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Journal articles on the topic 'Reproduction in fiction'

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1

Karanevych, Mariana, and Oksana Kutsa. "REPRODUCTION OF THE PRAGMATIC POTENTIAL IN FICTION TRANSLATION." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 5(73) (2019): 29–31. http://dx.doi.org/10.25264/2519-2558-2019-5(73)-29-31.

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Summa, Michela. "Is Make-Believe Only Reproduction?" Social Imaginaries 5, no. 1 (2019): 97–119. http://dx.doi.org/10.5840/si2019516.

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This paper develops an analysis of the relation between fiction and make-believe based on the achievements of imagination. The argument aims at a “reciprocal supplementation” between two approaches to fiction. According to one approach, pretense or make-believe structures play a crucial role in our experience of fiction. Discussing Husserl’s view on bound imagining and Walton’s account of fiction as make-believe, I show why pretense and make-believe cannot thereby be reduced to the mere reproduction of something we would experience as original. According to the other approach, which is present
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3

Sharp, Sabine Ruth. "Salt Fish Girl and “Hopeful Monsters”: Using Monstrous Reproduction to Disrupt Science Fiction’s Colonial Fantasies." Contemporary Women's Writing 13, no. 2 (2019): 222–41. http://dx.doi.org/10.1093/cww/vpz022.

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Abstract The revival of the Frankenstein origin myth has left science fiction’s relationship to colonialism undertheorized. More recent creative interventions have, however, challenged the genre’s colonialist legacy: two works that achieve this are Larissa Lai’s novel Salt Fish Girl (2002) and Hiromi Goto’s short story “Hopeful Monsters” (2004). Using different forms of unruly reproduction—strange births, recurring histories, and eclectic intertextuality—these texts unravel the tangled histories of science fiction and colonialism. Using tropes of repetition and mutation, Lai and Goto trace not
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4

Savard, Anne-Marie. "La nature des fictions juridiques au sein du nouveau mode de filiation unisexuée au Québec; un retour aux sources ?" Les Cahiers de droit 47, no. 2 (2005): 377–405. http://dx.doi.org/10.7202/043889ar.

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Relativement immuable et plutôt fidèle à ses origines pendant plusieurs décennies, le droit de la filiation a subi d’énormes bouleversements depuis quelques années, particulièrement au Québec. Par exemple, contrairement au modèle de la reproduction bisexuée y ayant toujours existé, il est désormais possible, depuis juin 2002, pour un couple de même sexe, de se voir reconnaître un lien de filiation avec un enfant, par l’entremise de l’adoption, ou encore, dans le cas de deux femmes, à la suite du recours à la procréation assistée. Malgré ces changements profonds dans la façon dont le droit « ab
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Broege, Valerie. "Views on Human Reproduction and Technology in Science Fiction." Extrapolation 29, no. 3 (1988): 197–215. http://dx.doi.org/10.3828/extr.1988.29.3.197.

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6

Armstrong, Nancy. "Disavowal and Domestic Fiction: The Problem of Social Reproduction." differences 29, no. 1 (2018): 1–32. http://dx.doi.org/10.1215/10407391-6681626.

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Voronova, Z. "ASPECTS OF REPRODUCTION OF UKRAINIAN FICTION IN ENGLISH TRANSLATIONS." International Humanitarian University Herald. Philology 3, no. 47 (2021): 88–92. http://dx.doi.org/10.32841/2409-1154.2021.47-3.20.

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Aliaga-Lavrijsen, Jessica. "Ectogenesis and Representations of Future Motherings in Helen Sedgwick’s The Growing Season." Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, no. 1 (2021): 55–71. http://dx.doi.org/10.28914/atlantis-2021-43.1.04.

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After the boom of feminist science fiction in the 1970s, many such novels have tackled the different sociocultural understandings of gender and sexual reproduction. Conventionally, patriarchal thinking tends to posit a biological explanation for gender inequality: women are supposed to be child bearers and the primary caregivers, whereas men should provide for the family through their work. However, if men could share procreation, would these views change? A recent work of fiction exploring this question from multiple perspectives is Helen Sedgwick’s The Growing Season (2017), a novel that pre
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9

Hanson, C. "Reproduction, Genetics, and Eugenics in the Fiction of Doris Lessing." Contemporary Women's Writing 1, no. 1-2 (2007): 171–84. http://dx.doi.org/10.1093/cww/vpm008.

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10

Svilpis, Jānis. "The Production and Reproduction of Pulp Fiction: The Case of Ace." ESC: English Studies in Canada 25, no. 3-4 (1999): 325–45. http://dx.doi.org/10.1353/esc.1999.0023.

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11

Ansley, Jennifer. "Geographies of Intimacy in Mary Wilkins Freeman's Short Fiction." New England Quarterly 87, no. 3 (2014): 434–63. http://dx.doi.org/10.1162/tneq_a_00394.

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Situated within late nineteenth-century economic changes that transformed rural and urban spaces, Mary Wilkins Freeman's regionalist fiction imagines rural female-centered communities that I define as queer. Unlike emergent urban-centered gay and lesbian social formations, these communities are alienated from both normative reproduction and capitalist accumulation and are sustained by subsistence labor.
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12

Arvidsson, Adam. "Value and virtue in the sharing economy." Sociological Review 66, no. 2 (2018): 289–301. http://dx.doi.org/10.1177/0038026118758531.

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Critical accounts suggest that the ‘sharing economy’ is mainly an ideological entity, bringing together a wide range of diverse empirical phenomena that have little in common, apart from their common adherence to an ideology of ‘sharing’. This article suggests that the sharing economy can be empirically understood as instances of peer production attempting to ‘come to market’ via the use of a common ‘sharing fiction’. Analysing the origins and present functions of this fiction, the author suggests that we can conceptualize differentials in economic power within the sharing economy in terms of
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13

Jablonska, Aleksandra. "La disputa por las identidades étnicas en el cine mexicano contemporáneo." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 220–52. http://dx.doi.org/10.5195/ct/2017.265.

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The article analyzes the extent to which recent mexican cinema, both fiction and documentary, have been transforming their discourse on ethnic identities in recent years. Based on a interdisciplinary methodology that articulates the categories of cinematographic analysis with those of anthropological and social studies, it tries to show some attempts to decolonize the view of indigenous peoples in fiction cinema, as well as the diverse tendencies present in the documentary film ranging from understanding the ethnic as cultural reproduction to raising the processes of resistance and the transfo
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Hughes, William. "‘The evil of our collective soul’: Zombies, medical capitalism and environmental apocalypse." Horror Studies 12, no. 1 (2021): 7–25. http://dx.doi.org/10.1386/host_00026_1.

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Though frequently comprehended as a vehicle for social satire or post-cultural speculation, zombie fictions also demonstrably mobilize the climatic unease of the current Anthropocene. Focusing in particular upon Max Brooks’s 2006 novel World War Z: An Oral History of the Zombie War, this article considers the complex politics which have frequently underwritten a mythical origin for pandemics in the Othered East, and their contemporary reproduction in western concerns regarding unregulated surgery and the capitalism of human tissue. The article then proposes that the deterioration of human cult
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Gillis-Buck, Eva Mae. "Redefining ‘Virgin Birth’ After Kaguya: Mammalian Parthenogenesis in Experimental Biology, 2004-2014." Catalyst: Feminism, Theory, Technoscience 2, no. 1 (2016): 1–68. http://dx.doi.org/10.28968/cftt.v2i1.28826.

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Virgin birth is a common theme in religious myths, science fiction, lesbian and feminist imaginaries, and sensational news stories. Virgin birth enters a laboratory setting through biologists’ use of the term parthenogenesis (Greek for virgin birth) to describe various forms of development without sperm. Scientific consensus holds that viable mammalian parthenogenesis is impossible; that is, mammalian embryos require both a maternal and a paternal contribution to develop completely. This essay investigates the historical development of that consensus and the evolving scientific language of par
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16

Sheehan, Lucy. "“Fraud, Fun, and Feeling”: Slavery, Industrialism, and the Mother-Machine in Frances Trollope's Fiction." Victorian Literature and Culture 48, no. 3 (2020): 519–50. http://dx.doi.org/10.1017/s106015031900007x.

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For Frances Trollope, the nineteenth century was defined by what she perceives to be a pervasive mechanization of emotional life, a phenomenon similar to what Tamara Ketabgian has recently described as the “industrialization of affect” in this period. At the center of this phenomenon, for Trollope, is the disquieting specter of the mother-machine, a figure in whom the processes of mechanical production and maternal reproduction collide. The figure originates, in Trollope's fiction, in the character Juno, an enslaved woman whose alienation from her children under slavery serves as a major plot
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17

Moisseeff, Marika. "La procréation dans les mythes contemporains." Anthropologie et Sociétés 29, no. 2 (2005): 69–94. http://dx.doi.org/10.7202/011895ar.

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Résumé Les ethnologues ont beau affirmer que les mythes sont présents dans toutes les sociétés, y compris les plus évoluées au plan technologique, il n’en demeure pas moins qu’ils tendent plutôt à se pencher sur les mythes recueillis ailleurs ou écrits à une autre époque. L’analyse d’un ensemble représentatif d’oeuvres de science-fiction ayant pour thème la reproduction permet de suggérer que la science-fiction constitue un corpus mythologique au sens propre. Elle éclaire les soubassements de l’idéologie occidentale contemporaine concernant la différence des sexes et des cultures. On est alors
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18

Mann, Justin Louis. "Pessimistic futurism: Survival and reproduction in Octavia Butler’s Dawn." Feminist Theory 19, no. 1 (2017): 61–76. http://dx.doi.org/10.1177/1464700117742874.

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This article examines the critical work of Octavia Butler’s speculative fiction novel Dawn, which follows Lilith Ayapo, a black American woman who is rescued by an alien species after a nuclear war destroys nearly all life on Earth. Lilith awakens 250 years later and learns that the aliens have tasked her with reviving other humans and repopulating the planet. In reframing Reagan-era debates about security and survival, Butler captured the spirit of ‘pessimistic futurism’, a unique way of thinking and writing black female sexuality, reproduction and survival. Suturing concepts central to both
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19

Mackereth, Kerry. "Mechanical Maids and Family Androids: Racialised Post-Care Imaginaries in Humans (2015–), Sleep Dealer (2008) and Her (2013)." Feminist Review 123, no. 1 (2019): 24–39. http://dx.doi.org/10.1177/0141778919879771.

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Feminist investigations into caring technologies emphasise the tension between their reproduction of care’s assumed femininity and their ability to destabilise gendered markers and systems. However, the existing literature ignores the historical racialisation of care and its perpetuation in the form of the posthuman caring object. This article examines how racialised relations of power shape the posthumanisation of care in three science-fiction works, Channel 4’s television show Humans (2015), Alex Riviera’s film Sleep Dealer (2008) and Spike Jonze’s film Her (2013). While Her’s disembodied op
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Rivera, Dina Lisel. "Gothic Childbearing, Monstrous Reproduction, and a Science Fiction Turn: Rosario Ferré’s “La muñeca menor” and Pedro Cabiya’s “Relato del piloto”." Catedral Tomada. Revista de crítica literaria latinoamericana 7, no. 13 (2020): 281–326. http://dx.doi.org/10.5195/ct/2019.414.

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The thirty years between the 1972 publication of Rosario Ferré’s short story “La muñeca menor” and Pedro Cabiya’s 2003 novella “Relato del piloto que dijo adiós con la mano” span the cultural, political, and economic “shift” from a “regulatory state” to a neoliberal global order that, per Rebekah Sheldon’s analysis, has articulated and contextualized similar contrasting takes on biological and material reproduction. Focusing on their transformed imaginary of “monstrous” reproduction, I explore in this paper how the texts’ Gothic and SF modalizations refract local conditions as well as critical
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21

Souter, Kay. "Virtual connections: Technologies of reproduction, culture, and the growth of love in some contemporary fiction." Women's Studies International Forum 31, no. 4 (2008): 235–40. http://dx.doi.org/10.1016/j.wsif.2008.05.013.

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22

Wahyuni, Dessy. "BENCANA KABUT ASAP SEBAGAI DAMPAK BUDAYA KONSUMSI DALAM CERPEN “YANG DATANG DARI NEGERI ASAP”." Paradigma: Jurnal Kajian Budaya 11, no. 1 (2021): 81. http://dx.doi.org/10.17510/paradigma.v11i1.371.

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<p class="JudulAbstrakKeyword">Literature, as a work containing facts and fiction, can obscure the conventions of realities and create new realities so that there are no visible boundaries between the real thing and the unreal thing. Fact and fiction coincide and simulate to form hyperreality. In the short story “Yang Datang dari Negeri Asap (Who Comes from the Smoky Country)” by Hary B. Kori’un, the existence of facts and fiction overlap each other. The author created the country of smoke as a fictitious world due to his contemplation on the consumption culture, which is a phenomenon in
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23

Qiao, Mina. "Love in the Time of Corona: Heterosexual Romance, Space, and Society in Japanese Fiction on COVID-19." Japanese Language and Literature 55, no. 2 (2021): 471–92. http://dx.doi.org/10.5195/jll.2021.214.

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I will examine representations of heterosexual romance in Japanese pandemic fiction published during COVID-19, so as to scrutinize the employment of pandemic in the discussion of social issues and dynamics between the public and private interests. Ueda Takahiro uses the protagonist’s love dilemma to question the postmodern condition, where the digital attempts to replace everything, disturb the master narratives, and transform our society. Tsukui Itsuki’s story has a rather optimistic view of technological responses to the pandemic. In his work, the protagonist’s romantic pursuit realizes indi
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24

Comaroff, Jean, and John Comaroff. "In/ter/dependence: An afterword." Focaal 2021, no. 90 (2021): 70–73. http://dx.doi.org/10.3167/fcl.2021.900107.

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Our closing reflection on the collection of articles in this issue argues that the modernist bourgeois figure of the autonomous individual, founded from the first on a Promethean fiction, has long hidden the sorts of dependencies, interdependencies, and intradependencies intrinsic to social life everywhere. This is all the more so in the twenty-first century, under conditions in which the relations between capital and labor, patterns of sociality and social reproduction, and Euromodernity itself are undergoing wide-ranging changes, changes that are deepening the tensile coexistence of human au
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25

OLSZYNKO-GRYN, JESSE, and PATRICK ELLIS. "‘A machine for recreating life’: an introduction to reproduction on film." British Journal for the History of Science 50, no. 3 (2017): 383–409. http://dx.doi.org/10.1017/s0007087417000632.

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AbstractReproduction is one of the most persistently generative themes in the history of science and cinema. Cabbage fairies, clones and monstrous creations have fascinated filmmakers and audiences for more than a century. Today we have grown accustomed not only to the once controversial portrayals of sperm, eggs and embryos in biology and medicine, but also to the artificial wombs and dystopian futures of science fiction and fantasy. Yet, while scholars have examined key films and genres, especially in response to the recent cycle of Hollywood ‘mom coms’, the analytic potential of reproductio
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Marinova, Elena V. "Network communication and its genres as objects of artistic representation (based on Russian literature)." International Journal “Speech Genres” 31, no. 3 (2021): 216–25. http://dx.doi.org/10.18500/2311-0740-2021-3-31-216-225.

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The article analyses a new compositional peculiarity of modern fiction – the introduction of a text fragment related by its lexical and graphic features to one of the genres of network communication (chat, blog, electronic mail, etc.) into the structure of the literary works. The dialogue between characters, who communicate on the Net, becomes one of the stable text-forming means, performing various artistic tasks, including formation of the plotline, creating the image (atmosphere) of the time period, character images, reflection of “language taste of the epoch”, and so on. The reproduction o
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Hellstrand, Ingvil. "The Shape of Things to Come? Politics of Reproduction in the Contemporary Science Fiction Series “Battlestar Galactica”." NORA - Nordic Journal of Feminist and Gender Research 19, no. 1 (2011): 6–24. http://dx.doi.org/10.1080/08038740.2010.547834.

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Déchaux, Jean-Hugues. "Une autre manière de fabriquer de la parenté? Des nouvelles techniques de reproduction à l’utérus artificiel." Enfances, Familles, Générations, no. 21 (July 22, 2014): 150–75. http://dx.doi.org/10.7202/1025964ar.

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Dans les sociétés euraméricaines, le développement des nouvelles techniques de reproduction (NTR) interroge le modèle de parenté fondé sur la bilatéralité exclusive (chaque individu ne peut avoir qu’un seul père et une seule mère, d’une génération ascendante et de sexe différent) et sur l’idée que la parenté doit être au plus près de la nature. L'article montre le caractère ambivalent des effets des NTR sur le modèle de parenté euraméricain en s’appuyant à la fois sur l’état actuel des NTR et en se livrant à un exercice de « sociologie fiction » imaginant qu’il existe un utérus artificiel. Les
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McCoy, Shane. "Reading the “Outsider Within”: Counter-Narratives of Human Rights in Black Women’s Fiction." Radical Teacher 103 (October 27, 2015): 56–70. http://dx.doi.org/10.5195/rt.2015.228.

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In Pedagogies of Crossing (2005), M. Jacqui Alexander asserts that human rights are not rights at all; in fact, human rights does little to mitigate the violence perpetuated by late capitalism and the legacies of imperialism and colonialism. Alexander’s point of contention brings to bear the fact that the passing of human rights by the United Nations, among other groups, institutes a “dominant knowledge framework” that does nothing to mitigate the violence perpetuated by unequal power structures (2005; 124). My paper focuses on the function of literary counter-narratives as a useful pedagogica
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Zvonyuk, Natalia. "Spiritual searches of masters of artistic words (to the analysis of fiction of the 60's and 80's)." Ukrainian Religious Studies, no. 6 (December 5, 1997): 37–39. http://dx.doi.org/10.32420/1997.6.115.

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Spiritual searches in society - the search for the ideal, the meaning of life, moral values, and others. - along with the need to justify the joyless everyday existence, especially in the older and middle generations, the justification for victims and misfortunes not anticipated by the optimistic state propagated by the state has found its reproduction in religion. This search is carried out not only inside the church, but also among those categories of people who, in their upbringing and way of life, are far from religion and can be called indifferent.
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Lee, Michael Parrish. "Gaskell's Food Plots and the Biopolitics of the Industrial Novel." Victorian Literature and Culture 47, no. 3 (2019): 511–39. http://dx.doi.org/10.1017/s1060150318001596.

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This essay uses Elizabeth Gaskell's industrial novelsMary Barton(1848) andNorth and South(1955) to chart an intersection between biopolitics, food studies, and questions of novelistic form. First, the essay develops the argument that with the emergence of population as a key cultural concern, the Victorian novel became a biopolitical form structured by an interplay between the marriage plot and what I call the “food plot.” Following Thomas Malthus's uneasy connections between reproduction and the food supply, the nineteenth-century British novel was animated by a biopolitical tension between s
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Izharuddin, Alicia. "“Redha tu Ikhlas”: The Social–Textual Significance of Islamic Virtue in Malay Forced Marriage Narratives." Religions 12, no. 5 (2021): 310. http://dx.doi.org/10.3390/rel12050310.

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What accounts for the endurance of forced marriage (kahwin paksa) narratives in Malaysian public culture? How does one explain the ways popular fascination with forced marriage relate to assumptions about heteronormative institutions and practices? In a society where most who enter into marriages do so based on individual choice, the enduring popularity of forced marriage as a melodramatic trope in fictional love stories suggests an ambivalence about modernity and egalitarianism. This ambivalence is further excavated by illuminating the intertextual engagement by readers, publishers and bookse
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Kumpan, S. M. "Reproduction of text comic potential in the fiction translation process (inferencing from the examples of novellistics by Evelyn Waugh)." Alfred Nobel University Journal of Philoligy 12 (2016): 270–75. http://dx.doi.org/10.32342/2523-4463-2016-0-12-270-275.

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Corbella, Maurizio, and Anna Katharina Windisch. "Sound Synthesis, Representation and Narrative Cinema in the Transition to Sound (1926-1935)." Cinémas 24, no. 1 (2014): 59–81. http://dx.doi.org/10.7202/1023110ar.

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Since the beginnings of western media culture, sound synthesis has played a major role in articulating cultural notions of the fantastic and the uncanny. As a counterpart to sound reproduction, sound synthesis operated in the interstices of the original/copy correspondence and prefigured the construction of a virtual reality through the generation of novel sounds apparently lacking any equivalent with the acoustic world. Experiments on synthetic sound crucially intersected cinema’s transition to synchronous sound in the late 1920s, thus configuring a particularly fertile scenario for the redef
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Izotova, Natalya. "Ludic effects in fiction: A case study of J.M. Coetzee’s Disgrace and its Russian and Ukrainian translations." SHS Web of Conferences 105 (2021): 01006. http://dx.doi.org/10.1051/shsconf/202110501006.

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This article discusses translation strategies involved in reproducing ludic effects in Russian and Ukrainian translations of Coetzee’s novel Disgrace. Ludic effects, embedded in the text, outline the potential result(s) of literary gaming. Created in different games, a number of ludic effects trigger ludic stylistics – a new heuristic area of linguistic “ludology”. The paper defines ludic stylistics as an artistic phenomenon manifested in literary text due to unconventional combinations of various linguistic means. In Coetzee’s Disgrace, ludic stylistics is the result of psychonarrative games
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Buzay, Emmanuel. "Marchandisation Et Post-Humanité : Le Rapport Du Vivant à La Reproduction Technique Et Marchande Dans Les Œuvres De Science-Fiction Francophones Contemporaines." Contemporary French and Francophone Studies 19, no. 5 (2015): 576–82. http://dx.doi.org/10.1080/17409292.2015.1092241.

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Кalinichenko, M. M. "THE COPYRIGHT AND PROBLEM POSTMODERNIST INTERTEXTUAL IN THE MODERN LITERATURE." Theory and Practice of Forensic Science and Criminalistics 15 (November 30, 2016): 354–59. http://dx.doi.org/10.32353/khrife.2015.44.

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The article discusses some of the significant characteristics of postmodern intertextuality in modern Ukrainian and World literature within the context of expert studies of literary works as intellectual property objects. Modern postmodernist writers’ intertextuality in their literary works implies the reproduction of certain specific content elements directly borrowed from other works. In fact, intertextuality at the aesthetic level «makes legitimate» literary plagiarism it renders deliberate borrowing of other people’s creative work results not copyright violations but a popular work of lite
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Ostapenko, S. "Metaphor reproduction pequliarities in the process of fiction texts translation (inferencing from the examples of «Tender in the Night» by F. Scott Fitzgerald)." Alfred Nobel University Journal of Philoligy 11 (2016): 258–65. http://dx.doi.org/10.32342/2523-4463-2016-0-11-258-265.

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Bialik, Veronika, and Ilona Derik. "REPRODUCTION OF TROPES IN THE POETICAL WORK OF E. A. POE “DREAMS” TRANSLATED FROM ENGLISH INTO CHINESE." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2020, no. 31 (2020): 23–35. http://dx.doi.org/10.24195/2616-5317-2020-31-2.

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Translation of fiction, and in particular — translation of poetic works plays an extremely important role in modern translation studies. In the process of global more and more people are learning foreign languages and showing a deep interest in the cultural heritage of other countries, including literature. This explains the increased interest of readers in the poetry of foreign authors. The complexity of literary translation is due to the fact that the translator must not only have the basic translation skills, but also must have the creative abilities and background knowledge to fully reprod
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40

Ruberg, Uwe. "Das Tierprozessions-Kapitell im Straßburger Münster." Reinardus / Yearbook of the International Reynard Society 25 (December 31, 2013): 141–60. http://dx.doi.org/10.1075/rein.25.09rub.

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Cette contribution propose la première édition et exploitation d’une feuille volante illustrée anonyme (ca 1565/1570) qui formule en prose allemande une Abcontrafeihung (reproduction) et Außlegung (interprétation) d’un chapiteau de la cathédrale de Strasbourg ; celui-ci, apparemment daté de 1277, représente une procession d’animaux. Le document, traduction libre tirée d’un traité latin du luthérien Jacob Heerbrand (1521–1600), constitue un exemple précoce des luttes confessionnelles de la Réforme, et son importance est située par rapport aux feuilles volantes polémiques et satiriques qui lui s
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Serada, Alesha Alesha. "The Obligatory Underwater Level: Posthuman Genealogy of Amphibian Human in Media." Corpus Mundi 2, no. 2 (2021): 35–56. http://dx.doi.org/10.46539/cmj.v2i2.41.

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Will humankind ever be able to live underwater? To answer this question from the perspective of visual media studies, I analyze narrative and expressive means used for positive representation of underwater experiences in several examples of screen media. My examples are principally different by origin and yet united by their highly enjoyable effect of immersion into underwater worlds. My primary focus is on Amphibian Man (1928), a cult early science fiction novel by Alexandr Belyaev adapted for screen in 1962 in the USSR.I also explore its unintentionally close contemporary reproduction in The
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Mendes, Ana Cristina, and Lisa Lau. "Urban redevelopment, the new logics of expulsion, and individual precarity in Kleber Mendonça Filho’s Aquarius and Aravind Adiga’s Last Man in Tower." cultural geographies 27, no. 1 (2019): 117–32. http://dx.doi.org/10.1177/1474474019871653.

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Drawing on Kleber Mendonça Filho’s film Aquarius (2016) and Aravind Adiga’s novel Last Man in Tower (2011), this article is concerned with the impact on individuals and communities of forms of impersonal, systemic violence resulting from neoliberal accumulation and the reproduction of mobile capital, extending existent precarities as well as opening up new precarities. We examine the experiences of the previously less precarious – that is, members of the middle classes in Recife, Brazil, and Mumbai, India – now rendered newly precarious. We frame the temporality of these precarities via themes
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Kartika, Bambang Aris, Nanik S. Prihatini, Sri Hastanto, and D. ,. Dharsono. "ANALYSIS OF DOCUDRAMA HISTORY AND REFERENTIAL RECONSTRUCTION OF SANG KIAI MOVIES: ADAPTATION OF BIOGRAPHICAL HISTORIOGRAPHIC TEXTS TO BIOPIC FILM." Capture : Jurnal Seni Media Rekam 10, no. 2 (2019): 20–44. http://dx.doi.org/10.33153/capture.v10i2.2366.

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This article discusses about the conception of adaptation of biographical historiographic texts into the medium text in the Sang Kiai film which is a type of historical docudrama film. Adaptation conception shows a transposition pattern of content from historical biographical narrative texts constructed into the text medium of Sang Kiai film. By conducting a study on the Sang Kiai film through approaches of adaptation and heuristic, hermeneutic, and internal criticism methodology has produced a pattern of referential reconstruction in the production of historical genre film texts, especially i
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BERNAULT, FLORENCE. "BODY, POWER AND SACRIFICE IN EQUATORIAL AFRICA." Journal of African History 47, no. 2 (2006): 207–39. http://dx.doi.org/10.1017/s0021853706001836.

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This article revisits the trope of the traffic in body parts in colonial and postcolonial Equatorial Africa. Current analyses, mostly written by anthropologists and sociologists, explain these rumors by the destructive integration of Africa in the world's economy and the commodification of the human body. While acknowledging their fertility, I argue that these approaches fail to understand how, during the colonial era, Europeans and Africans participated in the re-enchanting of the human body. The first part of the article examines Equatorial African conceptions of the body as central in the c
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Dixon-Román, Ezekiel, and Luciana Parisi. "Data capitalism and the counter futures of ethics in artificial intelligence." Communication and the Public 5, no. 3-4 (2020): 116–21. http://dx.doi.org/10.1177/2057047320972029.

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Ethics in data science and artificial intelligence have gained broader prominence in both scholarly and public discourse. Much of the scholarly engagements have often been based on perspectives of transparency, politics of representation, moral ethical norms, and refusal. In this article, while the authors agree that there is a problem with the universal model of technology, they argue that what these perspectives do not address is the postcolonial epistemology of the machine. Drawing from Mark Fisher’s science fiction capital, it is posited that data capitalism doesn’t rely on data as a given
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Singh, Greg. "Recognition and the image of mastery as themes in Black Mirror (Channel 4, 2011–present): an eco-Jungian approach to ‘always-on’ culture." International Journal of Jungian Studies 6, no. 2 (2014): 120–32. http://dx.doi.org/10.1080/19409052.2014.905968.

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There are plenty of examples in moving image culture, following quite distinct and innovative traditions in science fiction literature, where the role of technology seems to have afforded a utopian society; a society where all is clean and free of crime, where we need not worry about hunger, disease, or even the messy business of reproduction through physical intimacy. All needs catered for, all tastes accounted for; and in the middle of it all, a single, solitary human subject wondering that perhaps this is not the way that things were meant to be. In Black Mirror (Channel 4, Zeppotron, 2011–
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Head, Matthew. "Birdsong and the Origins of Music." Journal of the Royal Musical Association 122, no. 1 (1997): 1–23. http://dx.doi.org/10.1093/jrma/122.1.1.

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How old is music, and what are its most ancient forms? What is its origin, its source, and to whom shall we attribute its invention? Is music from man, from nature, or from God? Whom does it serve, in whose name is it sung? These are the questions that eighteenth-century writers asked themselves as they embarked on their histories of music; these are the questions they felt it necessary to answer on the first pages of their manuscripts. Today we have consigned the questions to comedy. Who but Barbra Streisand could fall in love with the professor who arrived at the congress of American musicol
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Tetiana, Stoianova, and Anastasiia Shevchenko. "PECULIARITIES OF TRANSLATION OF THE UKRAINIANLANGUAGE CULTURAL-SPECIFIC TEXT INTO ENGLISH." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2020, no. 31 (2020): 419–34. http://dx.doi.org/10.24195/2616-5317-2020-31-27.

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The article deals with the ways and methods of cultural specific vocabulary in Mariia Skrypnyk`s translation of the novel On Sunday morning she gathered herbs by Olha Kobylianska in English. It was shown that different methods and means of translation should be combined for successful rendering of national coloring.The relevance of this work is based on the rapid development of Ukrainian culture, literature and economy on the world stage.The aim of the work is to study the peculiarities of the translation of cultural realities of the Ukrainian text.The research is based on the translation-comp
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Wagner, Christiane. "Artworks and the Paradoxes of Media-Transmitted Reality." AM Journal of Art and Media Studies, no. 20 (October 15, 2019): 71. http://dx.doi.org/10.25038/am.v0i20.324.

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This article analyzes selected classic art that influences contemporary images. The basis of this study is an analysis of the transformation of long-established and internationally-recognized artwork through digital technology and social media. This investigation also highlights the symbolic meaning behind the representation and reproduction of media images concerning the political impact of global visual culture.Visual culture consists of images of reality that are constantly being reconfigured. Thus, the visual arts develop consensually, based on democratic ideals and freedom of expression.
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Volkova, Vera, Nataliya Malakhova, and Ilia Volkov. "Imagination as a phenomenon of cognition." Философская мысль, no. 6 (June 2021): 54–66. http://dx.doi.org/10.25136/2409-8728.2021.6.35761.

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This article discusses the problem of imagination as a holistic phenomenon of cognition based on the concept of corporeality of mind. Imagination becomes an instrument for enactive subject – object interaction. They complement and revive each other in the activity of cognition and self-cognition. Imagination is a generative model of cyclical interaction between the subject and object in junction of the image and action. Imagination is a moment of visual culture, a means of shaping thoughts and feelings in the optical coherence of mental actions in the reproduction of the picture, sce
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