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1

O'Brien, Jon. "Robot resurrections." New Scientist 247, no. 3290 (July 2020): 24. http://dx.doi.org/10.1016/s0262-4079(20)31206-9.

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Shanzer, Danuta Renu. "Resurrections before the Resurrection in the Imaginaire of Late Antiquity." Biblical Annals 9, no. 4 (March 21, 2019): 711–38. http://dx.doi.org/10.31743/biban.4536.

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This paper is a study of transformations and mutations of a natural human desire, to be buried in one grave with one’s beloved. Most partners don’t die simultaneously, and burial-practices needed to provide flexibility for the dead and for the living. At the same time, religions had Views about the grave and the afterlife, and about the survival of the individual. Judaism and especially Christianity featured an astonishing doctrine, the Resurrection of the Flesh. Starting from Roman antiquity and in its epitaphic practices, the paper analyzes an intriguing early 4th C. Gallic poem, the Carmen de Laudibus Domini and its account of how the corpse of a dead woman was momentarily reanimated to greet her husband’s corpse. The poem reworks the resurrection of Lazarus with a little help from Juvencus. But a crucial (and unrecognized) source is (perhaps indirectly) Tertullian’s De Anima. These texts somehow generated a Late Antique urban legend about the mini-Resurrections of lovers’ bodies than can be traced into the central Middle Ages and beyond. It proved astonishingly lively and adaptable—to mariages blancs, to homosocial monastic situations, and to grave robbery, to name a few. This deeply sentimental legend needed to elbow aside darker phenomena, charnel (and also erotic) horrors from the pagan past, including zombies, vampires, and revenants, in order to preach its Christian message and help lovers who had been separated by death. Such resurrections were a down-payments on The Resurrection.
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EDWARDS, M. J. "ORIGEN'S TWO RESURRECTIONS." Journal of Theological Studies 46, no. 2 (1995): 502–18. http://dx.doi.org/10.1093/jts/46.2.502.

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4

Esse, Melina. "Donizetti's Gothic Resurrections." 19th-Century Music 33, no. 2 (2009): 81–109. http://dx.doi.org/10.1525/ncm.2009.33.2.081.

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Abstract The preponderance of gothic themes in Italian operas of the early nineteenth century is often cited as one of the few ways essentially conservative Italian composers flirted with the Romantic revolution sweeping the rest of Europe. By 1838, the very ubiquity of these tropes led the Venetian reviewer of Donizetti's gory Maria de Rudenz to plead ““exhaustion”” with the ever-present ““daggers, poisons, and tombs”” of the contemporary stage. Based on the French melodrama La Nonne sanglante, Donizetti's sensational opera is almost a litany of gothic tropes. The most disturbing of these is the female body that refuses to die: Maria herself, who rises from the dead to murder her innocent rival. This fleshy specter is musically rendered as a body that is too receptive to emotion, particularly to (imaginary) cries of longing or grief. Significantly, Donizetti's foray into the gothic was also distinguished by a spate of self-borrowing; his 1838 revision of the earlier Gabriella di Vergy borrows material from Maria de Rudenz. Exploring the connections between the trope of gothic resurrection and Donizetti's borrowings highlights how the two works represent a characteristic approach to the gothic, one that mingles a corporeal orientation with more familiar themes of ghostly immateriality.
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Amy Holdsworth. "“Television Resurrections”: Television and Memory." Cinema Journal 47, no. 3 (2007): 137–44. http://dx.doi.org/10.1353/cj.0.0017.

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6

Harris. "Greater Resurrections and a Greater Ascension." Journal of Theological Interpretation 13, no. 1 (2019): 21. http://dx.doi.org/10.5325/jtheointe.13.1.0021.

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7

Pynsent, Robert B. "Resurrections of the Czech National Revival." Central Europe 1, no. 1 (May 2003): 77–95. http://dx.doi.org/10.1179/147909603789838783.

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8

Bliss, Michael. "Resurrections in Toronto: The Emergence of Insulin." Hormone Research in Paediatrics 64, no. 2 (2005): 98–102. http://dx.doi.org/10.1159/000087765.

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9

Kemp-Welch, K. "Resurrections (Kabakov's Slippers): Moscow Conceptualism for Delayed Audiences." Oxford Art Journal 35, no. 2 (June 1, 2012): 298–301. http://dx.doi.org/10.1093/oxartj/kcs015.

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10

Potter, Dani. "Ordinary Resurrections: Children in the Years of Hope." Counseling and Values 48, no. 1 (October 2003): 79–80. http://dx.doi.org/10.1002/j.2161-007x.2003.tb00277.x.

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11

Davari, Arezoo, Pramod Iyer, and Francisco Guzmán. "Determinants of brand resurrection movements." European Journal of Marketing 51, no. 11/12 (November 14, 2017): 1896–917. http://dx.doi.org/10.1108/ejm-02-2016-0096.

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Purpose There is a growing trend of brand resurrections that are driven by consumer power. Millennials play a critical role in initiating most of these brand resurrection movements using social media. This study aims to explore the factors that drive consumers’ participation in brand resurrection movements – an outcome of brand cocreation. Design/methodology/approach Data were collected using self-administered survey. This study uses the partial least squares-structural equation modeling to empirically examine the factors that motivate consumers to participate in brand resurrection movements. Findings The results indicate that consumers’ beliefs about the functional and value-expressive utilities, and their judgments of the perceived brand superiority of the defunct brand are significantly associated with brand resurrection movements. Nostalgia moderates the relationship between social-adjustive utility and brand resurrection movement, which shows that consumers’ social-adjustive utility becomes relevant when triggered with a strong sense of the past. Research limitations/implications From a theoretical perspective, this study contributes to literature on reviving defunct brands. This study also identifies additional factors that determine the success of brands that are being relaunched. Practical implications From a managerial perspective, the study provides insights into when and how organizations can consider bringing back defunct brands. Future studies should introduce additional variables to the model such as product category involvement that may be associated with consumers’ willingness to bring back defunct brands. Originality/value To the best of the authors’ knowledge, this study is the first of its kind that empirically examines the motivations behind consumer participation in bringing back defunct brands. The importance of this study is highlighted in the fact that several defunct brands are being revived by organizations due to consumer-brand co-creation movements.
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12

Starbäck, Paula, Amanda Wraith, Henrik Eriksson, and Dan Larhammar. "Neuropeptide Y Receptor Gene y6: Multiple Deaths or Resurrections?" Biochemical and Biophysical Research Communications 277, no. 1 (October 2000): 264–69. http://dx.doi.org/10.1006/bbrc.2000.3656.

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13

Finucane, Thomas E. "Attempting Resuscitation in Nursing Homes: Cargo Cult or Resurrections?" Journal of the American Medical Directors Association 7, no. 6 (July 2006): 399–400. http://dx.doi.org/10.1016/j.jamda.2006.05.001.

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14

Mejzner, Mirosław. "Koncepcja nieśmiertelności człowieka w argumentacji rezurekcyjnej Metodego z Olimpu." Vox Patrum 63 (July 15, 2015): 47–61. http://dx.doi.org/10.31743/vp.3546.

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The foundation of the christian truth about the resurrection is the paschal event, ie the death and resurrection of Christ. However, the interpretation of this dogma is essentially linked to an anthropological vision, therefore the exegesis of biblical protology has a particular significance. At the start of the IVth century, Methodius of Olympus undertook an interesting trial to clarify the status of the first man. Namely, departing from the traditional concept of medietas, which placed Adam in an indeterminate balance between immortality and death, he favoured the idea, which can be called “principaliter (essential or original) immortality”. Thanks to this modification, the author of De resurrectione, gained an important point in resurrectional polemics. He thus presented death, not as an equivalent possibility linked with the original choice of man, but a consequence of his sin, certainly dra­matic, but secondary to God’s original plan. In this perspective, the resurrection of the body, and restoring it to immortality, appeared worthy and necessary, being the eschatic realisation of the Creator’s design, his who cannot err.
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Folk, Holly. "The Vanishing Messiah: The Life and Resurrections of Francis Schlatter." Annals of Iowa 76, no. 3 (July 1, 2017): 355–57. http://dx.doi.org/10.17077/0003-4827.12415.

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Suh Kyungsook. "Digital Poetry Embracing Analog Poetry Leads to Resurrections of Poetry." Studies in English Language & Literature 38, no. 4 (November 2012): 65–81. http://dx.doi.org/10.21559/aellk.2012.38.4.004.

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Forlenza, Rosario, and Bjørn Thomassen. "Resurrections and rebirths: how the Risorgimento shaped modern Italian politics." Journal of Modern Italian Studies 22, no. 3 (May 27, 2017): 291–313. http://dx.doi.org/10.1080/1354571x.2017.1321931.

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18

King, Claire Sisco. "Rogue Waves, Remakes, and Resurrections: Allegorical Displacement and Screen Memory inPoseidon." Quarterly Journal of Speech 94, no. 4 (November 2008): 430–54. http://dx.doi.org/10.1080/00335630802422204.

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19

Risso, Valeria A., Jose A. Gavira, Diego F. Mejia-Carmona, Eric A. Gaucher, and Jose M. Sanchez-Ruiz. "Hyperstability and Substrate Promiscuity in Laboratory Resurrections of Precambrian β-Lactamases." Journal of the American Chemical Society 135, no. 8 (February 14, 2013): 2899–902. http://dx.doi.org/10.1021/ja311630a.

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20

Risso, Valeria A., Jose A. Gavira, Eric A. Gaucher, and Jose M. Sanchez-Ruiz. "Phenotypic comparisons of consensus variants versus laboratory resurrections of Precambrian proteins." Proteins: Structure, Function, and Bioinformatics 82, no. 6 (April 18, 2014): 887–96. http://dx.doi.org/10.1002/prot.24575.

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21

Sidorov, Dmitrii. "Post-Imperial Third Romes: Resurrections of a Russian Orthodox Geopolitical Metaphor." Geopolitics 11, no. 2 (July 2006): 317–47. http://dx.doi.org/10.1080/14650040600598585.

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22

Wickware, Potter. "Resurrecting the resurrection drug." Nature Medicine 8, no. 9 (September 2002): 908–9. http://dx.doi.org/10.1038/nm0902-908b.

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23

Perkinds, Sid. "Back from the dead?: ‘Resurrections’ of long-missing species lead to revelations." Science News 172, no. 20 (September 30, 2009): 312–14. http://dx.doi.org/10.1002/scin.2007.5591722010.

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Risso, Valeria A., Jose A. Gavira, Diego F. Mejia-Carmona, Eric A. Gaucher, and Jose M. Sanchez-Ruiz. "Correction to “Hyperstability and Substrate Promiscuity in Laboratory Resurrections of Precambrian β-Lactamases”." Journal of the American Chemical Society 135, no. 28 (July 5, 2013): 10580. http://dx.doi.org/10.1021/ja404387m.

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25

Steward, Oswald, Binhai Zheng, and Marc Tessier-Lavigne. "False resurrections: Distinguishing regenerated from spared axons in the injured central nervous system." Journal of Comparative Neurology 459, no. 1 (March 4, 2003): 1–8. http://dx.doi.org/10.1002/cne.10593.

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26

Niittynen, Miranda. "Interspecies Blendings and Resurrections: Material Histories of Disability and Race in Taxidermy Art." Canadian Journal of Disability Studies 9, no. 2 (July 30, 2020): 103–38. http://dx.doi.org/10.15353/cjds.v9i2.627.

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This paper analyzes the contemporary art practice of rogue taxidermy. Specifically, I look at the rogue taxidermy of Sarina Brewer, an artist who utilizes sensationalist aesthetics and representations found in historical sideshows alongside unconventional forms of taxidermy to critique historical and contemporary forms of body display. I discuss the material histories that informed and shaped the practice of taxidermy and how taxidermy was (and continues to be) bound up with a complex history of human and nonhuman animal exploitation. I analyze the interconnections between nonhuman animal taxidermy display and the historical preservation, study, and exhibition of postmortem human bodies in museums. The ethical implications of using nonhuman animal bodies as objects for political art entangle rogue taxidermy artists within the domination of nonhuman animals (alive and dead). The act of using postmortem nonhuman animal materials in artistic sculpture makes rogue taxidermy artists complicit in the history of modernity that used various bodies to outline “undesirable” racial and physiological variances. Furthermore, I analyze the subversive potential of Brewer’s sculptures to differently reconstruct sculptures of lusus naturae – from past representations – but, also, address the risky complexity of staging “monstrosity” in contemporary rogue taxidermy art. I conclude that the access and permission to place nonhuman animal bodies on display – from the outset – shows a normalization of human domination over nonhuman animal bodies, but argue that Sarina Brewer’s art, in various instances, critiques exploitation through multiple forms of body display.
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Bloomfield, Susanne. "The Vanishing Messiah: The Life and Resurrections of Francis Schlatter by David N. Wetzel." Magic, Ritual, and Witchcraft 13, no. 3 (2018): 481–83. http://dx.doi.org/10.1353/mrw.2018.0034.

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Sutton, Matthew Avery. "The Vanishing Messiah: The Life and Resurrections of Francis Schlatter . By David N. Wetzel." Western Historical Quarterly 48, no. 1 (August 2, 2016): 70–71. http://dx.doi.org/10.1093/whq/whw174.

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29

Furnal, Joshua R. "Crucifixions and Resurrections of the Image: Christian Reflections on Art and Modernity - By George Pattison." Reviews in Religion & Theology 18, no. 2 (February 23, 2011): 273–75. http://dx.doi.org/10.1111/j.1467-9418.2011.00798.x.

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30

Kolb, Robert, and Catharine Randall Coats. "(Em)bodying the Word. Textual Resurrections in the Martyrological Narratives of Foxe, Crespin, de Beze and d'Aubigne." Sixteenth Century Journal 24, no. 4 (1993): 999. http://dx.doi.org/10.2307/2541667.

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Sidorov, Dmitri. "National Monumentalization and the Politics of Scale: The Resurrections of the Cathedral of Christ the Savior in Moscow." Annals of the Association of American Geographers 90, no. 3 (September 2000): 548–72. http://dx.doi.org/10.1111/0004-5608.00208.

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32

Singh, Devin. "Resurrection as surplus and possibility: Moltmann and Ricoeur." Scottish Journal of Theology 61, no. 3 (August 2008): 251–69. http://dx.doi.org/10.1017/s003693060800402x.

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AbstractThough Moltmann and Ricoeur have a history of interaction, little attention has been paid to this relationship and its implications for their respective programmes. These thinkers have much in common, however, and the Ricoeurian categories of surplus and possibility elucidate critical aspects of a theology of hope, serving to strengthen its contemporary implications. Nuance is provided for the resurrection's role in redemption, and an existential mode of hope is delineated. Focusing on Moltmann's interactions with Ricoeur concerning the resurrection elevates these latent themes and demonstrates the fruitfulness of a continued conversation between these two thinkers. Furthermore, examining Moltmann's thought in Ricoeurian perspective opens new directions for conceptualising resurrection hope and praxis in a postmodern context.
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Nel, M. "Pentecostals’ reading of the Old Testament." Verbum et Ecclesia 28, no. 2 (November 17, 2007): 524–41. http://dx.doi.org/10.4102/ve.v28i2.120.

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The question of a valid and viable Pentecostal hermeneutic is discussed leading to the preliminary conclusion that such a hermeneutic would consist of the following elements: the experience of the immanence of God, within the charismatic community, through the work of the Spirit. The hermeneutic leads to a reading of Old (and New) Testament texts, especially narrative texts, as replicable for modern-day believers, because Pentecostals view the Bible as consisting primarily of testimonies of God’ s involvement and intervention in ancient believers’ lives with the aim to duplicate those acts in modern believers’ lives. The narratives of Pentecostals’ preaching and testimony are based upon Biblical tales but they are also accompanied by the same signs and wonders the Bible testifies to. This causes Pentecostals’ success in missions as non-literary societies are not interested in creeds but in oral narratives demonstrated in practice. Signs and wonders, healings and revelations, prophetic words and resurrections demonstrate the immanence of God as described in the Bible in a dramatic way to modern people.
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Haubenreich, Jacob. "The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies." New German Critique 47, no. 3 (November 1, 2020): 141–78. http://dx.doi.org/10.1215/0094033x-8607647.

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Abstract This article examines the persistence of the notion of the immaterial text in literary studies, now decades into the so-called material turn. Digitization of manuscripts increasingly confronts us with the facts of textual materiality and material authorship, yet many scholars remain ill-equipped to engage these traces in order to expand the possibilities of textual interpretation. The journeys of Peter Handke’s notebooks serve as a case study on how to interrogate various definitions of text and methodological approaches that reinforce an understanding of texts as immaterial. This article thus elucidates the conceptual and methodological impediments to more comprehensively integrating materiality into interpretation; an uneasiness, for example, about approaching authorship—the process and agency of textual production—lingers despite resurrections since the Author’s “death” and more recent transdisciplinary retheorizations of agency. The article finally looks to reflections on materiality in another field, art history, to clarify the reasons that integrating materiality into interpretative criticism remains so difficult, so that the field might begin to move beyond these obstacles.
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van den Brink, Gijsbert. "How to speak with intellectual and theological decency on the resurrection of Christ?: A comparison of Swinburne and Wright." Scottish Journal of Theology 61, no. 4 (November 2008): 408–19. http://dx.doi.org/10.1017/s0036930608004171.

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AbstractIn recent scholarship the spiritual reading of the New Testament resurrection stories has come under pressure from new studies of the relevant data. In this article, two of the most conspicuous of these studies are compared and evaluated. First, Richard Swinburne's monograph opens our eyes to the fact that, in interpreting the resurrection stories, much more is at stake than is usually recognised in so-called ‘undogmatic’ exegesis. However, the rather crude way in which Swinburne deals with these stories, suggesting that they represent Jesus' resurrection as a bare fact not qualitatively different from other historical facts, neglects their peculiarity and displays insufficient hermeneutical sensitivity for their unique theological meaning. Second, Tom Wright's monumental volume is sometimes criticised for a similar single-minded focus on historical questions and a concomitant lack of attention to the eschatological character of Jesus' resurrection. As a result, George Hunsinger has argued, it becomes unclear why the resurrection reports embody life-transforming good news now. Close scrutiny of Wright's book, however, does not vindicate this criticism. Wright neither isolates the question of the resurrection's historicity from its theological meanings nor overlooks the fact that a plausible historical case for the resurrection does not in itself elicit faith. Still, he rightly argues that what people believe about what actually has happened often plays a vital role in their personal transformation. Moreover, the eschatological nature of the resurrection does not rule out the fact that it can be seen and discussed with integrity as a historical issue.
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36

Yoshimura, Masashi, and Brian L. Fisher. "A Revision of Male Ants of the Malagasy Amblyoponinae (Hymenoptera: Formicidae) with Resurrections of the Genera Stigmatomma and Xymmer." PLoS ONE 7, no. 3 (March 29, 2012): e33325. http://dx.doi.org/10.1371/journal.pone.0033325.

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37

Kochaniewicz, Bogusław. "„Credo in carnis resurrectionem” w "Komentarzach do Symbolu" św. Piotra Chryzologa." Vox Patrum 61 (January 5, 2014): 457–66. http://dx.doi.org/10.31743/vp.3637.

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An analysis of sermons 56-62bis showed that Peter Chrysologus’ doctrine of the universal resurrection of the dead is not original and exhaustive. He presented to the catechumens the two most important arguments, explaining the truth of the faith: God’s omnipotence and resurrection of Christ. Bishop of Ravenna, com­menting on the phrase “credo in carnis resurrectionem” also used the analogies re­ferring to the cyclicality of the phenomena of nature (day and night, the seasons). Despite the developed reflection on this topic in the writings of early Christian writers of the fourth and fifth centuries, Peter Chrysologus did not use the argu­ments defending the truth about the resurrection of the dead resulting from: the purpose of life, the human structure and justice. His sermons also lack other top­ics: the relationship of the universality of the resurrection to the universality of re­demption (Hilary of Poitiers), reflection on the properties of the resurrected body – his spirituality (Cyril of Jerusalem, Ambrose) and comparison of its properties to the body of an angel (Hilary of Poitiers, Jerome, Augustine). There is also no biblical argument that has been used, for example in the writings of St. Irenaeus of Lyons, or in the commentary of Venantius Fortunatus to the Symbol. Despite these shortcomings, Peter Chrysologus’ comment to an article about the general resurrection of the dead, deserves to be acknowledged – it is a testimony of faith of the Church in the 5th century Ravenna and the expression of his pastoral care of the faith of the community.
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38

Hassan Al Ghareeb, Sanaa’ Lazim. "Man’s Politics Towards God: A Study in American and Iraqi Theatre Represented by Tony Kushner’s Angels in America: A Gay Fantasia on National Themes; Perestroika and Ali Abdul Nabi Azzaidi’s Ya Rab/Oh!God." Advances in Language and Literary Studies 9, no. 4 (August 31, 2018): 13. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.13.

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Contemporary Theater is greatly influenced by the changes happening politically and socially all over the world. Man no longer looks for being part of a society or defining himself according to certain standards of tradition; he/she no longer search for their identity or feel suffocated by the new technology, his main concern in contemporary age is to redefine the identity away from politics and the judgmental eye of the society he is living in. Man is calling for resurrections of the god he admitted killing during the past millennium. A new perception of that god has been defined and this seems to be interesting in a world ruled by fighting sectors of extremists who are classified into two categories those who are against the rule of that god and those who are with. This paper examines the perception of that god in two different societies by two authors through studying their plays to explain how this theme is pictured by the two. The first is the American controversial playwright Tony Kushner who’s Angels In America: A Gay Fantasia on National Themes; Perestroika raised epic questions in this matter, the other playwright is the Iraqi dramatist Ali Abdul Nabi Azzaidi who’s play Ya Rab/Oh!God introduced a new trend in the Iraqi theater. The paper adopts a socio-political school of criticism to achieve its goals.
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Lemke, James U. "Magnetic Storage: Principles and Trends." MRS Bulletin 15, no. 3 (March 1990): 31–35. http://dx.doi.org/10.1557/s0883769400060152.

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Magnetic recording can store digital information at an areal density well beyond the fundamental density-limit of optical systems. The central problems in achieving high trans-optical information density with magnetic recording reside primarily in the materials area. In addition to improved magnetic properties, such as head materials with high saturation magnetization and recording media with low noise and high coercivity, tribological considerations impose constraints on the ultimate density that will be attained. The exponential loss of signal due to spacing between the head and recording medium is inherent in all magnetic recording, necessitating the development of durable quasi-contact interfaces.Magnetic recording is the universal technology for electronic information mass storage. Its presence is ubiquitous as audio tapes, VCRs, floppy disks, computer hard disks, credit cards, etc. Sales of magnetic recording products exceed $50 billion annually, with strong growth projected into the foreseeable future. A steady progression in storage density and corresponding reduction in cost has characterized all phases of magnetic recording; the literature is replete with historical and projective curves showing cost and density numbers. Computer disk file memories have doubled in areal density every 2.5 years for about the past 30 years. Although many competing technologies have been proposed through the years, none has been able to displace or even significantly impact magnetic recording. The first challenge was thermoplastic recording, followed by at least three resurrections of magneto-optic recording, bubbles, semiconductors, and various nonmagnetic optical storage devices.
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Scully, Sean. "Resurrecting the Fallen in Thomas Kilroy's THE DEATH AND RESURRECTION OF MR ROCHE." Explicator 74, no. 3 (July 2, 2016): 147–49. http://dx.doi.org/10.1080/00144940.2016.1203747.

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41

Rountree, Lois. "Finding the Faith:Ordinary Resurrections: Children in the Years of Hopeby Jonathan Kozol. New York: Crown Publishers. © 2000. 388 pages. ISBN 0-517-70000-X." Educational Forum 65, no. 4 (December 31, 2001): 388–89. http://dx.doi.org/10.1080/00131720108984520.

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42

Haskell, David M. "The Theological Meaning of Jesus’ Resurrection: A Content Analysis of Mainline and Conservative Protestant Easter Sunday Sermons." Journal of Empirical Theology 25, no. 2 (2012): 205–35. http://dx.doi.org/10.1163/15709256-12341247.

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AbstractThis Canadian study qualitatively analyzed the texts of 35 conservative and 34 mainline Protestant Easter Sunday sermons. With the goal of indentifying similarities and differences between the conservative and mainline texts, the sermons were examined to determine 1) what they said about the purpose and meaning of Jesus’ resurrection and 2) the degree to which those explanations more broadly reflected adherence to the doctrine of Biblical authority. Among other findings, it was determined that sermons in both groups linked Jesus’ resurrection to supernatural boons for believers (i.e., eternal life, divine power in this life, or both). However, when referencing these supernatural gains the two groups differed in terms of proportion and manner of explication. All the conservative Protestant sermons referenced one or more supernatural benefits but less than two-thirds of the mainline sermons did so; the remaining mainline texts posited that the resurrection’s theological meaning was metaphorical and served to reveal a key existential lesson. Furthermore, conservative Protestant sermons always supported their theological claims with scriptural proof-texts while the vast majority of mainline sermons did not (the exception being sermons preached in rural mainline churches). Overall, strong adherence to the doctrine of Biblical authority was evidenced in the conservative Protestant sermons while the mainline sermons did not evidence strong adherence to that doctrine. Implications and possible explanations of these results are discussed.
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43

Carney, Josh. "Resur(e)recting a Spectacular Hero:Diriliş Ertuğrul, Necropolitics, and Popular Culture in Turkey." Review of Middle East Studies 52, no. 1 (April 2018): 93–114. http://dx.doi.org/10.1017/rms.2018.6.

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AbstractThe hugely popular proto-Ottoman television serialResurrection Ertuğrul(Diriliş Ertuğrul, 2014–) is the culmination of a series of attempts by Turkish government broadcaster TRT to produce a historical drama in line with the values of the governing AKP. Far from being confined to the television screen,Resurrectionis called upon by the government for multiple extra-textual engagements with the public. This essay traces some of the ways in which the serial has been used instrumentally by the AKP, blurring traditional distinctions between entertainment and official (state sanctioned) history, and intervening in political discourse. It first introduces the notion of prescriptive activation to describe the extra-textual use of media texts by those in power for political ends. Next, it examines the trappings of death that surround Resurrection, suggesting that the serial partakes in a representational necropolitics that fetishizes death for the nation. Finally, it explores the stakes of such representation, turning to a case in which text-inspired and literal necropolitics converge.
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Minaei, Mohsen, Mainack Mondal, Patrick Loiseau, Krishna Gummadi, and Aniket Kate. "Lethe: Conceal Content Deletion from Persistent Observers." Proceedings on Privacy Enhancing Technologies 2019, no. 1 (January 1, 2019): 206–26. http://dx.doi.org/10.2478/popets-2019-0012.

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Abstract Most social platforms offer mechanisms allowing users to delete their posts, and a significant fraction of users exercise this right to be forgotten. However, ironically, users’ attempt to reduce attention to sensitive posts via deletion, in practice, attracts unwanted attention from stalkers specifically to those (deleted) posts. Thus, deletions may leave users more vulnerable to attacks on their privacy in general. Users hoping to make their posts forgotten face a “damned if I do, damned if I don’t” dilemma. Many are shifting towards ephemeral social platform like Snapchat, which will deprive us of important user-data archival. In the form of intermittent withdrawals, we present, Lethe, a novel solution to this problem of (really) forgetting the forgotten. If the next-generation social platforms are willing to give up the uninterrupted availability of non-deleted posts by a very small fraction, Lethe provides privacy to the deleted posts over long durations. In presence of Lethe, an adversarial observer becomes unsure if some posts are permanently deleted or just temporarily withdrawn by Lethe; at the same time, the adversarial observer is overwhelmed by a large number of falsely flagged undeleted posts. To demonstrate the feasibility and performance of Lethe, we analyze large-scale real data about users’ deletion over Twitter and thoroughly investigate how to choose time duration distributions for alternating between temporary withdrawals and resurrections of non-deleted posts. We find a favorable trade-off between privacy, availability and adversarial overhead in different settings for users exercising their right to delete. We show that, even against an ultimate adversary with an uninterrupted access to the entire platform, Lethe offers deletion privacy for up to 3 months from the time of deletion, while maintaining content availability as high as 95% and keeping the adversarial precision to 20%.
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45

Rim, Dohyun. "예이츠의 희곡 『부활』의 극작법." Yeats Journal of Korea 62 (August 31, 2020): 67–86. http://dx.doi.org/10.14354/yjk.2020.62.67.

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46

Grillo, Jennie. "Roots of Resurrection in the Tales of Daniel." Vetus Testamentum 70, no. 4-5 (August 11, 2020): 592–602. http://dx.doi.org/10.1163/15685330-12341419.

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Abstract Early Jewish and early Christian readers found resurrection from the dead in the tales of Daniel; this article suggests that those readings may uncover real roots of the later theological idea within the earlier texts. The lions’ den of chs. 6 and 14 in the Greek texts and their daughter versions has intertextual connections with the pit which figures death in the Psalms, in Jeremiah, and in ancient Near Eastern iconography, and the dew which cools the furnace in the Greek versions of ch. 3 ties that chapter into a network of mythological allusions to the resurrecting power of dew. The Additions to Daniel and their early reception thus create a trajectory towards the later ideas which rabbinic and patristic readers built upon the substratum of these texts; in turn, those later ideas can be shown to have organic antecedents within the book of Daniel.
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47

Jennifer Elise Foerster. "Resurrection." World Literature Today 91, no. 3-4 (2017): 80. http://dx.doi.org/10.7588/worllitetoda.91.3-4.0080.

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48

Whittall, Arnold, Peter Maxwell Davies, BBC Philharmonic Soloists, Judith Weir, Chorus &. amp Soloists, and Sian Edwards. "Resurrection." Musical Times 136, no. 1833 (November 1995): 603. http://dx.doi.org/10.2307/1003499.

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Chesterton, G. K. "Resurrection." Chesterton Review 29, no. 1 (2003): 31–33. http://dx.doi.org/10.5840/chesterton2003291/29.

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50

Wyschogrod, Michael. "Resurrection." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 1, no. 1 (November 1992): 104–12. http://dx.doi.org/10.1177/106385129200100116.

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