, 2000.

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7

Greven, David. Representations of femininity in American genre cinema: The woman's film, film noir, and modern horror. New York, NY: Palgrave Macmillan, 2011.

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8

Greven, David. Representations of femininity in American genre cinema: The woman's film, film noir, and modern horror. New York, NY: Palgrave Macmillan, 2011.

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9

Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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10

Hotel stories: Representations of escapes and encounters in fiction and film. Trier: WVT, Wissenschaftlicher Verlag Trier, 2009.

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11

Krebs, Martina. Hotel stories: Representations of escapes and encounters in fiction and film. Trier: WVT, Wissenschaftlicher Verlag Trier, 2009.

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12

Elder, Bruce. Body of vision: Representations of the body in recent film and poetry. Waterloo, Ont: Wilfrid Laurier University Press, 1997.

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13

Portraying 9/11: Essays on representations in comics, literature, film and theatre. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2011.

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14

Reservation reelism: Redfacing, visual sovereignty, and representations of Native Americans in film. Lincoln: University of Nebraska Press, 2010.

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15

Transnational representations: The state of Taiwan film in the 1960s and 1970s. Hong Kong: HKU Press, 2014.

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16

Kester, Bernardette. Film front Weimar: Representations of the First World War in German films from the Weimar Period (1919-1933). Amsterdam: Amsterdam University Press, 2002.

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17

Kester, Bernadette. Film front Weimar: Representations of the First World War in German films of the Weimar period (1919-1933). Amsterdam: Amsterdam University Press, 2003.

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18

Cityscapes in the Americas and beyond: Representations of urban complexity in literature and film. Tempe, AZ: Bilingual Press/ Editorial Bilingüe, 2011.

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19

Tambling, Jeremy. A night in at the opera: Media representations of opera. London: J. Libbey, 1994.

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20

The new woman international: Representations in photography and film from the 1870s through the 1960s. Ann Arbor: University of Michigan Press and the University of Michigan Library, 2011.

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21

Scotland as we know it: Representations of national identity in literature, film, and popular culture. Jefferson, N.C: McFarland & Co., 2008.

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22

Elder, Bruce. Body of vision: Representations of the body in recent film and poety : R. Bruce Elder. Waterloo, Ont: Wilfrid Laurier University Press, 1997.

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23

Representations of American slavery in post-civil rights fiction and film: How literature shapes politics. Lewiston, NY: Edwin Mellen Press, 2009.

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24

Documents on the Balkans -- history, memory, identity: Representations of historical discourses in the Balkan documentary film. Newcastle upon Tyne: Cambridge Scholars, 2009.

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25

Hutchinson, Jackie. Gays, lesbians and videotape: Gay and lesbian representations in film and video incorporating First Out promotional video. London: University of East London, 1997.

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26

Kraft, Helga. Representations of World War II refugee experiences in memoirs, fiction, and film: Studies in flight and displacement. Lewiston, N.Y: Edwin Mellen Press, 2011.

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27

The matter of images: Essays on representations. London: Routledge, 1993.

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28

Healers and redeemers: The reception and transformation of their medieval and late antique representations in literature, film and music. Trier: Wissenschaftlicher Verlag Trier, 2010.

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29

Representations of murderous women in literature, theatre, film, and television: Examining the patriarchal presuppositions behind the treatment of murderesses in fiction and reality. Lewiston: The Edwin Mellen Press, 2010.

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30

Law in film: Resonance and representation. Urbana: University of Illinois Press, 1999.

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31

Screening Ireland: Film and television representation. Manchester: Manchester University Press, 2000.

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32

Bonzel, Katharina, and Nicholas Chare, eds. Representations of Sports Coaches in Film. Routledge, 2018. http://dx.doi.org/10.4324/9781315206073.

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33

Baschiera, Stefano, and Miriam De Rosa. Film and Domestic Space: Architectures, Representations, Dispositif. Edinburgh University Press, 2020.

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34

Kabir, Shameem. Daughters of Desire: Lesbian Representations in Film. Bloomsbury Academic, 2016.

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35

Representations Of Illness In Literature And Film. Cambridge Scholars Publishing, 2010.

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36

Israel/Palestine: Border Representations in Literature and Film. Edinburgh University Press, 2020.

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37

Richardson, Niall. Transgressive Bodies: Representations in Film and Popular Culture. Taylor & Francis Group, 2016.

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38

Muir, Robyn, Beatrice Frasl, Christie Marie Lauder, and Elizabeth Schreiber-Byers, eds. Evil Women: Representations within Literature, Culture and Film. BRILL, 2022. http://dx.doi.org/10.1163/9789004499508.

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39

Dienstag, Joshua Foa. Cinema Pessimism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190067717.001.0001.

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Cinema Pessimism uses the medium of film to explore the dilemmas of democratic representation. When is representation an aid to democracy, and when is it an obstacle? Why are democratic populations so perpetually dissatisfied with their representatives? An exploration of film representation gives us a unique standpoint from which to answer these and other questions. Representation contains dangers for democracy, including its ability to foster illusions of power and freedom in a citizenry rather than genuine autonomy. Film itself can be a powerful political narcotic, suppressing rather than expressing the humanity that is supposed to flourish in democracy. Most popular films today, like many elected representatives, frustrate and interrupt democracy rather than sustain it. In its best form, however, representation, both filmic and political, can add something irreplaceable to our political life. Democratic citizens are hard to represent because human beings only reveal themselves over time. Representing them thus holds special challenges that this work explores. Great representatives and great representations are rare, but when they do appear, they enhance our politics by sustaining the reciprocity and equality that are at the heart of any well-ordered human society. We can draw these lessons from films even as we resist the increasing saturation of modern life with representations that distract or degrade us.
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40

Chare, Nicholas, and Katharina Bonzel. Representations of Sports Coaches in Film: Looking to Win. Taylor & Francis Group, 2017.

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41

Elbeshlawy, Ahmed. America in Literature and Film: Modernist Perceptions, Postmodernist Representations. Taylor & Francis Group, 2016.

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42

Weisenfeld, Judith. Race, Religion, and Documentary Film. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.2.

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This chapter uses Ingagi and The Silent Enemy, both independent films released in 1930, to examine the intersections of race and religion in the context of American documentary film conventions. The filmmakers claimed documentary status for their films, despite the fact that both were largely scripted and contained staged representations. Many audience members and critics nevertheless took their representations of the religious practices of Africans and Native Americans to be truthful and invested in the films’ authenticity because their visual codes, narratives, and advertising confirmed accepted stereotypes about race, religion, and capacity for civilization. Examining these two films in the context of the broader history of documentary representations of race and religion—from travelogues, adventure, ethnographic, and expeditionary films through more recent productions—this chapter explores how the genre has helped to shape and communicate ideas about race and religion.
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43

Representations of Femininity in American Genre Cinema: The Woman's Film, Film Noir, and Modern Horror. Palgrave Macmillan, 2011.

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44

Greven, David. Representations of Femininity in American Genre Cinema: The Woman's Film, Film Noir, and Modern Horror. Palgrave Macmillan, 2011.

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45

Chung, Hye Seung. Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations. Rutgers University Press, 2020.

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46

Paris, Michael. Repicturing the Second World War: Representations in Film and Television. Palgrave Macmillan, 2007.

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47

Repicturing the Second World War: Representations in film and television. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2007.

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48

Performing Difference: Representations of 'the Other' in Film and Theatre. University Press of America, Incorporated, 2008.

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49

Chao, Shi-Yan. Queer Representations in Chinese-Language Film and the Cultural Landscape. Amsterdam University Press, 2020.

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50

Queer Representations in Chinese-Language Film and the Cultural Landscape. Amsterdam University Press, 2020.

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