Relevant bibliographies by topics / Resnais, Alain

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Academic literature on the topic 'Resnais, Alain'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Resnais, Alain"

1

Harris, S. "Alain Resnais." French Studies 64, no. 2 (2010): 224–25. http://dx.doi.org/10.1093/fs/knp265.

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Johnson, William. ": Melo . Alain Resnais." Film Quarterly 41, no. 4 (1988): 24–27. http://dx.doi.org/10.1525/fq.1988.41.4.04a00050.

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Sáez-González, Jesús Miguel. "Coeurs (Alain Resnais)." Vivat Academia, no. 92 (February 15, 2008): 66. http://dx.doi.org/10.15178/va.2008.92.66-67.

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Tibúrcio, Desiree Bueno. "Relações intermediáticas em "Vous n'avez encore rien vu" de Alain Renais." Terra Roxa e Outras Terras: Revista de Estudos Literários 30 (December 5, 2015): 53. http://dx.doi.org/10.5433/1678-2054.2015v30p53.

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No filme Vous n’avez encore rien vu (2012), Alain Resnais volta-se para a literatura dramática, transpondo as peças Cher Antoine ou l’Amour raté (1969) e Eurydice (1942), de Jean Anouilh, para o universo cinematográfico. Neste sentido, o cineasta promove um diálogo intermediático entre a linguagem cênica e a linguagem cinematográfica, teatralizando o cinema. Dentro deste âmbito, este trabalho estuda a intermedialidade em Vous n’avez encore rien vu e a teatralidade no filme de Resnais.In the film Vous n’avez encore rien vu (2012), Alain Resnais turns to the dramatic literature, transposing Jean
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Landis, Johannes. "Mélo par Alain Resnais." Double jeu, no. 7 (December 31, 2010): 27–35. http://dx.doi.org/10.4000/doublejeu.1194.

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Johnson, William. "Review: Melo by Alain Resnais." Film Quarterly 41, no. 4 (1988): 24–27. http://dx.doi.org/10.2307/1212563.

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Zabunyan, Dork. "Alain Resnais, cinéma et entertainment." Critique 725, no. 10 (2007): 721. http://dx.doi.org/10.3917/criti.725.0721.

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Thomas, Paul. "Remembering Resnais." Film Quarterly 68, no. 4 (2015): 86–87. http://dx.doi.org/10.1525/fq.2015.68.4.86.

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As a graduate student around 1970, Paul Thomas learned through the grapevine that filmmaker Alain Resnais was in New York, living out of suitcases from one hotel to the next, and that he was short of ready cash. Thomas procured enough of a fee to lure Resnais and his wife, Florence Malraux, up to Harvard to give a talk to students in the fledgling film studies program he was helping to establish and in which he was teaching. This article recollects the memorable encounter.
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Sáez-González, Jesús Miguel. "La guerra ha terminado (Alain Resnais)." Vivat Academia, no. 115 (June 15, 2011): 160. http://dx.doi.org/10.15178/va.2011.115.160.

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Mello, Celina Maria Moreira de. "O que se diz do que (não) se viu? Hiroshima mon amour." Literatura e Sociedade 25, no. 31 (2020): 86–99. http://dx.doi.org/10.11606/issn.2237-1184.v0i31p86-99.

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A Segunda Guerra mundial, em sua complexidade e dimensões, levou a uma reflexão sobre a (im)potência da literatura e das artes, interrogando os limites de sua representação em registros documentais e em obras de arte. Neste ensaio são comparados certos processos de construção das narrativas de Nuit et brouillard (1955), dirigido por Alain Resnais, com roteiro de Jean Cayrol, e Hiroshima, mon amour, também de Alain Resnais, roteiro de Marguerite Duras, que se colocam diante deste desafio. Será dado destaque aos recursos de que se valem diretor e escritores, à potência criativa do entrelaçamento
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Dissertations / Theses on the topic "Resnais, Alain"

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Fonseca, Guilherme Castro. "Tempo-memória: conceitos cinematográficos de Alain Resnais." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/4523.

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Made available in DSpace on 2016-04-26T18:13:02Z (GMT). No. of bitstreams: 1 Guilherme Castro Fonseca.pdf: 295664 bytes, checksum: 0491291bfe9712c56adf722aab02f1b1 (MD5) Previous issue date: 2013-06-07<br>This research analyses time-memory s route into Alain Resnais cinema, specifically in L anée dernière à Marienbad (1961), once we understand that the French director contrasts from the Nouvelle Vague generation for conceiving in his productions a singular point of view of time and memory, mainly concretized in the semiotic apparatus he uses and the semiotic resources embodied in temporal m
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STRACHAN, FIONA. "Lectures de providence (1976) d'alain resnais et approches de l'intertextualite : david mercer, henri laborit, alain resnais." Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20014.

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Nous proposons plusieurs lectures successives de providence, film realise par alain resnais en 1976. Celles-ci sont fondees sur un grand nombre de theories litteraires et cinematographiques contemporaines et nous relevons tout particulierement la notion d'intertextualite. Le reseau intertextuel que nous explorons dans providence inclut: une etude du scenario du film; une etude des origines de l'univers imaginaire du film d'apres les recherches paralleles faites par alain resnais a l'epoque de sa realisation; une analyse du film lui-meme (bande sonore, bande image et montage) et de son autorefe
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Tourret, Franck. "Le formalisme d'Alain Resnais." Paris 1, 2007. http://faraway.parisnanterre.fr/login?url=http://www.harmatheque.com/ebook/alain-resnais--le-pari-de-la-forme-62116.

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La forme définit le cinéma d'Alain Resnais autant que celui-ci présente son travail à l'aune de cette notion. Il s'agit de proposer plusieurs critères définitoires de ce concept problématique pour circonscrire différents termes du formalisme resnaisien. Le renouvellement est une constante paradoxale dans l'œuvre que caractérisent des constructions influencées par les structures musicales et des marques énonciatives affirmant le caractère chosal de l'œuvre d'art. Mais ce formalisme est irréductible à ces phénomènes formels esthétiques. Resnais assigne à son cinéma d'autres visées. Le gain de ré
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Shoos, Diane L. "Speaking the subject : the films of Marguerite Duras and Alain Resnais /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258135023.

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Tang, Man-ching Tiffany. "Punctuating experience memory in Faulkner, Proust, Resnais /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39707295.

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Zhu, Xiaojie Wang Wenrong Neefs Jacques. "Le temps dans les films d'Alain Resnais une étude du temps dans le récit cinématographique /." Saint-Denis : Université de Paris 8, 2008. http://www.bu.univ-paris8.fr/web/collections/theses/ZhuThese.pdf.

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Reproduction de : Thèse de doctorat : Langues et littératures françaises : Paris 8 : 2007. Reproduction de : Thèse de doctorat : ? : Université de Pékin : 2007.<br>Thèse soutenue en co-tutelle. La version électronique de la thèse comporte quelques différences de mise en page par rapport à l'originale imprimée. Titre provenant de l'écran-titre. Bibliogr. p. 337-350. Filmogr. p. 354-355.
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Ernst, Christian. "Marguerite Duras et Alain Resnais : Hiroshima mon amour - la passion de la mémoire." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2008/2171/.

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Walker-Morrison, Deborah. "Auto-réflexivité et construction de la subjectivité dans le cinéma français contemporain (Alain Resnais)." Paris 8, 2001. https://octaviana.fr/document/181401274#?c=0&m=0&s=0&cv=0.

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A travers l'oeuvre d'Alain Resnais (1922- ), la thèse examine la place et l'évolution de l'auto-réflexivité par rapport à la construction de la subjectivité dans la cinéma français contemporain, de 1958 à nos jours. La première partie en pose les paramètres théoriques, leur application au cinéma ainsi que l'évolution de la théorie. Les deux parties suivantes analysent l'oeuvre par rapport aux options théoriques précédemment énoncées, en partant du dernier film On connaît la chanson (1997) dont l'analyse permet de poser les jalons de l'étude. Si Resnais a été retenu comme opérateur, c'est qu'il
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Santos, Cesar Augusto Baio. "A multiplicidade pela sintaxe cinematográfica: uma análise dos filmes Smoking e No smoking de Alain Resnais." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/4774.

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Made available in DSpace on 2016-04-26T18:15:34Z (GMT). No. of bitstreams: 1 A multiplicidade pela sintaxe cinematografica.pdf: 2463609 bytes, checksum: 4c0b40e3077b1eaa2d0ac2dd5a214ea7 (MD5) Previous issue date: 2006-05-05<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The object of study of this research is the multiplicity at the semiotic process in Smoking and No Smoking, aiming to deep in the narrative and esthetics questions of these Alain Resnais movies. At the same time they structure themselves on a new way of narrative, these two twin works point out to the di
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Tibúrcio, Desiree Bueno. "Traços da poética dramatúrgica de Jean Anouilh em Vous n'avez encore rien vu, de Alain Resnais." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000208728.

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Esta pesquisa tem como objetos de estudo as peças Eurydice (1942) e Cher Antoine ou l’Amour raté (1969), de Jean Anouilh, que inspiraram a criação cinematográfica de Alain Resnais, Vous n'avez encore rien vu (2012), também analisado neste trabalho. Ao se apropriar das peças de Anouilh, Resnais recorre a elementos da poética dramatúrgica anouilhana, tais como o metateatro, a mise en abyme, o intertexto entre Eurydice e o mito grego de Orfeu, especificidades na construção das personagens anouilhanas e a temática da morte e da vida e da irrealização do amor. A dissertação investiga os pontos de i
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Books on the topic "Resnais, Alain"

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Alain Resnais. La Manufacture, 1986.

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Alain Resnais. Rivages, 1988.

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Alain Resnais. Éditions de La Martinière, 2013.

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Leperchey, Sarah. Alain Resnais: Une lecture topologique. L'Harmattan, 2000.

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Leperchey, Sarah. Alain Resnais: Une lecture topologique. L'Harmattan, 2000.

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1941-, Leutrat Jean Louis, ed. Alain Resnais, liaisons secrètes, accords vagabonds. Cahiers du cinéma, 2006.

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Alain Resnais: La mémoire de l'éternité. L'Harmattan, 2013.

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Marguerite Duras, Alain Resnais: "Hiroshima mon amour". P.U.F., 1994.

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Benayoun, Robert. Alain Resnais: Arpenteur de l'imaginaire: de Hiroshima à Mélo. Ramsay, 1986.

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Alain Resnais: Arpenteur de l'imaginaire : de Hiroshima à Mélo. Stock, 1985.

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Book chapters on the topic "Resnais, Alain"

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Boswell, Matthew. "Night and Fog (Alain Resnais)." In Holocaust Impiety in Literature, Popular Music and Film. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358690_8.

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Mowat, Hannah, and Emma Wilson. "Reconciling History in Alain Resnais’s L’Année dernière à Marienbad (1961)." In Representing Auschwitz. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297693_8.

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"Alain Resnais." In Cinematic Encounters 2. University of Illinois Press, 2019. http://dx.doi.org/10.5406/j.ctvh9w0qq.23.

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Rohdie, Sam. "Alain Resnais." In Montage. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141699.00030.

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Wilson, Emma. "Front matter." In Alain Resnais. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141149.00001.

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Wilson, Emma. "Contents." In Alain Resnais. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141149.00002.

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Wilson, Emma. "List of plates." In Alain Resnais. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141149.00003.

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Wilson, Emma. "Series editors’ foreword." In Alain Resnais. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141149.00004.

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Wilson, Emma. "Acknowledgements." In Alain Resnais. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141149.00005.

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Wilson, Emma. "Introduction." In Alain Resnais. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141149.00006.

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