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Books on the topic 'Revolutions – cross-cultural studies'

Author: Grafiati
Published: 26 July 2024

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1

I, Midlarsky Manus, ed. Inequality and contemporary revolutions. Denver, Colo: Graduate School of International Studies, University of Denver, 1986.

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2

Stearns, Peter N. Revolutions in sorrow: The American experience of death in global perspective. Boulder, CO: Paradigm Publishers, 2007.

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3

Stearns, Peter N. Revolutions in sorrow: The American experience of death in global perspective. Boulder, CO: Paradigm Publishers, 2008.

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4

Women in the developing world: Evidence from Turkey. Denver, Colo: Graduate School of International Studies, University of Denver, 1986.

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5

demontage, Gruppe, ed. Postfordistische Guerrilla: Vom Mythos nationaler Befreiung. Münster: Unrast, 1998.

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6

Alberto, Amaral, Meek V. Lynn 1948-, and Larsen Ingvild Marheim, eds. The higher education managerial revolution? Dordrecht: Kluwer Academic Publishers, 2003.

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7

A, Mangan J., ed. A significant social revolution: Cross-cultural aspects of the evolution of compulsory education. London, England: Woburn Press, 1994.

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8

Khadija, Haq, and Ponzio Richard, eds. Pioneering the human development revolution: An intellectual biography of Mahbub ul Haq. New Delhi: Oxford University Press, 2008.

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9

1943-, Breneman Anne, and Mbuh Rebecca A, eds. Women in the new millennium: The global revolution. Lanham, Md: Hamilton Books, 2006.

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10

Klooster, Wim. Revolutions in the Atlantic World: A Comparative History. New York University Press, 2009.

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11

Revolutions in the Atlantic World: A Comparative History. New York University Press, 2007.

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12

Revolutions in the Atlantic World: A Comparative History. New York University Press, 2007.

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13

Revolutions in Sorrow: The American Experience of Death in Global Perspective (U.S. History in International Perspective) (U.S. History in International Perspective). Paradigm Publishers, 2007.

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14

Revolutions in Sorrow: The American Experience of Death in Global Perspective (U.S. History in International Perspective) (U.S. History in International Perspective). Paradigm Publishers, 2007.

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15

Revolutions in the Atlantic World, New Edition: A Comparative History. NYU Press, 2018.

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16

The Higher Education Managerial Revolution? (Higher Education Dynamics). Springer, 2003.

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17

Incomplete Revolution: Adapting to Women's New Roles. Polity, 2009.

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18

He, Ming Fang. River Forever Flowing: Cross-Cultural Lives and Identities in the Multicultural Landscape. Information Age Publishing, Incorporated, 2000.

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19

Breneman, Anne, and Rebecca Neh Mbuh. Women in the New Millennium: The Global Revolution. Hamilton Books, 2006.

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20

He, Ming Fang. A River Forever Flowing: Cross-Cultural Lives and Identies in the Multicultural Landscape (PB). Information Age Publishing, 2000.

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21

He, Ming Fang. A River Forever Flowing: Cross-Cultural Lives and Identies in the Multicultural Landscape (HC). Information Age Publishing, 2000.

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22

Ruprecht, Lucia. Gestural Imaginaries. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190659370.001.0001.

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Abstract:
Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century offers a new interpretation of European modernist dance by addressing it as guiding medium in a vibrant field of gestural culture that ranges across art and philosophy. Taking further Cornelius Castoriadis’s concept of the social imaginary, it explores this imaginary’s embodied forms. Close readings of dances, photographs, and literary texts are juxtaposed with discussions of gestural theory by thinkers including Walter Benjamin, Sigmund Freud, and Aby Warburg. Choreographic gesture is defined as a force of intermittency that creates a new theoretical status of dance. The book shows how this also bears on contemporary theory. It shifts emphasis from Giorgio Agamben’s preoccupation with gestural mediality to Jacques Rancière’s multiplicity of proliferating, singular gestures, arguing for their ethical and political relevance. Mobilizing dance history and movement analysis, it highlights the critical impact of works by choreographers such as Vaslav Nijinsky, Jo Mihaly, and Alexander and Clotilde Sakharoff. It also offers choreographic readings of Franz Kafka and Alfred Döblin. Gestural Imaginaries proposes that modernist dance conducts a gestural revolution that enacts but also exceeds the insights of past and present cultural theory. It makes a case for archive-based, cross-medial, and critically informed dance studies, transnational German studies, and the theoretical potential of performance itself.
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