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Dissertations / Theses on the topic 'Requiem'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Bizub, Nicolas. "Earth Requiem." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1623169539542235.

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Chao, Ching-Wen. "Requiem Moksa /." May be available electronically:, 2002. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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D.M.A. final project--Department of Music, Stanford University, 2002.<br>For solo violin (1st mvmt.), 12 singers with 4-channel tape (2nd mvmt.), and solo bass with live electronics (3rd mvmt.). Words also printed as texts in pref. Includes performance notes and abstract. Sound disc contains 2-channel tape accompaniment for 2nd mvmt.

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3

LENSSEN, DEBRA. "MAX REGER'S FINAL CHORAL/ORCHESTRAL WORK: A STUDY OF OPUS 144 AS CULMINATION WITHIN CONTINUITY." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1020255472.

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4

Nickel, Lawrence Kenneth. "Requiem for peace." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/30972.

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Requiem for Peace is a large-scale musical composition in fifteen movements for chorus, chamber choir, symphonic orchestra and three soloists. This thesis honors the suffering civilians of this world who have been caught in the crossfire between warring nations. Integrating poetry from various parts of the world, in twelve languages, it is an international call for forgiveness and reconciliation. The original vision for this composition is presented in the Introduction, followed by a discussion on influences and techniques which permeate my compositional process. The first part o f the

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5

Godin, Lindsay. "Requiem for a drink." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6426.

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In today’s college culture, more universities in the United States are confronted with the escalating societal problem of alcohol abuse. Some say college-aged alcohol consumption is a rite of passage, or a way of enjoying college life. Others say such behavior is a start of a life-long tragedy of addiction and destructiveness. The photographs in Requiem for A Drink were taken at the University of Iowa which capture the excessive profanity of disoriented intoxication, inhibition, and disregard for the environment. The stark scenes of the aftermath ultimately signify the morning after, a sunrise

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6

Paul, Evan. "Rest: An American Requiem for Choir and Brass." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18709.

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Rest is an English-language Requiem Mass for mixed choir and sixteen brass players. The text is translated into English by the composer from the original Latin and Greek. It comprises twelve movements, and a performance is approximately fifty-five minutes in length. The work serves as a continued exploration of composing for brass, begun in 2010. The work is constructed primarily from the tetrachordal triadic supersets--that is, tetrachords based on major and minor triads--connected through parsimonious voice-leading. Rest is my third mass in a series of works in various languages composed

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7

Scott, Thomas More. "Part II: John Harbison's Requiem: An Analysis." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1215791924.

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Scott, Thomas More Harbison John. "John Harbison's Requiem an analysis /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1215791924.

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Thesis (Ph.D.)--Kent State University, 2008.<br>"Part II." Title from PDF t.p. (viewed Nov. 2, 2009). Advisor: Ralph Lorenz. Keywords: Harbison; requiem. Accompanying PDF files primarily contain scores from Harbison's Requiem. Includes bibliographical references (p. 125-126).

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9

Leong, Jeremy. "A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278634/.

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The thesis speculates on the possible influence of Mozart's Requiem on Cherubini's Requiem in D Minor, concluding that Cherubini's setting of the Sequence ("Dies irae") was indeed influenced by Mozart's setting of this liturgical text both on the micro and macro levels.

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10

Cho, Ick Hyun. "Rediscovering Giuseppe Verdi's Messa da Requiem." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/cho%5Fick%5hyun/index.htm.

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11

Eakin, James Granville Chen Yi. "Flowers over the graves of war a requiem /." Diss., UMK access, 2007.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2007.<br>Scored for male chorus, boy choir, three soloists, and orchestra. "A dissertation in Music Composition." Advisor: Chen Yi. Duration: ca. 55:00. Typescript. Vita. Title from "catalog record" of the print version. Description based on contents viewed July 16, 2008. Includes text printed separately. Online version of the print edition.

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12

Hillery, Alice. "requiem: a chapel for blacksburg virginia." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/43874.

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The wall in Architecture is primary and paramount. In a hierarchical comparison with other elements, the wall is dominant because of the inherent potential housed within to inform our experience of place. It does more than divide what is in from what is out. It is where Architecture begins its presencing. The juxtaposition of man within nature is always violent. In this role as reconciliator of form and environment the wall shapes our perception of being in nature. The architecture of the wall is the spatial record of the drama between interior and exterior forces acting upon it. We construc

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13

Hader, Wolfram. "Requiem-Vertonungen in der Dresdner Hofkirchenmusik von 1720 bis 1764 /." Tutzing : H. Schneider, 2001. http://catalogue.bnf.fr/ark:/12148/cb372250965.

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14

Turner, Jonathan J. Whitman Walt. "Cadence and form in Hindemith's "Lilacs" requiem /." Digitized version, 1996. http://hdl.handle.net/1802/5752.

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Thesis (Ph. D.)--University of Rochester, Eastman School of Music, 1996.<br>Includes vita and abstract. Accompanies: First symphony / by Jonathan J. Turner (1 score (107 p.) ; 28 cm.). Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/5752

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15

Hiekel, Jörn Peter. "Bernd Alois Zimmermans Requiem für einen jungen Dichter /." Stuttgart : F. Steiner, 1995. http://catalogue.bnf.fr/ark:/12148/cb357644953.

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16

Korten, Matthias. "Mozarts Requiem KV 626 : ein Fragment Wird ergänzt /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2000. http://catalogue.bnf.fr/ark:/12148/cb37059746s.

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17

McKendrick, Ryan P. "A conductor's analysis of Gabriel Fauré's Requiem, Op. 48." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04242007-120029/.

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Thesis (M. Mu.)--Georgia State University, 2007.<br>Title from file title page. John B. Haberlen, committee chair; N. Lee Orr, Duncan Couch, committee members. Electronic text (47 p. : music) : digital, PDF file. Description based on contents viewed Dec. 14, 2007. Includes bibliographical references (p. 47).

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18

Broderick, Amber E. "Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1345136918.

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19

Thomas, Christopher Buerkle. "Antonín Reicha's Missa Pro Defunctis and the Nineteenth-Century Concert Requiem." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/203482.

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Missa pro defunctis (1802-1808) by Antonín Reicha (1770-1836) is a unique work. Situated in time and in style between the monumental requiem settings of Mozart and Berlioz, it establishes the concert requiem as a sub-genre of requiem composition. Missa pro defunctis incorporates attributes from both liturgical and concertized genres and co-exists within both church and dramatic composition realms. As seen in his copious theory writings, Reicha’s ideas concerning melody, harmony, counterpoint, fugue, and dramatic composition inform his compositional preferences. In this study I demonstrate how

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20

McKendrick, Ryan Parker. "A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/music_theses/2.

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Gabriel Fauré’s Requiem, Op. 48 was an evolving work, which he continued to revise from its inception in 1887 until the published version of 1900. The focus and intent of this paper is to present a detailed analysis of Requiem, Op. 48 as well as historical background to aid conductors in the preparation and performance of this work. Discussions include the history of the requiem mass as a liturgical form, the evolution of Requiem, Op. 48, the John Rutter edition (1984) and his research, and a conductor’s analysis addressing issues of harmony, form, and style.

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21

Araújo, Rafael Filipe Moreira. "Requiem para um gato : material didático coral para crianças." Master's thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/14562.

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Mestrado em Ensino de Música<br>Esta Dissertação pretende contribuir para a aprendizagem da teoria conceptual da música e conteúdos teóricos com base na vivência musical. Pretende melhorar as práticas educativas e facilitar a compressão através de uma obra coral intitulada Requiem para um gato. Com base na interpretação desta obra, serão usados os princípios de significação, defendido e corroborado por diversos autores. O Requiem para um gato foi gravado em formato áudio (CD) no Orfeão de Leiria, Conservatório de Artes. As turmas responsáveis foram os alunos das Classes de Conjunto do

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22

Gardner, David B. "Herbert Howells' Requiem: A guide to preparation and performance." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280285.

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Although composed in the 1930s, Herbert Howells' Requiem for unaccompanied voices was not performed or published until the early 1980s. The long period between its composition and publication has left many questions about its origins unanswered. The document attempts to clarify the confusing genesis of Howell's Requiem, and suggests that the motivation behind its composition was the commemoration of those who died in World War I, and not, as has been previously supposed, the death of Howells' son Michael in 1935. The development of Howells' own compositional style is traced through musical inf

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23

Rogers, Brent. "The Messe de Requiem op. 54 of Camille Saint-Saëns: An Amalgamation of Contrasting Stylistic Trends in Requiem Composition in Nineteenth-Century Paris." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/581253.

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Camille Saint-Saëns's (1835–1921) Messe de Requiem op. 54 (1878) is among the many works by that composer that are all but forgotten by contemporary musicians. As is the case with most of Saint-Saëns's forgotten works, it is of remarkably high quality, possessing numerous features that make it desirable and accessible to a variety of ensembles. This study seeks to bring greater awareness of the piece to a wider audience, to provide a framework for understanding the most prominent style features of the work, and to ascertain its relationship to other well-known French Requiems of the nineteenth

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24

Van, Rhyn Chris. "'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'." Thesis, Stellenbosch : Stellenbosch University, 2010. http://hdl.handle.net/10019.1/4174.

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Thesis (MMUS (Music))--Stellenbosch University, 2010.<br>ENGLISH ABSTRACT: The South African-born British composer Priaulx Rainier (1903-1986) wrote her Requiem (1955-1956) for solo tenor and choir to a text by surrealist poet David Gascoyne. The poem (completed in 1940) contradicts the commemorative genre of the requiem and instead anticipates the prospective victims of the war that was to come. Due to the disturbances caused by the war, Rainier only started working on the music fifteen years later in 1955. Existing discourse on Rainier has been shaped by the thoughtless regurgitation o

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25

Danchev, Georgi. "Anton Bruckner's Requiem in D Minor (1849)-a critical examination." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/2473.

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The purpose of this study aimed to examine the individual aspects and realization of Anton Bruckner's Requiem in D Minor, in the context of time of creation and the surrounding cultural environment. The research attempted to discover certain analogies with preceding models and to reveal the unique approach of the composer at an early professional stage. In the process of exploring different physiognomic outlines various sources were used for prerequisite musical idioms and their transformation in the present work. The main part of the critical review was the consideration of Bruckner's curricu

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26

Kreuzer, Gundula. "Störfaktor Leierkasten: Verdis Requiem und nationale Identität im deutschen Kaiserreich." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71837.

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27

Strader, Nikola Dale. "The stylistic placement of War Requiem in Benjamin Britten's Oeuvre." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243520112.

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28

Jacob, Heidi Carolyn. "MASS FOR A TIME OF WAR: A REQUIEM HONORING THE VICTIMS OF THE IRAQI CONFLICT." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/152551.

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Music Composition<br>D.M.A<br>My final project for the D.M.A. in composition consists of a Requiem Mass honoring the victims of the Iraqi war, a conflict that has stirred public debate since the invasion of Iraq in 2003. It is not meant as a political statement; rather, it is intended as a tribute in the broadest sense--not only for the combatants who lost their lives, but also for the innocent citizens caught in the cross-fire, all the families left in grief, and the returning soldiers whose lives were altered if not shattered by the experience of war. It speaks to the devastating tol

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29

Conrad, Claudius. "Requiem oder Ouvertüre - Physiologische Effekte durch Mozartsche Klaviersonaten bei schwerstkranken Intensivpatienten." Diss., lmu, 2006. http://nbn-resolving.de/urn:nbn:de:bvb:19-54909.

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30

Onofrio, Marshall Paul. "Requiem mass for chorus and orchestra ; with a monograph on the history, regulation, and content of the Missa pro defunctis /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487326511713805.

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31

Njoku, Chukwudi Anthony. "REQUIEM FOR ECHO THEOLOGY: GLOBALISATION AND THE END OF THE MISSIONARY ERA1." Bulletin of Ecumenical Theology, 2004. http://digital.library.duq.edu/u?/bet,2630.

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32

Hill, Jeanne E. (Jeanne Elizabeth). "Requiem for Netted Fish: An Intermedia Composition for Choir, Harp, and Dance." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc500350/.

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Requiem for Netted Fish is an intermedia composition for sixteen-voice SATB choir, harp, six dancers, slide projections, and lighting. The text, taken from the poetry of Anna Akhmatova and Carolyn Forche, presents a universal, womanly rage against human repression and destruction. The poetry finds aural interpretation in sound, and visual interpretation in movement and lighting. Poetic inspiration contributes to the integration of elements in the work, as does the impulse-exchange method of coordinating mediums, which allows the dancers control of the timing of events. The resultant interdepen

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33

Attilli, Maurizio. "A Comparative Analysis of Harmonic Language in the First Movements of Fauré’s Requiem, Poulenc’s Gloria and Stravinsky’s Symphony of Psalms." University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1133196113.

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34

Cook, Casey. "Gerald Finzi's Requiem da Camera (op. 3b, 1924), with Particular Emphasis on Editorial Problems in its Third Movement." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/272837.

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English composer Gerald Finzi's (1901-1956) early life was plagued by the deaths of close friends and family, and the beginning of the first world war. Before his eighteenth birthday, Finzi lost his three brothers, his father and his beloved composition teacher. To mourn these deaths and perhaps as a reaction to the first world war, Finzi began to compose his Requiem da Camera (op. 3b, 1924). Finzi completed three movements of this four-movement work during his lifetime, and left sketches for the completion of the unfinished third movement. Beginning in 1984, Philip Thomas, with the blessing

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35

Lindenau, Mathias Münkler Herfried. "Requiem für einen Traum ? : Transformation und Zukunft der Kibbutzim in der israelischen Gesellschaft /." Münster, Westf. : LIT, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2968711&prov=M&dok_var=1&dok_ext=htm.

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36

Ottner, Carmen. "Franz Schmidts 4. Symphonie in C-Dur: «Ein Requiem für meine Tochter» (1933)." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37160.

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37

Adamski-Störmer, Ursula. "Requiem aeternam : Tod und Trauer im 19. Jahrhundert im Spiegel einer musikalischen Gattung /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb36653592v.

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38

D\'Acol, Mítia Ganade. "Decoro musical e esquemas galantes: um estudo de caso das seções de canto solo das Missas de Requiem de José Maurício Nunes Garcia e Marcos Portugal." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-23032017-153229/.

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Existe na musicologia luso-brasileira uma tese de que a música litúrgica composta para celebrações religiosas nas igrejas brasileiras e portuguesas apresenta uma grande interpenetração dos estilos teatral e eclesiástico. Tal fato é interpretado não só como uma necessidade de exibição simbólica do poder monárquico, mas também como um atraso musical por parte dos compositores luso-brasileiros, por não serem mais decorosos na escrita da música sacra. Desta forma, a questão do decoro vem sido revisitada por pesquisas recentes, que já enxergam não uma falta de decoro musical no ambiente litúrgico l

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39

Bade, Andy. "Achieving Balance in Music for Chorus and Band: Analysis and Performance Issues in Requiem by Frigyes Hidas." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/301478.

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The purpose of this study is to provide a guide for conductors when evaluating issues of balance in works for chorus and symphonic band, and to assist them in realizing such works in performance. The principal focus of the document will be an analysis of vocal and instrumental textures in Requiem by Frigyes Hidas as they affect balance and textual clarity, using accompaniment types described by Hawley Ades as guides. The analysis shows that the scoring helps mitigate balance problems commonly found in other works scored for similar forces, making a variety of performance options and interpre

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40

Ernstad, Linus. "Darren Aronofsky's Pi och Requiem for a dream : Subjektiv förmedling och dess förhållande till de auditiva och visuella elementen." Thesis, Växjö University, School of Humanities, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1083.

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41

Bonfiglioli, Giulia. "Un approccio interlinguistico a "Requiem" di Patrizia Valduga: un viaggio all'interno della parola e dell'urlo muto del dolore." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/12111/.

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Il lavoro si presenta come un esempio propedeutico a un'eventuale proposta di traduzione. Nel caso specifico, si tratta di approcciarsi alla trasposizione dall'italiano al francese di "Requiem", raccolta di poesie di Patrizia Valduga dedicata alla morte del padre. Fulcro dell'elaborato non sarà, paradossalmente, la traduzione stessa, quanto l'analisi del testo in tutti i suoi fondamentali elementi - dalle figure retoriche alle principali tematiche, dalle immagini evocate ai riferimenti culturali - da cui è assolutamente necessario partire per comprendere il contenuto in maniera completa e coe

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Brecher, Gerald I. "Requiem for a subsidy : state housing assistance for rental production (SHARP) in Massachusetts 1983-1986." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71383.

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Fiorini, Carlos Fernando 1970. "Um requiem alemão op.45 de Johannes Brahms : um processo no preparo de sua execução." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284260.

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Orientador: Eduardo Augusto Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-25T22:36:57Z (GMT). No. of bitstreams: 1 Fiorini_CarlosFernando_M.pdf: 5182383 bytes, checksum: b49c0ab061fa9fd089cc0e3b639a8fa2 (MD5) Previous issue date: 1999<br>Resumo: Tendo em vista a preparação de um regente que se dispõe a executar um Réquiem Alemão op. 45 de Brahms, o presente trabalho sugere um processo para auxilia-los desde o primeiro contato com a partitura até a sua apresentação em concerto. Os capítulos são divididos em d

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Chłopicka, Regina. "Krzysztof Penderecki's St. Luke Passion, Polish Requiem and Credo in the Context of Polish History." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70678.

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Davenport, Jennifer Tish. "Crisis and Catharsis: Linear Analysis and the Interpretation of Herbert Howells' "Requiem" and "Hymnus Paradisi"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248387/.

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Hymnus Paradisi (1938), a large-scale choral and orchestral work, is well-known as an elegiac masterpiece written by Herbert Howells in response to the sudden loss of his young son in 1935. The composition of this work, as noted by the composer himself and those close to him, successfully served as a means of working through his grief during the difficult years that followed Michael's death. In this dissertation, I provide linear analyses for Howells' Hymnus Paradisi as well as its predecessor, Howells' Requiem (1932), which was adapted and greatly expanded in the creation of Hymnus Paradisi.

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46

Wikan, Cory David. "Robert Shaw and the Brahms Requiem, op.45: a conductor's approach to performing a masterpiece." Thesis, Boston University, 2014. https://hdl.handle.net/2144/19698.

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Thesis (Ph.D.)--Boston University<br>Robert Lawson Shaw (1916-1999) was a revolutionary figure in the world of choral music. He pioneered effective choral techniques that both refined the skills of his choristers and faithfully realized the composer's music. These techniques ultimately contributed to his acclaimed performance achievements. Although research on Shaw has been previously conducted, it generally consists of biographical data or single techniques, dissected from the whole of Shaw's complex process. This study outlines the wide array of Shaw's choral methods and how he applied them

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Mignogna, Francesca. "Écriture(s) et réécriture(s) dans l'œuvre pour les défunts de Pierre-Louis Pollio (1724-1796) : un exemple d'œuvre ouverte au XVIIIe siècle. Étude et édition critique." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL016.

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Pierre-Louis Pollio (1724-1796) fut maître de musique dans divers établissements ecclésiastiques de la France et des anciens Pays-Bas autrichiens, parmi lesquels la cathédrale Saint-Pierre à Beauvais et la collégiale Saint-Vincent à Soignies. Le corpus des compositions funèbres de Pollio se distingue par sa quantité et sa diversité exceptionnelles. En particulier, ses huit messes de requiem font de Pollio le compositeur dont le plus grand nombre de ces messes est parvenu jusqu'à nous. La richesse et la cohérence de ce corpus en font un objet permettant de mettre en lumière des aspects de la mu

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Déry, Maude. "Requiem (roman) : suivi de Poïétique et vulnérabilité sous tension dans le roman du peintre contemporain (essai)." Doctoral thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/33907.

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Tableau d'honneur de la FÉSP<br>Requiem déploie un univers intimiste où deux narrateurs, l’un modèle nu, l’autre peintre ecclésiastique, vivent en huis clos dans le couvent du village qui les ont vus naître. Christophe et Frédérique, alias Sœur Hortense, n’entretiennent aucun lien de parenté. Leur rencontre, issue de circonstances troublantes, bouleverse leurs univers en même temps qu’elle leur donne l’occasion de réfléchir sur leur passé. Chacun d’eux est aux prises avec ses propres démons, comme des plaies impossibles à cicatriser. Pourtant, c’est cette fragilité qui les réunira et permettra

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Miller, Samuel James. "AN ANALYSIS AND CONDUCTOR’S GUIDE TO ZDENĚK LUKÁŠ’ REQUIEM PER CORO MISTO, OP. 252." UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/114.

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Zdeněk Lukáš (1928-2007) was one of the most prolific Czech composers of the 20th century having composed over 300 pieces. His works include a wide array of genres including symphonies, operas, chamber music, and a large amount of choral and vocal music. He was influenced by Czech folklore and music and was self-taught until he was nearly 40 years old. Lukáš began his career as a teacher but later began working for the Czechoslovak Radio Studio in Plzeň where he founded the mixed choir, Česká Píseň (Czech Song), which became quite famous and still enjoys great fame. Requiem per coro misto, op.

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Kiuchi, Mariko. "La Grande Messe des morts de Hector Berlioz (1837) : son langage musical et sa stratégie rhétorique." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL040.

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La Grande Messe des morts d’Hector Berlioz se remarque entre autres choses par la variété de styles et le changement rapide de climats expressifs. Son écriture novatrice éveille l’émotion du public en cultivant de nombreux effets d’inattendus que la presse de l’époque a soulignés lors de la création. Comment caractériser les différents styles musicaux sur lesquels le Requiem s’articule ? Comment le compositeur captive et éveille-t-il l’émotion de l’auditeur ? Comment l’auditeur perçoit-il la stratégie déployée par le compositeur ? La présente thèse a pour but d’éclaircir le fonctionnement des

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