Academic literature on the topic 'Revolutionary slogans'

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Journal articles on the topic "Revolutionary slogans"

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Drabinski, John E. "Philosophy as a Kind of Cinema: Introducing Godard and Philosophy." Journal of French and Francophone Philosophy 18, no. 2 (2010): 1–8. http://dx.doi.org/10.5195/jffp.2010.209.

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"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books. It wasn’t just an image, we all know, for it reflected perfectly in iconic image the more substantial revolutionary recklessness with the camera we see from Breathless forward. Filmmaking is never the same after Godard. Images and their sequencing – Godard cloaked them in sunglasses and made them smirk. He made them revolutionary. That’s his thing. And even the older Godard makes for an iconic photograp
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Kurkov, Konstantin Nikolaevich, Elena Vladimirovna Dupliy, Elena Evgenevna Kabanova, Tatiana Anatolyevna Evstratova, and Ekaterina Alexandrovna Vetrova. "The study of biographies and the prosopographical method as a promising direction of historical studies." LAPLAGE EM REVISTA 7, no. 3A (2021): 340–47. http://dx.doi.org/10.24115/s2446-6220202173a1410p.340-347.

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The article addresses the study of historical processes through the biographical data of heads of the Russian prison service between the late 19th and early 20th centuries. The prosopographical method allows demonstrating the sociocultural phenomenon of paradoxical perception of reality by the Russian society at the beginning of the 20th century. The slogans of representatives of the revolutionary movement calling for justice turned into brutal terrorist acts. The study comprises archival documents and materials from pre-revolutionary periodicals.
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Spesivtseva, Svetlana N. "SLOGANS AND POSTERS AS A REFLECTION OF THE 1968 REVOLUTIONARY SITUATION IN FRANCE." Scholarly Notes of Komsomolsk-na-Amure State Technical University 2, no. 4 (2010): 97–100. http://dx.doi.org/10.17084/2010.iv-2(4).15.

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Colla, Elliott. "In Praise of Insult: Slogan Genres, Slogan Repertoires and Innovation." Review of Middle East Studies 47, no. 1 (2013): 37–48. http://dx.doi.org/10.1017/s2151348100056317.

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I have been thinking about Egyptian protest culture for a number of years, although not always as a scholar. For the bulk of that time, much of this protest culture was largely confined to particular segments of Egyptian society, activists, intellectuals and students. The major icon of this culture, Sheikh Imam, was clearly more revered outside of Egypt than at home. However, with the January 25 uprising, what was marginal became a dominant strand in contemporary Egyptian expressive culture. Like so many others, I found myself caught up in collecting, archiving and analyzing the explosion of r
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Selejan, Ileana L. "Vandalism as Symbolic Reparation." Cambridge Journal of Anthropology 39, no. 2 (2021): 19–38. http://dx.doi.org/10.3167/cja.2021.390203.

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The 2018 anti-government protests in Nicaragua generated a vast amount of photographic imagery, video documentation, and visual graphics. On the street and via social media, everyday citizens engaged with this material, activating a multisensory environment. The production of visual content was nonetheless accompanied by iconoclastic gestures; vandalism became a means of reclaiming Nicaragua’s revolutionary past and its symbols, while deploying them towards the making of a yet to be imagined political future. Drawing on examples from Chile and Mexico, the article argues that acts of vandalism
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Karimi-Hakkak, Ahmad. "Revolutionary Posturing: Iranian Writers and the Iranian Revolution of 1979." International Journal of Middle East Studies 23, no. 4 (1991): 507–31. http://dx.doi.org/10.1017/s0020743800023394.

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During those eventful days of early January 1979, after Shah Mohammad Reza Pahlavi of Iran had finally announced his intention to leave the country and the revolutionary leader Ayatollah Khomeini had made his return from exile contingent on the shah's departure, a hemistitch by Hafez, the 14th-century Persian poet, suddenly appeared next to an array of revolutionary slogans on display in the streets of Tehran: “Div cho birun ravad fereshteh dar āyad” (When the demon departs, the angel shall arrive). The basic binary oppositions of demon/angel and departure/arrival fit the realities of the situ
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Mehta, Brinda. "Staging Tahrir: Laila Soliman’s Revolutionary Theatre." Review of Middle East Studies 47, no. 1 (2013): 49–55. http://dx.doi.org/10.1017/s2151348100056329.

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If one day, a people desire to live, Then fate will answer their call And their night will then begin to fade, And their chains break and fall.“Will to Live” Abī al-Qāsim al-ShābīOne of the most inspiring aspects of the Egyptian revolution was the outpouring of creative expression that accompanied the uprising’s social and political movements in the form of protest songs, poetry, slogans, chants, graffiti and installation art, street theatre, cartoons, among other forms of artistic inventiveness. Creative dissidence has always been an integral part of protest movements, as argued by Iraqi poet
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Entin, Joseph, Richard Ohmann, and Susan O'Malley. "Occupy and Education: Introduction." Radical Teacher, no. 96 (May 5, 2013): 1–5. http://dx.doi.org/10.5195/rt.2013.17.

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We were inspired by Occupy Wall Street (OWS) and the rapid spread of Occupy across the United States and beyond. The commune-like camp sites, the general assemblies and use of the people’s mic, the marches and demonstrations, the provocative refusal to issue demands, the proliferation of working groups and spokes councils, the creative explosion of revolutionary slogans and art, the direct condemnation of corporate finance and of the massive inequalities that structure our society, the “free university” teach-ins, the campaigns against foreclosure and debt—all these elements of Occupy gave us
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Mathee, Rudi. "WILFRIED BUCHTA, Die iranische Schia und die islamische Einheit 1979–1996 (Hamburg: Deutsches Orient-Institut, 1997). Pp. 427. No price available." International Journal of Middle East Studies 32, no. 1 (2000): 177–80. http://dx.doi.org/10.1017/s002074380000221x.

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From its inception in 1979, the Islamic Republic of Iran has been characterized by a paradox. Some of its most frequently employed slogans: wahdat-i isl―am (Islamic unity) and sud―ur-i inqil―ab (export of the revolution) reflect the apparent eagerness of its leadership to reach out beyond Iran and to make the rest of the Islamic community share in the fruits of the country's revolutionary experience. Yet the minority status of Shi⊂ism within the umma, coupled with the close and growing identification of the revolution with (Twelver) Shi⊂ism, has largely restricted the outside appeal of Iran's
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Kraidy, Marwan M., and Marina R. Krikorian. "The revolutionary public sphere: The case of the Arab uprisings." Communication and the Public 2, no. 2 (2017): 111–19. http://dx.doi.org/10.1177/2057047317717499.

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The popular rebellions that swept Arab countries starting with Tunisia in December 2010 spawned an active sphere of dissenting cultural production. Although media harnessed by revolutionaries include public space, graffiti, street art, puppet shows, poetry, songs, cartoons, digital art, and music videos, many analyses have focused on social media as digital platforms. Social media and mobile telephones introduced a new element to political activism, but the focus on technology provides a partial understanding of activist communication. A more comprehensive picture of dissent in the Arab uprisi
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Dissertations / Theses on the topic "Revolutionary slogans"

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Galal, Mohamed Ahmed. "Ecrire la révolution égyptienne de 2011 : entre témoignage et fiction." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF029.

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Cette recherche porte sur l’analyse des problématiques narratologiques et stylistiques dans les écrits parus à la fin du soulèvement populaire survenu en Égypte en 2011. Elle entrecroise deux axes, l’un notionnel et l’autre analytique. D’une part, elle aborde la question du genre littéraire, de l’espace, de la temporalité et de la langue d’écriture. D’autre part, on se propose de comparer cinq textes, qu’on envisagera dans leur double appartenance littéraire et thématique : Ayyām al-Taḥrīr (2011), Cairo : my city, our revolution (2012), al-Ṯawra 2.0 (2012), Aǧniḥat al-farāša (2011) et Sabʿat a
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Books on the topic "Revolutionary slogans"

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Wirtz, Kristina. “With Unity We Will Be Victorious!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0006.

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This chapter investigates the relationship between monologue and dialogue in Cuban revolutionary discourse. It proposes to attend to the “mono-logic”—the semiotic and ideological forces designed to compel alignments toward unity, coherence, and continuity, that are, asymptotically, never quite reached. Cuba’s political leaders have for decades insisted that citizens undergo a continual process of conscientization in which inner selves and outer displays jointly cultivate commitment to revolutionary principles. There are two semiotic calibrations of such discourse: (1) the charismatic, in which
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Sutherland, D. M. G. Urban Violence in 1789. Edited by David Andress. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199639748.013.016.

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This contribution examines the political violence of urban crowds in 1789. It endorses previous contributions that emphasize the importance of subsistence issues for urban consumers and the hopes the calling of the Estates-General stimulated for a drastic transformation. It argues, however, that popular consciousness should not be envisaged as moving from a less to a more sophisticated level. Instead, new slogans, aspirations, and heroes were grafted onto older sentiments like revenge for insults, assaults on hate figures, and the like. The crowd also enacted justice through the carnival of mo
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Penney, Joel. The Historical Lineage of the Citizen Marketer. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658052.003.0002.

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This chapter investigates the historical context of citizen marketing, tracing a lineage that extends to the beginnings of political iconography. However, as symbols of monarchic and despotic allegiance give way to the promotional spectacle of modern Western democratic elections, symbolic artifacts of political sentiment such as banners and sashes begin to offer new entry points for citizen participation. Whereas part of the story of citizen marketing emerges from the tradition of formalized political assemblies and protest demonstrations, another key influence is the more vernacular tradition
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Book chapters on the topic "Revolutionary slogans"

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Cantini, Daniele. "Seeing Social Change Through the Institutional Lens: Universities in Egypt, 2011–2018." In Methodological Approaches to Societies in Transformation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65067-4_3.

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AbstractThis chapter explores the possibilities offered by the ethnographic study of institutions when addressing the question of social change, taking Egyptian universities during the revolution and its aftermath as case study. Discussing how different actors address the issue of change, the chapter cautions against adopting explanatory schemes too easily, particularly when building narratives. Instead, it suggests looking at institutional constraints to see how contradictory and overlapping notions of change are created, enforced, and contested across competing networks of power, both during an uprising and in times of political repression. Furthermore, it shows how changes in an institution can reveal hints of transformation processes in the broader society. This chapter offers an alternative reading of the revolutionary changes that transformed the country in and after 2011. Focusing on two major perspectives on the change in Egypt’s higher education sector the article discusses some of the complexities of accounting for change through an institutional lens. The first, coming from those more actively involved in the 2011 revolution, is one of struggle, emancipatory will, and depression and silence as a consequence of the 2013 backlash. The second perspective stems from state-sponsored programs promoting higher education as a globally competitive object, subject to reform and geared toward innovation and quality. As a consequence of these different perspectives the university has become the site of a major battle between forces competing for power within society, demonstrating how such metanarratives of change shape the temporalities according to which university actors consider their action. By combining participatory observation, interviews, and the study of documents stating internal university regulations and reform programs, the author shows the importance of universities as privileged sites for the implementation of change, uncovering balances of power, beyond slogans and discourses.
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Sidel, John T. "Republicanism, Communism, Islam." In Republicanism, Communism, Islam. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755613.003.0008.

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This chapter highlights the proclamation of Indonesian independence in August 1945. It details the emergence of a process of revolutionary mobilization, with armed groups surfacing in villages, towns, and cities across Java, Sumatra, and elsewhere to proclaim independence, to assert new forms of authority and, in some areas, to carry out local social revolutions of their own. The chapter then examines the impacts of the surge of revolutionary mobilization unfolding across Java and Sumatra with such strong support from Communist and Islamic networks, and such demonstrations of solidarity from beyond the archipelago. In the face of the external constraints and internal challenges, this chapter outlines how Republik Indonesia moved quickly to establish recognizable institutions of republican, representative government through which to absorb and appropriate for itself the popular energies and aspirations embodied in the slogan kedaulatan rakyat (popular sovereignty). Ultimately, the chapter illustrates the Indonesian Revolusi's immediate outcome and the successful subordination of communism and Islam to the republicanism of Soekarno and Mohammad Hatta's Republik Indonesia.
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Armbrust, Walter. "Copts and Salafis." In Martyrs and Tricksters. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691162645.003.0008.

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This chapter assesses the most important period in the revolution, namely the last three months of 2011. By that time the revolutionary forces—those that stayed mobilized or that remobilized periodically throughout the year—had articulated a series of demands that went far beyond the ubiquitous but vague “bread, freedom, and social justice” slogan. They included the cleansing of institutions from Mubarakist elements, greater autonomy and political freedom within universities and al-Azhar, independent labor unions, the cessation of military trials for civilians, unambiguous civilian rule, and redress for those killed or injured by the security forces. None of this had anything to do with an institutionally nurtured “democratic transition” that occupied the attention of political scientists; none of it was acknowledged by institutions or powerful public figures, who never deviated from the line that the revolution was incoherent, and merely the product of a few feckless youths. Hence, chants at demonstrations of “down with military rule” were heard by March, but it was a series of massacres and street battles beginning in October and lasting until early February of 2012 that brought anti-SCAF (Supreme Council for the Armed Forces) sentiment much more openly into the mainstream than anyone could have dreamed, given the deeply institutionalized reverence for the military in Egyptian public culture. At that point, the military had little choice but to push ahead with elections that it knew would result in a transfer of power to the Muslim Brotherhood.
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