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Journal articles on the topic 'Reproduction in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Tongue, Zoe. "Reproductive Justice: The Final (Feminist) Frontier." Law, Technology and Humans 4, no. 2 (2022): 95–108. http://dx.doi.org/10.5204/lthj.2468.

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From Gattaca to Star Trek, problematic tropes surrounding reproduction can easily be found in works of mainstream science fiction. Such tropes uphold conservative anxieties around reproductive technologies, abortion, and pregnancy, and these works thus become influential in legal, ethical, and policy discussions on these issues. In contrast, feminist science fiction attempts to expose reproductive injustice, both current and future, through portrayals of prototype social-legal contexts. In this article, I argue that feminist science fiction works are, therefore, of importance for feminist lega

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2

Gaudé, Serge. "Le psychodrame : une fiction dramatique du sujet." Revue de psychothérapie psychanalytique de groupe 11, no. 1 (1988): 63–71. http://dx.doi.org/10.3406/rppg.1988.994.

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Psychodrama : a dramatic fiction to the subject. Between a reproduction of reality and a pure invention, the psychodramaticacting is set in a space of «organized fiction», intersection between imagination and symbolism. The psychodramatist is the medium of it : his interventions prevent the group from forming a single piece and incite each member to dramatize, trough the intermediary of the others, his own subjective-fictions.

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3

Karanevych, Mariana, and Oksana Kutsa. "REPRODUCTION OF THE PRAGMATIC POTENTIAL IN FICTION TRANSLATION." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 5(73) (2019): 29–31. http://dx.doi.org/10.25264/2519-2558-2019-5(73)-29-31.

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4

Summa, Michela. "Is Make-Believe Only Reproduction?" Social Imaginaries 5, no. 1 (2019): 97–119. http://dx.doi.org/10.5840/si2019516.

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This paper develops an analysis of the relation between fiction and make-believe based on the achievements of imagination. The argument aims at a “reciprocal supplementation” between two approaches to fiction. According to one approach, pretense or make-believe structures play a crucial role in our experience of fiction. Discussing Husserl’s view on bound imagining and Walton’s account of fiction as make-believe, I show why pretense and make-believe cannot thereby be reduced to the mere reproduction of something we would experience as original. According to the other approach, which is present

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5

Zizek, Slavoj. "Capital, fictions, and ecology." Bajo Palabra, no. 32 (June 6, 2023): 19–36. http://dx.doi.org/10.15366/bp2023.32.001.

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Marx's critique of political economy describes the expanded reproduction of the capital as the basic reality of our societies, and it may seem that Marx ignores two main externalities of the social reproduction of the capital, the domain of symbolic fictions and nature, the presupposed habitat of every social activity. This impression is wrong. marx's capital discovers fiction in the very heart of the circulation of capital: what he calls "commodity fetishism" is a symbolic fiction which is not just an ideology . it structures the very social reality of the capitalist process. Plus ecology was

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6

Shrestha, Ravi Kumar. "Representation of History in Postmodern Fiction." Patan Prospective Journal 4, no. 2 (2024): 106–16. https://doi.org/10.3126/ppj.v4i2.79248.

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This paper shows that history is portrayed as a fiction in postmodern fiction. As postmodern fiction is an art form, it narrates history in the form of a story. So, the postmodern fiction becomes the fusion of history and fiction. In other words, it is structured as rewriting of history challenging the traditional history. It deconstructs the traditional history of fictionalizing history. The narrative becomes more important than the facts and information. Since the postmodern era is the era of questioning reality, truth, facts and so on which were judged objectively, the history is written an

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7

Sharp, Sabine Ruth. "Salt Fish Girl and “Hopeful Monsters”: Using Monstrous Reproduction to Disrupt Science Fiction’s Colonial Fantasies." Contemporary Women's Writing 13, no. 2 (2019): 222–41. http://dx.doi.org/10.1093/cww/vpz022.

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Abstract The revival of the Frankenstein origin myth has left science fiction’s relationship to colonialism undertheorized. More recent creative interventions have, however, challenged the genre’s colonialist legacy: two works that achieve this are Larissa Lai’s novel Salt Fish Girl (2002) and Hiromi Goto’s short story “Hopeful Monsters” (2004). Using different forms of unruly reproduction—strange births, recurring histories, and eclectic intertextuality—these texts unravel the tangled histories of science fiction and colonialism. Using tropes of repetition and mutation, Lai and Goto trace not

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8

Savard, Anne-Marie. "La nature des fictions juridiques au sein du nouveau mode de filiation unisexuée au Québec; un retour aux sources ?" Les Cahiers de droit 47, no. 2 (2005): 377–405. http://dx.doi.org/10.7202/043889ar.

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Relativement immuable et plutôt fidèle à ses origines pendant plusieurs décennies, le droit de la filiation a subi d’énormes bouleversements depuis quelques années, particulièrement au Québec. Par exemple, contrairement au modèle de la reproduction bisexuée y ayant toujours existé, il est désormais possible, depuis juin 2002, pour un couple de même sexe, de se voir reconnaître un lien de filiation avec un enfant, par l’entremise de l’adoption, ou encore, dans le cas de deux femmes, à la suite du recours à la procréation assistée. Malgré ces changements profonds dans la façon dont le droit « ab

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9

Aliaga-Lavrijsen, Jessica. "Ectogenesis and Representations of Future Motherings in Helen Sedgwick’s The Growing Season." Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, no. 1 (2021): 55–71. http://dx.doi.org/10.28914/atlantis-2021-43.1.04.

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After the boom of feminist science fiction in the 1970s, many such novels have tackled the different sociocultural understandings of gender and sexual reproduction. Conventionally, patriarchal thinking tends to posit a biological explanation for gender inequality: women are supposed to be child bearers and the primary caregivers, whereas men should provide for the family through their work. However, if men could share procreation, would these views change? A recent work of fiction exploring this question from multiple perspectives is Helen Sedgwick’s The Growing Season (2017), a novel that pre

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10

Voronova, Z. "ASPECTS OF REPRODUCTION OF UKRAINIAN FICTION IN ENGLISH TRANSLATIONS." International Humanitarian University Herald. Philology 3, no. 47 (2021): 88–92. http://dx.doi.org/10.32841/2409-1154.2021.47-3.20.

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11

Broege, Valerie. "Views on Human Reproduction and Technology in Science Fiction." Extrapolation 29, no. 3 (1988): 197–215. http://dx.doi.org/10.3828/extr.1988.29.3.197.

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12

Armstrong, Nancy. "Disavowal and Domestic Fiction: The Problem of Social Reproduction." differences 29, no. 1 (2018): 1–32. http://dx.doi.org/10.1215/10407391-6681626.

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13

Shpak, L., N. Zhorniak, and I. Onishchuk. "PROBLEMS OF COGNITIVE REPRODUCTION OF RELIGIOUS METAPHOR IN FICTION." International Humanitarian University Herald. Philology, no. 65 (2024): 156–59. http://dx.doi.org/10.32782/2409-1154.2024.65.33.

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14

Mohr, Dunja M. "Homo Crispr and the Uncanny Art of Self-Reproduction." Journal of Posthumanism 4, no. 2 (2024): 79–89. http://dx.doi.org/10.33182/joph.v4i2.3350.

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Selected classic 19th-and 20th-century fictional texts, I argue, function as imaginative precursors of material fusions, either by prosthetic integration in the sense of repurposed imperfection or by internalizing genetic perfection, creating homo crispr. E.T.A. HOFFMANN’s dark literary tale The Sandman (1816), MARY SHELLEY’s gothic proto-science fiction Frankenstein (1818), VILLIER DE L’ISLE-ADAM’s fin de siècle Tomorrow’s Eve (1886), and ANGELA CARTER’s carnivalesque The Passion of New Eve (1977) position the artificial other as both an externalization of the human desire for perfection in a

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15

Streltsov, Alexis A. "Reproduction of encrypted messages in fiction from English into Russian." RESEARCH RESULT Theoretical and Applied Linguistics 7, no. 3 (2021): 57–71. http://dx.doi.org/10.18413/2313-8912-2021-7-3-0-5.

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This article examines cases where translators are confronted with messagesm whose meaning is obscured by a simple cipher. Russian translators had to overcome certain difficulties while translating certain passages in the works of British (Sir Arthur Conan Doyle, Agatha Christie) and American (Edgar Allan Poe, Dan Brown) fiction writers. Substitution code (―The Gold-Bug‖, ―The Adventure of the Dancing Men‖), anagrams (―The da Vinci Code‖), as well as different kinds of text steganography (―The Gloria Scott‖, ―The Four Suspects‖) can be used to encrypt the information. Each case is illustrated w

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Streltsov, Alexis A. "Reproduction of encrypted messages in fiction from English into Russian." RESEARCH RESULT Theoretical and Applied Linguistics 7, no. 3 (2021): 57–71. http://dx.doi.org/10.18413/2313-8912-2021-7-3-0-5.

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This article examines cases where translators are confronted with messagesm whose meaning is obscured by a simple cipher. Russian translators had to overcome certain difficulties while translating certain passages in the works of British (Sir Arthur Conan Doyle, Agatha Christie) and American (Edgar Allan Poe, Dan Brown) fiction writers. Substitution code (―The Gold-Bug‖, ―The Adventure of the Dancing Men‖), anagrams (―The da Vinci Code‖), as well as different kinds of text steganography (―The Gloria Scott‖, ―The Four Suspects‖) can be used to encrypt the information. Each case is illustrated w

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17

Hanson, C. "Reproduction, Genetics, and Eugenics in the Fiction of Doris Lessing." Contemporary Women's Writing 1, no. 1-2 (2007): 171–84. http://dx.doi.org/10.1093/cww/vpm008.

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18

Dhakal, Lekha Nath. "Fantasy in Literature: A Symbiotic Relation to the Real." Pravaha 26, no. 1 (2020): 119–23. http://dx.doi.org/10.3126/pravaha.v26i1.41866.

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This article attempts to explore the use of fantasy in literature and how it has attained the position of a literary category in the twentieth century. This work also concerns how as the form literature, it functions between wonderful and imitative to combine the elements of both. The article reveals that wonderful represents supernatural atmospheres and events. The story-telling is unrealistic which represents impossibility as it creates a wonderland. In the imitative or the realistic mode, the narrative imitates external reality. In it, the characters and situations are ordinary and real. Fa

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19

Arvidsson, Adam. "Value and virtue in the sharing economy." Sociological Review 66, no. 2 (2018): 289–301. http://dx.doi.org/10.1177/0038026118758531.

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Critical accounts suggest that the ‘sharing economy’ is mainly an ideological entity, bringing together a wide range of diverse empirical phenomena that have little in common, apart from their common adherence to an ideology of ‘sharing’. This article suggests that the sharing economy can be empirically understood as instances of peer production attempting to ‘come to market’ via the use of a common ‘sharing fiction’. Analysing the origins and present functions of this fiction, the author suggests that we can conceptualize differentials in economic power within the sharing economy in terms of

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20

Jablonska, Aleksandra. "La disputa por las identidades étnicas en el cine mexicano contemporáneo." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 220–52. http://dx.doi.org/10.5195/ct/2017.265.

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The article analyzes the extent to which recent mexican cinema, both fiction and documentary, have been transforming their discourse on ethnic identities in recent years. Based on a interdisciplinary methodology that articulates the categories of cinematographic analysis with those of anthropological and social studies, it tries to show some attempts to decolonize the view of indigenous peoples in fiction cinema, as well as the diverse tendencies present in the documentary film ranging from understanding the ethnic as cultural reproduction to raising the processes of resistance and the transfo

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21

Ansley, Jennifer. "Geographies of Intimacy in Mary Wilkins Freeman's Short Fiction." New England Quarterly 87, no. 3 (2014): 434–63. http://dx.doi.org/10.1162/tneq_a_00394.

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Situated within late nineteenth-century economic changes that transformed rural and urban spaces, Mary Wilkins Freeman's regionalist fiction imagines rural female-centered communities that I define as queer. Unlike emergent urban-centered gay and lesbian social formations, these communities are alienated from both normative reproduction and capitalist accumulation and are sustained by subsistence labor.

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22

Adebisi, Foluke. "Black/African Science Fiction and the Quest for Racial Justice through Legal Knowledge: How Can We Unsettle Euro-modern Time and Temporality in Our Teaching?" Law, Technology and Humans 4, no. 2 (2022): 24–37. http://dx.doi.org/10.5204/lthj.2507.

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This paper argues that the relationship between law, time, temporality, race and racism is vital to understanding the continuous reproduction of racial injustice and the making permanent of colonial logics. This entanglement is exemplified in the extension, recreation and adaptation of those colonial logics of the human and space-time beyond the time of both racialised enslavement and exploitative colonisation. This paper further argues that the absence of a detailed and central examination of these junctures within legal knowledge – especially in teaching but also in research – can be address

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23

Svilpis, Jānis. "The Production and Reproduction of Pulp Fiction: The Case of Ace." ESC: English Studies in Canada 25, no. 3-4 (1999): 325–45. http://dx.doi.org/10.1353/esc.1999.0023.

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24

Veselá, Pavla. "“The Moving Horizon Of Classless Harmonies” In Darko Suvin’s Poetry." AUC PHILOLOGICA 2022, no. 2 (2023): 79–92. http://dx.doi.org/10.14712/24646830.2022.39.

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The article discusses selected poetry by Darko Suvin against the background of his theoretical writings about science fiction, utopia and poetry. It argues that Suvin’s poetry estranges the ideological view of the present and history as an inevitable reproduction of injustice and alienation. The focus is on several poems included in the collections The Long March: Notes on the Way 1981–1984 (1987) and Defined by a Hollow: Essays on Utopia, Science Fiction, and Political Epistemology (2010), as well as in “Three Long Poems 2000–2016” (2016) and “Poems of Old Age (2002–17)” (2017) available on t

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25

Bonnevier, Jenny. "In the Womb of Utopia: Feminist Science Fiction, Reproductive Technology, and the Future." American Studies in Scandinavia 55, no. 1 (2023): 70–93. http://dx.doi.org/10.22439/asca.v55i1.6858.

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This article explores the ways in which reproductive technology is used as a literary trope to enable or embody adesired social order in a utopian setting. It discusses Ursula Le Guin’s The Left Hand of Darkness (1969) and “Coming of Age in Karhide” (1995), Joanna Russ’ The Female Man (1975), and Marge Piercy’s Woman on the Edge of Time (1976). In these American classics of feminist science fiction, reproduction is a key element, and they are rooted in a feminist understanding of power that sees the organization of both reproductive and child-care labor as central to analyses of patriarchy, as

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26

Hughes, William. "‘The evil of our collective soul’: Zombies, medical capitalism and environmental apocalypse." Horror Studies 12, no. 1 (2021): 7–25. http://dx.doi.org/10.1386/host_00026_1.

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Though frequently comprehended as a vehicle for social satire or post-cultural speculation, zombie fictions also demonstrably mobilize the climatic unease of the current Anthropocene. Focusing in particular upon Max Brooks’s 2006 novel World War Z: An Oral History of the Zombie War, this article considers the complex politics which have frequently underwritten a mythical origin for pandemics in the Othered East, and their contemporary reproduction in western concerns regarding unregulated surgery and the capitalism of human tissue. The article then proposes that the deterioration of human cult

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27

Livengood, Nicole C. "Reproductive Justice, Race, and the Prescience of the Past." Canadian Review of American Studies 54, no. 1 (2024): 110–18. http://dx.doi.org/10.3138/cras-2023-017.

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The question of control—over bodies, knowledge, narrative, and nation—interweaves throughout Dana Medoro’s Certain Concealments: Poe, Hawthorne, and Early Nineteenth-Century Abortion and Stephanie Peebles Tavera’s (P)rescription Narratives: Feminist Medical Fiction and the Failure of American Censorship. Medoro focuses on discourses of life and women’s (non)reproductive sexuality in Edgar Allan Poe and Nathaniel Hawthorne’s fiction. She establishes that the two authors were deeply skeptical of medicolegal definitions of life that created racial and economic hierarchies; through focal character

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28

Zangrandi, Marcos. "El árbol quemado. Linaje y tiempo en El absoluto de Daniel Guebel y La familia de Gustavo Ferreyra." Catedral Tomada. Revista de crítica literaria latinoamericana 9, no. 17 (2022): 303–26. http://dx.doi.org/10.5195/ct/2021.520.

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This article studies the configuration of the family in two recent Argentine novels, La familia by Gustavo Ferreyra and El absoluto by Daniel Guebel. Starting from a recognition of the attributes that the family had in the tradition of the novel, this text examines the values that these two novels built around genealogy, lineage and kinship. At the same time, the article study the articulations with the concept of gender in relationship with two fictions not clearly related to this contemporary pattern of reading and fiction production. Finally, this article analyzes the temporal variables, an

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29

Freese, Elizabeth M. "Toward Eve’s Exodus." Body and Religion 6, no. 2 (2024): 169–95. http://dx.doi.org/10.1558/bar.26668.

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In an American context of reproductive injustice, the Christian right legitimizes a coercive pronatalist policy agenda by appeal to the theological belief that ‘human life begins at fertilization,’ which they ground in the biblical narrative of Genesis 1–3. Drawing upon interdisciplinary resources and utilizing an innovative feminist methodology, this article demonstrates that, while the story of pro/creation in Gen. 1–3 does not directly support ‘life at fertilization’ theology, it does provide a de facto undergirding for that conceptualization via its highly androcentric ideology of reproduc

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30

Gelasi, Eleni. "The pursuit of work-family balance and the crisis of social reproduction in short fiction by Helen Simpson and Tessa Hadley." Proceeding of the World Conference on Gender and Women's Studies 1, no. 1 (2023): 7–21. http://dx.doi.org/10.33422/gwsconf.v1i1.141.

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In this interdisciplinary paper I will embark on a feminist reading of contemporary short fiction by women writers focusing on the topic of work-life balance in the first two decades of the 21st century. I will show how the Friedanian dissatisfaction traced in the female characters by Hadley and Simpson is symptomatic of the infeasibility of work-life balance which has emerged as a new feminist ideal in the 21st century. Through the writing of Angela McRobbie, Catherine Rottenberg and Nancy Fraser I will showcase how feminism has changed its goals and vocabulary and how it is being used in ord

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31

Angela, Emily Sebastian. "Rethinking 'Motherhood' in the Anthropocene: An Ecofeminist Reading of The New Wilderness by Diane Cook." Shanlax International Journal of Arts, Science and Humanities 11, S2 (2024): 18–23. https://doi.org/10.5281/zenodo.12606160.

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A  large  number  of  recent  climate  fiction  written  by  and  about  women  deal  with the challenges and anxieties of mothering in environmentally dystopian times. Analysing these narratives is crucial as they provide an opportunity to explore the connection between  environment,  gender,  reproduction  and  the  Anthropocene. This paper analyses The New Wilderness (2020) by Diane Cook, an exemplar of climate fiction, from an ecofeminist perspective. The paper will look specifically at how the n

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32

Gillis-Buck, Eva Mae. "Redefining ‘Virgin Birth’ After Kaguya: Mammalian Parthenogenesis in Experimental Biology, 2004-2014." Catalyst: Feminism, Theory, Technoscience 2, no. 1 (2016): 1–68. http://dx.doi.org/10.28968/cftt.v2i1.28826.

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Virgin birth is a common theme in religious myths, science fiction, lesbian and feminist imaginaries, and sensational news stories. Virgin birth enters a laboratory setting through biologists’ use of the term parthenogenesis (Greek for virgin birth) to describe various forms of development without sperm. Scientific consensus holds that viable mammalian parthenogenesis is impossible; that is, mammalian embryos require both a maternal and a paternal contribution to develop completely. This essay investigates the historical development of that consensus and the evolving scientific language of par

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33

WEI, Yanyan. "Temporal narrative and visual symbols in The Three-Body Problem: an aesthetic interpretation from science fiction to images." Region - Educational Research and Reviews 6, no. 9 (2024): 102. https://doi.org/10.32629/rerr.v6i9.2858.

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As a milestone work of Chinese science fiction literature, the application of temporal narrative and visual symbols in the novel The Three-Body Problem has become the key to the adaptation from literary text to image. This paper intends to discuss the inheritance and innovation of the aesthetic style of The Three-Body Problem from the perspectives of the non-linear structure of temporal narrative and the metaphor of visual symbols. Through the comparative analysis of the narrative mode, temporal and spatial background and key image symbols of novels and film & television works, we can not

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34

Moisseeff, Marika. "La procréation dans les mythes contemporains." Anthropologie et Sociétés 29, no. 2 (2005): 69–94. http://dx.doi.org/10.7202/011895ar.

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Résumé Les ethnologues ont beau affirmer que les mythes sont présents dans toutes les sociétés, y compris les plus évoluées au plan technologique, il n’en demeure pas moins qu’ils tendent plutôt à se pencher sur les mythes recueillis ailleurs ou écrits à une autre époque. L’analyse d’un ensemble représentatif d’oeuvres de science-fiction ayant pour thème la reproduction permet de suggérer que la science-fiction constitue un corpus mythologique au sens propre. Elle éclaire les soubassements de l’idéologie occidentale contemporaine concernant la différence des sexes et des cultures. On est alors

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35

Kurowicka, Anna, and Agnieszka Kotwasińska. "Readings in queer pleasure." Science Fiction Film & Television 17, no. 1 (2024): 105–27. http://dx.doi.org/10.3828/sfftv.2024.5.

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This article analyzes the queer pleasures of the 2015 sf movie by the Wachowski sisters, Jupiter Ascending . We find that these pleasures operate on two intertwined levels: the movie’s campy villains and over-the-top aesthetics reflect the themes of queer temporality and reproduction on the textual level, while the straight romance of the protagonist draws on the queer archive of fan fiction. We engage with queer studies and fan studies as critical frameworks that allow us to center affective pleasures of recognizing well-established romantic tropes and character archetypes. Critical debates s

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36

Ostapenko, S. A., and O. Yu Krytskyi. "INTERLINGUAL PLAY OF WORDS AND ITS REPRODUCTION IN TRANSLATION." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 1 (26) (June 30, 2023): 41–49. http://dx.doi.org/10.33274/2079-4835-2023-26-1-41-49.

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Objective. The objective of the article is to study the influence of interlingual word play on fiction translation, to provide practical recommendations and strategies for this stylistic device rendering in he process of translation; to expand the understanding of the complexities and peculiarities of language game elements transfer, which will help preserve the original meaning and emotional impact of the text. Methods. The main scientific results are obtained with the help of such methods as the analysis and generalization of scientific and educational and methodological literature on the pr

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37

Wiet, Victoria. ""Boyish as a Ganymede": Greek Love and the Erotic Experiment in Jude the Obscure." ELH 90, no. 4 (2023): 1123–57. http://dx.doi.org/10.1353/elh.2023.a914018.

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Abstract: This article demonstrates the importance of Jude the Obscure's Oxford setting to Thomas Hardy's project of writing a novel of maturation that refuses to conclude with successful reproduction. Linking the character of Sue Bridehead with Hardy's interest in writing about Greek love by Oxford graduates, I show how Jude's coupling with Sue incites intellectual exploration rather than the reducing development to the ends of reproductive marriage or professional achievement. To narrate the effect of Sue's tutelage, I show, Hardy derails the novel's teleological progression in favor of a pa

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38

Sheehan, Lucy. "“Fraud, Fun, and Feeling”: Slavery, Industrialism, and the Mother-Machine in Frances Trollope's Fiction." Victorian Literature and Culture 48, no. 3 (2020): 519–50. http://dx.doi.org/10.1017/s106015031900007x.

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For Frances Trollope, the nineteenth century was defined by what she perceives to be a pervasive mechanization of emotional life, a phenomenon similar to what Tamara Ketabgian has recently described as the “industrialization of affect” in this period. At the center of this phenomenon, for Trollope, is the disquieting specter of the mother-machine, a figure in whom the processes of mechanical production and maternal reproduction collide. The figure originates, in Trollope's fiction, in the character Juno, an enslaved woman whose alienation from her children under slavery serves as a major plot

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39

Mackereth, Kerry. "Mechanical Maids and Family Androids: Racialised Post-Care Imaginaries in Humans (2015–), Sleep Dealer (2008) and Her (2013)." Feminist Review 123, no. 1 (2019): 24–39. http://dx.doi.org/10.1177/0141778919879771.

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Feminist investigations into caring technologies emphasise the tension between their reproduction of care’s assumed femininity and their ability to destabilise gendered markers and systems. However, the existing literature ignores the historical racialisation of care and its perpetuation in the form of the posthuman caring object. This article examines how racialised relations of power shape the posthumanisation of care in three science-fiction works, Channel 4’s television show Humans (2015), Alex Riviera’s film Sleep Dealer (2008) and Spike Jonze’s film Her (2013). While Her’s disembodied op

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40

Wahyuni, Dessy. "BENCANA KABUT ASAP SEBAGAI DAMPAK BUDAYA KONSUMSI DALAM CERPEN “YANG DATANG DARI NEGERI ASAP”." Paradigma: Jurnal Kajian Budaya 11, no. 1 (2021): 81. http://dx.doi.org/10.17510/paradigma.v11i1.371.

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<p class="JudulAbstrakKeyword">Literature, as a work containing facts and fiction, can obscure the conventions of realities and create new realities so that there are no visible boundaries between the real thing and the unreal thing. Fact and fiction coincide and simulate to form hyperreality. In the short story “Yang Datang dari Negeri Asap (Who Comes from the Smoky Country)” by Hary B. Kori’un, the existence of facts and fiction overlap each other. The author created the country of smoke as a fictitious world due to his contemplation on the consumption culture, which is a phenomenon in

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Mann, Justin Louis. "Pessimistic futurism: Survival and reproduction in Octavia Butler’s Dawn." Feminist Theory 19, no. 1 (2017): 61–76. http://dx.doi.org/10.1177/1464700117742874.

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This article examines the critical work of Octavia Butler’s speculative fiction novel Dawn, which follows Lilith Ayapo, a black American woman who is rescued by an alien species after a nuclear war destroys nearly all life on Earth. Lilith awakens 250 years later and learns that the aliens have tasked her with reviving other humans and repopulating the planet. In reframing Reagan-era debates about security and survival, Butler captured the spirit of ‘pessimistic futurism’, a unique way of thinking and writing black female sexuality, reproduction and survival. Suturing concepts central to both

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Tedtoeva, Zinaida Kh. "The Attraction of Literary Local Lore Material and Information from the Native Literature of Students in the Study of A.M. Gorky." Vestnik of North-Ossetian State University, no. 4 (December 25, 2021): 137–41. http://dx.doi.org/10.29025/1994-7720-2021-4-137-141.

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The problem of perceiving fiction has aesthetic, sociological, historical and psychological aspects. In this regard, in the methodology of teaching Russian literature to the national audience, special attention is paid to the deep, faithful and subtle reproduction of the literary works of writers, the development of the reader’s talent. Fiction as a form of art is a special area of the aesthetic. In a truly fictional work, all its elements are subordinate to the expression of a certain content, expressive, figurative, therefore, the reader’s understanding of a literary work is not only aesthet

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Morgenstern, Naomi. "Gift or Weapon? Reproductive Decision, the Phenomenology of Pregnancy, and Alien Language in Denis Villeneuve's Arrival." Camera Obscura 38, no. 1 (2023): 103–31. http://dx.doi.org/10.1215/02705346-10278614.

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Abstract This essay analyzes Denis Villeneuve's 2016 film, Arrival, and elucidates its strikingly original meditation on the ethics of reproduction and the relationships between and among embodied maternal subjectivity, language, and temporality. Drawing on deconstructive theories of language and relationality as well as on the writing of scholars working at the intersection of reproductive biology and feminist philosophy, the essay argues that Arrival uses some of the generic features of science fiction cinema (alien encounter and time travel) to articulate a feminist and posthumanist philoso

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Rivera, Dina Lisel. "Gothic Childbearing, Monstrous Reproduction, and a Science Fiction Turn: Rosario Ferré’s “La muñeca menor” and Pedro Cabiya’s “Relato del piloto”." Catedral Tomada. Revista de crítica literaria latinoamericana 7, no. 13 (2020): 281–326. http://dx.doi.org/10.5195/ct/2019.414.

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The thirty years between the 1972 publication of Rosario Ferré’s short story “La muñeca menor” and Pedro Cabiya’s 2003 novella “Relato del piloto que dijo adiós con la mano” span the cultural, political, and economic “shift” from a “regulatory state” to a neoliberal global order that, per Rebekah Sheldon’s analysis, has articulated and contextualized similar contrasting takes on biological and material reproduction. Focusing on their transformed imaginary of “monstrous” reproduction, I explore in this paper how the texts’ Gothic and SF modalizations refract local conditions as well as critical

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Qiao, Mina. "Love in the Time of Corona: Heterosexual Romance, Space, and Society in Japanese Fiction on COVID-19." Japanese Language and Literature 55, no. 2 (2021): 471–92. http://dx.doi.org/10.5195/jll.2021.214.

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I will examine representations of heterosexual romance in Japanese pandemic fiction published during COVID-19, so as to scrutinize the employment of pandemic in the discussion of social issues and dynamics between the public and private interests. Ueda Takahiro uses the protagonist’s love dilemma to question the postmodern condition, where the digital attempts to replace everything, disturb the master narratives, and transform our society. Tsukui Itsuki’s story has a rather optimistic view of technological responses to the pandemic. In his work, the protagonist’s romantic pursuit realizes indi

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Kolesnyk, Olena, and Maryna Stoliar. "HISTORICAL AND PARA-HISTORICAL GENRES OF LITERATURE." Doxa, no. 1(41) (June 27, 2024): 70–78. https://doi.org/10.18524/2410-2601.2024.1(41).316160.

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The article examines the specifics of the historical genre of literature, as well as genre variants that combine interest in historical figures, events, entourage with an effort to move away from following purely scientific data and widely use the author's fiction. In a number of cases, there is a departure from the boundaries of the actual historical genre, which we propose to designate as a "parahistorical" approach. Alternative history in its various forms, historical fantasy, cryptohistory, historiographical metafiction, etc. can be attributed to such parahistorical genres. At the same tim

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Comaroff, Jean, and John Comaroff. "In/ter/dependence: An afterword." Focaal 2021, no. 90 (2021): 70–73. http://dx.doi.org/10.3167/fcl.2021.900107.

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Our closing reflection on the collection of articles in this issue argues that the modernist bourgeois figure of the autonomous individual, founded from the first on a Promethean fiction, has long hidden the sorts of dependencies, interdependencies, and intradependencies intrinsic to social life everywhere. This is all the more so in the twenty-first century, under conditions in which the relations between capital and labor, patterns of sociality and social reproduction, and Euromodernity itself are undergoing wide-ranging changes, changes that are deepening the tensile coexistence of human au

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Shelemekha, Yuliia, та Ella Andriievska. "LEXICAL AND SEMANTIC MEANS OF REPRODUCING THE SPANISH DIALOGUE IN THE UKRAINIAN TRANSLATION OF THE NOVEL А. PEREZ-REVERTE'S ‘QUEEN OF THE SOUTH’". PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, № 46 (2024): 223–39. https://doi.org/10.17721/2663-6530.2024.46.18.

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The article is devoted to the study of the problems of translation of dialogue speech in the novel ‘The Queen of the South’ by the Spanish writer A. Perez-Reverte. The analysis of the material made it possible to identify the main types of dialogues in a work of fiction and to determine the leading strategies and techniques of their interpretation in the Ukrainian language. The features of reproduction of dialect, slang and jargon vocabulary in the characters' remarks are considered; the level of achieving adequacy of the Ukrainian translation is determined.

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Kairaitytė-Užupė, Aušra. "Neformalių XX a. pabaigos – XXI a. pradžios Lietuvos jaunimo leidinių – fanzinų – leidybos tendencijos." Knygotyra 82 (July 16, 2024): 143–69. http://dx.doi.org/10.15388/knygotyra.2024.82.6.

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This article analyzes Lithuanian youth subcultural group publications – fanzines (zines) – which have not yet received broader attention from researchers. Paper fanzines started to be created at the end of the 20th century and became popular in the 1990s, spreading Western culture ideas and changing the political, and socio-cultural environment in Lithuania along with technological copying and reproduction possibilities. Using resources from Lithuania’s Youth Culture Digital Archive “Lithuanian Zine Collection” and additionally collected sources, the article analyzes the trends in the creation

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Souter, Kay. "Virtual connections: Technologies of reproduction, culture, and the growth of love in some contemporary fiction." Women's Studies International Forum 31, no. 4 (2008): 235–40. http://dx.doi.org/10.1016/j.wsif.2008.05.013.

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