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1

Perrin, Laurent. L' ironie mise en trope: Du sens des énoncés hyperboliques et ironiques. Kimé, 1996.

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2

Reaume, Mary Ellen. The use of rhetorical figures and tropes in Elizabethan and Jacobean revenge drama. University of Toledo, 1990.

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3

Swinnerton, Thomas. A Reformation rhetoric: Thomas Swynnerton's The tropes and figures of scripture. Thoemmes Continuum, 2004.

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4

Swinnerton, Thomas. A Reformation rhetoric: Thomas Swynnerton's The tropes and figures of scripture. RTM, 1999.

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5

Anderson, R. Dean. Glossary of Greek rhetorical terms connected to methods of argumentation, figures and tropes from Anaximenes to Quintilian. Peeters, 2000.

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6

Steinrück, Martin. Haltung und rhetorische Form: Tropen, Figuren und Rhythmus in der Prosa des Eunap von Sardes. Olms, 2004.

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7

Malanie, Moller. Von >Allusion< bis >Metonymie<: Interdisziplinäre Perspektiven auf die Wirkmacht rhetorischer Tropen und Figuren. Universitätsverlag Winter, 2019.

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8

Carbone, Paola. La lanterna magica di Tristram Shandy: Visualità e informazione, ordine ed entropia, paradossi e trompe-l'oeil nel romanzo di Laurence Sterne. Ombre corte, 2008.

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9

Poh, Angela. Sanctions with Chinese Characteristics. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722353.

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The view that China has become increasingly assertive under President Xi Jinping is now a common trope in academic and media discourse. However, until the end of Xi Jinping’s first term in March 2018, China had been relatively restrained in its use of coercive economic measures. This is puzzling given the conventional belief among scholars and practitioners that sanctions are a middle ground between diplomatic and military/paramilitary action. Using a wide range of methods and data — including in-depth interviews with 76 current and former politicians, policy-makers, diplomats, and commercial
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10

Collins, Armondo R. Black God Trope and Rhetorical Resistance. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978728882.

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In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how Black rhetors use writing about God to create a language that reflects African Americans’ shifting subjectivity within the American experience. This book highlights how the Black God trope and Black Nationalist religious rhetoric function as an embodied rhetoric. Collins also addresses how the Black God trope functions as a gendered criti
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11

Collins, Armondo R. Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion. Lexington Books/Fortress Academic, 2023.

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12

Collins, Armondo R. Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion. Lexington Books/Fortress Academic, 2023.

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13

Pickett Miller, Niya. Deconstructing the Albino Other. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781666989540.

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Deconstructing the Albino Other: A Critique of Albinism Identity in Media discusses how American popular culture and communication about albinism, including movie characters and memes, have worked to create and maintain a negative trope of albinism that situates people with albinism (PWA) as a monolithic other. Niya Pickett Miller demonstrates that consequently, PWA must construct their own identities of albinism, highlighting the salient aspects of themselves as they see fit with no valid representation to look to for guidance. Thus, Pickett Miller argues, self-defining for PWA is a key rheto
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14

Haskell, John. The Religion/Secularism Debate in Human Rights Literature. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805878.003.0007.

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The tension between religion and secularism within the field of human rights is a popular topic in contemporary international legal scholarship. In the first section of the chapter, I map the arguments between Christianity, Islam, and liberal secular perspectives: on the one hand, exploring the different styles of treatment available within scholarship, and on the other hand, demonstrating how they bear a constitutive relationship to each other that reveals a common aesthetic sensibility and set of disciplinary assumptions among concerned scholars. Whatever differences exist in the texts, the
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15

Chan, Kenneth. Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0009.

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Through a close analysis of Hong Kong director Tsui Hark’s Detective Dee and the Mystery of the Phantom Flame (2010), this chapter argues that the film’s successful appeal to local and global Chinese audiences is based on a conservative reading of the familiar cultural trope of modernity versus tradition, as mirrored in the supposed tensions between the police procedural and the horror/supernatural elements in the wuxia shenguai genre. These tensions are problematic precisely because their narrative and rhetorical purpose is to shore up the deterministic logic of Chinese cultural history, the
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16

Sutton, Jane S., and Mari Lee Mifsud. Revolution in Tropes: Alloiostrophic Rhetoric. Lexington Books/Fortress Academic, 2015.

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17

Sutton, Jane S., and Mari Lee Mifsud. Revolution in Tropes: Alloiostrophic Rhetoric. Rowman & Littlefield Publishers, Incorporated, 2019.

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18

King, Benjamin J. Sensus Fidelium. Edited by Frederick D. Aquino and Benjamin J. King. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198718284.013.13.

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Sensus and consensus fidelium, the people’s sense of and consent to the faith, are ancient rhetorical tropes. The use of these tropes was also rhetorical for John Henry Newman. First, as an Anglican he shaped such rhetoric to portray the laity as bolsters to the bishops. Second, as a Roman Catholic he shaped it to promote the laity in the eyes of the bishops, most famously in ‘On Consulting the Faithful in Matters of Doctrine’. This chapter explores his writings on the role and voice of the laity to see how he used this rhetoric, before turning to the reception of these writings in the Roman C
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19

Mood and Trope: The Rhetoric and Poetics of Affect. University of Chicago Press, 2020.

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20

Brenkman, John. Mood and Trope: The Rhetoric and Poetics of Affect. University of Chicago Press, 2020.

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21

Mood and Trope: The Rhetoric and Poetics of Affect. University of Chicago Press, 2020.

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22

Oldenburg, Christopher J. Rhetoric of Pope Francis. The Rowman & Littlefield Publishing Group, Inc., 2018. https://doi.org/10.5040/9781978735750.

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What is it about the rhetoric of one the most influential and powerful religious leaders in the world and in history—Pope Francis—that is so engaging and yet so challenging to the Church writ large, the American Congress, the news media, and the world? The Rhetoric of Pope Francis: Critical Mercy and Conversion for the Twenty-first Century provides extensive insight into this question through a close, in-depth rhetorical analysis of Pope Francis’s visual, spatial, tactile, written, and oral discourse. This analysis reveals how the interrelated topoi of illness, space, mercy, and conversion con
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23

Church, Scott Haden. Turntables and Tropes: A Rhetoric of Remix. Michigan State University Press, 2022.

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24

Nelson, John S. Tropes of Politics: Science, Theory, Rhetoric, Action. University of Wisconsin Press, 1998.

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25

Church, Scott Haden. Turntables and Tropes: A Rhetoric of Remix. Michigan State University Press, 2022.

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26

Tropes of politics: Science, theory, rhetoric, action. University of Wisconsin Press, 1998.

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27

Eminent rhetoric: Language, gender, and cultural tropes. Bergin & Garvey, 1994.

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28

Unquiet Tropes. Temple University Press, 2015.

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29

Franzosi, Roberto. Landmark Essays on Tropes and Figures. Taylor & Francis Group, 2017.

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30

Franzosi, Roberto. Landmark Essays on Tropes and Figures. Taylor & Francis Group, 2017.

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31

Glausser, Wayne. The Rhetoric of New Atheism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190864170.003.0002.

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New atheists face an old problem that entangles them with their theist opponents. The fundamental cosmological question—why does the world exist?—cannot be answered in scientific terms. As questions of cause slip into infinite regress, new atheists, like the theists they resist, must posit that something simply exists: something must be granted exemption from causal reasoning. This chapter first examines new atheists’ responses to the aporia described above, then analyzes several rhetorical tropes they deploy to supplement science proper. These tropes include paralepsis, a sarcasm cluster (apo
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32

Teorii︠a︡ slovesnosti: Tropy i figury. Krasand, 2010.

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33

O'Brien, Julia M. Metaphorization and Other Tropes in the Prophets. Edited by Carolyn J. Sharp. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859559.013.14.

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Although analysis of prophetic style often draws upon general studies of Hebrew poetry, the poetics of the prophets is distinctive—traversing prose, poetry, and rhetoric. This chapter first offers a historical overview of the study of prophetic poetry, positing the distinction between rhetoric (which seeks to advance comprehension) and poetry (which is often playful and obfuscating). It then explores key features of prophetic style, including parallelism, repetition/wordplay, irony, hyperbole, and metaphor. The chapter concludes with a discussion of feminist, queer, postcolonialist, and theolo
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34

Egorova, Yulia. The Tropes of Jewish/Muslim Difference. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199856237.003.0003.

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The chapter explores how notions of Jewish and Muslim difference play out in the history of communal violence in independent India. In doing so it will first interrogate the way in which trajectories of anti-Muslim ideologies intersect in India with Nazi rhetoric that harks back to Hitler’s Germany, and the (lack of) the memory of the Holocaust on the subcontinent. It will then discuss how the experiences of contemporary Indian Jewish communities both mirror and contrast those of Indian Muslims and how Indian Jews and the alleged absence of anti-Semitism in India have become a reference point
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35

Case, Peter Clinton. The self as organizational trope: A dramatistic study of computer technology and its rhetoric. 1988.

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36

Tropes of Fantasy Fiction. McFarland & Company, Incorporated Publishers, 2015.

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37

Galvin, Rachel. News of War. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190623920.001.0001.

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Drawing on original archival research, providing detailed, socio-historically attentive readings, and featuring new translations, this book offers a compelling model of comparative, transnational poetics scholarship. It charts a cross-cultural dilemma from the Spanish Civil War through World War II: how to write a war poem that acknowledges the civilian’s distance from war. Civilian witnessing is problematic within an epistemic framework that deems physical experience of combat a necessary warrant for knowledge of war. Acknowledging this dilemma spurred noncombatant poets writing in English, S
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38

The Tropes of Fantasy Fiction. McFarland, 2014.

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39

Understanding Tropes: At the Crossroads Between Pragmatics and Cognition. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2009.

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40

Galvin, Rachel. Raymond Queneau Reading the Newspaper. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190623920.003.0006.

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The work of Raymond Queneau, who is usually regarded as avoiding making political statements, presents a fruitful case for examining how a civilian writer critiques the transmission of news of war through formal procedures. In poems that explore civilian witnessing and reception of war news, the figure of a solitary reader hunched over a newspaper during a political crisis appears at the same time as Queneau experiments with forms drawn from classical rhetoric (like the progymnasmata, a handbook of rhetorical exercises) and with journalistic formulae (like the fait divers). Close examination o
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41

Chrzanowska-Kluczewska, Elzbieta. Much More Than Metaphor: Master Tropes of Artistic Language and Imagination. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.

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42

Chrzanowska-Kluczewska, Elzbieta. Much More Than Metaphor: Master Tropes of Artistic Language and Imagination. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.

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43

Chrzanowska-Kluczewska, Elzbieta. Much More Than Metaphor: Master Tropes of Artistic Language and Imagination. Lang Publishing, Incorporated, Peter, 2013.

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44

Stille Tropen: Zur Rhetorik und Grammatik des Schweigens. Verlag Karl Alber, 2013.

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45

Dobris, Catherine A., Rachel D. Davidson, and Kim White-Mills. Maternal Narratives in Public Contexts. Lexington Books, 2025. https://doi.org/10.5040/9781978747616.

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Maternal Narratives in Public Contexts: Shaping Perspectives and Enacting Identities brings together critical research on the construction and enactment of mothering and motherhood in public spheres. The book is divided into two parts – in the first part, authors examine how prevailing ideals of motherhood influence twenty-first century culture by exploring iterations of maternal identity in various media forms, from Dr. Spock’s self-help guide to film and small-screen entertainment. In the second part, the authors investigate how tropes of motherhood manifest and operate in academia, the work
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46

Unquiet Tropes: Form, Race, and Asian American Literature. Temple University Press, 2015.

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47

Tsou, Elda E. Unquiet Tropes: Form, Race, and Asian American Literature. Temple University Press, 2015.

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48

Preston, Claire. Word and Image in the English Renaissance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.74.

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The rich and expanding rhetorical universe of the English Renaissance annexed the expressive possibilities of painting and the plastic arts using a variety of figures and tropes. These—ekphrasis (intense description), blason (anatomizing description), paragone (the contest between the arts), and emblems and imprese (formal verbal-visual symbols)—allowed English writers to press the visual into the service of the verbal, creating powerful rhetorical tools and distinctive literary expression. This article describes the development of these verbal-visual tools from the late medieval period throug
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49

Tropical truth(s): The epistemology of metaphor and other tropes. De Gruyter, 2010.

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50

Impiego e definizione di tropi e schemi retorici nell'Expositio psalmorum di Cassiodoro. Accademia Vivarium novum, 2003.

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