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1

Aguirre, Peio. Respiración artificial. IVAM, Institut Valencià d'Art Modern, Centre Julio González, 2016.

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2

Piglia, Ricardo. Respiración artificial. Fondo Editorial Casa de las Américas, 2000.

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3

Aibar, Marilina. Polifonia e intertextualidad en Respiración artificial de Ricardo Piglia. Secretaría de Posgrado e Investigación, Facultad de Humanidades, 1997.

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4

Garcia-Romeu, José. Régime autoritaire et littérature en Argentine, 1976-1983: Étude de cas : "Respiración artificial" de Ricardo Piglia. A.N.R.T, Université de Lille III, 1999.

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Piglia, Ricardo. Respiración artificial. Biblioteca Argentina, La Nación, 2001.

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6

Piglia, Ricardo. Respiracíon [sic] artificial. 3rd ed. Editorial Sudamericana, 1990.

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7

Piglia, Ricardo. Respiracio n artificial. 5th ed. Editorial Sudamericana, 1993.

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8

Pons, María Cristina. Más allá de las fronteras del lenguaje: Un análisis crítico de Respiración artificial de Ricardo Piglia. Universidad Nacional Autónoma de México, Coordinación de Humanidades, Programa Editorial, 1998.

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9

Respiración artificial. Seix Barral, 1994.

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10

Respiración artificial. Tercer Mundo Editores, 1993.

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11

Piglia, Ricardo. Respiración artificial. Debolsillo, 2013.

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12

Reescrituras, juegos textuales y descartes en respiración artificial de Ricardo Piglia - Primera edición. Universidad Tecnológica de Pereira, 2019.

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13

Piglia, Ricardo. Respiracion Artificial. Editorial Seix Barral, 1997.

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14

Piglia, Ricardo. Respiracion Artificial. Anagrama, 2005.

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15

Piglia, Ricardo. Respiracion Artificial. Fondo Editorial Casa De Las, 2000.

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16

Piglia, Ricardo. Respiracion Artificial. Editorial Seix Barral, 2000.

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17

Respiración artificial. Editorial Anagrama, 2001.

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18

PIGLIA, RICARDO. RESPIRACION ARTIFICIAL Debols!llo. DEBOLSILLO, 2013.

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19

El artificio como cuestión: Conjeturas en torno a "Respiración artificial". B. Viterbo Editora, 1998.

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20

Canaparo, Claudio. El Artificio Como Cuestion: Conjeturas en Torno A "Respiracion Artificial" (Tesis/Ensayo). Beatriz Viterbo, 1999.

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21

Fiddian, Robin. Giving Voice(s) to Argentina. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794714.003.0002.

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Written in 1927, ‘The Language of the Argentines’ calls on members of Borges’s generation to participate in the creation of an authentic literary expression. The chapter analyses the essay and then focuses on a number of poems from Fervor de Buenos Aires (1923) and Luna de enfrente (1925) which realize aspects of that blueprint. The chapter charts the development of an ironic narrative voice which first appears in ‘Man on Pink Corner’ and crystallizes in ‘Pierre Menard, Author of the Quixote’. Drawing on the hypothesis of a debt to Paul Groussac’s Une énigme littéraire of 1903, put forward by
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22

Tran, Daniel. Juan Rulfo Pedro Paramo und Ricardo Piglia Respiracion Artificial Zwischen Revolutions- und Diktatorenroman. Lateinamerikanische Gewalt. GRIN Verlag GmbH, 2017.

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23

Respiración artificial: [Emilia Azcárate, Ricardo Benaim, Sigfredo Chacón, Eugenio Espinoza, Félix Perdomo, Luis Romero [and Ernesto Zaléz]. Consejo Nacional de la Cultura de Venezuela, 1999.

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