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Journal articles on the topic 'Representations semiotics'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Gluck, Myke. "Content Analysis, Semiotics, and Social Semiotics for Cartographic Analysis: Interpreting Geospatial Representations." Cartographic Perspectives, no. 31 (September 1, 1998): 4–25. http://dx.doi.org/10.14714/cp31.647.

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Several mutually informing methods for analyzing cartographic and geospatial images are presented and illustrated in this work. First, an apparently objective method, content analysis, is applied to a collection of corporate annual reports' geospatial imagery resulting in a categorization and description of those images. Then a traditional semiotic analysis is conducted on the same data done by experts who describe and express out of their personal expertise and intuitive insights the meaning of signs contained in the imagery. Subsequently, a user/viewer epistemological and ontological framewo

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2

Matus, Pablo. "Discursive representation: Semiotics, theory, and method." Semiotica 2018, no. 225 (2018): 103–27. http://dx.doi.org/10.1515/sem-2017-0019.

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AbstractAlthough representation may be a recurrent theme in research on journalism and advertising, as well as in studies of other social discourses, there may be less clarity regarding its epistemological and methodological aspects. One example is the frequent use of Social Representations Theory (Moscovici), despite its research object is a cognitive phenomenon. Beginning with a literature review in which I examine several sources (for example, sign theory, the philosophy of language, and rhetoric), the following article presents a theory of discursive representation, as well as associated s

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Rousi, Antti Mikael, Reijo Savolainen, and Pertti Vakkari. "A typology of music information for studies on information seeking." Journal of Documentation 72, no. 2 (2016): 265–76. http://dx.doi.org/10.1108/jd-01-2015-0018.

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Purpose – A need to renew music-related information notions arises from both information-seeking models and literature of musical semiotics. The purpose of this paper is to create a music information typology, which aims at facilitating the examination of music information types at varying levels of abstraction in the context of information seeking. Design/methodology/approach – Literature of musical semiotics and information seeking are juxtaposed to develop a novel approach to music-related information. The grounding concepts are Bruner’s enactive, iconic and symbolic modes of representation

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4

Nadin, Mihai. "Reassessing the Foundations of Semiotics." International Journal of Signs and Semiotic Systems 2, no. 1 (2012): 1–31. http://dx.doi.org/10.4018/ijsss.2012010101.

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What justifies a discipline is its grounding in practical activities. Documentary evidence is a necessary, but not sufficient, condition for viability. This applies to semiotics as it applies to mathematics, physics, chemistry, computer science, and all other forms of questioning the world. While all forms of knowledge testify to the circularity of the epistemological effort, semiotics knowledge is doubly cursed. There is no knowledge that can be expressed otherwise than in semiotic form; knowledge of semiotics is itself expressed semiotically. Semiotics defined around the notion of the sign b

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Berisha, Elma. "The Qur'anic Semio-Ethics of Nature." ICR Journal 8, no. 1 (2017): 47–65. http://dx.doi.org/10.52282/icr.v8i1.212.

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This article goes behind the semiotic stereotypes of western representations of nature and language, to track and discuss discursive limitations in an attempt to place these semiotic concepts within their Qur’anic paradigmatic context. A cursory literature review of Western semiotics suggests systematic bias towards conventional signs, at the cost of naturally occurring ones. Drawing on the work of U. Eco, J. Deely, J. Hoffmeyer and other prominent semioticians, as well as the Qur’an as a ‘semiotician’s paradise par excellence’, I examine a more comprehensive notion of sign and its relevance a

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Haider, Shirin. "Semiotics Ideology and Femininity in Popular Pakistani Women's Magazines." Hawwa 7, no. 3 (2009): 229–48. http://dx.doi.org/10.1163/156920709x12579112681765.

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AbstractDrawing on theoretical perspectives from Western feminist research on the genre of women's magazines, I adapt Lazar's model of feminist critical discourse analysis (2005; henceforth referred to as FCDA) to write a critique on the genre of popular Pakistani women's magazines as linguistic and semiotic constructs, which articulate a certain ideology regarding the construction of Pakistani womens' identity. Through semiotic analysis of certain sections of the magazines, I point out the underlying normative and ideological assumptions in order to show how these magazine representations pos

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Mendonça, Mariana Silva, and Rogério Fernando Pires. "Um Estudo sobre a Aprendizagem de Função Exponencial no Ambiente Computacional." Revista Brasileira de Informática na Educação 26, no. 2 (2018): 1. http://dx.doi.org/10.5753/rbie.2018.26.02.1.

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GeoGebra software has an interface that enables the simultaneous operation of two types of representation of function records, algebraic and graphic. This possibility of exploring two types of records matches the idea of the Theory of Semiotics Representation Registers (TRRS), handling and coordination of at least two representations of the same mathematical object, defended by Raymond Duval. Thus, this article aims to understand how the use of GeoGebra software can help high school students in learning exponential function through mobilization, manipulation and coordination of semiotic repres

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Perlovsky, Leonid, and Gary Kuvich. "Machine Learning and Cognitive Algorithms for Engineering Applications." International Journal of Cognitive Informatics and Natural Intelligence 7, no. 4 (2013): 64–82. http://dx.doi.org/10.4018/ijcini.2013100104.

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Mind is based on intelligent cognitive processes, which are not limited by language and logic only. The thought is a set of informational processes in the brain, and such processes have the same rationale as any other systematic informational processes. Their specifics are determined by the ways of how brain stores, structures, and process this information. Systematic approach allows representing them in a diagrammatic form that can be formalized. Semiotic approach allows for the universal representation of such diagrams. In that approach, logic is a way of synthesis of such structures, which

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Muna, Nalal. "Indonesia dalam Film Balibo Five." Jurnal Penelitian Pers dan Komunikasi Pembangunan 21, no. 1 (2017): 1–19. http://dx.doi.org/10.46426/jp2kp.v21i1.52.

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Indonesia is described as cold-blooded, brutal, sadistic, cruel and inhumanity like a monster in Australian film, Balibo Five. This research aims to describe the representation of Indonesian in cinematography package and to find the dominant ideology. Semiotic is used to answer these objectives by observing three level of signs e.g. reality, representations and ideology. The result shows that there are some forms of violation which committed by Indonesian special forces troops such as assassination, torture, persecution and other cruel and human degrading treatment that violate human rights an

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10

Grabarczyk, Paweł. "Are representations glorified receptors? On use and usage of mental representations." Semiotica 2021, no. 240 (2021): 335–50. http://dx.doi.org/10.1515/sem-2021-0013.

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Abstract In the paper I present an application of Jerzy Pelc’s functional semiotics to contemporary cognitive science. I argue that, even though the original theory addressed only linguistic representations, it can be fruitfully applied to mental representations. I show how Pelc’s distinction between use and usage helps us clarify the notion of mental representations and how it makes it immune to skeptical challenges presented in contemporary cognitive science literature.

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Paschalidou, Maria. "Semiotics of the Protest." Protest, Vol. 4, no. 2 (2019): 44–49. http://dx.doi.org/10.47659/m7.044.art.

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In the Semiotics of the Protest performed video, I visually examine the key significance of the body and its language for the materialization of the street protest, the vital tool by means of which people reclaim public space and activate it as a political terrain. The video is based on a performance for which I invited a volunteer dancer to “rehearse” public gestures of resistance against oppression. Challenging dominant representations of protestors as “mobs” and protestors’ bodies as irrational and uncontrollable entities, in this performed video, I visually analyse the political demonstrat

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LAZAR, MICHELLE M. "Gender, Discourse and Semiotics: The Politics of Parenthood Representations." Discourse & Society 11, no. 3 (2000): 373–400. http://dx.doi.org/10.1177/0957926500011003005.

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13

Nöth, Winfried. "Time embodied as space in graphic narratives: A study in applied Peircean semiotics." Semiotica 2020, no. 236-237 (2020): 297–318. http://dx.doi.org/10.1515/sem-2019-0003.

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AbstractThe paper is a study of how graphic narratives (graphic novels and the comics) represent time in external visual space as well as in inner (mental) representations. Peirce’s semiotics is the main tool of research. After a survey of various approaches to the study of time in narratives in general and in graphic narratives in particular, an outline of the various aspects of the embodiment of time in space in general is given before the forms of the embodiment of time in the space of graphic narratives is examined in detail. Signs of time are signs that represent time as their object and

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Cantor, Robert M. "Conceptual embodiment in visual semiotics." Semiotica 2016, no. 210 (2016): 215–34. http://dx.doi.org/10.1515/sem-2016-0052.

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AbstractIn this paper, the basic concepts of Peircean semiotics are derived from visual experience by the process of conceptual embodiment. We begin with embodiment of the universal Categories of Being that are accessible to thought or the universal Categories of Thought, which Charles S. Peirce defined and termed Firstness, Secondness, and Thirdness. On this basis, we demonstrate conceptual embodiments of the Peircean typologies of dyadic relations, triadic relations and representations. The phenomenology of visual perception is modeled as a triadic typology of embodied mental processes which

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Hassan, Hanita. "Social Semiotics: Realizing Destination Image by Means of Cultural Representations." International Journal of Social Science and Humanity 5, no. 1 (2015): 149–53. http://dx.doi.org/10.7763/ijssh.2015.v5.443.

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Da Silva, Isabella Gil Barbosa, and Eduardo De Paula e. Silva Chaves. "To be or to consume? That is the question: Semiotics Analysis of Advertisements of largest Retail Supermarkets in Brazil." Independent Journal of Management & Production 10, no. 1 (2019): 117. http://dx.doi.org/10.14807/ijmp.v10i1.753.

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The study of representations and images involved in advertising campaigns is a recurrent resource of marketing managers. Therefore, understanding and analyzing advertisements and their semiotics becomes an important source of research. In this context, the following research problem arises: what are the complementarity, contrariety and contradiction relations that carry the advertisements of supermarket retailers? Thus, the main objective is to analyze semiotic advertising of national supermarket chains through the constitution of a semiotic square. For that, the greimasian methodology (Greima

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KUVICH, GARY, and LEONID PERLOVSKY. "COGNITIVE MECHANISMS OF THE MIND." New Mathematics and Natural Computation 09, no. 03 (2013): 301–23. http://dx.doi.org/10.1142/s1793005713400097.

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Successes of information and cognitive science brought a growing understanding that mind is based on intelligent cognitive processes, which are not limited by language and logic only. A nice overview can be found in the excellent work of Jeff Hawkins "On Intelligence." This view is that thought is a set of informational processes in the brain, and such processes have the same rationale as any other systematic informational processes. Their specifics are determined by the ways of how brain stores, structures and process this information. Systematic approach allows representing them in a diagram

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18

Kim, Amee. "Symbolic representations of financial events in the Korean media." Qualitative Research in Financial Markets 12, no. 3 (2019): 265–82. http://dx.doi.org/10.1108/qrfm-10-2017-0097.

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Purpose This paper aims to explore and investigate the maintenance or (re)construction of (South) Korean identity during turbulent times of rapid social and economic change, especially since the 2008 financial crisis. Design/methodology/approach This study explores how the Korean media responded to financial events over the period between 2008 and 2013, and the ways in which iconographies of yin-yang were incorporated into Korean financial magazine cover images were investigated. Semiotic analysis of 20 magazine front covers was performed based on adapted Barthesian semiotics, which included f

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Kauppinen-Räisänen, Hannele, and Marie-Nathalie Jauffret. "Using colour semiotics to explore colour meanings." Qualitative Market Research: An International Journal 21, no. 1 (2018): 101–17. http://dx.doi.org/10.1108/qmr-03-2016-0033.

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Purpose The impact of colour is acknowledged within the marketing field. However, research on colour communication is limited, with most prior studies focusing on pre-defined meanings or colour associations. The purpose of this paper is to reveal insights into colour meaning and propose an alternative view to understanding colour communication. Design/methodology/approach The study takes a conceptual approach and proposes Peircean semiotics to understand colour communication. The proposed framework is applied to analyse a set of colour meanings detected by prior colour research. Findings The s

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Kostić, Miloš. "Semiotics of architectural: Detail between rationalisation and representation." SAJ - Serbian Architectural Journal 10, no. 1 (2018): 59–70. http://dx.doi.org/10.5937/saj1801059k.

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The aim of this paper is to discuss the realm of values upon which thoughts on architecture have been conceived, through the drawings of architectural detail. Although modernism, which opposes technical detail and ornament, is still regarded as influential theoretical position, it neglects to address a broader meaning of a detail in architecture. The research disputes the opposition between an ornament and a technical detail, claiming that a detail in architecture is the more abstract term, which represents a certain level of design thought besides utility and embellishment. It is argued that

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Szczęsna, Ewa. "The Transformation of Theory – from Distraction to Recombinant Poetics." Tekstualia 4, no. 35 (2013): 105–14. http://dx.doi.org/10.5604/01.3001.0013.4630.

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The article examines the status of the theory of literature in the contemporary humanities. Today, literary studies are epistemological representations of literatu re, with blurred or fl exible distinctions. The fundamental differences among arts, media, discourses, especially between the theory of art and artistic practice, creates a new ontology of the texts of culture. Recombinant texts require a recombinant poetics and a new theory established through dialogue. The analysis of trans-semiotic, trans-medial and trans-discursive texts shows the necessity of an open theory of text. This theory

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Johnson, M. K. "Symptom, sign, and wound: Medical semiotics and photographic representations of Hiroshima." Semiotica 98, no. 1-2 (1994): 89–108. http://dx.doi.org/10.1515/semi-1994-981-205.

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23

Puskar, Natasa. "Becoming a Pioneer in an Initiation Ceremony in Serbian ABC Book (1974)." Филолог – часопис за језик књижевност и културу 22, no. 22 (2020): 143–52. http://dx.doi.org/10.21618/fil2022143p.

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This article analyses visual representation of becoming a pioneer in a Serbian ABC book (1974) by using the social semiotics approach. The analysis deals with visual representations of pioneers with Tito and the ceremony of becoming a pioneer. Narrative representations are determined as action process with separately analysed actors, interactors, vectors, goals and means. The Modality analysis showed that ceremony of becoming a pioneer is a kind of initiation, a way of stepping into the world of adults. Pioneer’s hats are represented by the colour green, instead of blue, which serves as a conn

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Steiner, D. "“Wolf’s Justice”: The Iliadic Doloneia and the Semiotics of Wolves." Classical Antiquity 34, no. 2 (2015): 335–69. http://dx.doi.org/10.1525/ca.2015.34.2.335.

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This article treats representations of the wolf in the Greek archaic and early classical literary and visual sources (with glances forward to later accounts). Using a close reading of the Iliadic Doloneia as a point of departure, it argues that wolves in myth, fable, and other modes of discourse, as well as in the early artistic tradition, regularly serve as a means of signaling the loss of distinctions that occurs when friend turns into foe and an erstwhile philos or “second self” betrays one of his kind. Prominent in the discussion are two further issues: the generic confusion or oscillation

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Leone, Massimo. "Boundaries and identities in religious conversion: The mirror." Sign Systems Studies 30, no. 2 (2002): 485–501. http://dx.doi.org/10.12697/sss.2002.30.2.08.

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Religious conversion revolutions the boundaries which delimit personal identity. Therefore, the main semiotic problem of mental and cultural representations of this religious phenomenon is to convey simultaneously a feeling of sameness and otherness, identity and change. In the present paper, mirrors are analysed as cultural mechanisms which enable representations to accomplish this paradoxical task. After a brief survey concerning literature on mirrors, some early-modern religious texts using these optical instruments as representative devices are analysed in-depth: a painting of the Magdalen

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Almeida, Danielle Barbosa Lins de. "TOYS AS TEXTS: TOWARDS A MULTIMODAL FRAMEWORK TO TOYS’ SEMIOTICS." Trabalhos em Linguística Aplicada 59, no. 3 (2020): 2102–22. http://dx.doi.org/10.1590/01031813636961420191107.

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ABSTRACT Toys, in their myriad versions, have been historically considered as objects of investigation insofar as their educational use, play and effects are concerned. Nevertheless, it must be said that academic research in the direction of toys’ multimodal configurations and meaning-making potential has been quite scant, despite a few relevant studies in the area (Caldas-Coulthard & van Leeuwen, 2001, 2002, 2004; Machin & Van Leeuwen, 2009; Almeida, 2006; 2008; 2009; 2014; 2017; 2018). This paper presentation attempts at demonstrating how systems of signification derived from the Gra

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Lee, Yong Soo, and Jung Eui Seo. "Signification and Significance of Reality in Visual Representations - Based on Peirce's Semiotics." CONTENTS PLUS 13, no. 5 (2015): 151–64. http://dx.doi.org/10.14728/kcp.2015.13.05.151.

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Kharisma, Rikha Ayu Minda, and Rahmawati Zulfiningrum. "REPRESENTASI CYBER SOCIETY DALAM FILM “SEARCHING”." Jurnal Audience 3, no. 2 (2020): 250–72. http://dx.doi.org/10.33633/ja.v3i2.4066.

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AbstrakMasyarakat cyber merupakan salah satu bentuk penciptaan budaya baru yang disebabkan oleh perkembangan teknologi informasi dan komunikasi. Teknologi saat ini memiliki banyak manfaat untuk membantu masyarakat dalam menyelesaikan aktivitas rutinnya, dimana digitalisasi telah terjadi di berbagai bidang dan menjadi kebiasaan baru masyarakat. Searching, salah satu film yang diproduksi tahun 2018 ini mengisahkan fenomena teknologi. Film tersebut menggambarkan bahwa menemukan orang hilang dengan rekam jejak digital adalah mungkin dan bisa menjadi jalan keluarnya. Lebih jauh, film ini tidak hany

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Seif, Farouk Y. "Mutual mimesis of nature and culture: A representational perspective for eco-cultural metamorphosis." Sign Systems Studies 38, no. 1/4 (2010): 242–69. http://dx.doi.org/10.12697/sss.2010.38.1-4.09.

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Since the beginning of history humans have attempted to represent nature and culture through mimesis. This article focuses on the teleological aspects of mimesis and offers a different perspective that transcends the notion of sustainability into an eco-humanistic metamorphosis of culture and nature. Drawing from semiotics, phenomenology and architectural design the article challenges the polarization of mimetic representations of nature and culture, which are inclusive and homomorphic phenomena, and offers insight into the mutual mimesis of nature and culture. Two different empirical observat

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Crawford, Caroline M. "Semiotics Within the eLearning Environment: Emphasizing Cultural Representations and Learner's Conceptual Framework Development." International Journal of Technology, Knowledge, and Society 1, no. 2 (2006): 76–79. http://dx.doi.org/10.18848/1832-3669/cgp/v01i02/55767.

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Veum, Aslaug, and Linda Victoria Moland Undrum. "The selfie as a global discourse." Discourse & Society 29, no. 1 (2017): 86–103. http://dx.doi.org/10.1177/0957926517725979.

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This article presents a critical multimodal discourse analysis of how people make meaning through the semiotic practice of shooting digital self-portraits (selfies), adding captions and then sharing these texts on the social network site Instagram. Combining theories from social semiotics, critical discourse analysis and multimodal discourse analysis, the analysis focuses on the embedded ideological meaning in such digital communication. The analysis explores a data corpus of 100 selfies shared on Instagram. Despite the fact that digital texts shared on social media are generally regarded as p

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Smith, Robert. "Images, forms and presence outside and beyond the pink ghetto." Gender in Management: An International Journal 29, no. 8 (2014): 466–86. http://dx.doi.org/10.1108/gm-02-2014-0012.

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Purpose – The purpose of this study is to consider entrepreneurial imagery that sheds light on differing and emerging patterns of female entrepreneurial identity which illustrate shifts in the locus of power that challenge masculine hegemony and power structures. As a concept, power has an image component, and shifts in power are often conveyed by subtle changes in the cultural semiotic. Globally, images of female-entrepreneurship are socially constructed using stereotypes which are often pejorative. The semiotics of gendered identity as a complex issue is difficult to measure, assess and unde

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Haładewicz-Grzelak, Małgorzata. "Cultural codes in the iconography of St Nicholas (Santa Claus)." Sign Systems Studies 39, no. 1 (2011): 105–44. http://dx.doi.org/10.12697/sss.2011.39.1.04.

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This paper examines some aspects of the cultural codes implied in the iconography of St Nicholas (Santa Claus). The argument posits the iconography of St Nicholas as a vessel for capturing meanings and accumulating them in the construction of public culture. The discussion begins from the earliest developments of the Christian era and proceeds to contemporary depictions (imagology). The study is conducted on the basis of a representative selection of renditions of Saint Nicholas, including 350 pictures of medieval representations (Western and Eastern Christianity), folk extensions and secular

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Jiuhanteng, Markus, Acep Iwan Saidi, and R. Drajatno Widi Utomo. "ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II (A POST-STRUCTURAL SEMIOTICS ANALYSIS OF THE PHOTOGRAPH RHEIN II)." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, no. 1 (2021): 37. http://dx.doi.org/10.25105/jsrr.v4i1.10095.

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<p>Abstract This paper is a study of Andreas Gursky’s photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II’s photograph, a contemporary photo is presented as a multi-reality representation

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Thomas, Roie. "Representation as repression: A First Peoples context." Public Journal of Semiotics 9, no. 2 (2021): 53–73. http://dx.doi.org/10.37693/pjos.2020.9.21856.

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Visual images of a marginalised minority group from southern Africa are analysed against a series of colonialist representations to demonstrate tangible evidence of the role of representation in both disenfranchisement and an increasing autonomy in the case of the San, who are The First Peoples of the Kalahari, commonly known outside Africa as ‘Bushmen’ and in the dominant language of Botswana as Basarwa. This particular group is represented by government and its corporate affiliates as primordial for tourist consumption, yet systemically denied their language, ethnicity and ancestral land. An

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Maknun, Tadjuddin, M. Dalyan Tahir, and Ita Suryaningsih. "Cultural Dimension of Black Representation of Ammatoa Community: Study of Cultural Semiotics." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 4 (2020): 651–60. http://dx.doi.org/10.34050/elsjish.v3i4.12346.

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One of the community groups in South Sulawesi Province, to be precise in Benteng Hamlet, Tana Toa Village, Kajang District, Bulukumba Regency is known as the Ammatoa community. This community is unique compared to other community groups in Bulukumba Regency, which always appears in black traditional clothes. Of course, this phenomenon raises academic questions as to why the Ammatoa community always appears in traditional black clothes. In fact, apart from always appearing in black, the Ammatoa community also has a white identity color, especially in “pacaka pute” (knee-length pants). However,

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Hallila, Mika. "Smoking in Moominvalley – or, Why Moominpappa and Snufkin Have Pipes." Folia Scandinavica Posnaniensia 22, no. 1 (2017): 18–29. http://dx.doi.org/10.1515/fsp-2017-0002.

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Abstract The article analyzes Tove Jansson’s Moomin novels in terms of the representations of pipe smoking. The analysis focuses on three characters from the novels: Moominpappa, Snufkin, and the Joxter. The theoretic framework of the analysis is called “the semiotics of tobacco”. In this context, tobacco is regarded as a sign of the cultural sign-system, and thus what is exactly analyzed are the cultural meanings of tobacco in the Moomin novels.

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Roth, Wolff-Michael, and G. Michael Bowen. "Complexities of graphical representations during ecology lectures: an analysis rooted in semiotics and hermeneutic phenomenology." Learning and Instruction 9, no. 3 (1999): 235–55. http://dx.doi.org/10.1016/s0959-4752(98)00029-2.

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ILOVAN, Oana-Ramona, and Florentina-Cristina MERCIU. "Building Visual Intertextuality and Territorial Identities for the Romanian Danubian Settlements during Socialism." Journal of Settlements and Spatial Planning SI, no. 7 (2021): 15–50. http://dx.doi.org/10.24193/jsspsi.2021.7.03.

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The politics of symbolic representation is uncovered by our examining the represented cultural landscape. In this process, semiotics and discourse analysis were the methods complementing each other and enabling us to underline how Romanians’ understanding of power relations, of past and present events and ultimately of reality was shaped by signs, symbols, and stories in official visual materials. This research aims to discuss the geography of Romania’s southern border during the socialist period (1948-1989). This geography is made of the Danube and of the Danubian settlements as represented i

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Martin, Lowry. "Defiant Deviance and Franco-Moroccan Cinema's Queer Representations of Masculinity." Journal of Bodies, Sexualities, and Masculinities 1, no. 1 (2020): 80–103. http://dx.doi.org/10.3167/jbsm.2020.010106.

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AbstractIn the last decade, Franco-Moroccan directors have begun to explore culturally taboo and unrepresented sexual communities within Morocco. This article examines how two pioneering films, Abdellah Taïa's Salvation Army and Nabil Ayouch's Much Loved, contribute to an emerging cultural politics in the Arab-speaking world that is reframing marginalized or invisible sexualities. While these films address issues of sexual tourism, incest, and prostitution, among others, the focus of this article is on the films’ critiques of internalized homophobia, sexual tourism, and the sociopolitical powe

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Aarssen, Nicole Cathleen. "Re-Orienting Refugee Representation? A Multimodal Analysis of Syrian Refugee Representation on the Social Media Platform "Humans of New York"." Stream: Interdisciplinary Journal of Communication 9, no. 2 (2017): 1–14. http://dx.doi.org/10.21810/strm.v9i2.229.

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This paper examines a selection of photo-narratives from the social media account Humans of New York, which documented the experiences of Syrian refugees in the fall of 2015. It questions how an alternative media platform may challenge or reinforce traditional tropes utilized by mainstream media to represent a marginalized group such as Syrian refugees. To engage in the analysis, codes were developed from the literature review on Orientalism, neo-Orientalism, media representations of Islam and of refugees, as well as from theories of visual social semiotics and narrative analysis. The results

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Kodri, M. Adha Al. "REPRESENTASI MASKULINITAS BOYBAND SHINEE DALAM VIDEO KLIP RING DING DONG MELALUI ANALISIS SEMIOTIKA." Society 4, no. 1 (2016): 51–60. http://dx.doi.org/10.33019/society.v4i1.35.

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In the ranks of K-pop industry, boyband group Shinee certainly not unfamiliar anymore. Since it was formed in 2008, they have received many awards in music’s field. One of their single is championed tittled Ring Ding Dong was released digitally on October 14 th 2009.In the video clip of Ring Ding Dong, described a collection of masculine men who dance vigorously. As well as body shape, accessories, and costume that they wear are very supports the actions of their masculine appearance. In other words, In other words, it can be said that the description of the man in the video clip leads to a ma

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Ibrahim, Ibrahim, and Sulaiman Sulaiman. "Semiotic Communication: An Approach Of Understanding A Meaning In Communication." International Journal of Media and Communication Research 1, no. 1 (2020): 22–31. http://dx.doi.org/10.25299/ijmcr.v1i1.4584.

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In interpreting communication, we are often trapped in symbols and a set of signs that are used. This is due to our simple assumption that tends assume on symbols or signs that stand alone in representing meaning. We forget that symbols or signs, as well as meaning are complex. Though they are not stand alone. They are representation of the many factors that influence them, including the knowledge and culture of their participants. In media, the meaning of symbols or signs that used to convey news is very dependent on the ideology of the media and the whole organization that manages the media.

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Rozin, Vadim Markovich. "Evolution of representations on reasoning (three cultural starts)." Культура и искусство, no. 2 (February 2021): 56–64. http://dx.doi.org/10.7256/2454-0625.2021.2.35142.

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This article analyzes the three cultural starts of reasoning (ancient, modern, and current). This analysis is preceded by the history of studying reasoning in the Moscow Methodological Group, the representatives of which set the task of creating the theory of mendacity, but failed to complete. It turned out that reasoning cannot be reduced to activity not explained by semiotics. The concept of Aristotle's reasoning (the first start) is explored. He completes the tradition of norming the discursive types of activity (reasoning, proof, cognition) that comes from Parmenides and Socrates, attribut

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Englezos, Elizabeth. "Divergent Realities Across the Digital–Material Divide." Law, Technology and Humans 2, no. 2 (2020): 53–68. http://dx.doi.org/10.5204/lthj.1483.

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This article utilises the example of Australia’s social welfare agency ‘Centrelink’ and its Online Compliance Intervention (OCI) program to illustrate the process of digital translation and digital determinations of material reality. The article explains the digital translation process through the adaptation of various aspects of Charles Sanders Peirce’s philosophy such as the triadic sign model, signification, fallibilism and synechism. Semiotics, or the ‘study of meaning making’, highlights the subjective nature of data analysis. A semiotic approach not only explains the differing realities

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Theodosopoulou, Irene. "Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research." Semiotica 2019, no. 229 (2019): 123–50. http://dx.doi.org/10.1515/sem-2017-0123.

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AbstractThis text is a first attempt of approaching traditional music, musical/poetic structures and ethnographic research semiotically. The basic elements of traditional music (motives, rhythms, phonetics, performance speeds, modal systems, musical instruments, repertoire), the musical/poetic structures with morphological types and formulas (musical and poetic), musical and non-musical codes (verbal and nonverbal) during a musical performance (nods, movements, etc.) as well as the ethnographic research itself with its own “performances” (discussions with musicians, recordings, transcriptions,

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Remm, Tiit. "Textualities of the city – from the legibility of urban space towards social and natural others in planning." Sign Systems Studies 44, no. 1/2 (2016): 34–52. http://dx.doi.org/10.12697/sss.2016.44.1-2.03.

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‘Text’ has been a frequent notion in analytical conceptualizations of landscape and the city. It is mostly found in analyses of textual representations or suggestions concerning a metaphor of “reading” an (urban) landscape. In the Tartu- Moscow School of Semiotics the idea of the text of St. Petersburg has also been applied in analysing particular cities as organizing topics in literature and in culture more widely, but it has not happened to an equal degree in studies of actual urban spaces. The understanding of text as a semiotic system and mechanism is, however, more promising than revealed

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West, Donna E. "Semiotic Processing in Working Memory." Chinese Semiotic Studies 14, no. 3 (2018): 275–87. http://dx.doi.org/10.1515/css-2018-0017.

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Abstract The hitherto unrecognized task of Empirical Semiotics is to identify particular testing procedures which measure qualitative differences in how representations are processed. Elicited imitation (EI) can indicate the nature of the interpretants which hold between sign and object by tapping how meanings are processed in working memory (WM). The way in which linguistic forms are handled in WM reveals striking distinctions between interpretants which express a proposition, as opposed to those which are simply diagrammatic in nature. EI is the soundest method (compared to natural speech, g

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Hanafi, Wahyu. "HIPERSEMIOTIKA (Kritik Nalar Semiotika sebagai Teori Dusta dalam Reinterpretasi Qur'anic Studies)." QOF 3, no. 1 (2019): 79–88. http://dx.doi.org/10.30762/qof.v3i1.1029.

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Abstrak; Penelitian ini bertujuan untuk mendeskripsikan distorsi semiotika sebagai teori dusta dalam reinterpretasi Qur’anic Studies. Dalam pandangan Umberto Eco, semiotika adalah sebuah disiplin ilmu yang mempelajari segala sesuatu yang dapat digunakan untuk berdusta. Artinya adalah, antara yang dikatakan atau yang ditulis dalam kajian semiotik tidak sesuai dengan realitas. Terdapat hubungan yang tidak simetris antara tanda dan realitas. Terdapat jurang yang dalam antar sebuah tanda (sign) dan referensinya pada realitas (referent). Konsep, isi, atau makna dari apa yang dibicarakan atau dituli

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Ulviati, Eva. "Representasi Ciuman Romantis-Seksual dalam Film Ada Apa dengan Cinta?" Jurnal ILMU KOMUNIKASI 16, no. 1 (2019): 91. http://dx.doi.org/10.24002/jik.v16i1.1313.

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This study aims to identify and analyze representations of romantic-sexual kissing in Indonesian fiction films, those are Ada Apa dengan Cinta? (2001) and Ada Apa dengan Cinta? 2 (2016). This study uses the kissing concept of Linda Williams (2008) which links the presence of kisses to the terminology of romanticism and sexuality and Willem Frijhoff’s (2014) shape and type of kissing that influence the meaning of kisses. The kissing scenes in both films was identified by Roland Barthes’s semiotics method. The results of the study indicate that those two films contain romantic-sexual kissing tha

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