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Journal articles on the topic 'Research ornament'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Kamal, M. Nasrul. "KERAJINAN PERAK TINJAUAN PADA PROSES DAN MAKNA SIMBOLIS ORNAMEN DI HOME INDUSTRY DI KOTO GADANG." Gorga : Jurnal Seni Rupa 9, no. 2 (2020): 409. http://dx.doi.org/10.24114/gr.v9i2.21229.

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AbstrakTulisan ini bertujuan untuk mengetahui secara mendalam dan mendeskripsikan tentang kerajinan perak pada home Industry di Koto Gadang ditinjau dari proses dan makna simbolis ornamen dengan metode diskriptif kualitatif. Tulisan ini dengan obyeknya difokuskan pada permasalahan yang berkaitan dengan proses dan makna simbolis ornamen. Data yang diperoleh menggunakan metode observasi, wawancara, dan dokumentasi dari beberapa sumber informan yang kompeten sesuai bidangnya. Keabsahan data diperoleh melalui ketekunan pengamatan, triangulasi metode dan sumber. Hasil tulisan ini adalah: (1) Proses

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2

Hasugian, Viktor Saimar Lamhot, and Mesra Mesra. "ANALYSIS OF THE IMPLEMENTATION OF TRADITIONAL KARO ORNAMENTS IN THE INCULTURATIVE CATHOLIC CHURCH OF BERASTAGI." Artchive: Indonesia Journal of Visual Art and Design 2, no. 1 (2021): 1. http://dx.doi.org/10.53666/artchive.v2i1.1727.

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This research is motivated by the uniqueness of the Karo Berastagi Inculturative Catholic Church, where there are ornaments on the walls of the buildings that adopt the architecture of the traditional Karo traditional house and the incorporation of Christian ornaments. The purpose of this study was to determine the shape, color, meaning and placement of ornaments in the Berastagi Inculturative Catholic Church. The research method in this research is descriptive qualitative. Data collection techniques used are field observations, interviews and documentation. Precisely in the shape of the ornam

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3

Hasibuan, Ahmad Taufik, and Misgiya Misgiya. "PENERAPAN ORNAMEN TRADISIONAL PADA RUMAH ADAT MANDAILING." Gorga : Jurnal Seni Rupa 9, no. 2 (2020): 455. http://dx.doi.org/10.24114/gr.v9i2.22119.

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AbstrakPenelitian ini bertujuan untuk mengatahui macam-macam bentuk, warna ornamen Mandailing yang diterapkan pada rumah adat di Desa Pidoli Dolok Kecamatan Panyabungan, untuk mengetahui sejauh manakah penerapan ornamen Mandailing pada rumah adat di Desa Pidoli Dolok ditinjau dari bentuk, warna dan tata letak. Metode penelitian yang digunakan adalah deskriptif kualitatif. Teknik pengumpulan data yang digunakan adalah observasi lapangan, wawancara dan dokumentasi. Populasi dalam penelitian ini adalah 12 jenis ornamen Mandailing yang diterapakan pada rumah adat di Desa Pidoli Dolok Kecamatan Pan

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Rudiansyah, R., Dessry Yanty, and Julina Julina. "MAKNA SIMBOL DAN ORNAMEN PADA BANGUNAN VIHARA GUNUNG TIMUR." Bambuti 5, no. 2 (2023): 51–70. http://dx.doi.org/10.53744/bambuti.v5i2.83.

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The title of this research was ‘The Meaning of Symbols and Ornaments in the Building of Vihara Gunung Timur’. The research problems were 1) what types of symbol and ornament are found in the building of Vihara Gunung Timur? and 2) what the meaning of symbols and ornaments found in the building of Vihara Gunung Timur?. The research used descriptive qualitative method. The theory used in the research was the theory of semiotics of Charles Sanders Peirce. The data were gathered by conducting observation, interview, and documentary study and explaining the kinds of ornament the building of Vihara

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Dalimunthe, Listy Ennida, Sugito Sugito, Osberth Sinaga, and Nelson Tarigan. "HUBUNGAN KEMAMPUAN MENGGAMBAR BENTUK DAN MENGGAMBAR ORNAMEN DENGAN HASIL BELAJAR MODIFIKASI MOTIF ORNAMEN BATAK ANGKOLA PADA SISWA SMP NEGERI 28 MEDAN." Gorga : Jurnal Seni Rupa 8, no. 1 (2019): 80. http://dx.doi.org/10.24114/gr.v8i1.12798.

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AbstrakPenelitian ini bertujuan untuk mengetahui apakah ada hubungan kemampuan menggambar bentuk dan menggambar ornamen dengan hasil belajar modifikasi motif ornamen Batak Angkola. Objek yang digambar untuk menggambar bentuk adalah botol dan gelas dan motif yang digambar untuk menggambar ornamen adalah motif Batak Angkola. Adapun populasi dalam penelitian ini seluruh siswa kelas VII SMP Negeri 28 Medan dengan jumlah 240 siswa dan sampel yaitu kelas VII B yang berjumlah 30 siswa dengan menggunakan teknik cluster random sampling. Metode penelitian ini menggunakan penelitian correlational researc

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6

Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch

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7

., Mirza Prastyo, Dr Drs I. Ketut Supir, M. Hum ., and I. Gusti Made Budiarta, S. Pd ,. M. Pd . "Omprok Gandrung Banyuwangi." Jurnal Pendidikan Seni Rupa Undiksha 7, no. 2 (2018): 27. http://dx.doi.org/10.23887/jjpsp.v7i1.13630.

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Penelitian ini bertujuan untuk mendeskripsikan: (1) Alat dan bahan dalam pembuatan Omprok Gandrung Banyuwangi (2) Proses pembuatan Omprok Gandrung Banyuwangi (3) Ornamen Omprok Gandrung Banyuwangi (4) Makna Ornamen Omprok Gandrung Banyuwangi. penelitian ini merupakan penelitian deskriptif kualitatif. Sasaran adalah Omprok (Mahkota) Penari Gandrung dengan memilih Sutrisno, Suwari, Eko Susanto dan Sayun Sisiyanto sebagai narasumbernya. Pengumpulan data dalam penelitian ini dilakukan dengan teknik (1) Observasi, (2) wawancara, (3) Dokumentasi, dan (4)Triangulasi, serta menggunakan Analisis Takson

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8

Agustin, Dyan, Nur Rahmatul Lailiyah, Mu'ammar Fadhil, and M. Ferdiyan Arya. "Kajian Ornamen pada Rumah Tradisional Madura." NALARs 19, no. 2 (2020): 97. http://dx.doi.org/10.24853/nalars.19.2.97-104.

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ABSTRAK. Ornamen merupakan suatu hiasan yang dibentuk dengan mengembangkan dari bentuk-bentuk yang ada di alam. Ornamen pada bangunan tradisional berbentuk ragam hias dimana teknik maupun pengungkapannya dibuat menurut aturan-aturan, norma serta pola yang telah digariskan dan menjadi kesepakatan bersama dan diwariskan secara turun temurun. Pada rumah tinggal Madura, terdapat ornamen dalam elemen arsitekturalnya dimana keberadaan ornamen tersebut tidak lepas dari adanya akulturasi kebudayaan antar suku yang menetap di Madura. Penelitian ini membahas akulturasi kebudayaan mana saja yang mempenga

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9

Siregar, Siti Asyiah, Sugito Sugito, and Wahyu Tri Atmojo. "HUBUNGAN PENGETAHUAN DAN KEMAMPUAN MENDISAIN ORNAMEN DENGAN HASIL BELAJAR MEMBATIK MOTIF ORNAMEN BATAK ANGKOLA MANDAILING SISWA KELAS X SMK KARYA BUNDA MEDAN." Gorga : Jurnal Seni Rupa 8, no. 2 (2019): 363. http://dx.doi.org/10.24114/gr.v8i2.15267.

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AbstrakPenelitian ini dilakukan di SMK Karya Bunda Medan yang bertujuan untuk membuktikan apakah ada hubungan yang siknifikan antara hubungan pengetahuan ornamen dan kemampuan mendesain ornamen terhadap hasil belajar membatik motif ornamen Batak Angkola Mandailing. Populasi dalam penelitian ini adalah seluruh siswa kelas X SMK Karya Bunda Medan. Pengambilan sampel menggunakan teknik sampel jenuh sebanyak 19 orang dari kelas X. Penelitian ini menggunakan metode korelasional, yaitu penelitian ini mencari ada tidaknya hubungan antara pengetahuan dan kemampuan mendisain ornamen dengan hasil belaja

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Palaguta, Ilia V. "Studies of Ornament: Main Trends and Prospects." Vestnik of Saint Petersburg University. Arts 10, no. 4 (2020): 571–85. http://dx.doi.org/10.21638/spbu15.2020.403.

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The analysis of the ornament is the key issue in the studies of the applied decorative art. Nevertheless, the principal points pertaining to the nature of ornament, its expressivity, semantics, compositional principles and cultural value, have only been covered intermittently. This is primarily due to the disengagement of the various academic fields involved in the studies of ornament: art history, cultural anthropology, ethnography, archeology, etc. It seems important to synthesize the methods and approaches as well as set up the basis for developing the general principles for the studies of

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11

Annisa Rizda Anfa and Susi Susanti. "Analisis Semiotika Ornamen pada Masjid Raya An-Nur Riau." Talenta Conference Series: Local Wisdom, Social, and Arts (LWSA) 3, no. 3 (2020): 153–61. http://dx.doi.org/10.32734/lwsa.v3i2.875.

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Penelitian ini mendeskripsikan tentang makna yang terdapat pada ornamen Masjid Raya An-Nur di Riau dengan menggunakan teori semiotika oleh Danesi. Penelitian ini menggunakan metode penelitian kualitatif deskriptif. Tujuan penelitian ini adalah untuk mengetahui jenis, bentuk, serta mendeskripsikan makna ornamen yang terdapat pada Masjid Raya An-Nur Riau dalam ilmu semiotika. Hasil penelitian ini menunjukkan bahwa jenis ornamen yang terdapat pada Masjid Raya An-Nur di Riau yaitu ornamen Arab dan ornamen Melayu, serta bentuk ornamen yang terdapat pada Masjid Raya An-Nur di Riau yaitu bentuk ornam

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12

Mesra, Mesra, Gamal Kartono, and Anam Ibrahim. "PENERAPAN ORNAMEN TRADISIONAL SUMATERA UTARA PADA TOPLES MAKANAN SEBAGAI SARANA REVITALISASI." Gorga : Jurnal Seni Rupa 11, no. 1 (2022): 81. http://dx.doi.org/10.24114/gr.v11i1.33639.

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The purpose of this study is to find out the effectiveness of the preservation of traditional North Sumatra ornaments, by revitalizing. The steps are 1. Resocializing traditional North Sumatra ornaments to the next generation, 2. Display ornaments in the form of cutting stickers, and 3. Apply the cutting sticker on the outer surface of the food jar. Research methods conducted: 1. re-record the traditional ornament forms of North Sumatra, 2. determine the selected ornament as a sample, 3. re-design the shape of the ornament with a computer, 4. Apply the design to cutting sticker, 5. identify th

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13

Siregar, Purnama Sari, Onggal Sihite, and Fuad Erdansyah. "ANALISIS KARYA LUKIS PADA BOTOL KACA BEKAS DENGAN MENERAPKAN ORNAMEN SUMATERA UTARA OLEH SISWA KELAS XI SMAS AL-WASHLIYAH PASAR SENEN MEDAN T.A 2018/2019 DITINJAU DARI PRINSIP-PRINSIP DESAIN." Gorga : Jurnal Seni Rupa 8, no. 1 (2019): 10. http://dx.doi.org/10.24114/gr.v8i1.12652.

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AbstrakPenelitian ini bertujuan untuk memperkenalkan ornamen Sumatera Utara kepada siswa serta melatih kemampuan siswa dalam melukis ornamen dengan menerapkan prinsip-prinsip desain. Melukis ornamen adalah salah satu cara mengenal dan memelihara ornamen. Tahapan penelitian ini diawali dengan pembelajaran tentang ornamen Sumatera Utara dan prinsip-prinsip desain. Selanjutnya siswa diberi tugas untuk melukis ornamen Sumatera Utara. Artinya, siswa bebas mengekspresikan konsepnya lewat bentuk-bentuk ornamen tersebut. Metode penelitian yang dilakukan adalah deskriptif kualitatif yang menganalisis p

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14

Berezka, K. M., and O. M. Berezsky. "SYNTHESIS OF IMAGES-ORNAMENTS." Ukrainian Journal of Information Technology 3, no. 1 (2021): 56–62. http://dx.doi.org/10.23939/ujit2021.03.056.

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The article developed the mathematical model for the synthesis of ornamental images and implemented the software editor of ornamental images, based on symmetry theory. The paper shows the fundamental role of symmetry. It is analyzed that the symmetry theory methods are used in physics, chemistry, biology, and engineering. It was found that symmetry is based on transformation and storage. In addition, the symmetrical system is based on a set of invariants that are built according to certain rules. It is shown that the symmetry of borders and the symmetry of mesh ornaments are used in ornaments.

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Akbar, Taufik, Desra Imelda, Nofi Rahmanita, Dini Yanuarmi, and Izan Qomarats. "Representasi Nilai Multikultural dalam Desain Ornamen Songket “Kambang Cino” Koto Gadang." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 9, no. 03 (2023): 326–42. http://dx.doi.org/10.33633/andharupa.v9i03.6996.

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Abstrak Visualisasi suatu karya seni dapat dipengaruhi oleh kondisi zaman yang terkait dengan seniman dan gejala sosio-kultural suatu masyarakat, termasuk seni ragam hias atau ornamen. Ornamen songket “Kambang Cino” Koto Gadang secara tidak langsung dapat mengungkapkan pandangan hidup masyarakat perajin sekaligus gejala sosio-kultural yang diduga kuat merefleksikan keberadaan nilai multikultural. Tujuan penelitian ini adalah untuk menjelaskan bentuk visual, gaya seni, makna sekunder, tema karya, makna intrinsik dan nilai simbolik dari ornamen songket “Kambang Cino” Koto Gadang. Penelitian dila

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16

Weckman, Jan Kenneth. "In retrospect: do we have to choose between art and research practice." Approaching Religion 6, no. 2 (2016): 164–85. http://dx.doi.org/10.30664/ar.67601.

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How do artists experience and address beauty at present? Has the notion of beauty vanished completely from artistic discourse? Are ornaments still allowed? What does a contemporary ornament look like? In the exhibition Ornament & Beauty, mounted at Titanik Gallery (5–29 May 2016) in connection with the conference Art Approaching Science and Religion, 12–13 May 2016, the artists intended to comment on questions such as those in the texts published here and through the art works presented.

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Demidova, Malvina, and Irina Borisovna Dadianova. "Traditional ornament in the multimedia space." Культура и искусство, no. 4 (April 2022): 67–77. http://dx.doi.org/10.7256/2454-0625.2022.4.37767.

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The subject of this research is the project process of introducing the art of traditional ornament into the multimedia space. The relevance and novelty of the topic are caused by the use of motifs of Russian traditional ornaments in a new technological environment, which also helps to attract the attention of the younger generation to traditional culture, strengthening the connection between traditions and modernity. The aim of the research is to study the interpenetration and mutual influence of artistic techniques and creative methods of creating traditional ornaments for adaptation and appl

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Pratiwi, Bias Nurul, Ade Novi Nurul Ihsani, and Dini Amira. "KELAYAKAN ORNAMEN MAHAR PENGANTIN DARI LIMBAH ALUMINIUM FOIL." Fashion and Fashion Education Journal 10, no. 1 (2021): 36–40. http://dx.doi.org/10.15294/ffej.v10i1.36113.

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Aluminum foil has the characteristics of being strong, lightweight, heat-resistant and does not contain macnet, is one type of metal that is often found in everyday life. The suitable color is made of aluminum foil suitable for ornamental raw materials. The purpose of this research: to study how the validity of the products and the feasibility of dowry ornaments from aluminum foil waste. The research method is an experimental method. The technique of taking data using a questionnaire or questionnaire. The analysis technique uses descriptive percentages. The dowry ornament sensory test results

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Saragih, Dearma A., Yulianto Yulianto, and Raimundus Pakpahan. "KAJIAN ORNAMEN GORGA DI RUMAH ADAT BATAK TOBA (Studi Kasus : Di Kawasan Desa Wisata Tomok, Huta Siallagan dan Huta Bolon Di Kabupaten Samosir)." ALUR : Jurnal Arsitektur 2, no. 1 (2019): 1–14. http://dx.doi.org/10.54367/alur.v2i1.368.

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One of the interesting cultural potentials to be studied is traditional houses. This traditional house has its own uniqueness in every area. One of the uniqueness can be seen from the many ornaments in it. Diversity has its own meaning and function. Ornaments is one of the historical heritage of Indonesia where almost all the tribes in Indonesia can be found various kinds of ornaments that reflect the techniques of each region in Indonesia. Ornament Batak Toba is one of the many ornaments that exist in this country Indonesia. Toba Batak ornament can be found in North Sumatera Province precisel

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Anča, Sindija. "The Nomenclature of Traditional Ornaments in Latvian and Lithuanian." Sustainable Multilingualism 23, no. 1 (2023): 228–48. http://dx.doi.org/10.2478/sm-2023-0019.

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Abstract The traditional ornaments, characteristic for the Latvian and Lithuanian ethnographic regions, are an essential part of traditional Baltic culture. Since the 19th century researchers have studied their technical aspects and semiotics (Brastiņš, 1923; Dzērvīts, 1925; Celms 2007) but little attention has been paid to empirical terminology. The name is an integral part of the sign, it often carries semantic information helping to reveal its usage and significance. In Latvia, the names of traditional signs have been influenced by the work of Brastiņš and dievturi (“Keepers of Dievs”) who

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Chystikov, Oleksii. "To the Problem of Determining the Geometric Ornament Concept on the Example of Ukrainian Decorative and Applied Arts." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 1 (2022): 37–48. http://dx.doi.org/10.31866/2617-7951.5.1.2022.257480.

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The purpose of the study is try to outline the variability of understanding the “geometric ornament” concept; determine what are the main differences among this concept interpretations; after conducting an analysis, determine which meaning of the concept is the most logical and scientifically sound. The research methodology involves the use of analysis, comparison, and theoretical generalization methods. Scientific novelty. Emphasis is placed on the differences in researchers’ opinions in the interpretation of the “geometric ornament” concept. The features of geometric ornament are determined,

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Chystikov, Oleksii. "To the Problem of Determining the Geometric Ornament Concept on the Example of Ukrainian Decorative and Applied Arts." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 1 (2022): 37–48. https://doi.org/10.31866/2617-7951.5.1.2022.257480.

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The purpose of the study is try to outline the variability of understanding the “geometric ornament” concept; determine what are the main differences among this concept interpretations; after conducting an analysis, determine which meaning of the concept is the most logical and scientifically sound. The research methodology involves the use of analysis, comparison, and theoretical generalization methods. Scientific novelty. Emphasis is placed on the differences in researchers’ opinions in the interpretation of the “geometric ornament” concept.

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Mahmudnejad, A., E. Andaroodi, and M. Saadatseresht. "ADVANCED CLUSTERING OF ARCHITECTURAL GEOMETRIC ORNAMENTS USING SMALL SCALE MACHINE LEARNING, CASE STUDY OF ILKHANID GEOMETRIC PATTERNS." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences X-4/W1-2022 (January 14, 2023): 417–22. http://dx.doi.org/10.5194/isprs-annals-x-4-w1-2022-417-2023.

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Abstract. Classification is an essential step for architectural historians for better understanding and typology of cultural heritage. This research aims to automatically cluster geometric ornaments of the Ilkhanid period in Iran through using machine learning It examines the application of advanced computer science tools and methods in analysis of architectural heritage by searching the possibility of clustering ornament images with machine learning into different clusters. After examining case studies of mosques, tombs or other buildings in Iran from the Ilkhanid period (1256–1335 CE), 231 i

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Syaputri, Tri Ananda, and Wahyu Tri Atmojo. "Eksperimen Pengembangan Desain Berbasis Enam Bentuk Motif Ornamen Pada Karya Batik Tulis di Sanggar Seni Pendopo." Visual Heritage: Jurnal Kreasi Seni dan Budaya 6, no. 2 (2024): 296–311. http://dx.doi.org/10.30998/vh.v6i2.8747.

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Pengembangan desain batik yang ada di Sumatera Utara pada umumnya lebih dominan menggunakan motif ornamen tradisional yang ada di Sumatera sendiri, karena motif ornamen dan warna pada batik telah memiliki makna simbolis dan sebagai salah satu ciri khas tiap daerah yang ada di Sumatera Utara. Penelitian ini bertujuan untuk mengetahui pengolahan desain berbasis enam bentuk motif ornament pada karya batik tulis, mengetahui hasil pengembangan desain berbasis enam bentuk motif ornament pada karya batik tulis dan mengetahui hasil karya batik yang telah dibuat serta penjelasan dari setiap karya batik

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Grigoreva, Alina. "Defining the boundaries of the meaning of ornamental compositions in the art of the Pazyryk culture." Философия и культура, no. 10 (October 2024): 1–12. http://dx.doi.org/10.7256/2454-0757.2024.10.71893.

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The article is devoted to the analysis of the semiotic field of the term "ornamental composition" in the context of definitions of ornament and composition in the art of the Pazyryk culture and its historiography. The subject of the study is ornamental compositions from elite burials of the Pazyryk culture of different periods of its development – the early Second Bashadar kurgan and the Tuekta burial ground and the late Pazyryk burial ground. In addition, the paper examines the specifics of the use of the terms "composition" and "ornament" in order to highlight the history of their meanings,

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Sharapov, Ivan A. "THE ORNAMENT CONCEPT IN THE MANIFESTOS OF THE ARCHITECT B. TSCHUMI." Articult, no. 1 (2021): 32–42. http://dx.doi.org/10.28995/2227-6165-2021-1-32-42.

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The article elevates the problem of studying ornamental forms in architecture. Ornament in the context of deconstructivism seems to be a paradoxical phenomenon, but, nevertheless, its presence is marked by the conceptual texts of deconstructivist architects. The ornament is studied as a formal aspect, the structure of which is able to involve, link and produce a number of essential characteristics that determine architectural shaping. Ornament is interconnected with form, semantic, communicative, and formal aspects that are integrated and localized in the concepts, form, and space of architect

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H, M. Hasrul, Hariani Hariani, and Yahya Yahya. "Rancang Bangun Sistem Pemasaran Produk Ornamen Bangunan Di Kabupaten Gowa Berbasis Android." Journal Software, Hardware and Information Technology 3, no. 1 (2023): 51–62. http://dx.doi.org/10.24252/shift.v3i1.81.

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The industrial era is forcing almost all sectors and business players to replace their service and product marketing systems with conventional to digital technology, likewise in building ornament artisans. An ornament is a decoration made to beautify a house or building both outside and inside the room; the function of the ornament is also to provide air circulation in the room to get fresh air. This research aims to make it easier for building ornament artisans to market their products more broadly. The approach used in developing this software is a prototype that allows interaction between s

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Prychepii, Yevhen. "Seven-membered structure of the moon cycle and the “running spiral” ornament on Trypillian ceramics." Interdisciplinary Cultural and Humanities Review 2, no. 3 (2023): 6–17. http://dx.doi.org/10.59214/cultural/3.2023.06.

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The examination of the semantics of ornaments of the Trypillian culture, in particular, the most common ornament, “running spiral”, is necessary for penetration into the spiritual world of the bearers of this culture. The purpose of the study is to show that the symbols of the “running spiral” ornament hide the seven-membered cycle of the moon. The following methodological approaches are used: a) deities are seen behind the symbols of the ornament, not things; b) the division of deities by gender is considered c) the structural method is used in the analysis of symbols. Eight- and seven-member

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Prychepii, Yevhen. "Seven-membered structure of the moon cycle and the “running spiral” ornament on Trypillian ceramics." Interdisciplinary Cultural and Humanities Review 3, no. 1 (2024): 6–17. http://dx.doi.org/10.59214/cultural/1.2024.06.

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The examination of the semantics of ornaments of the Trypillian culture, in particular, the most common ornament, “running spiral”, is necessary for penetration into the spiritual world of the bearers of this culture. The purpose of the study is to show that the symbols of the “running spiral” ornament hide the seven-membered cycle of the moon. The following methodological approaches are used: a) deities are seen behind the symbols of the ornament, not things; b) the division of deities by gender is considered c) the structural method is used in the analysis of symbols. Eight- and seven-member

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Abrar, M. I., A. Munir, and Safwan. "The effect of islamic ornament as secondary skin on daylight quality." IOP Conference Series: Earth and Environmental Science 1356, no. 1 (2024): 012070. http://dx.doi.org/10.1088/1755-1315/1356/1/012070.

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Abstract Islamic ornaments are used extensively in different types of buildings, serving both aesthetic and functional purposes. They are used in mosques, offices and other buildings, serving as both interior and exterior elements. One application is their use as secondary skins to cover window openings. This research investigates the effect of Islamic ornaments as secondary skins on interior lighting. The main question addressed is how Islamic ornaments affect the quality of natural lighting. Using computer simulations, scenarios with clear glass and varying ornament distance from the window

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Maura Annisa, Zuindra Zuindra, and M.Kiki Wardana. "THE MEANING ON MAIMUN PALACE ORNAMENTS: SEMIOTIC STUDY." Jurnal Pendidikan dan Sastra Inggris 2, no. 1 (2022): 107–19. http://dx.doi.org/10.55606/jupensi.v2i1.587.

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The purpose of this study is how the writer found shape and meaning in the ornament in Maimun palace. The writer applied the theory of Semiotics proposed by Peirce (1978). The method is a qualitative research method, which is directly analyzes the facts found in the field. The writer obtained the data by conducting observations and interviews directly to the field, as well as getting information from several books and websites. The result showed that it was found some types of ornaments at the Maimun Palace. Then the writer compiled and described them based on the shape, namely ornament in the

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Eshwar, Lakshmi, and Dr G. Selvalakshmi. "Awareness and Perception of Gold Ornament Buyers in Bangalore- A Mixed Method Approach." Indian Journal of Information Sources and Services 14, no. 3 (2024): 30–38. http://dx.doi.org/10.51983/ijiss-2024.14.3.05.

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Purpose: This study aims to examine the level of Awareness among gold ornament buyers in Bangalore and assess its influence on their purchase intention towards gold ornaments. This study investigates the perception of gold ornaments among buyers in Bangalore. The study also understands the behavior of gold buyers regarding the online purchase of gold ornaments and the role of digital marketing on the purchase intention of gold buyers. Methods: The current study uses a mixed research approach based on primary data from gold ornament buyers and sellers. For quantitative analysis, a sample size o

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Nabila, Ayesya Ainun, Ayu Safira Septiana, Githa Nabila, and Resky Annisa Damayanti. "PENERAPAN ORNAMEN KHAS BETAWI DALAM INTERIOR MASJID RAYA KH. HASYIM ASYARI JAKARTA BARAT." Jurnal Dimensi Seni Rupa dan Desain 16, no. 2 (2020): 101–12. http://dx.doi.org/10.25105/dim.v16i2.7052.

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Abstract The Mosque is the buildings of worship for Muslims who can accommodate the worshipers. In the Mosque’s interior design is identical to the use of typical Middle Eastern ornaments such as calligraphy, but over time the Mosques in Indonesia have begun to apply the special ornaments of the area where the Mosque is located, for example the Great Mosque KH Hasyim Asyari which applying Betawi ornaments to the exterior and interior. Betawi ornaments themselves are identical applied to Betawi traditional houses, for example Gigi Balang ornaments that are applied to the house’s lisplang, and a

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Harriyadi, Harriyadi. "MAKNA RAGAM HIAS ŚAṄKHA BERSAYAP PADA CANDI HINDU DAN BUDDHA". PURBAWIDYA: Jurnal Penelitian dan Pengembangan Arkeologi 9, № 2 (2020): 113–30. http://dx.doi.org/10.24164/pw.v9i2.377.

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A temple is a religious building that used by Hindu and Buddhist devotees to do religious practices. The architectural form of temple is made to resemble a mountain as symbol of the gods’ house. Each decorative ornament carved in a temple represents the natural environment of heaven and it has meaning which was related with religious aspect. One of the most interesting decorative ornament carved in temple is the winged śaṅkha which usually was used as an attribute of deity. The goal of this research is to explain the meaning of winged śaṅkha ornament in temple. This research was conducted by c

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Indraprasti, Anggri, and Imam Santosa. "Makna Ornamen Ular Naga dan Floral pada Kursi Rapat di Keraton Sumenep." Lintas Ruang: Jurnal Pengetahuan dan Perancangan Desain Interior 11, no. 2 (2023): 83–91. https://doi.org/10.24821/lintas.v11i2.10547.

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Abstrak Kehadiran ornamen dapat dilihat pada produk, meja, kursi, langit-langit, cermin, lantai, tangga, pintu, jendela, dan lainnya. Bentuk dan warnanya beragam, mulai dari ukiran timbul, ukiran datar, bermotif fauna, dan flora. Pada era modern, hanya sedikit masyarakat yang menggunakan ornamen tradisional di perabotan mereka, disebabkan terjadi peralihan dari ornamen yang rumit menjadi lebih sederhana/praktis. Fenomena ini berdampak ornamen tradisional yang memiliki simbol dan makna khusus, perlu dilestarikan. Sebagai salah satu upaya menjaga budaya asli, masyarakat Madura, khususnya Sumenep

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Purniati, Tia, Turmudi Turmudi, Dadang Juandi, and Didi Suhaedi. "Ethnomathematics Exploration of The Masjid Raya Bandung Ornaments in Transformation Geometry Materials." Journal of Medives : Journal of Mathematics Education IKIP Veteran Semarang 5, no. 2 (2021): 235. http://dx.doi.org/10.31331/medivesveteran.v5i2.1639.

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The mosque is the result of acculturation between Islamic culture and local culture. Many mosque ornaments use geometric motifs. This research is an ethnomathematics study that aims to explore the ethnomathematics aspects of mosque ornament, especially the material of geometric transformation Ethnomathematics research is part of qualitative research, so this research uses qualitative research. The purpose of ethnomathematics research is to study the mathematical ideas contained in a culture, so the method used is ethnographic. The research location is Masjid Raya Bandung which was selected by

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Nediari, Amarena, and Grace Hartanti. "Pendokumentasian Aplikasi Ragam Hias Budaya Betawi pada Desain Interior Ruang Publik Café Betawi." Humaniora 6, no. 3 (2015): 367. http://dx.doi.org/10.21512/humaniora.v6i3.3363.

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Various ornaments of Indonesia come from the ethnic groups from all over the archipelago. Ornament is a tangible culture which has specific meaning and purposes. Its meaning does not change throughout the ages. Betawi culture has become cultural roots for most people in Jakarta which also as the capital city of Indonesia. Betawi culture is seen in a wide variety of dance, batik, decorative ornaments, and culinary. Betawi ornament can also be seen in the architecture and public areas since the geometrical shape is very easy to apply as interior element. The application of Betawi ornaments in a

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PUTRI, RIZKI ADINDA. "Ornamen MENELAAH ORNAMEN RUMAH TRADISIONAL BUMBUNGAN LIMA PADA ARSITEKTUR RUMAH FATMAWATI SOEKARNO." Jurnal PATRA 4, no. 2 (2022): 91–96. http://dx.doi.org/10.35886/patra.v4i2.314.

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Abstract :  Culture transitions as a result of globalization, even being forgotten by modern society. This shift in local culture occurs in various aspects, one of which is traditional buildings. The existence of traditional buildings must be maintained and applied because traditional buildings have a national identity that has philosophical values and their uniqueness, very different from modern buildings. One of the elements of wealth in traditional buildings is the presence of ornaments. special layout. the traditional ornament of the Bumbungan Lima House which has been implemented in

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Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.

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Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenten

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Magfirah, Siti, and Habib Husnial Pardi. "Ethnomathematics Exploration of Islamic Ornaments of the Mataram State Islamic University Building." Journal of Math Tadris 4, no. 1 (2024): 67–77. http://dx.doi.org/10.55099/jmt.v4i1.128.

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The aim of this research is to determine the ethnomathematics elements in the Islamic ornament design of building B FTK UIN Mataram. This research is a type of qualitative descriptive research. Data on ethnomathematics elements in the Islamic ornament design of building B FTK UIN Mataram was taken using observation and documentation techniques. The object in this research is the Islamic ornaments of building B FTK UIN Mataram. All data were analyzed using qualitative descriptive with the Miles and Huberman model. The results of the research are that there are ethnomathematics aspects in the Is

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Arisyanto, Prasena, Mei Fita Asri Untari, and Riris Setyo Sundari. "Struktur Pertunjukan dan Interaksi Simbolik Barongan Kusumojoyo di Demak." Gondang: Jurnal Seni dan Budaya 3, no. 2 (2019): 111. http://dx.doi.org/10.24114/gondang.v3i2.13921.

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Barongan is one of traditional arts owned by society in Demak regency. Barongan born and developed together with its supporting community, one of them is Barongan Kusumojoyo’s group. This research aims to analyze the structure and symbolic interaction of Barongan Kusumojoyo performing arts. Research methods use qualitative with ethnographic design. Data collection use observation, interview, and document study. Data analysis use theory of form of the show, structural functional, and symbolic interaction, with three steps of analysis. Data validation use technical triangulation and source trian

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Triawan, Edo Wahyu, Misgiya Misgiya, and Nelson Tarigan. "ORNAMEN MELAYU DENGAN MEDIA KACA BIDANG DATAR DITINJAU DARI PRINSIP-PRINSIP SENI RUPA." Gorga : Jurnal Seni Rupa 10, no. 1 (2021): 62. http://dx.doi.org/10.24114/gr.v10i1.23037.

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This study aims to analyze and describe the application of Malay ornaments on flat-plane glass media by class XI SMAS Dharma Karya Beringin students based on the principles of fine arts, especially in the aspects of unity, balance, harmony, center of attention, and rhythm. This study used descriptive qualitative method. The subjects of this research were students of class XI SMAS Dharma Karya Beringin and the object of the research was the Malay ornament work on flat glass media totaling 15 students' works using the Census Sampling technique. The results of this study explain that the mean sco

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Tampubolon, Flansius, and Jekmen Sinulingga. "Meaning of Ornaments in Pakpak Traditional House: Semiotic Study." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 3 (2020): 2318–24. http://dx.doi.org/10.33258/birci.v3i3.1179.

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This study aims to explore the meaning of the Pakpak traditional house ornament. This study reveals the meaning that symbolically represents cultural values in the Pakpak community. This study uses a semiotic approach with qualitative descriptive research methods. The ornaments in the Pakpak traditional house imitate the shapes associated with human limbs, in the form of animals, in the form of plants and resembling the cosmos or nature. Each form of ornament has a meaning which is the cultural values that the Pakpak community believes in.

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Nofiyanti, Nofiyanti, and Heldi Heldi. "Form, Function, And Meaning Of Fasade Ornament Design Malay Traditional Balai Building, Riau Province In Pekanbaru." LANGGAM: International Journal of Social Science Education, Art and Culture 1, no. 04 (2022): 01–06. http://dx.doi.org/10.24036/langgam.v1i04.26.

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The Riau Malay Traditional Hall building is a form of culture in the form of objects inherited by previous generations that still exist today. Where the Malay Traditional Hall building has become a symbol of Malay culture and also shows how the arts and creativity of the Malay community are in the field of ornamental design. The purpose of this research is to increase public understanding, especially the younger generation of Malays regarding the form, function, and meaning of the existing ornament designs at the Riau Malay Traditional Hall. With the increasing understanding of the community,

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Yanti, Nofiyanti Nofi. "FORM, FUNCTION, AND MEANING OF FASADE ORNAMENT DESIGN MALAY TRADITIONAL BALAI BUILDING, RIAU PROVINCE IN PEKANBARU." LANGGAM International Journal of Social Science Education, Art and Culture 1, no. 04 (2022): 01–06. http://dx.doi.org/10.24036/langgam.v1i4.26.

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The Riau Malay Traditional Hall building is a form of culture in the form of objects inherited by previous generations that still exist today. Where the Malay Traditional Hall building has become a symbol of Malay culture and also shows how the arts and creativity of the Malay community are in the field of ornamental design. The purpose of this research is to increase public understanding, especially the younger generation of Malays regarding the form, function, and meaning of the existing ornament designs at the Riau Malay Traditional Hall. With the increasing understanding of the community,

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Widayat, Rahmanu. "Dragon Ornaments in The Contexts of Batik Cloth, and The Cultures of Javanese and Tionghoa in Indonesia." Mudra Jurnal Seni Budaya 37, no. 3 (2022): 319–38. http://dx.doi.org/10.31091/mudra.v37i3.2017.

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This paper was created to discuss an interesting issue, dragon ornament in batik cloth, the value of its aesthetics, and its context to Javanese and Tionghoa (Chinese) culture in Indonesia. This paper attempts to answer several questions including what is a dragon ornament, why is a dragon ornament applied to batik cloth, how is it aesthetic, and how is the relationship between Javanese and Tionghoa dragon ornaments in Indonesia. This issue is approached using interpretation perspective, both specifically in the context of batik cloth and its aesthetics, as well as in a broader context of Java

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Палагута, И. В. "Ornament in Decorative and Applied Arts and Architecture: in Search of Theoretical Guidelines." Terra artis. Art and Design, no. 2 (July 1, 2023): 102–23. http://dx.doi.org/10.53273/27128768_2023_2_102.

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В исследовании орнамента назрела необходимость «расставить точки над i»: уточнить используемую терминологию, более четко обозначить основные направления его исследования, которые должны основываться не на воображаемых посылках, а на реальных возможностях материала. Широко используемые термины «орнамент» и «декор» неравнозначны, сущностной характеристикой орнамента является его ритмическая организация. Исходные формы орнаментальных мотивов могут быть как геометрическими, чаще всего производными от «технического орнамента», так и фигуративными. При этом интерпретация даже сходных мотивов может б

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Ali, Almer Hassan. "KAJIAN MAKNA RAGAM HIAS RUMAH ADAT BANTAYO PO’ BOIDE KABUPATEN GORONTALO." Jurnal Patra 3, no. 2 (2021): 121–26. http://dx.doi.org/10.35886/patra.v3i2.252.

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This research generally aims to gain knowledge about the traditional values of the Bantayo Po 'Boide Traditional House by trying to express the cultural values of the people of Gorontalo Regency. This research Specifically a variety of decorative meanings in the Bantayo Po' Boide traditional house. This research uses descriptive method by collecting various qualitative and quantitative data relating to the form and symbolic meaning of the Bantayo Po' Boide Traditional House of Gorontalo Regency, while the data collection uses the method of Observation, Documentation, Interview and Literature S

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Yusof, Abdullah, Aizan Hj Ali @. Mat Zin, and Ahmad Faisal Abdul Hamid. "Islamic Nuance in Decorative-Ornament Architecture Art in Nusantara." International Journal of Nusantara Islam 2, no. 1 (2014): 95–104. http://dx.doi.org/10.15575/ijni.v2i1.51.

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The advent of Islam in Nusantara sparked new phenomena or changing not only in structure of building construction of religious places, residency and houses but also ornaments and decoration expressing value of beauty of that building. The result of this research tries to reveal how far Islamic influence is working without undermining local aspects of architecture and how Islamic architecture was influenced by other characters in ornament and decorative-ornament artwith various design and sense. Islamic nuances are substantially showed in traditional and contemporary mosque architecture, gravey

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Subekti, Bambang, Robi Hidayat, and Mustika Kusumaning Wardhani. "Tracing Tangible Aspect Around Dr Radjiman Street Corridor in Surakarta (From the Perspective of Architecture Students)." Review of Urbanism and Architectural Studies 22, no. 2 (2024): 85–95. https://doi.org/10.21776/ub.ruas.2024.022.02.9.

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Street corridors in a historical area are vital in forming an element of the city's image. Dr Radjiman's corridor in Surakarta is part of a historical area containing residents' daily activities. Physically, humans can visually perceive colour, ornament and material elements as a building's facade on two sides of the corridor. This study aims to trace the visual elements in the corridor, which can be seen from the physical aspect. The method used in the research is mixed-methods based, and the respondent data sample obtained is probability sampling. This research can provide a physical descrip

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