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Journal articles on the topic 'Revenances'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Berdet, Marc, and Gérard Dubey. "Place aux revenances !" Socio-anthropologie, no. 34 (December 30, 2016): 9–21. http://dx.doi.org/10.4000/socio-anthropologie.2408.

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2

Paré, François. "Histoires de revenances." Voix et Images 33, no. 1 (2007): 147. http://dx.doi.org/10.7202/017534ar.

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3

Trudel, Éric. "Revenances de Baudelaire." Littérature N° 209, no. 1 (2023): 89–101. http://dx.doi.org/10.3917/litt.209.0089.

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4

Ménard, Sophie. "Revenances de la Corriveau." Cahiers de littérature orale, no. 85 (June 18, 2019): 215–22. http://dx.doi.org/10.4000/clo.6157.

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5

Fruteau de Laclos, Frédéric. "Les concepts meurent-ils ? Survivances et revenances dans les sciences." Philosophia Scientae, no. 26-1 (February 25, 2022): 151–67. http://dx.doi.org/10.4000/philosophiascientiae.3414.

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6

Sill, Édouard. "Présences, revenances et rejeux espagnols dans l’internationalisme combattant féminin au Rojava (2014-2018)." Cahiers d’histoire. Revue d’histoire critique, no. 141 (May 1, 2019): 97–117. http://dx.doi.org/10.4000/chrhc.9870.

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7

Foster, Jeremy. "Dancing on the grave of industry: Wenders, Bausch and the affective re-performance of environmental history." cultural geographies 25, no. 2 (2017): 319–38. http://dx.doi.org/10.1177/1474474017748709.

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Originally planned as a collaboration, Wim Wenders’ 2011 film about the choreographer Pina Bausch and her Tanztheater Wuppertal was made by Wenders alone, working with members of Bausch’s company after her unexpected early death. More than a documentary, Pina combines clips of staged productions, interviews with dancers, and sequences of them performing in selected settings in and around the city of Wuppertal. Combining Kracauer’s theories about film and dance with contemporary cultural geographical theory, this article unpacks how these landscape performances reflect Wenders and Bausch’s shar

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8

Guzlowski, John Z. "Revenants." Polish American Studies 58, no. 2 (2001): 110–11. http://dx.doi.org/10.2307/20148619.

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9

Rousseau, Julien. "Revenants affamés." Terrain, no. 69 (April 24, 2018): 172–77. http://dx.doi.org/10.4000/terrain.16648.

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10

Traynor, Desmond, Dermot Bolger, and Joe Ambrose. "Revenants' Revelance." Books Ireland, no. 247 (2002): 56. http://dx.doi.org/10.2307/20632404.

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11

Barre, Aurélie. "L’image revenante." Poétique 181, no. 1 (2017): 19. http://dx.doi.org/10.3917/poeti.181.0019.

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12

Lépingle, Gaël. "Les revenants." Vertigo 29, no. 2 (2006): 75. http://dx.doi.org/10.3917/ver.029.0075.

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13

Robert, Lucie. "Les Revenants." Voix et Images 22, no. 1 (1996): 159. http://dx.doi.org/10.7202/201288ar.

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14

Fabre, Daniel. "Juvéniles revenants." Études rurales 105, no. 1 (1987): 147–64. http://dx.doi.org/10.3406/rural.1987.3186.

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15

Dessons, Marie. "Les revenants." Le présent de la psychanalyse N° 12, no. 2 (2024): 103–18. http://dx.doi.org/10.3917/lpp.242.0103.

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Souvent associée à l’échec de la remémoration, la répétition peut confronter, dans la cure avec l’enfant, à l’actualisation projective et la reproduction en actes d’éléments plus clivés que refoulés. Ce qui fait retour en séance, parfois de manière hallucinatoire, appelle un travail de figuration et de représentation, comme en témoigne l’évocation de la cure d’un jeune garçon autour des fantômes. Transformer la répétition agie, en empêchant la revenance fantomatique sans fin, a permis la remise en mouvement d’une vie fantasmatique animée par le vif de l’infantile.

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16

Kridel, Craig. "Editor's Note." Journal of Curriculum Theorizing 30, no. 3 (2008): 83–84. https://doi.org/10.63997/jct.v30i3.11.

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17

Scepi, Henri. "Revenance de l’épique dansLe Spleen de Paris." Romantisme 172, no. 2 (2016): 69. http://dx.doi.org/10.3917/rom.172.0069.

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18

Giraud, François. "Avec les « petits revenants »." L'Autre 21, no. 2 (2020): 223. http://dx.doi.org/10.3917/lautr.062.0223.

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19

Disney, Dan. "Revenants by Adam Aitken." World Literature Today 96, no. 4 (2022): 71. http://dx.doi.org/10.1353/wlt.2022.0188.

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20

Charuty, Giordana. "Morts et revenants d'Italie." Études rurales 105, no. 1 (1987): 79–90. http://dx.doi.org/10.3406/rural.1987.3182.

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21

Losange, Adam. "Le communisme des revenants." Multitudes 73, no. 4 (2018): 213. http://dx.doi.org/10.3917/mult.073.0213.

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22

Kaës, René. "Les revenants du transfert." Revue de psychothérapie psychanalytique de groupe 12, no. 1 (1989): 35–43. http://dx.doi.org/10.3406/rppg.1989.1013.

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23

Oprelianska, Alina. "The Sealed Grave and Burial Rituals in the Context of Revenants in Ukrainian Belief." Journal of Ethnology and Folkloristics 15, no. 1 (2021): 27–49. http://dx.doi.org/10.2478/jef-2021-0003.

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Abstract The article* sets the goal of describing the Ukrainian ritual of the sealed grave and its relation to revenants, or the unquiet dead, based both on the author’s fieldwork and ethnographic collections of the turn of the 20th century. The meaning of the ritual and its variants are delineated through folk beliefs and institutionalised Orthodoxy and are defined as one of the main reasons for becoming revenants. Depending on a proper or failed funeral, the dead have different possibilities and time boundaries to visit the living. Together with biological reasons, the ritual of sealing a gr

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24

Holland, Nancy J. "The Revenante of Abu Ghraib." Philosophy Today 50, no. 9999 (2006): 182–86. http://dx.doi.org/10.5840/philtoday200650supplement22.

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25

Vitali, Ilaria. "Vénus Khoury-Ghata, La revenante." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 421. http://dx.doi.org/10.4000/studifrancesi.7074.

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26

Caciola. "Revenants, Resurrection, and Burnt Sacrifice." Preternature: Critical and Historical Studies on the Preternatural 3, no. 2 (2014): 311. http://dx.doi.org/10.5325/preternature.3.2.0311.

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27

Kliebenstein, Georges. "Ce que dit la revenante." Critique 721-722, no. 6 (2007): 472. http://dx.doi.org/10.3917/criti.721.0472.

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28

Lorcin, Marie-Thérèse. "Les revenants dans les fabliaux." Reinardus / Yearbook of the International Reynard Society 2 (January 1, 1989): 91–101. http://dx.doi.org/10.1075/rein.2.08lor.

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29

Hemptinne, Pierre. "Reprise et revenance. Ornette Coleman revu par John Zorn." Volume !, no. 7 : 2 (October 15, 2010): 143–47. http://dx.doi.org/10.4000/volume.754.

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30

Closs, August, and Claude Lecouteux. "Fantomes et revenants au moyen age." Modern Language Review 82, no. 3 (1987): 691. http://dx.doi.org/10.2307/3730430.

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31

Chouin, Nicolas. "David Thomson, Les revenants." Humanisme N° 314, no. 1 (2017): 120–21. http://dx.doi.org/10.3917/huma.314.0120.

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32

Canty, Daniel. "Revenants ou la vie dans les livres." Tangence, no. 43 (1994): 33. http://dx.doi.org/10.7202/025800ar.

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33

Gosset, Hélène. "I.9. J’ai parlé à une revenante." Revue d’Histoire de la Shoah N°211, no. 1 (2020): 101. http://dx.doi.org/10.3917/rhsho.211.0101.

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34

Caciola, N. "WRAITHS, REVENANTS AND RITUAL IN MEDIEVAL CULTURE." Past & Present 152, no. 1 (1996): 3–45. http://dx.doi.org/10.1093/past/152.1.3.

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35

Konkobo, Christophe. "Le Carrefour du théâtre et ses revenants." Africultures 86, no. 4 (2011): 30. http://dx.doi.org/10.3917/afcul.086.0030.

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36

Robert, François. "Les Enfers, les ombres et les revenants." Analyse Freudienne Presse 8, no. 2 (2003): 11. http://dx.doi.org/10.3917/afp.008.16.

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37

Kermicle, Jerry L., Mary Alleman, and Stephen L. Dellaporta. "Sequential mutagenesis of a maize gene, using the transposable element Dissociation." Genome 31, no. 2 (1989): 712–16. http://dx.doi.org/10.1139/g89-129.

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Forty unstable isolates of an R allele conferring strongly colored seed (R-sc:124) were established using a two-step procedure involving the Ac – Ds transposable element system. First, a series of full-color reversions to R-sc were isolated from two existing Ds mutable alleles, r-sc:m1 and r-sc:m3. Variegated kernels were then selected from large-scale testcrosses of the revenant strains (Ac still present) to establish new mutants. Four of the 9 R-sc revenants from r-sc:m3 gave no mutable alleles, whereas 5 produced a total of 40, in frequencies ranging from 0.8 × 10−4 to 10.2 × 10−4. Upon rem

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38

Nordholt, A. S. "Les Revenantes. Charlotte Delbo: la voix d'une communaute a jamais deportee." French Studies 66, no. 4 (2012): 577. http://dx.doi.org/10.1093/fs/kns196.

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39

Rahmani, Meriama. "Ô Maria ou la revenance mémorielle dans la littérature «post-mortem»." Филолошки преглед 47, no. 2 (2020): 77–88. http://dx.doi.org/10.18485/fpregled.2020.47.2.5.

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40

Massonnaud, Dominique. "Modalités et enjeux de la « revenance textuelle » dans La Comédie humaine." Les Lettres Romanes 71, no. 1-2 (2017): 23–36. http://dx.doi.org/10.1484/j.llr.5.113613.

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41

Castagnès, Gilles. "Formes et significations de l’autoscopie et de la « revenance » chez Musset." Littératures, no. 85 (December 1, 2021): 99–114. http://dx.doi.org/10.4000/litteratures.3404.

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42

Venn, Edward, and Anna McAuley. "Narrating the Uncanny: The Music of Les Revenants." Music and the Moving Image 15, no. 2 (2022): 25–43. http://dx.doi.org/10.5406/19407610.15.2.02.

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Abstract This article explores the narrative function of music in the French TV drama Les Revenants and its connection to the literary tradition of the fantastic. It argues that the music enacts the narrative device of hesitation to provide generic, timbral, tonal, semantic, and temporal ambiguity and, in doing so, gives voice to the show's characteristic fantastical presentation of the Freudian uncanny.

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43

Gordon, Joan. "Rehabilitating Revenants, or Sympathetic Vampires in Recent Fiction." Extrapolation 29, no. 3 (1988): 227–34. http://dx.doi.org/10.3828/extr.1988.29.3.227.

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44

Hamon, Étienne. "Fantômes et revenants : les dessins français d’architecture gothique." Livraisons d'histoire de l'architecture, no. 30 (December 30, 2015): 13–27. http://dx.doi.org/10.4000/lha.572.

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45

Déléage, Pierre. "Trois points de vue sur les revenants sharanahua." L'Homme, no. 183 (September 1, 2007): 117–46. http://dx.doi.org/10.4000/lhomme.25149.

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46

Déléage, Pierre. "Trois points de vue sur les revenants sharanahua." L Homme, no. 183 (June 22, 2007): 117–46. http://dx.doi.org/10.4000/lhomme.9301.

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47

Buchan, David, and Edward D. Ives. "Tale Roles and Revenants: A Morphology of Ghosts." Western Folklore 45, no. 2 (1986): 143. http://dx.doi.org/10.2307/1500041.

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48

Kramer, L. "Revenants: Masculine Thresholds in Schubert, James, and Freud." Modern Language Quarterly 57, no. 3 (1996): 449–77. http://dx.doi.org/10.1215/00267929-57-3-449.

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49

Kilroy-Marac, Katie. "Speaking with revenants: Haunting and the ethnographic enterprise." Ethnography 15, no. 2 (2013): 255–76. http://dx.doi.org/10.1177/1466138113505028.

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50

Novotná, Marie. "Revenants in Old Norse literature as embodied memory." AUC PHILOLOGICA 2020, no. 1 (2020): 9–22. http://dx.doi.org/10.14712/24646830.2020.17.

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