Relevant bibliographies by topics / Resurrections

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Resurrections'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Resurrections"

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O'Brien, Jon. "Robot resurrections." New Scientist 247, no. 3290 (July 2020): 24. http://dx.doi.org/10.1016/s0262-4079(20)31206-9.

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Shanzer, Danuta Renu. "Resurrections before the Resurrection in the Imaginaire of Late Antiquity." Biblical Annals 9, no. 4 (March 21, 2019): 711–38. http://dx.doi.org/10.31743/biban.4536.

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This paper is a study of transformations and mutations of a natural human desire, to be buried in one grave with one’s beloved. Most partners don’t die simultaneously, and burial-practices needed to provide flexibility for the dead and for the living. At the same time, religions had Views about the grave and the afterlife, and about the survival of the individual. Judaism and especially Christianity featured an astonishing doctrine, the Resurrection of the Flesh. Starting from Roman antiquity and in its epitaphic practices, the paper analyzes an intriguing early 4th C. Gallic poem, the Carmen de Laudibus Domini and its account of how the corpse of a dead woman was momentarily reanimated to greet her husband’s corpse. The poem reworks the resurrection of Lazarus with a little help from Juvencus. But a crucial (and unrecognized) source is (perhaps indirectly) Tertullian’s De Anima. These texts somehow generated a Late Antique urban legend about the mini-Resurrections of lovers’ bodies than can be traced into the central Middle Ages and beyond. It proved astonishingly lively and adaptable—to mariages blancs, to homosocial monastic situations, and to grave robbery, to name a few. This deeply sentimental legend needed to elbow aside darker phenomena, charnel (and also erotic) horrors from the pagan past, including zombies, vampires, and revenants, in order to preach its Christian message and help lovers who had been separated by death. Such resurrections were a down-payments on The Resurrection.
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EDWARDS, M. J. "ORIGEN'S TWO RESURRECTIONS." Journal of Theological Studies 46, no. 2 (1995): 502–18. http://dx.doi.org/10.1093/jts/46.2.502.

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Esse, Melina. "Donizetti's Gothic Resurrections." 19th-Century Music 33, no. 2 (2009): 81–109. http://dx.doi.org/10.1525/ncm.2009.33.2.081.

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Abstract The preponderance of gothic themes in Italian operas of the early nineteenth century is often cited as one of the few ways essentially conservative Italian composers flirted with the Romantic revolution sweeping the rest of Europe. By 1838, the very ubiquity of these tropes led the Venetian reviewer of Donizetti's gory Maria de Rudenz to plead ““exhaustion”” with the ever-present ““daggers, poisons, and tombs”” of the contemporary stage. Based on the French melodrama La Nonne sanglante, Donizetti's sensational opera is almost a litany of gothic tropes. The most disturbing of these is the female body that refuses to die: Maria herself, who rises from the dead to murder her innocent rival. This fleshy specter is musically rendered as a body that is too receptive to emotion, particularly to (imaginary) cries of longing or grief. Significantly, Donizetti's foray into the gothic was also distinguished by a spate of self-borrowing; his 1838 revision of the earlier Gabriella di Vergy borrows material from Maria de Rudenz. Exploring the connections between the trope of gothic resurrection and Donizetti's borrowings highlights how the two works represent a characteristic approach to the gothic, one that mingles a corporeal orientation with more familiar themes of ghostly immateriality.
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Amy Holdsworth. "“Television Resurrections”: Television and Memory." Cinema Journal 47, no. 3 (2007): 137–44. http://dx.doi.org/10.1353/cj.0.0017.

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Harris. "Greater Resurrections and a Greater Ascension." Journal of Theological Interpretation 13, no. 1 (2019): 21. http://dx.doi.org/10.5325/jtheointe.13.1.0021.

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Pynsent, Robert B. "Resurrections of the Czech National Revival." Central Europe 1, no. 1 (May 2003): 77–95. http://dx.doi.org/10.1179/147909603789838783.

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Bliss, Michael. "Resurrections in Toronto: The Emergence of Insulin." Hormone Research in Paediatrics 64, no. 2 (2005): 98–102. http://dx.doi.org/10.1159/000087765.

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Kemp-Welch, K. "Resurrections (Kabakov's Slippers): Moscow Conceptualism for Delayed Audiences." Oxford Art Journal 35, no. 2 (June 1, 2012): 298–301. http://dx.doi.org/10.1093/oxartj/kcs015.

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Potter, Dani. "Ordinary Resurrections: Children in the Years of Hope." Counseling and Values 48, no. 1 (October 2003): 79–80. http://dx.doi.org/10.1002/j.2161-007x.2003.tb00277.x.

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Dissertations / Theses on the topic "Resurrections"

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Hodgson, K. J. "'A series of marvellous resurrections' : afterlives of the Haitian revolution." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/19986/.

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Processes of commemoration, national 'lieux de mémoire', and the incessant dialogue between past and present in Haitian literature and culture form the subject of my thesis. I will examine how the Haitian revolution constitutes a pivotal forum for the construction of a national identity, tracing an epic tradition of revolutionary heroes in Haitian writing from the nineteenth century to the 2004 bicentenary celebrations. Proceeding from the assertion of Michel-Rolph Trouillot in Silencing the Past (1996) that the history of Haiti has been obscured due to the 'unthinkable' nature of the revolution, I will advance the theory that Haitian writing, in addressing its own national past, has always been concerned with questions of collective memory, the problem of historical representation and the production, preservation and dissemination of shared cultural resonances, particularly those that evoke the Haitian revolution. In examining the ways in which the revolution returns to haunt the present, I shall address problems of distortion, blurring, misrepresentation and manipulation, to which the omnipresent revolutionary past is particularly vulnerable. I will also examine literary strategies for exposing and combatting this 'erosion' of collective memory, focusing on new contexts in which the afterlives and spectres of the national past have developed in contemporary Haitian writing, often constituting an uneasy textual presence by unhinging the present into which they are projected. Examples of revolutionary 'lieux de mémoire' which will constitute a focus of enquiry of the thesis will include literary representations of Dessalines, the 'fondateur' of the nation, the heroic model of the revolutionary martyr, the statuification of the 'unknown maroon', and the commemoration of the 1804 declaration of independence. The thesis will examine the act of commemoration itself, as it marks a milestone in the continuing afterlives of the revolution and constitutes a strategy in the ongoing process of remembering the past.
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Frawley, John Thomas. "A historical and theological examination of the resurrections of the saints in Matthew 27:51-53." Dallas, TX : Dallas Theological Seminary, 2008. http://dx.doi.org/10.2986/tren.001-1251.

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MacCionnaith, Eric-Michael A. "Resurrections : the use of folklore themes and motifs in Marina Carr's works /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2008. http://hdl.handle.net/1794/7490.

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Thesis (Ph. D.)--University of Oregon, 2008.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 141-147). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
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MacCionnaith, Eric-Michael 1971. "Resurrections: The use of folklore themes and motifs in Marina Carr's works." Thesis, University of Oregon, 2008. http://hdl.handle.net/1794/7490.

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x, 147 p. A print copy of this title is available from the UO Libraries, under the call number: KNIGHT PR6053.A6944 Z75 2008
This study explores and demonstrates how Marina Can uses Irish folktale motifs in her plays to bring the audience to a state of mind where they viscerally, as opposed to intellectually, engage with Ireland's search for a cultural post-colonial identity. The analysis of Carr's works focuses on four of her post- Mai plays: The Mai, Portia Coughlan, By the Bog of Cats, and On Raftery's Hill. The focus is on the connection between these plays and Irish folklore, and explores Carr's use of folklore motifs within her plays. The analysis uses the folkloristic research approach, which classifies items or stories in the folktales by identifying distinguishing characteristics or specific items within a tale genre. The indices used in the analysis are Aarne-Thompson Index, Tom-Peete Cross's Motif-index of Early Irish Literature, and Sean O'Sullivan's Motif-Index of Irish Folklore. The plays were searched for motifs that correspond with those of the folktale motifs, and were then compared with these found in the indices. A second analysis showed that, within these four plays, Marina Carr mainly uses Irish folktales from before England's colonization. She modifies the folktales within her plays, specifically around the issue of agency for her female protagonists. The concluding chapter offers a Jungian explanation of Carr's use of these folktales as a means to engage the Irish national discussion of the development of a cultural identity.
Adviser: John Watson
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Roth, John. "Go Outside." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1492791661273655.

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Lane, Sarah Vania. "Yann Apperrys Diabolus in musica: a partial translation prefaced by an introduction to the novel and the theory of foreignization." University of British Columbia, 2006. http://hdl.handle.net/2429/78.

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Yann Apperrys third novel, Diabolus in musica, is a pastiche of diabolic and gothic tropes that tells of a musical genius who composes a ballade that kills. Resurrections, doppelgangers and triads are reoccurring themes. Although the narrator kills his doppelganger on the first page, the name of this double, Lazarus, haunts the narrative with the threat of resurrection. Similarly, the threefold tritone, the diabolus in musica, is not only echoed in the numerical structure of Apperrys novel but also in the familial triad: the fathers presence is dark and demoniac, provoking the cruel music that the son in turn forces onto the exterior world; the mother is a ghostly distillation of the Eternal Feminine. In terms of comparative readings, Diabolus can be read alongside Suskinds Perfume as the Bildungsroman of an outsider raised without love who turns astounding genius to homicidal ends. It shares narrative and structural similarities with Manns Doctor Faustus: each tells of a prodigy who composes music and a faithful sidekick who composes narrative; each arranges his novel according to number. Nabokovs influence on Apperrys work is also significant; many parallels are to be found with his third novel, The Defense. Approaches to translation diverge according to their foundational conceptions of language: do we create language or does language create us? To conclude the former is to adopt an approach that focuses on the meanings of source texts while to conclude the latter is to focus more on their formal properties. Caught between these differing conceptions, the translator must choose between domestication and foreignization; I favour the latter for literary translation. I define the literary through a reading of the aesthetic in Dauenhauer and Kristeva, and then I review the arguments that Benjamin, Derrida, Berman and Venuti make in favour of word-based translation. From this I conclude that translation can, in refusing to hide its foreign origins, lead readers into the unknown territory of a strange language, author and text, where they become strangers, and where their language and culture become foreign. With this partial translation of Diabolus, I seek to provoke such an encounter with foreignness.
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Seybold, Brett Arthur. "Semantic change from pre-resurrection to post-resurrection contexts." Theological Research Exchange Network (TREN), 2001. http://www.tren.com.

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Al-Qasem, Ruby. ""Resurrection Attempts: Essays"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703401/.

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This dissertation is composed of a critical preface, "Reconciling Art and Account in the Creative Essay," and the essay collection Resurrection Attempts: Essays. The preface situates the following essay collection within the genre of contemporary creative nonfiction. Specifically, it argues that genre-bending or genre hybridity are inherent and unavoidable features of creative nonfiction writing and should be celebrated, rather than denied or lamented. It points to other writers who deliberately challenge the bounds of genre, and discusses some of the collection's innovations in form and other ways it offers experimentation, such as use of unusual or borrowed points of view, disruption of chronology, and adoption of elements from other genres of writing, including fiction, poetry, and academic. Ultimately, embracing the artistic side of creative nonfiction (as opposed to its "purely" journalistic side) allows for heightened intimacy with the reader, a much wider breadth of storytelling, and a more vulnerable—and therefore more truthful—interrogation of legacy and the human experience. Resurrection Attempts is a collection of essays exploring the writer's rural Texas childhood and the early and tragic losses of her parents, including the effect of those experiences on her adult life and performance of motherhood. The voices of the writer's sisters sometimes intertwine with hers, especially as she examines the converging and diverging lenses of their shared experience. She works throughout to "resurrect" her parents and even to resurrect earlier versions of other family members, including herself. The collection is particularly fascinated with dreams, drawing a parallel between the subconscious lives of the dreamer and their waking constructions of their memories and experiences.
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Butchers, Mark Andrew. "Creatio ex resurrectione? : an examination of how the theology of resurrection might shape a contemporary theology of creation, using the early patristic period as a resource." Thesis, King's College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427946.

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Knoell, David. "THE RESURRECTION OF EVERYMAN." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3850.

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In March of 2005 I was a cast member in Mad Cow Theatre's production of the Morality drama Everyman. This classic tale on the condition of human dying is regarding as one of the greatest dramas of the Medieval period and is one of the first plays in the English language to be put into print. This thesis is an actor's journey into the history of Medieval theatre, the challenges of producing Everyman for a contemporary audience, and the techniques of acting implemented in the creation of allegorical characters. Medieval drama, like Everyman, is still relevant in today's world because it addresses universal themes of friendship, material wealth, and reverence towards death. It is the story of the human being, the power of beliefs, and the fear of death. This thesis reflects a group of artists' desire to give an audience the gift of insight into their common selves.
M.F.A.
Department of Theatre
Arts and Sciences
Theatre
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Books on the topic "Resurrections"

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Louvish, Simon. The resurrections: A novel. New York: Four Walls Eight Windows, 1994.

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Ordinary resurrections: Children in the years of hope. New York: Crown Publishers, 2000.

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Resurrections from the dustbin of history: A political fantasy. London: Bloomsbury, 1992.

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Crucifixions and resurrections of the image: Christian reflections on art and modernity. London: SCM Press, 2009.

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Wise, Robert L. The Son rises: Resurrecting the resurrection. Ventura, Calif: Regal, 2008.

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Cocherell, B. L. The resurrections, a day of salvation, predestination, immortality, the dead, heaven, hell: By B.L. Cocherell. San Jose, CA: Congregation of God, 1999.

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Randall, Catharine. (Em)bodying the word: Textual resurrections in the martyrological narratives of Foxe, Crespin, de Bèze, and d'Aubigné. New York: P. Lang, 1992.

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S, Miller Mike, ed. Resurrection. Grand Rapids, Mich: Zondervan, 2007.

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Stephen, Cole. Resurrection. London: Bloomsbury, 2004.

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Leo, Tolstoy. Resurrection. New York: International Book Pub., 1986.

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Book chapters on the topic "Resurrections"

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Bernini, Lorenzo. "Resurrections." In Queer Apocalypses, 95–134. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43361-5_4.

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Cohen, Adam Max. "Resurrections of the Living and the Dead: Natural and Spiritual Bodies and Souls." In Wonder in Shakespeare, 17–40. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011626_3.

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Jeffs, Rory. "Hegel in Dark Times: The Resurrections of Geist from the Ashes of War." In Philosophical Studies in Contemporary Culture, 161–82. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50361-5_9.

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Fennell, Catherine. "Resurrections." In Last Project Standing, 203–6. University of Minnesota Press, 2015. http://dx.doi.org/10.5749/minnesota/9780816697366.003.0009.

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Chalabi, Tamara. "Past Resurrections." In Testing the Canon of Ancient Near Eastern Art and Archaeology, 305–7. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190673161.003.0016.

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This chapter explores the growing need to work with antiquity through contemporary art in order to engage wider audiences with heritage. All too often archaeology is seen through a vague prism of heritage that is disconnected from the present, but working with present-day artists, especially from areas of conflict, interacting with “heritage” offers a dynamic and much-needed exchange. Today, the lauded role of the artist in a society in which the art world is an ever-growing platform can allow for a different conversation on heritage than the current one, which is more limited to dry, policy-related agency papers or the less accessible academic world of Art History and Archaeology. While issues of identity and national, racial, and geographic delineations are so contested today, antiquity—rather than serving to enrich debates—has mostly been too remote in the discussion or consciousness to have the nuanced impact that it can through contemporary art.
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Beckwith, Sarah. "Shakespeare’s Resurrections." In Shakespeare and the Grammar of Forgiveness, 127–46. Cornell University Press, 2011. http://dx.doi.org/10.7591/cornell/9780801449789.003.0006.

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Walker, Johnny. "Nasty resurrections." In Contemporary British Horror Cinema. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748689736.003.0003.

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Chapter 3, in light of the broader international concerns outlined in the previous chapter, works towards locating cultural specificities within British horror at a time when it has drifted from its better known ‘English’ heritage. By considering the social and historical context during which many contemporary filmmakers grew up (namely, the late 1970s and 1980s), I reassess how recent British horror’s ‘heritage’ may be more immediate than we initially presume. To do this, I argue that several films responded to the typically negative British critical response to horror cinema (Petley 2002a), and, through textual analysis, argue that such films are products inspired by nostalgia for the video nasties panic of the 1980s. Through doing so, I consider how cultural specificity can be extracted from films by directors who not only have a passion for the horror film (that is, are self-confessed fans of the genre), but are also aware of how British horror (and horror in Britain) has been figured and derided within British culture.
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"Celebrity Resurrections." In Across the World with the Johnsons, 197–208. Routledge, 2017. http://dx.doi.org/10.4324/9781315097640-6.

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"Christian Jambet’s Resurrections." In Esoteric Islam in Modern French Thought. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781474218665.ch-003.

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"Telling Tableaux and Textual Resurrections:." In Earthly Treasures, 23–46. Purdue University Press, 2007. http://dx.doi.org/10.2307/j.ctt6wq30w.6.

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Conference papers on the topic "Resurrections"

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Al Ibrahim, Abdullah A., Mahmoud Zidan, Sawsan Al Obaidly, Najat Khenyab, Najah Al Jenahi, Zeena Al Mansori, Mariam El Bolushi, Abdulbaset Fakhry, and Mahmoud Elmorsi. "Early Amniocentesis: The Resurrection!" In Qatar Foundation Annual Research Conference Proceedings. Hamad bin Khalifa University Press (HBKU Press), 2016. http://dx.doi.org/10.5339/qfarc.2016.hbpp2381.

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Papailiou, Konstantin O. "The Resurrection of Overhead Lines." In 2018 IEEE International Conference on High Voltage Engineering and Application (ICHVE). IEEE, 2018. http://dx.doi.org/10.1109/ichve.2018.8641960.

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Roberts, Eric. "Resurrecting the applet paradigm." In Proceedinds of the 38th SIGCSE technical symposium. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1227310.1227488.

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Mackay, Alexander J., Stephen Burke, and Graham Bothamley. "Resurrection With Immunosuppression: Dermatomyositis Sine Dermatosis." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a2940.

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Naidu, D., James Buffington, and Siva Banda. "Resurrection in hypersonics - Why, what and when." In Guidance, Navigation, and Control Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1999. http://dx.doi.org/10.2514/6.1999-4053.

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Arbel, Eli, Cindy Eisner, and Oleg Rokhlenko. "Resurrecting infeasible clock-gating functions." In the 46th Annual Design Automation Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1629911.1629957.

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Subramaniam, Gokul V. "Object model resurrection --- an object oriented maintenance activity." In the 22nd international conference. New York, New York, USA: ACM Press, 2000. http://dx.doi.org/10.1145/337180.337218.

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Muncan, J., and R. Tsenkova. "Aquaphotomics study of a resurrection plant Haberlea rhodopensis." In 67th International Congress and Annual Meeting of the Society for Medicinal Plant and Natural Product Research (GA) in cooperation with the French Society of Pharmacognosy AFERP. © Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-3399751.

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Whitley, Derek, Jason Yoder, and Nicklas Carpenter. "Resurrecting FPGA Intrinsic Analog Evolvable Hardware." In The 2021 Conference on Artificial Life. Cambridge, MA: MIT Press, 2021. http://dx.doi.org/10.1162/isal_a_00448.

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Khan, M. Rezwan, S. M. Lutful Kabir, and Md Ali Choudhury. "Resurrection of DC: An exposition for Future Power System." In 2018 10th International Conference on Electrical and Computer Engineering (ICECE). IEEE, 2018. http://dx.doi.org/10.1109/icece.2018.8636814.

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Reports on the topic "Resurrections"

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Barth, Theodor, Bjørn Blikstad, Tale Næss, and Petrine Vinje. Archaeology - Collapse, bodywork, resurrection. Universitetet i Bergen KMD, March 2021. http://dx.doi.org/10.22501/kmd-ar.1190576.

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Schramm, D. N. Resurrection of neutrinos as dark matter. Office of Scientific and Technical Information (OSTI), May 1986. http://dx.doi.org/10.2172/5573235.

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McCrary, Brian K. ANGLICO: Birth, Life, Death and Resurrection. Fort Belvoir, VA: Defense Technical Information Center, January 2001. http://dx.doi.org/10.21236/ada405014.

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Nalls, John C. Resurrecting Limited War Theory. Fort Belvoir, VA: Defense Technical Information Center, May 2008. http://dx.doi.org/10.21236/ada484947.

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Beaven, Stephen. Rebound: The Resurrection of a Hometown Team. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1181.

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Ben-David, Itzhak, Ajay Palvia, and René Stulz. Do Distressed Banks Really Gamble for Resurrection? Cambridge, MA: National Bureau of Economic Research, May 2019. http://dx.doi.org/10.3386/w25794.

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Weidman, Steven J. Resurrecting Phoenix: Lessons in COIN Operations. Fort Belvoir, VA: Defense Technical Information Center, May 2006. http://dx.doi.org/10.21236/ada463728.

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Benediktsdóttir, Sigríður, Gauti Eggertsson, and Eggert Þórarinsson. The Rise, the Fall, and the Resurrection of Iceland. Cambridge, MA: National Bureau of Economic Research, November 2017. http://dx.doi.org/10.3386/w24005.

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Johnson, Richard. Serbia and Russia: U.S. Appeasement and the Resurrection of Fascism. Fort Belvoir, VA: Defense Technical Information Center, April 1994. http://dx.doi.org/10.21236/ada443184.

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Shelley, Christopher. The Resurrection of a River: The Umatilla and its Salmon. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5869.

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