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Journal articles on the topic 'Requiem'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

MacDonald, Megan C. "Requiem for a requiem." Francosphères 5, no. 1 (2016): 5–24. http://dx.doi.org/10.3828/franc.2016.2.

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2

Marquette, Gretchen. "Requiem." Iowa Review 46, no. 3 (2016): 51–52. http://dx.doi.org/10.17077/0021-065x.7776.

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3

Satterfield, Jane. "Requiem." Antioch Review 55, no. 4 (1997): 461. http://dx.doi.org/10.2307/4613576.

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4

Drakeford, Richard, Humphrey Clucas, Edward Harper, et al. "Requiem." Musical Times 131, no. 1774 (1990): 654. http://dx.doi.org/10.2307/966728.

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5

Williams-King, Amber. "“REQUIEM”." Caribbean Quilt 3 (April 29, 2015): 216. http://dx.doi.org/10.33137/caribbeanquilt.v3i1.22625.

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6

Debouzy, Olivier. "Requiem." Commentaire Numéro81, no. 1 (1998): 43. http://dx.doi.org/10.3917/comm.081.0043.

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7

Batchen, Geoffrey. "Requiem." Afterimage 29, no. 4 (2002): 5. http://dx.doi.org/10.1525/aft.2002.29.4.5.

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8

Lindsay, Nicola. "Requiem." Books Ireland, no. 220 (1999): 72. http://dx.doi.org/10.2307/20631778.

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9

Stebbins, Ethan. "Requiem." Hudson Review 56, no. 4 (2004): 646. http://dx.doi.org/10.2307/3852959.

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10

Fowler, Russell. "Requiem." College English 56, no. 2 (1994): 190. http://dx.doi.org/10.2307/378730.

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11

Larson, Allen. "Requiem." Chicago Review 37, no. 4 (1992): 61. http://dx.doi.org/10.2307/25305523.

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12

Dao, Bei, Bonnie S. McDougall, and Chen Maiping. "Requiem." Chicago Review 39, no. 3/4 (1993): 288. http://dx.doi.org/10.2307/25305773.

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13

Akhmatova, Anna, and Alex Cigale. "Requiem." Hopkins Review 9, no. 3 (2016): 339–47. http://dx.doi.org/10.1353/thr.2016.0076.

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14

Cleave, Ryan G. Van. "Requiem." English Journal 89, no. 1 (1999): 131. http://dx.doi.org/10.2307/821375.

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15

Ho, Shirley. "Requiem." Frontiers: A Journal of Women Studies 21, no. 1/2 (2000): 111. http://dx.doi.org/10.2307/3347035.

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16

Lautermilch, Steve. "Requiem." CrossCurrents 61, no. 1 (2011): 136. http://dx.doi.org/10.1111/j.1939-3881.2010.00169.x.

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17

Yusef Komunyakaa. "Requiem." Callaloo 31, no. 2 (2008): 484–85. http://dx.doi.org/10.1353/cal.0.0104.

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18

Lucas, Christine. "Requiem." Nature 556, no. 7699 (2018): 144. http://dx.doi.org/10.1038/d41586-018-03929-4.

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19

Miller, Marilyn Jeanne, Shizuko Gō, and Geraldine Harcourt. "Requiem." World Literature Today 60, no. 2 (1986): 362. http://dx.doi.org/10.2307/40141904.

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20

Garing, Dorothea. "Requiem." Asian Perspectives in the Arts and Humanities 3, no. 2 (2013): 75–77. http://dx.doi.org/10.13185/ap2013.03210.

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21

Kinsella, John. "Requiem." Prairie Schooner 81, no. 4 (2008): 29–50. http://dx.doi.org/10.1353/psg.2008.0026.

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22

Fadini, Edoardo. "Requiem." Mimesis Journal, no. 2, 2 (December 1, 2013): 4. http://dx.doi.org/10.4000/mimesis.309.

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23

Baumgaertner, Jill Peláez. "Requiem." Christianity & Literature 52, no. 3 (2003): 409–16. http://dx.doi.org/10.1177/014833310305200310.

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24

Espaillat, Rhina P. "Requiem." Hopkins Review 15, no. 4 (2022): 84. http://dx.doi.org/10.1353/thr.2022.0109.

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25

Lautermilch, Steve. "Requiem." CrossCurrents 61, no. 1 (2011): 136. http://dx.doi.org/10.1353/cro.2011.a783211.

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26

Castillo, Tito. "REQUIEM." Atenea (Concepción), no. 457 (June 1988): 238–39. https://doi.org/10.29393/at457-24retc10024.

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27

Katz, Boris. "To What Extent is Requiem a Requiem? Unheard FemaleVoices in Akhmatova’s Requiem." Russian Review 57, no. 2 (1998): 253–63. http://dx.doi.org/10.1111/0036-0341.00021.

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28

Elgaard, Elín, Inger Christensen, and Susanna Nied. "Sommerfugledalen: Et Requiem / Butterfly Valley: A Requiem." World Literature Today 76, no. 2 (2002): 213. http://dx.doi.org/10.2307/40157453.

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29

Koss, James. "Regarding ER Doc, Requiem for a Requiem." Journal of Emergency Medicine 29, no. 1 (2005): 103. http://dx.doi.org/10.1016/j.jemermed.2005.03.001.

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30

Brzezinski, Steve, and Robert Crais. "L.A. Requiem." Antioch Review 58, no. 1 (2000): 119. http://dx.doi.org/10.2307/4613962.

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31

Pellew, Robin. "Gulf Requiem." Global Ecology and Biogeography Letters 1, no. 4 (1991): 97. http://dx.doi.org/10.2307/2997703.

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32

Imber, Jonathan B., Jonas McCord, and Bill Couturie. "Vietnam Requiem." Contemporary Sociology 17, no. 5 (1988): 719. http://dx.doi.org/10.2307/2074040.

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33

Cummings, Robert, and Neil B. Rolnick. "Requiem Songs." Computer Music Journal 21, no. 2 (1997): 96. http://dx.doi.org/10.2307/3681115.

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34

Svay, Sokunthary. "Cambodian Requiem." Manoa 34, no. 1 (2021): 243–48. http://dx.doi.org/10.1353/man.2021.0066.

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35

Sen, Sudeep. "Summer Requiem." World Literature Today 90, no. 2 (2016): 91–92. http://dx.doi.org/10.1353/wlt.2016.0150.

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36

Anderson, Robert, Duncan Druce, and Michael Pilkington. "Mozart: Requiem." Musical Times 135, no. 1814 (1994): 228. http://dx.doi.org/10.2307/1002772.

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37

Langaroudi, Shams. "Pomegranate; Requiem." Index on Censorship 26, no. 5 (1997): 38–39. http://dx.doi.org/10.1080/03064229708536210.

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38

Raphael, Sandra. "Redouté requiem." Nature 324, no. 6093 (1986): 176. http://dx.doi.org/10.1038/324176a0.

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39

MAUNDER, RICHARD. "MOZARTS REQUIEM." Music and Letters 71, no. 3 (1990): 473—b—474. http://dx.doi.org/10.1093/ml/71.3.473-b.

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40

JOUBERT, JOHN. "MOZART'S REQUIEM." Music and Letters 72, no. 1 (1991): 171—b—172. http://dx.doi.org/10.1093/ml/72.1.171-b.

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41

JOHN, JOUBERT. "MOZART'S REQUIEM." Music and Letters 72, no. 2 (1991): 354. http://dx.doi.org/10.1093/ml/72.2.354.

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42

MAUNDER, RICHARD. "Mozart's Requiem." Early Music XV, no. 3 (1987): 446—a—446. http://dx.doi.org/10.1093/earlyj/xv.3.446-a.

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43

Fitch, Fabrice. "Ockeghem's Requiem." Early Music XXII, no. 1 (1994): 155–56. http://dx.doi.org/10.1093/earlyj/xxii.1.155.

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44

Jones, Tim. "Mozart's Requiem." Early Music XXIII, no. 3 (1995): 502–6. http://dx.doi.org/10.1093/earlyj/xxiii.3.502.

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45

Knighton, Tess. "Escobar's Requiem." Early Music XXVII, no. 1 (1999): 142–43. http://dx.doi.org/10.1093/earlyj/xxvii.1.142.

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46

Klopp, Charles, Antonio Tabucchi, and Sergio Vecchio. "Requiem: Un'allucinazione." World Literature Today 67, no. 4 (1993): 800. http://dx.doi.org/10.2307/40149637.

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47

Mignone, Mario B., and Barth David Schwartz. "Pasolini Requiem." World Literature Today 68, no. 1 (1994): 104. http://dx.doi.org/10.2307/40149901.

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48

Nishino, Hiroki. "Oberhausen Requiem." Leonardo 43, no. 1 (2010): 13. http://dx.doi.org/10.1162/leon.2010.43.1.13.

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49

Ishigaki, Choko. "from Requiem." Manoa 13, no. 1 (2001): 16–18. http://dx.doi.org/10.1353/man.2001.0013.

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50

Forest, Philippe. "Pourquoi Requiem ?" Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 52, no. 1 (2017): 61–69. http://dx.doi.org/10.1075/rro.52.1.06for.

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Abstract:

Abstract Camus’s interest in stage adaptations and mainly the problem of evil as it is raised in Faulkner’s Requiem for a Nun tempted the French writer into adapting it for the stage. The reference found in this version to Dostoïevski’s Brothers Karamazov is not meant to assert a Christian faith, but on the contrary to grow away from it. Hence Camus keeps his distance with the part played by Nancy. His adaptation of the Requiem breaks away from the religious interpretations it has been submitted to, so in reality Camus moves along the same line taken by Faulkner, when he was re-writing his fir

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