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Journal articles on the topic 'Rhetorical listening'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Marty, Debian. "Rhetorical Listening." Review of Communication 8, no. 1 (2008): 74–77. http://dx.doi.org/10.1080/15358590701586956.

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Spence, Donald P. "Listening for Rhetorical Truth." Psychoanalytic Quarterly 72, no. 4 (2003): 875–903. http://dx.doi.org/10.1002/j.2167-4086.2003.tb00143.x.

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Tompkins, Paula S. "Rhetorical Listening and Moral Sensitivity." International Journal of Listening 23, no. 1 (2009): 60–79. http://dx.doi.org/10.1080/10904010802591912.

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4

Floyd, James J., and Robin G. Reese. "Listening Theory in Modern Rhetorical Thought." International Listening Association. Journal 1, no. 1 (1987): 87–102. http://dx.doi.org/10.1080/10904018.1987.10499010.

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Kristen McCauliff. "Rhetorical Listening: Identification, Gender, Whiteness (review)." Rhetoric & Public Affairs 11, no. 3 (2008): 531–33. http://dx.doi.org/10.1353/rap.0.0047.

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Scott and Edgar. "Situated Listening: Toward a More Just Rhetorical Criticism." Rhetoric and Public Affairs 24, no. 1-2 (2021): 223. http://dx.doi.org/10.14321/rhetpublaffa.24.1-2.0223.

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Nafiza, Imaz. "STRATEGI RETORIKA PEMBAWA ACARA DALAM MATA NAJWA DI TRANS7." Jurnal PENEROKA 1, no. 02 (2021): 259. http://dx.doi.org/10.30739/peneroka.v1i02.989.

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This study aims to interpret the function of verbal and nonverbal rhetorical forms of presenters in Mata Najwa on Trans7 as a rhetorical strategy. The design and type of this research used descriptive qualitative. The research was conducted comprehensively which refers to the analysis of verbal and nonverbal rhetorical forms. Data collection techniques used recording techniques, listening techniques, and note-taking techniques. Meanwhile, the data analysis in this study was to classify the data and classify the data. To test the validity of the data, the researchers used several stages, namely

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8

Fitzgerald, William. "Listening, Ancient and Modern." Journal of the Royal Musical Association 135, S1 (2010): 25–37. http://dx.doi.org/10.1080/02690400903414806.

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ABSTRACTThe purpose of this paper is to describe some aspects of the agenda of listening in the Western tradition. Ancient and modern versions of some of the myths of listening (Orpheus, the Sirens) are compared to illustrate what might be at stake in the activity of listening. A basic contrast is drawn between ancient rhetorical ideas of the power of music to affect the listener and the demand of instrumental music, from the late eighteenth century on, that we understand what the music wants of us. The paper continues with a discussion of some ancient ideas about philosophical listening, whic

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Gentz, Joachim. "Rhetoric as the Art of Listening: Concepts of Persuasion in the First Eleven Chapters of the Guiguzi." Asiatische Studien - Études Asiatiques 68, no. 4 (2014): 1001–19. http://dx.doi.org/10.1515/asia-2014-0053.

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Abstract The first eleven chapters of the book Guiguzi 鬼谷子 are ascribed to Master Guigu, the alleged teacher of the two famous rhetoricians Su Qin 蘇秦 and Zhang Yi 張儀. These chapters provide a methodological approach to the art of persuasion which is fundamentally different from European rhetoric. Whereas European rhetoric, originating in Greek rhetoric, is mainly concerned with the persuasion of big audiences in public forums and institutions such as assemblies (the agora as birthplace of democracy) and courtrooms, the persuasive strategies in the Guiguzi mainly focus on the involvement with a

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VARWIG, BETTINA. "ONE MORE TIME: J. S. BACH AND SEVENTEENTH-CENTURY TRADITIONS OF RHETORIC." Eighteenth Century Music 5, no. 2 (2008): 179–208. http://dx.doi.org/10.1017/s1478570608001486.

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ABSTRACTAlthough the question of a connection between Bach’s music and the discipline of rhetoric has been raised repeatedly in the past, the proposed solutions have rarely taken into account the particular kind of rhetorical thinking prevalent in the eighteenth century. In this article, I show that a notion of rhetoric initially developed by Erasmus of Rotterdam and perpetuated in seventeenth-century writings, which focused on argumentative procedures involving variation and amplification, continued to underlie poetic and musical theory in Bach’s time. By articulating fundamental creative pat

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Wertheimer, Molly Meijer. "Listening to Their Voices: The Rhetorical Activities of Historical Women." College Composition and Communication 51, no. 2 (1999): 317. http://dx.doi.org/10.2307/359054.

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12

Evers, Hans. "Contemplative Listening: A Rhetorical-Critical Approach To Facilitate Internal Dialog." Journal of Pastoral Care & Counseling: Advancing theory and professional practice through scholarly and reflective publications 71, no. 2 (2017): 114–21. http://dx.doi.org/10.1177/1542305017708154.

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This article presents a discussion technique that is tailored to clients needing to reorient their convictions following a critical life event. The technique has three distinctive characteristics. The client’s statements are not classified into categories from conventional layer models that are designed to track the themes or content of talk. Instead, we adopt a rhetorical approach because of the fundamental metaphysical nature of conviction that this article assumes. The primary focus is on how clients talk about themselves and their convictions. This focus allows the professional to support

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Watson, Martha. "Reclaiming Rhetorica: Women in the Rhetorical Tradition, and: Listening to Their Voices: The Rhetorical Activities of Historical Women, and: The Changing Tradition: Women in the History of Rhetoric (review)." Philosophy and Rhetoric 33, no. 3 (2000): 294–98. http://dx.doi.org/10.1353/par.2000.0022.

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Ilqar, Mammedli Aysel. "Artistic Discourse and Rhetoric Means." International Journal of English Linguistics 5, no. 6 (2015): 164. http://dx.doi.org/10.5539/ijel.v5n6p164.

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<p>The article investigates the rhetoric means that are used to adorn the artistic discourse. Adorning of the speech means to delever the artistic discourse to a reader by using various rhetoric means. This problem involved the attention of the rhetorics in ancient Greek, Rome etc., and they have interesting thoughts about adorning the speech by using rhetoric means. In those times the stated problem was introduced on political, law-court, and other speeches. In modern times this problem is also in the air. As the cognitive linguitics developes the problem that was proposed by the Roma r

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15

Daly Goggin, Maureen. "Silence and Listening as Rhetorical Arts, Cheryl Glenn and Krista Ratcliffe, eds." Rhetoric Review 30, no. 4 (2011): 423–26. http://dx.doi.org/10.1080/07350198.2011.604613.

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Cui, Wenqi. "Rhetorical Listening Pedagogy: Promoting Communication Across Cultural and Societal Groups with Video Narrative." Computers and Composition 54 (December 2019): 102517. http://dx.doi.org/10.1016/j.compcom.2019.102517.

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17

Petrany, Catherine. "Fathers, Mothers, Sons, and Silence: Rhetorical Reconfiguration in Proverbs." Biblical Theology Bulletin: Journal of Bible and Culture 50, no. 3 (2020): 154–60. http://dx.doi.org/10.1177/0146107920934700.

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In the royal instruction of Proverbs 31:1–9, a Queen Mother exhorts her royal son Lemuel to “open your mouth” on behalf of another, namely those who cannot themselves speak, the mute, the poor, and the needy. While the didactic relationship between mother and son in this passage in part mirrors the relationship between the proverbial father and son in chapters 1–9, the maternal demand for her son to speak on behalf of some silent other distinguishes her teaching. Here, the listening son’s entrance into words, into the art of becoming a verbal advocate in the judicial sphere, points beyond the

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18

Ratcliffe, Krista. "Rhetorical Listening: A Trope for Interpretive Invention and a "Code of Cross-Cultural Conduct"." College Composition and Communication 51, no. 2 (1999): 195. http://dx.doi.org/10.2307/359039.

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Reilly Bluma, Jennifer. "Weaving Ropes with the Desert Fathers: (Re)Inventing Rhetorical Theory as Silence and Listening." International Journal of Listening 30, no. 3 (2015): 134–50. http://dx.doi.org/10.1080/10904018.2015.1055002.

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Tullett, William. "Political Engines: The Emotional Politics of Bells in Eighteenth-Century England." Journal of British Studies 59, no. 3 (2020): 555–81. http://dx.doi.org/10.1017/jbr.2020.41.

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AbstractThis article asks how and why bells maintained their central place in political culture between 1660 and 1832, a question that can best be approached from the perspective of histories of the emotions and senses. Such a consideration of bells allows us to extend the concept of “emotives” to encompass material culture. Often believed to “speak,” bells were fundamental to a binary emotional regime: the joy and sorrow they expressed and created were essential to perceptions of deference, community, and national feeling. But they could also be inverted and used a form of resistance. For tho

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Helmreich, Stefan. "Gravity’s Reverb: Listening to Space-Time, or Articulating the Sounds of Gravitational-Wave Detection." Cultural Anthropology 31, no. 4 (2016): 464–92. http://dx.doi.org/10.14506/ca31.4.02.

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In February 2016, U.S.-based astronomers announced that they had detected gravitational waves, vibrations in the substance of space-time. When they made the detection public, they translated the signal into sound, a “chirp,” a sound wave swooping up in frequency, indexing, scientists said, the collision of two black holes 1.3 billion years ago. Drawing on interviews with gravitational-wave scientists at MIT and interpreting popular representations of this cosmic audio, I ask after these scientists’ acoustemology—that is, what the anthropologist of sound Steven Feld would call their “sonic way

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22

JONES, RHYS. "BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–1814." Historical Journal 57, no. 4 (2014): 947–71. http://dx.doi.org/10.1017/s0018246x14000405.

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ABSTRACTBeethoven the revolutionary is fading from history. Ossified by the Romantic tradition and, under the pressure of recent revision, reconsidered as conservative and prone to power worship, Beethoven's music has been drained of its radical essence. Yet his compositions also evoked the sonic impact of revolution – its aesthetic of natural violence and terrifying sublime – and so created an aural image of revolutionary action. Through stylistic appropriations of Luigi Cherubini and others, Beethoven imported the rhetorical tropes of French revolutionary composition to the more culturally c

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23

Danler, Paul. "„Gesagt. Getan.“." Linguistik Online 97, no. 4 (2019): 7–31. http://dx.doi.org/10.13092/lo.97.5593.

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An orator tries to turn his/her personal point of view into a generally accepted one using a variety of rhetorical means; one of which is argumentation. However, since the relationship between rhetoric and argumentation is somewhat controversial, I will first of all try to identify the role of argumentation within rhetoric. After that, I will briefly discuss the nature of a wide range of argumentation schemes. Arguments have been classified in different ways. One very convincing and effective way is that suggested by Kienpointner. I will present his typology, which will afterwards serve as bas

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Oktarini, Widya. "The Use of Language Aspects as Rhetorical Devices in Obama’s Inaugural Addresses." Journal of English Teaching and Learning Issues 2, no. 1 (2019): 35. http://dx.doi.org/10.21043/jetli.v2i1.4995.

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This research analyzes language aspects as rhetorical devices in inaugural addresses of the presidents of The United States, Barack H. Obama. Specifically, this research aims at describing the use of diction and language style found in the inaugural addresses. This research is descriptive qualitative using discourse analysis approach. In collecting the data, it uses listening method and note-taking technique. In analyzing the data, it uses contextual method by using socio-pragmatics theory. In presenting the result of the analysis, it uses informal method by verbal language. The result of anal

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25

Carlos, Claudia. "Techniques of Bold Speaking, Safely, in Bossuet's “Sermon sur la prédication évangélique” (1662)." Rhetorica 28, no. 2 (2010): 197–221. http://dx.doi.org/10.1525/rh.2010.28.2.197.

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In seventeenth-century France, the one context in which it was possible to publicly criticize the monarch was the pulpit. Yet, in delivering criticism, the court preacher had to avoid sounding too harsh not only for fear of giving offense but for fear the sovereign might cease listening altogether. This paper examines the rhetorical techniques by which the preacher could indirectly—and hence “safely”—criticize the king. As we see from Bossuet's “Sermon sur la prédication évangélique” (1662), far from being a simple means of cajoling, these techniques attempted to provide the preacher with the

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Dewan, Torun, and David P. Myatt. "On the rhetorical strategies of leaders: Speaking clearly, standing back, and stepping down." Journal of Theoretical Politics 24, no. 4 (2012): 431–60. http://dx.doi.org/10.1177/0951629811429006.

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Followers wish to coordinate their actions in an uncertain environment. A follower would like his action to be close to some ideal (but unknown) target; to reflect his own idiosyncratic preferences; and to be close to the actions of others. He learns about his world by listening to leaders. Followers fail to internalize the full benefits of coordination and so place insufficient emphasis on the focal views of relatively clear leaders. A leader sometimes stands back, by restricting what she says, and so creates space for others to be heard; in particular, a benevolent leader with outstanding ju

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27

Ehinger, Jessica Lee. "Was Anyone Listening? Christian Apologetics Against Islam as a Literary Genre." Studies in Church History 48 (2012): 35–46. http://dx.doi.org/10.1017/s0424208400001224.

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By the middle of the eighth century, a new genre of Christian writing had developed among those Christians living within the Islamic empire, that of apologetics intended to defend Christianity against attacks from Muslims. Although the Islamic empire had come into existence a century earlier, a series of changes took place in the mid eighth century, including the rise of the Abbasid caliphal dynasty and the stabilization of the empires border with Byzantium, which led to more stable internal politics. In this new atmosphere, Christian authors began to consider, for the first time, the theologi

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Davis, Andréa. "Book Review: Ratcliffe, Krista. (2006). Rhetorical Listening: Identification, Gender, Whiteness. Carbondale: Southern Illinois University Press. 224 pages." Journal of Business and Technical Communication 21, no. 3 (2007): 324–27. http://dx.doi.org/10.1177/1050651907300471.

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Hoff-Clausen, Elisabeth. "Attributing Rhetorical Agency in a Crisis of Trust:Danske Bank's Act of Public Listening after the Credit Collapse." Rhetoric Society Quarterly 43, no. 5 (2013): 425–48. http://dx.doi.org/10.1080/02773945.2013.839820.

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Khalid Al-Gublan, Badriah, and Linda J. Rice. "A Psycholinguistic Study of Political Rhetoric of Fear." International Journal of English Linguistics 10, no. 6 (2020): 245. http://dx.doi.org/10.5539/ijel.v10n6p245.

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Political campaigns are dynamic struggles between candidates to define the informational context for voters. Early studies (Kaid, 1981, 1994a, 1994b) suggested that political advertising has cognitive and behavioral effects on voters. It communicates the brand promise of a candidate blending functional and emotional benefits that voters gain from their relationships with a candidate.   This study, based on Lakoff&rsquo;s Framing Model (LFM, 2004), proposes a pragmatic model for the analysis of a political election rhetoric. Within this pragmatic model, it is shown that in such

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Farrelly, Maura Jane. "“God is the Author of Both”: Science, Religion, and the Intellectualization of American Methodism." Church History 77, no. 3 (2008): 659–87. http://dx.doi.org/10.1017/s0009640708001121.

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In the spring of 1831, Methodist minister John Price Durbin delivered an evangelical sermon that assumed his listeners were familiar with the basic rules of science. “Are planetary worlds seen revolving in their orbits harmoniously and steadily?” he asked his rural Kentucky audience. “Is a little microscopic insect seen in the dust, or in the down of a peach, or in a drop of water?” The answer, of course, was yes—though Durbin saw no need to say so. His questions were merely rhetorical; the Methodists listening to his sermon knew, after all, that planetary worlds and microscopic insects existe

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Bouziri, Basma. "A corpus-assisted genre analysis of the Tunisian Lecture Corpus: An exploratory study." Research in Corpus Linguistics 8, no. 2 (2020): 103–32. http://dx.doi.org/10.32714/ricl.08.02.06.

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Multimodal, specialized corpora of academic lectures represent authentic classroom data that practitioners can draw on to design academic listening resources that would help students attend lectures. These corpora can also act as reflective practice corpora for teacher training or professional development programs with the objective of raising awareness of lecturing practices. Despite their contribution in shaping the type and quality of the learning that takes place in classrooms, multimodal lecture corpora are scarce, particularly in the Arab world. This paper addresses this research gap by

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Click. "Rhetorical Listening, Silence, and Cultural (Dis)identifications in Adventures of Huckleberry Finn: Revisiting the “Raft Episode” Again, Ugh!" Mark Twain Annual 16, no. 1 (2018): 11. http://dx.doi.org/10.5325/marktwaij.16.1.0011.

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Hansen, Jette Barnholdt. "From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet." Journal of Musicology 20, no. 4 (2003): 556–96. http://dx.doi.org/10.1525/jm.2003.20.4.556.

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The dynamic progression from orality to literacy is embodied in the notation of the prologues to the first court operas. This transition is influenced by the proliferation of printed scores at the beginning of the 17th century and has profound rhetorical consequences for vocal performance. In the first prologues, where the written arie are formulaic, the singer is the creator and authority; s/he controls the musical performance and makes the connection between words and music by means of variation, ornamentation, and improvisation as part of a persuasive dialogue with listeners. In the later p

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Robinson, Elizabeth, Stephen H. Brasher, and Emily Loader. "Book Reviews: Everyday Genres: Writing Assignments across the Disciplines, Culture, Communication, and Cyberspace. Rethinking Technical Communication for International Environments, Silence and Listening as Rhetorical Arts." Journal of Technical Writing and Communication 43, no. 2 (2013): 219–30. http://dx.doi.org/10.2190/tw.43.2.g.

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36

Waeber, Jacqueline. "Jean-Jacques Rousseau's "unité de mélodie"." Journal of the American Musicological Society 62, no. 1 (2009): 79–143. http://dx.doi.org/10.1525/jams.2009.62.1.79.

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Introduced by Jean-Jacques Rousseau in his Letter on French music (1753), "unité de mélodie" has commonly been understood as a technical rule asserting the primacy of melody over all the other musical parameters. It is the key concept of Rousseau's musical thought. Yet studies on eighteenth-century formulations of musical unity have paid only scant attention to Rousseau's discussions of it, explaining its presence in his œœuvre as a symptom of the growing influence of the style galant in France. Drawing on Rousseau's autobiographical and theoretical writings, this essay investigates the genesi

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37

LIVINGSTONE, DAVID N. "Tropical climate and moral hygiene: the anatomy of a Victorian debate." British Journal for the History of Science 32, no. 1 (1999): 93–110. http://dx.doi.org/10.1017/s0007087498003501.

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On Wednesday 27 April 1898, Dr Luigi [Louis] Westenra Sambon (1865–1931) addressed the Royal Geographical Society in London on a topic of much interest to the Victorian public. An Anglo-French medical graduate of the University of Naples, a Fellow of the London Zoological Society and a recent visitor to Central Africa, he was well equipped to tackle the subject of the ‘Acclimatization of Europeans in Tropical Lands’. The ‘problem of tropical colonization’, he began, ‘is one of the most important and pressing with which European states have to deal. Civilization has favoured unlimited multiplic

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38

Billow, Richard M. "Relational Group Psychotherapy: An Overview. Part III: Modes of Therapeutic Leadership." Group Analysis 50, no. 3 (2017): 293–313. http://dx.doi.org/10.1177/0533316417716690.

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The final article, of a three part series, concentrates on the therapist: how we might think about group and leadership, and what we might offer. What holds a group together is the therapist’s ever expanding understanding of the psychic realities (the ‘truths’) of the group and its members, including oneself, and our success in interesting others in reaching and deepening such understanding, at times painful and unwelcome. Leadership is a performance art, in which word cannot be easily separated from rhetorical deed, and these from presence. By our use of therapeutic oratory, we balance what w

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39

Suman, Anna Berti, Sven Schade, and Yasuhito Abe. "Exploring legitimization strategies for contested uses of citizen-generated data for policy." Journal of Human Rights and the Environment 11, no. 3 (2020): 74–102. http://dx.doi.org/10.4337/jhre.2020.03.04.

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In this article, we investigate how citizens use data they gather as a rhetorical resource for demanding environmental policy interventions and advancing environmental justice claims. While producing citizen-generated data (CGD) can be regarded as a form of ‘social protest’, citizens and interested institutional actors still have to ‘justify’ the role of lay people in producing data on environmental issues. Such actors adopt a variety of arguments to persuade public authorities to recognize CGD as a legitimate resource for policy making and regulation. So far, scant attention has been devoted

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Saccà, Flaminia, and Donatella Selva. "Women political leaders in pandemic times: comparing Jacinda Ardern’ and Donald Trump’s representation of the COVID-19 crisis." Nauka Kultura Obshestvo 27, no. 2 (2021): 8–21. http://dx.doi.org/10.19181/nko.2021.27.2.1.

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In the context of the Covid-19 meta-crisis, leadership styles have emerged as a key factor for determining a country’s ability to contain the contagion and recover. In what follows, we want to explore the features of such leadership styles by taking a gender perspective. This article argues that women leaders have successfully governed the crises originated by the pandemic not only because of their inherent ability to build relationships, enhance community bonds, and “tune” with the anxieties of citizens; the women leaders’ approach to science has proven to be decisive as well. Contrarily to c

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Dziuba, Agnieszka. "Military Rhetoric in the Description of Women’s Behavior on the Basis of Cicero’s and Livy’s Selected Texts." Roczniki Humanistyczne 67, no. 3 SELECTED PAPERS IN ENGLISH (2019): 23–44. http://dx.doi.org/10.18290/rh.2019.67.3-2en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 60, issue 3 (2012). The article analyzes the original and rare Roman military phraseology found in surviving works of literature, which is part of the convention of invectives against women. As testified by the surviving fragments of the Law of the Twelve Tables, the Roman civilization divided the sphere of men’s activities (politics and war) from the sphere of women’s activities (home and family) quite early. Literature imbued with didacticism supported this division by creating archetypal figures of ideal re

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Jumalon, Julnes U., Russtum G. Pelima, and Kloyde A. Caday. "Communications for Peacebuilding: Conflict Resolution Skills and Strategies of Lupon Tagapamayapa in Selected Communities of Sarangani Province." Journal of Health Research and Society 1 (October 19, 2018): 6. http://dx.doi.org/10.34002/jhrs.v1i0.12.

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The Lupon Tagapamayapa (LT) of the two barangays in Sarangani Province- Barangay Baliton in Glan and Barangay Upo in Maitum- were studied as to the skills and strategies they employ in resolving petty conflicts as a means of communication towards building peace in the community. Using qualitative-content analysis, multiple sources of data were used namely FGD, KII, Venn Diagram and Observation with video and note taking. It was found out that the LTs of both barangays Baliton (mostly populated by Blaan indigenous people) and Upo (with the Tboli natives)—applied similar processes and procedures

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43

Schupak, Esther B. "Listening Rhetoric in the Diverse Classroom: Suggestions for Praxis." College Teaching 67, no. 3 (2019): 196–204. http://dx.doi.org/10.1080/87567555.2019.1614899.

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44

Bokser, Julie A. "Sor Juana'sDivine Narcissus: A New World Rhetoric of Listening." Rhetoric Society Quarterly 40, no. 3 (2010): 224–46. http://dx.doi.org/10.1080/02773941003617418.

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45

Ronsse, Erin. "Rhetoric of Martyrs: Listening to Saints Perpetua and Felicitas." Journal of Early Christian Studies 14, no. 3 (2006): 283–327. http://dx.doi.org/10.1353/earl.2006.0052.

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46

Sweeney, Meghan. "Listening Rhetorically to Textual Silence: Intimate Partner Homicide Media Coverage." International Journal of Listening 26, no. 3 (2012): 146–58. http://dx.doi.org/10.1080/10904018.2012.712472.

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47

Wells, Christopher J. "“You Can't Dance to It”: Jazz Music and Its Choreographies of Listening." Daedalus 148, no. 2 (2019): 36–51. http://dx.doi.org/10.1162/daed_a_01741.

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Central to dominant jazz history narratives is a midcentury rupture where jazz transitions from popular dance music to art music. Fundamental to this trope is the idea that faster tempos and complex melodies made the music hostile to dancing bodies. However, this constructed moment of rupture masks a longer, messier process of negotiation among musicians, audiences, and institutions that restructured listening behavior within jazz spaces. Drawing from the field of dance studies, I offer the concept of “choreographies of listening” to interrogate jazz's range of socially enforced movement “scor

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48

Miller, Katrina L. "What Will They Call You? Rhetorically Listening to Lesbian Maternal Narratives." International Journal of Listening 26, no. 3 (2012): 134–45. http://dx.doi.org/10.1080/10904018.2012.712471.

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49

Carlson, Erin Brock. "Metis as Embodied, Technofeminist Intervention: Rhetorically Listening to Periods for Pence." Computers and Composition 51 (March 2019): 14–30. http://dx.doi.org/10.1016/j.compcom.2018.11.002.

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Stringer, Martin D. "Listening to the Language, Listening to the Words and Listening to the Spaces between the Words: Rhetoric and Pragmatics in the Performance of Christian–Muslim Relations." Islam and Christian–Muslim Relations 18, no. 3 (2007): 421–30. http://dx.doi.org/10.1080/09596410701396154.

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