Relevant bibliographies by topics / Rhétoriqueurs (Group of poets)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Rhétoriqueurs (Group of poets)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Rhétoriqueurs (Group of poets)"

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Spies, Marijke. "'Poeetsche fabrijcken' en andere allegorieën, eind 16de-begin 17de eeuw." Oud Holland - Quarterly for Dutch Art History 105, no. 4 (1991): 228–43. http://dx.doi.org/10.1163/187501791x00137.

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AbstractThe French poets of the 15th and 16th centuries (the 'rhétoriqueurs') attached importance to 'poetrie' in the sense of fiction- primarily mythological fiction. This view was adopted by rhetoricians in the South Netherlands (De Castelein), where early Renaissance poets subsequently invested mythological 'poetrie' with a neo-platonic theory of inspiration (De Heere). There was however some resistance to this kind of 'poetic' rendering in the North Netherlands, as well as to the allegorical interpretation directly linked with it (Coornhert). There was a twofold reason for this: the Reformatory rejection of allegorical bible interpretation, and the general humanist respect for the literal meaning of texts. Consequently, a different kind of poetry emerged which was more rhetorically argumentative than artistically fictional. Only later Van Mander was to introduce firmly the neo-platonic interpretation of myths, about which he entered into discussion with H. L. Spiegel, a friend of Coornhert's and a leading light in De Eglentier, the Amsterdam chamber of rhetoric.
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Vaillancourt, Luc. "L'humanisme dissident des rhétoriqueurs: le cas de Guillaume Cretin." Renaissance and Reformation 39, no. 2 (2003): 77–86. http://dx.doi.org/10.33137/rr.v39i2.8870.

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It is not because he was unacquainted with Italian humanism that Guillaume Cretin, one of the “grands Rhétoriqueurs,” a group of late-fifteenth and early-sixteenth century writers associated with the courts of France and Burgundy, chose to cultivate traditional genres and themes. His epistles reveal an excellent knowledge of the new rhetorical values, most of which he exploits himself, in rather a contrast with his usual style. Of course, Cretin is a courtier and, as such, he has a political role to play — defending his king, praising his people and cultural heritage — but this is not only a matter of propaganda, since a very coherent vision arises from his work, a vision to which he seems thoroughly committed.
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Balsevičiūtė-Šlekienė, Virginija. "Poetic Codes of the “Žemininkai” Group in Jonas Juškaitis’s Poetry." Colloquia 43 (December 20, 2019): 61–76. http://dx.doi.org/10.51554/col.2019.28639.

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The article analyzes the revival of the “Žemininkai” group tradition in Jonas Juškaitis’s poetry. A somewhat metaphorical concept of “codes” is understood as a set of dominant themes and poetic features which allows to identify the generation of the “Žemininkai” poets and specify its influence in Soviet poetry. The “Žemininkai” poets formed as a poetic generation in the pre-war and WWII years. It was during that time when their poetic “code,” which asserted the cult of the land, openness to Western European culture and stood out for its existentialist poetry had emerged.Juškaitis adopted from the “Žemininkai” the sense of adoration of the land and its abundance (which in a way resembles Bradūnas and Mačernis). The archaic nature of the worldview, the constant signs of sacredness in the landscape and the dimension of past times can be easily traced in his poetry. Of all the “Žemininkai’ poets, Mačernis (especially poetic cycle of “Visions”) is the closest to Juškaitis.The deeper analysis of the human existence links Juškaitis’s poetry with the “Žemininkai” poets even more. The intensity and distinctive expression of its most important themes, time and death, are similar to the poetry “Žemininkai.” Juškaitis differs from the “Žemininkai” group by focusing on ethical issues and the newly revealed relationship between the individual and the nation. His poetry is more sociable and reflective of everyday life.
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남재철. "A Study on the Poets Group of BaekTap." Journal of Korean Literature in Classical Chinese ll, no. 49 (2012): 349–96. http://dx.doi.org/10.30527/klcc..49.201206.011.

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Rostami, Fatemeh. "The Poets Condition of the Timurid Period in Majales-al Nafis." Asian Social Science 12, no. 11 (2016): 29. http://dx.doi.org/10.5539/ass.v12n11p29.

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Timurid era is the era of Persian culture and literature efflorescence. Amirs Timuri’s attention to culture has provided base literature for breeding scholar. In Timurid period, a large number of poetry and literature people were commuting in the court of Timur. Eyewitness of two important literary biographies is as a biography of the poet Samarkandi and more importantly Amir Alishir Navai’s Tazkara Majale-Al Nafis. The importance of the second work is that the author had both Divan and Persian literature expertise. Checking presented poets from Navai in Majales Al Nafis is the most important objectives of the present study. The main question is that, which group had higher share in the categories of poets in Majales Al Nafis, and what was the reason? The results show that, poets whom Navai had referred to in his work, have not been outside the three groups, poets agreed with the government, or the opposition and exile, and the third group were also in average. The reason for this division is that, firstly, the desire of Timurid was to ordinary and popular poets, and secondly, selection and anthology of poets in Majales-Al Nafis book has a meaning from the author. This study is intended to explain the poets of the era in Navai’s work with statistical and comparative method.
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Shoham, Reuven. "Intertextuality and Its Meaning in Natan Zach's “'Enosh keair yamav” (As for man, his days are as grass)." AJS Review 30, no. 1 (2006): 147–66. http://dx.doi.org/10.1017/s0364009406000067.

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Natan Zach, a prominent subversive Israeli poet, began publishing his poetry in the mid-1950s, together with a group of young poets who felt obliged to transform Hebrew poetry. This group included poets and critics such as Moshe Dor, Arye Sivan, Yehuda Amichai, David Avidan, Gershon Shaked, and Benjamin Harshav (Hrushovski). They published their first poems and essays in Likra't (Toward), a journal that they founded, and their group took on the same name. Only four issues of the journal appeared between 1952 and 1954. Zach was one of the outstanding poets in this group. His first book of poetry, Shirim ri'shonim (Early Poems), was published in 1955. His second book, Shirim shonim (Diverse Poems, 1960), totally changed the Israeli canon in terms of its themes and its poetic texture.
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Shorokhov, A. A. "V.M. SHUKSHIN AND “NEW PEASANT POETS”: SURVIVED CHILDREN OF NOT SURVIVED FATHERS." Siberian Philological Forum 10, no. 2 (2020): 4–15. http://dx.doi.org/10.25146/2587-7844-2020-10-2-38.

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The article combines two significant historical and literary phenomena. The first is a group of Russian poets and prose writers of the early twentieth century, known under the general name “new peasant poets”. The second is a group of Russian writers of the late twentieth century, whose work has received a steady definition of “village prose”. V.M. Shukshin’s works are also referred to this cultural phenomenon. The article attempts to get away from simplifying definitions of “urban romance”, “village prose”, and to establish the civilizational continuity of Shukshin’s work with “new peasant poets” of the early twentieth century. The author also tries to consider the phenomenon of the group of “new peasant poets” from the cultural, philosophical and historical-biographical points of view – In the unity of their work, fate and dramatic changes in the history of Russia. The article uses theoretical works on Russian and world literature and history by M.M. Bakhtin, V.V. Kozhinova, I.R. Shafarevich, G.I. Shmeleva, P.F. Alyoshkina, S.Yu. and S.S. Kunyaevs, recent publications on Shukshin’s works by V.I. Belov, A.D. Zabolotsky, and A.N. Varlamov.
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Kuroly, Nicholas Todd. "The Power (Point) of Poetry." Voices from the Middle 11, no. 3 (2004): 30–33. http://dx.doi.org/10.58680/vm20043089.

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A self-proclaimed technophobe, Kuroly takes the plunge with his eighth-grade class. As a group, they learn PowerPoint, research poets on the Web, and record favorite poems, all of which results in a triumphant series of PowerPoint presentations on favorite poets.
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Al-Rifai, Nada Yousuf. "The Inauguration Ceremony of Ahmad Shawqi as Prince of Arab Poets in Cairo, 1927." Advances in Social Sciences Research Journal 10, no. 10 (2023): 36–63. http://dx.doi.org/10.14738/assrj.1010.15629.

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Ahmad Shawqi became a member of the Senate in 1924 and was named the ‘Prince of Poets’ in 1927. This was the year that the second edition of his poetry collection, Al-Shawqiyyat, was published. The first edition was published in 1898, and on the occasion of the issuance of the second edition, a number of ceremonies honouring the poet were held in his behalf. This pledge of allegiance constituted a national event par excellence. The ceremony was attended by King Fu'ad, Prime Minister Sa'ad Zaghloul, and a large group of Arab visitors. Bahrain participated by sending a small golden palm tree, which was donated by its emir to the Prince of Poets. The ‘Princedom of Arab Poetry’, began with the pledge of allegiance to Ahmad Shawqi, during a special ceremony on 29 April 1927 in the presence of a group of Arab poets. This group was led by Hafeth Ibrahim, Shawqi’s competitor, to confirm that Shawqi was undoubtedly the highest poet among his peers at the time, and he has remained distinguished in the Arab consciousness to the present day, despite the rise of other good poets and many poetic movements.
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Yearling, Rebecca. "The Poets' War Revisited." Ben Jonson Journal 23, no. 2 (2016): 231–45. http://dx.doi.org/10.3366/bjj.2016.0166.

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This essay seeks to explore the role played by John Marston in the so-called War of the Poets – the literary quarrel between a small group of playwrights, including Marston, Ben Jonson, Thomas Dekker, and perhaps William Shakespeare, in the late sixteenth and early seventeenth centuries. Marston's role in the War is problematic because although there are figures in his drama who might seem intended to be read as hostile portraits of Jonson, all of these figures are ambiguous, appearing to resemble Marston himself as much as they do his rival. I argue that this is because Jonson and Marston were participating in the War for very different reasons: Jonson in order to distinguish himself from his fellow satiric dramatists and Marston to emphasise the similarities between himself and his colleague. Marston may have done this in order to mock satiric dramatists as a class, but he may also have wanted to irritate Jonson by suggesting that Jonson was not as unique or individual as he liked to believe.
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Dissertations / Theses on the topic "Rhétoriqueurs (Group of poets)"

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Ma, Xuecong. "The Crescent Moon School : the poets, poetry, and poetics of a modern conservative intellectual group in Republican China." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25761.

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The Crescent Moon School (新月派Xinyue pai) is a Chinese intellectual group that was active from 1923 to 1934. Its members include Xu Zhimo 徐志摩(1897-1931), Hu Shi 胡适 (1891-1962), Liang Shiqiu 梁实秋(1903-1987), Wen Yiduo 闻一多(1899-1946), Luo Longji 罗隆基(1896-1965), and many other Anglo-American educated scholars in the Republican era. Although the group was engaged in various activities, poetry was their primary concern and their most notable practice. This thesis intends to solve two problems: 1) what common values or core spirit guided the various cultural practices of the group? 2) what are the poetic features and underlying poetics of the group as a whole? To answer the two questions, this thesis firstly examines the core spirit of the group by reviewing their activities and historical development. It argues that underlying the various activities and facts, there was a core spirit shared by the group. This core spirit, which I refer to as the “modern conservative spirit”, reflected a unique understanding of modernity that was different from that of the May Fourth discourse. They understood modernity not as a negation of tradition, but as a critical synthesis and mutual conformity between the old and the new, the local and the global. I show how the Crescent Moon intellectuals acquired this core spirit, and how it was displayed in their various activities. Secondly, this thesis provides detailed textual analysis of several Crescent Moon poems and reconstructs their poetics. It argues that their poetics demonstrated three faces, i.e. a romantic temperament, a classic ideal, and a modern consciousness. The three faces coexisted throughout the poetic practice of the group, although a certain face might have dominated in a certain period. I demonstrate how the three faces were unified under the guidance of the modern conservative spirit, and I argue that the simultaneousness of the three faces embodied the modern conservative intellectuals’ pursuit of literary modernity. By discussing the core spirit and poetics of the Crescent Moon School, this thesis concludes that the group was a missing link in Republican modern conservative trend, linking the late 1910s and early 1920s neotraditionalist thinkers with the mid-1930s Beijing School writers. The modern conservative intellectuals represented a dissenting voice in the Republican era, but they were also committed pursuers of modernity and cosmopolitanism.
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Canter, Francoise. "L'Oulipo et ses "plagiaires par anticipation" de la Renaissance /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3000402.

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Conway, William W. "Eyewitness to India trends and transitions in the writings and translations for a select group of travellers, scholars, and poets /." 2001. http://catalog.hathitrust.org/api/volumes/oclc/47649090.html.

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Thesis (M.A.)--University of Wisconsin--Madison, 2001.
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 64-66).
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Books on the topic "Rhétoriqueurs (Group of poets)"

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Lille, Université de, ed. Rhétorique et poésie: L'éloge et l'ornement chez les grands rhétoriqueurs. A.N.T.R. Université de Lille III, 1991.

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Campangne, Hervé. Mythologie et rhétorique aux XVe et XVIe siècles en France. H. Champion, 1996.

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Cornilliat, François. Or ne mens: Couleurs de l'éloge et du blâme chez les "grands rhétoriqueurs". H. Champion, 1994.

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Colloque international sur le moyen français (5th 1985 Milan, Italy). Les grands rhétoriqueurs. Vita e pensiero, 1985.

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Britnell, Jennifer. Le roi très chrétien contre le pape: Écrits antipapaux en français sous le règne de Louis XII. Classiques Garnier, 2011.

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Rosmarie, Waldrop, and Watts Harriett, eds. The Vienna Group: Six major Austrian poets. Station Hill Press, 1985.

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Jousselin, Roland. Nicolas Denisot, poète de la Pléiade. Christian, 2006.

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1940-, Chapman Clare, ed. Pennine tracks: An anthology to celebrate thirty years of the Pennine Poets group. Fighting Cock Press, 1996.

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Rupert, Brooke. Friends and apostles: The correspondence of Rupert Brooke and James Strachey, 1905-1914. Yale University Press, 1998.

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Covarrubias, Pablo Muñoz. La llave de plata: Garcilaso de la Vega en la generación del 27. Bonilla Artigas Editores, 2021.

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Book chapters on the topic "Rhétoriqueurs (Group of poets)"

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Clossey, Luke. "20. Intimacy with Jesus." In Jesus and the Making of the Modern Mind, 1380-1520. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0371.20.

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Three groups of Jesus cultists who made use of both kens to move themselves even closer to him, achieving a kind of intimacy that could become domestic and even sexual. We begin with a group of female mystics, from England to Ethiopia, who cultivated extraordinary marital relationships with Jesus. Second, the participants in the Modern Devotion lived in regulated communities, sometimes involving spiritual nudity and marriage alongside more modest activities like yarn-spinning and prayer. Finally, Hafiz of Shiraz and other Muslim poets (Mahmud Pasha Angelović, Mehmed II, Isa Necati, Qāsim-i Anwār, Mahmoud Shabestari) spun lyrics celebrating comely boys bearing stupor-inducing wine and life-giving Jesus-breath.
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Ičin, Kornelija. "Космическое и органическое в поэзии Михайля Семенко." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.12.

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Cosmic World in the Poetry of Mikhail Semenko. In this article we explore the cosmic and organic in Semenko’s poems, which are inherited primarily from the poets of the Gileya group, particulary Elena Guro and, through them, the philosopher Nikolay Fedorov. For the poetics of Quero-Futurism, which Semenko asserts, the main thing represents leaving the microcosm for the macrocosm, overcoming earthly space, as well as entering the immense future. This is why, for Semenko, the “aviator” is a symbol not only of the new man and the new times but also of man’s triumph over earthly obstacles in a project of creating an international brotherhood between people in the universal space.
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Gantner, Eszter B. "MA Group, The." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2058-1.

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The Hungarian avant-garde MA (Today) group was founded by Lajos Kassák in 1916 as a successor of A Tett (The Act), which had been banned in 1915 because of its anti-militarist stance. The MA magazine was characterised by anti-militarism, Expressionist positions in literature and the visual arts, and international aspirations. The authors of MA were the left-wing writers and poets Aladár Komját, Sándor Barta, and Barta Lajos, who were collaborating with the Berliner magazines Der Sturm and Die Aktion. All members of the group emigrated to Berlin after the collapse of the Hungarian Soviet Republic in 1919.
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Beasley, Rebecca. "The Whitechapel Group." In Russomania. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198802129.003.0003.

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This first interchapter tells the early history of ‘the Whitechapel Group’, the network of Russian Jewish artists and writers who grew up together in the East End of London. We tend to separate the members of this group into associations with different modernist sets—David Bomberg and Jacob Kramer with Wyndham Lewis’s vorticists, Mark Gertler with the Bloomsbury group, John Rodker with James Joyce and Ezra Pound, and Isaac Rosenberg with the war poets. When the Whitechapel Group’s collective identity has been considered, it has been almost exclusively in terms of the members’ Jewish ethnicity, but this chapter examines the significance of the other shared aspect of the Whitechapel Group’s heritage—that is, their families’ lives in, and departure from, the Russian Empire.
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Mwanaka, Tendai Rinos. "Best New African Poets Group Interview of Tanzanian poet Amani Nsemwa." In Best New African Poets 2021 Anthology. Mwanaka Media and Publishing, 2022. http://dx.doi.org/10.2307/j.ctv2z860nc.211.

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"Acknowledgments." In The Confederation Group of Canadian Poets, 1880-1897. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442680876-001.

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"Notes on Dates, Quotations, and Citations." In The Confederation Group of Canadian Poets, 1880-1897. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442680876-002.

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"Abbreviations." In The Confederation Group of Canadian Poets, 1880-1897. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442680876-003.

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"Introduction." In The Confederation Group of Canadian Poets, 1880-1897. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442680876-004.

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"CHAPTER ONE. Young Canada: 1880–1884." In The Confederation Group of Canadian Poets, 1880-1897. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442680876-005.

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Conference papers on the topic "Rhétoriqueurs (Group of poets)"

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Fang, Yanbin, Qinwei Li, Yuzhuo Liu, Jincheng Wei, and Yiran Li. "Poetry can group: social relations among poets in Tang Dynasty based on Word2vec and social network." In Fourth International Conference on Image, Video Processing, nd Artificial Intelligence (IVPAI 2021), edited by Yudong Zhang and Dora Zhang. SPIE, 2021. http://dx.doi.org/10.1117/12.2620182.

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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ABAZOĞLU, Muhammet. "The revolution against the traditional beginning of poems in ancient Arabic poetry (Abu Nawas as a model)." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-2.

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The Arabic poem remained on a unified approach for long periods, and its mold was set by a group of paternal poets who were classified in the first class among critics, and Imru’ al-Qais, Zuhair, and al-Nabigha al-Dhubiani came in the forefront. With these ancestors, the Arabic poem became a model to be followed by those who came after them, and they even began to adhere to the same approach as a custom that should be followed. So the poem had to start by standing on the ruins, and then move on to depicting the different factors that arouse the poet’s approval. Finally, he ends with the main theme of his poem, whatever its purpose. But the oath that sparked great controversy later and voices rose among poets to leave it and depart from it is the beginning of the poem, or what is known as "standing on the ruins." In fact, the phenomenon of the introduction to the poem arose related to the environment and the type of civilization in it, and it remained connected to it and developed with it. These introductions were not an artistic tradition devoid of feelings and ideas, but rather constituted a methodology that carried the poets' emotions, their memories, and the events that passed through them. The development in the forms of these introductions, or the invention of other new forms, is due to the development of environmental factors and social life. Which requires modifying these introductions to keep pace with the new intellectual contents in their stylistics. In the past, the poem was a description of the ruins and the animals, a description of the horse, the camel, the arduous journey, and the description of the desert with its fears. As for the poets of the following eras, they changed - even if it was a little - in the readings of their poems, and most of their poems were not standing on ruins and describing the lost. On the contrary, a description of amusement, promiscuity, leisure life, and wine appeared in the Abbasid poetry, because they lived in a new environment. The son of Baghdad could not describe the arduous journey, the desert, and the animals that he did not see, because he was the son of a new environment, and every person starts from his environment. This research aims to shed light on the modernization that took place in the beginning of the Arabic poem, especially in the Abbasid era, specifically Abu Nawas's revolution against the old style
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Juhásová, Jana. "Sanjuanist motifs in the poetic work of Erik Jakub Groch." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-19.

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One of the key poets of Slovak post-November poetry was shaped in the Komúna dissent group headed by philosopher and artist M. Strýko during the communist regime. Operating in dissent supported the radicality of his poetic gesture and lifestyle, the image of an active, evolving individual freed from the senselessness of civilization, and also the idea that it is possible to integrate evil into a higher good. These ideas also form branches to the sanjuanist motifs and intellectual solutions that are close to Groch. The article seeks these penetrating places with special attention on the symbol of the journey and pilgrimage, and at the same time points to Groch’s creative updates of one of the most famous spiritual teachings of the West.
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Swiecicki, Klaudiusz. "THEATRE AGAINST NON-HUMAN REALITY A FEW SENTENCES ABOUT THE THEATRE OF THE EIGHTH DAY." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.11.

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The Theatre of the Eighth Day from Poznan has been the phenomenon of the Polish independent theatre. It was founded in 1964 by students of the University of Adam Mickiewicz in Poznan. As the students theatre of poetry, for the first few years it operated under the direction of Tomasz Szymanski. The change of the stage form began two years after the group was founded, when Zbigniew Osinski became involved with him. He brought fascination of the Grotowski's method. The Theatre of the Eighth Day marked their disagreement with the communism reality. Stanislaw Baranczak, one of the most talented poets of the Generation'68, joined the group. In the 1970s he was an activist of the anti-communist opposition. For last years, liberal, pro-European Poland has been experiencing an identity crisis. It seems that the demons have put in the forefront: religious obscurantism, anti-Semitism, xenophobia and sexism. Cultural and intellectual openness is replaced by populism and nationalism. The Theatre of the Eighth Day does not remain indifferent to these processes. As in the days of communism takes the side of the open society. The research methods adopted in the article are: analysis of performances, archival materials, photographs and documentary films. Interviews with actors were also conducted.
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Abbas, Naqaa, and Hend Taher. "Celebrating Culture - Literary Communities of Practice in Doha." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0264.

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Our paper focuses on the role of arts and culture in Doha. More specifically, we examine literary circles in Doha (both Arab and English speaking) and regard them as ‘communities of practice.’ According to Etienne Wenger, communities of practice are “groups of people who share a concern or a passion for something they do and learn how to do it better as they interact regularly.” Moreover, such communities are seen as promoting innovation, developing social capital, facilitating and spreading knowledge within a group, and spreading existing knowledge. Recently, there has been a surge of active literary communities presenting their creative work in both English and Arabic attracting a variety of audiences and fans. For instance, young authors such as Kumam Al Maadeed, Eissa Abdullah, Buthaina Al-Janahi and Abdullah Fakhro not only have a huge online following, but they also have a significant fan base attending their events throughout the city. Besides these communities, there are also numerous organizations with which these celebrity authors are associated such as Qalam Hebr, Qatari Forum for Authors, and Outspoken Doha – we argue that such organizations can also be regarded as communities of practice. Our contention is that these ever-growing communities provide a performative space in which poets, singers, authors and artists can experiment with the fluidity of their assigned identities, cultures and traditions.
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Jasim MOHAMMED, Ahmed, and Hussein Ismael KADHIM. "THE IMPACT OF THE JEWISH FAITH IN MODERN HEBREW POETRY "SHABBAT FOR EXAMPLE." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-14.

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This study is an attempt to shed light on a central and important issue in the lives of any nation or society or group of people, and it is the issue of "faith". One of the most important foundations in the Jewish faith is the "Sabbath" or day of rest for the Jews, which they respect and sanctify from all the other six days of the week. This study discusses the different representations of Saturday in Hebrew poetry. This study examined different representations of the theme of Saturday in Hebrew poetry with special emphasis on the significance of these representations shaped their worldview of the Jews on the topic flowing. Saturday is a day of rest and weekly holy people of Israel, the first deadline dates prescribed in the Torah. When there was a regular basis every seven days, on the seventh day a week. Saturday is the start of Friday's end, a little before sunset - the time called "Saturday Night", and tip the next day, with nightfall - long known as "Saturday". Jewish Saturday is considered the most sacred date. Saturday observance is one of the central commandments in Judaism; According to Judaism, this is the first commandment given to man, on the day he removed and weighed against all the commandments of the Torah. Judaism Saturday symbolizes the creation of the world by God and the holiness constant since the world was created by God. Reasons for the mitzvot and customs specific biblical command to sit origin consecrate this day and strike him from work, God's act of creation after the completion of the six days of creation. Saturday is used only for rest and refraining from doing work, and has been caught during today's Bible Holiness, pleasure, study Torah and elation. Observance of the Saturday, according to Judaism, is a practical admission creation of the world, reinforces the belief and non-observance leads to weakening of the Jewish faith, as well as keeping the Saturday brings a person to the Creator and secrete more physical nuns. Israel was set Saturday to officially rest. Sanctity of "on Saturday" is based - according to tradition - the thinking that thought that the God who created the heavens and the earth in six days, and Ahri-cc, he rested on the seventh day his work which he worked it, and he ordered them to stop all this day according craft books mentioned several books of the Bible. At the beginning of this study will be discussed at the origin of the word "Sabbath" (Saturday) in the Hebrew language, and the meaning of the word "Sabbath" in the Bible, Then, will be discussed on the types Saturday among the Jews, except they have a regular Sabbath day three ten types of Saturdays, expressing the various events and occasions and have various rituals and special customs. Too, will be discussed on the customs and rituals that the Jews do them during the entry to his departure on Saturday. Even so, it is during this study for some changes in different terms to Saturday, which the Jews call them the Sabbath. These names were used most by the Hebrew writers in modern times in their songs and stories that written in honor of this day, and Hebrew poets wrote poetry on Saturday: Bialik wrote the song "Saturday queen", poet Amir Gilboa wrote the song "Cch Cmo Sani the up" and others. By analysis of these literary works can be seen that the authors of these works depict through which all customs and ceremonies on Saturday in detail from beginning to end, especially the poet Bialik's poem "Saturday queen". And the end of the study conclusions and sources will come
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Reports on the topic "Rhétoriqueurs (Group of poets)"

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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.
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