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Relevant bibliographies by topics / Rhetoric – kievan rus

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Academic literature on the topic 'Rhetoric – kievan rus'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Rhetoric – kievan rus"

1

Lenhoff, Gail, and Simon Franklin. "Sermons and Rhetoric of Kievan Rus'." Slavic and East European Journal 36, no. 3 (1992): 362. http://dx.doi.org/10.2307/308592.

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2

Kroczak, Justyna. "The Role of the Bible in the Formation of Philosophical Thought in Kievan Rus’ (as Exemplified by Ilarion of Kiev, Kliment Smolatič, and Kirill of Turov)." Studia Ceranea 6 (December 30, 2016): 61–74. http://dx.doi.org/10.18778/2084-140x.06.04.

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The article is an attempt to critically evaluate the manifestations of the philosophical culture sprouting in Rus’. With the baptism in the Byzantine Rite, Rus’ in the 10th century joined the family of Christian nations and defined the future direction of her own cultural development. The Middle Ages in Rus’ were eminently theocentric. Literature (which was mostly translated from the Greek in Bulgarian monasteries) had a religious character. Sacral content, assimilated in Rus’ mainly through the Old Church Slavonic (due to the scarce knowledge of Greek) had a decisive influence on formation of

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3

Kokhan, L. "ANALYSIS OF THE ISSUE OF HISTORICAL AND PEDAGOGICAL SOURCES ON EDUCATIONAL VALUE OF THE HUMANITIES." Norwegian Journal of development of the International Science, no. 105 (March 25, 2023): 50–52. https://doi.org/10.5281/zenodo.7778956.

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<strong>Abstract</strong> The article deals with analysis of historical and pedagogical sources. It is set that the use of educational value of the humanities is a sign of the first schools of Kievan Rus. It is revealed that during the Polish-Lithuanian era in Brotherhood schools of Ukraine as the first higher educational institutions (Ostroh School-Academy) humanities placed a great role on personality development. It is proved that in Kyiv-Mohyla Academy humanitarian sciences as the important component of education were provided by such subjects as grammar, poetics, rhetoric, philosophy. <st

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4

Prestel, David K. "Sermons and Rhetoric of Kievan Rus. Translated and with an Introduction by Simon Franklin. (Harvard Library of Early Ukrainian Literature, English Translations, Vol. 5). Cambridge, Mass.: Ukrainian Institute of Harvard University, 1991. cxv, 213 pp. $25.00. Distributed by Harvard University Press, Cambridge, Mass." Canadian-American Slavic Studies 27, no. 1-4 (1993): 330–32. http://dx.doi.org/10.1163/221023993x00207.

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5

Pastukhov, Maxim. ""Sermon on Law and Grace": Analyzing the Christology of the Literary Monument." Proceedings of the Saratov Orthodox Theological Seminary, no. 2 (25) (August 9, 2024): 29–44. http://dx.doi.org/10.56621/27825884_2024_25_29.

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This article is a theological analysis of the work "Word on Law and Grace" through the prism of the Christology of the OrthodoX Church. The Old Russian monument was created in the context of St. Hilarion of Kiev’s activity in catechizing believers and conveying the fundamentals of Christian doctrine through poetic and rhetorical forms. The author attaches importance to Christology as a central element in understanding the historical process. St. Hilarion also enters into a polemic with heterodoX views. He emphasizes the divine-human nature of the Savior and the role of oikonomia in the process

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6

Varavkina-Tarasova, Nadiya. "Joan’s of Arc Aria No. 7 from the opera "The Maid of Orleans" by P. Tchaikovsky: the spiritual symbolism of the canon of repentance when "trialed under the sign"." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 19–35. http://dx.doi.org/10.34064/khnum2-49.02.

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The article examines the spiritual symbols of the musical and sound structure of Joan’s Aria No. 7 " Forgive me, hills and native fields " from the opera "The Maid of Orleans" by P. Tchaikovsky. The subject of the study is the iconic expositional characteristics of the dramatic development of the image of the protagonist of the opera as a vividly representative historical and symbolic phenomenon, expressed through the centuries-old context of musical spiritual symbols. "Liturgy of John Chrysostom" and "The Maid of Orleans" were marked by a powerful creative core, bravely creating a new level o

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7

Varavkina-Tarasova, Nadiya. "Joan’s of Arc Aria No. 7 from the opera "The Maid of Orleans" by P. Tchaikovsky: the spiritual symbolism of the canon of repentance when "trialed under the sign"." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 19–35. http://dx.doi.org/10.34064/khnum1-49.02.

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The article examines the spiritual symbols of the musical and sound structure of Joan’s Aria No. 7 " Forgive me, hills and native fields " from the opera "The Maid of Orleans" by P. Tchaikovsky. The subject of the study is the iconic expositional characteristics of the dramatic development of the image of the protagonist of the opera as a vividly representative historical and symbolic phenomenon, expressed through the centuries-old context of musical spiritual symbols. "Liturgy of John Chrysostom" and "The Maid of Orleans" were marked by a powerful creative core, bravely creating a new level o

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8

"The works of George Khirobosk in Byzantine and Old Slavic philological science." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 79 (2018). http://dx.doi.org/10.26565/2227-1864-2018-79-26.

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The article considers the significance of George Khirobosk's works in Byzantine and Old Slavic philological science; the sources and composition of «Izbornik of Svyatoslav 1073» are described; a comparative analysis of the names of the artistic means in the Greek text of George Khirobosk «Izbornik of Svyatoslav 1073» and his Old-Slavic translation «О образѣх»; the influence of the Greek treatise on the formation of the names of poetic tropes in the literary theory of Kievan Rus is studied. Byzantine literature, new in its tasks and content, which widely used the experience of ancient literatur

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Books on the topic "Rhetoric – kievan rus"

1

Simon, Franklin, Ilarion, Metropolitan of Kiev, fl. 1037-1050., Kliment Smoli͡a︡tich, Metropolitan of Kiev, d. ca. 1164., and Kirill, Saint, Bishop of Turov, 1130-ca. 1182., eds. Sermons and rhetoric of Kievan Rus'. Distributed by Harvard University Press for the Ukrainian Research Institute of Harvard University, 1991.

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2

Sermons And Rhetoric Of Kievan Rus. Ukrainian Research Institute of Harvard Unive, 2011.

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3

Sermons and Rhetoric of Kievan Rus'. Harvard Ukrainian Research Institute, 1991.

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4

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Holy Rus´. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0004.

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This chapter discusses how texts established and perpetuated a link between the spiritual grace of Kievan and Northern Rus′ and monastic life. Hagiography, homily, and prayers, written in the monasteries and incorporated into local collections, helped disseminate core beliefs about the conversion of Vladimir in Kiev and an indelible link between the territory of Rus′—already seen as a magical place in folklore—and the Orthodox faith. The chapter charts the types of national and individual stories told in the literature. Textual production remained based in monasteries and stable as a manuscrip

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5

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0002.

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Part I considers definitions of literature (as distinct from philology) for the medieval period, arguing that the rhetorical shape and storytelling functions of many texts composed in the Russian lands from the tenth century onward created a body of literature when understood on these terms. The Part surveys the spread of learning and a new script to Kievan Rus′, treating accounts of the conversion of the Eastern Slavs to Orthodox Christianity. It considers the conditions and scribal practices affecting the selective transmission of texts from Byzantium within the context of the larger Orthodo

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6

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Institutions and contexts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0003.

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Chapter 1 surveys the essential historical, political, and linguistic conditions of Kievan Rus′ from its conversion to Christianity in the tenth to eleventh centuries, and establishment of monasteries and scribal culture, to the rise of Muscovy in the fifteenth century. The impact of Byzantine legacy on writing as a source of translation and emulation raises questions about the definition of literature in the medieval period. The chapter discusses why the application of the modern idea of the genre system is problematic, arguing that other criteria of literariness, encapsulated in the author-f

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