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Dissertations / Theses on the topic 'Rhizom'
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Olsson, Nyhammar Carlo. "”I frivillig landsflykt till det tomma rummet längst in i korridoren” : En studie av Bruno Schulz Kanelbutikerna genom Deleuze och Guattaris teori kring territorialitet och flyktlinjer." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31808.
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The aim of this thesis is to read Bruno Schulz’s The Cinnamon Shops through the theoretical framework of Deleuze and Guattari, focusing on the relation between territorialization, deterritorialization and reterritorialization. This is investigated through examples from the The Cinnamon Shops, focusing on different aspects of how territorialization is portrayed in Bruno Schulz’s corpus. The goal is to show how the stories of Bruno Schulz are structured around various forms of territorializations, be it the home, the family shop or the town in itself. However, those territories are almost always negated through deterritorializing acts. In this act we get to face something new, something temporary and fragile, which in itself creates the essential crack or leakage in the text. Those acts of deterritorialization can’t be allowed to continue undisturbed but must be shut down through various forms of reterritorialization. This form of reading is only possible when the text is seen as a rhizomatic structure, with no clear center or periphery. It is brought forward how each of those texts are segmented in various manners, either binary or linear, which affects how the territorializing acts can be perceived.
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Bergdahl, Gustafsson Anna. "Rhizom och sinnenas ontologi : - att utforska det vi redan vet om lärande för att synliggöra det vi ännu inte vet." Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5936.
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Detta masterarbete är en artist/researcher/teacher, eller a/r/tography studie av lärande och utveckling. Arbetet antar ett posthumanistiskt perspektiv, som medger ett rhizomatiskt förhållningssätt till det empiriska materialet som består av minnesberättelser och en konstnärlig process och metod. Diffraktion används som övergripande metod tillsammans med a/r/toraphy; artist/researcher/teacher, för att öka möjlighetrana att - utforska det vi redan vet om lärande för att synliggöra det vi ännu inte vet. Det rhizomatiska förhållningssättet präglar och genomsyrar hela arbetet både i analysen av teori, metod, emperi, liksom viss disposition av text och bild. Det empiriska materialet består av korta minnesberättelser som handlar om spatiala intryck jag upplevt under mitt liv, samt en konstnärlig process vilket är en del av masterarbetet, den konstnärliga processen resulterade i en skulptur på Konstfacks vårutställning 2017.
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Hylberg, Maria. "Förskolans mångfacetterade didaktik : Ett spårande-och-kartograferande arbete om undervisning som innehåll och uttryck." Thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-172563.
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I den nya läroplanen för förskolan skrivs undervisningsbegreppet fram och får en framträdande roll i relation till barns utveckling och lärande. Syftet med den här studien är att ta reda på hur undervisning som innehåll och uttryck konstitueras i olika förskoledidaktiska texter som har getts ut som svar på realiseringen av läroplanen. Den formulerade komplexiteten som har framträtt i ett förskolehistoriskt sammanhang har föranlett en föränderlig ontologisk och metodologisk utgångspunkt. För den här studien tillämpas därför en spårande-och-kartograferande metodologi. Ansatsen ämnar ta reda på hur olika artikulationer påverkar hur undervisning görs och talas om. Trots att förskolan beskrivs i linje med en mångfacetterad didaktik framträder ett flertal dominerande och normativa territorium om hur undervisning ska implementeras. Den nyanserade didaktiken får stå tillbaka där undervisning snarare artikuleras i termer av rationalistiska, realistiska, socialkonstruktivistiska och materialistiska idéer. Den spårande-och-kartograferande ansatsen möjliggör dock ett omkonstituerande av undervisning som innehåll och uttryck vilket påvisar hur förskolans didaktik har potential att skifta natur.
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Åkerström, Nurmi Malin. "…you know it´s me Cathy : Om svindlande höjder, inspiration, skapande, delande. Och rotmos." Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7016.
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Den här undersökningen tog sin början i en vilja att få skapa och undersöka på ett lustfyllt sätt ochen vilja att göra motstånd mot det som inte kändes kreativt och lustfyllt, som istället gav mig prestationsångest.Jag har tagit inspiration från tidigare händelser och händelser som sker här och nu, tillexempel i vad jag kallar samtal, och jag gör min undersökning utifrån detta.Syftet har varit att försöka låta det som inspirerar mig, min kreativitet och min nyfikenhet ledavägen, att våga pröva att göra motstånd mot det som inte känns kreativt. Att göra motstånd genomatt göra det som inte känns kreativt till just kreativt. Att titta på vad som ger mig prestationsångest,vad som gett mig prestationsångest och försöka göra motstånd mot det. Att genom att vara självutlämnandeoch själv göra motstånd kanske kunna inspirera andra (framtida elever och andra) attvåga vara och göra detsamma. Att våga göra det som jag inte törs men älskar. Att våga är också attgöra motstånd. Jag har genom en rhizomatisk- och essäinspirerad autoetnografisk metod försöktmig på detta. Och genom en posthumanistisk filosofi. Genom en uppsats och en film.Och jag frågar mig:- Hur kan ett rhizomatiskt förhållningssätt i kunskapsskapande bli ett lustfyllt lärande?- På vilka sätt kan en autoetnografisk undersökning med ett performativt uttryck bli didaktiskastrategier?I resultatet kommer jag fram till att det essäinspirerande sättet att skriva och berätta på, där en prövandeoch försökande process görs möjlig, kan vara en väg till ett lustfyllt lärande. En process därkänslor och tankar tillåts ta plats vilka göra att undersökningen kanske tar helt nya riktningar åtoförutsägbara håll, likt rhizomets rötter.Att gestalta sin process och sina känslor, tankar, prestationsångest och lust genom en filmessä kanvara en form av didaktisk strategi, då det kan vara lättare, mer lustfyllt, eller både och att genomföraen autoetnografisk undersökning på det sättet. Att den tillåter ett mer performativt och friare berättandeän i till exempel en text. Att man genom en filmessä kan få göra motstånd mot regler ochkonventioner, som till exempel det linjära berättandet, vilket skulle kunna möjliggöra ett lustfylltlärande.
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Khunakornwichaya, Tunyong, and Panagiota Karypidou. "Materialens betydelse för barns matematiska kunskapskapande : En icke-antroprocentrisk studie." Thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-139834.
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Syftet med studien är att undersöka hur material i förskolan påverkar och medverkar med barnen och med deras matematiska kunskapsskapande. Den är en kvalitativ etnografisk inspirerad fältstudie som utgår från ett posthumanistiskt perspektiv och fokuserar på materialens betydelse för barns matematiska kunskapsskapande och läroprocesser. De frågeställningarna som sätts för undersökning är vilka matematiska potentialer som kan uppstå i möte mellan material och barn som aktiva performativa agenter samt hur relationer mellan de agenterna kan synliggöras i ett rhizomatiskt relationsfält. Resultaten visar att olika material innebär olika matematiska potentialer och relationer genom att problematisera frågor som hur material blir aktiva aktörer i barns kunskapsskapande och läroprocesser i matematik. Slutsatsen visar vidare att den kunskap som skapas beror på de materiella dimensionerna på samma sätt som på de mänskliga. Slutsatsen visar också att när material betraktas som aktiva aktörer kan en annan förståelse om barns lärandeprocesser utvecklas hos pedagogerna.
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Willborg, Freja. "HANDS-ON/ HARD-ON : Om dominans och lust." Thesis, Konstfack, Textil, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6761.
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Sackelius, Mirelle. "Datorn och internet som förändringsredskap : En studie om teknikens förmåga att bidra till förändrat arbetssätt i en förskolas verksamhet." Thesis, Högskolan i Borås, Institutionen för Pedagogik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16317.
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BakgrundVarför datorn och internet som informations- och kommunikationsteknologi ska finnas redan i förskolan är något som besvaras genom en översikt av vetenskapliga rapporter och aktuell litteratur i ämnet. Flera av de styrande krafterna som påverkar förskolans verksamhet beskrivs och även förekommande attityder till teknikimplementeringen som nu börjat ske. Perspektiv på lärande, värderad kunskap i samhället och på motivation till lärande tas upp och diskuteras i relation till teknikanvändning.SyfteAtt undersöka datoranvändning i en förskola som har pektavla, pekplatta och stationär dator i verksamheten.- Hur ser användandet ut i olika aktiviteter?- Vilka pedagogiska fördelar bidrar teknikanvändningen med i verksamheten?- Vilka faktorer påverkar användandet?MetodUndersökningen har en hermeneutisk utgångspunkt och tog inspiration från den etnografiska forskningsansatsen då dess huvudsyfte var att identifiera de faktorer som möjliggör eller begränsar människors handlande inom den kultur som undersöks. De redskapen för inhämtning av underlag till studien var fältforskning i form av observationer och informella intervjuer och fältsamtal.ResultatFältforskningen resulterade i en mängd exempel på hur förskolan använde tekniken till att både ersätta redan existerande aktiviteter, men även hur den bidragit till att utveckla och förändra aktiviteter och arbetssätt. Det framkom att det är många olika faktorer som påverkar användandet och vidare även ett flertal exempel på pedagogiska fördelar som tekniken bidrog med i verksamheten.<br>Program: Lärarutbildningen
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Lundberg, Katarina. "UR PRODUKTION." Thesis, Konstfack, Institutionen för Konst (K), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5682.
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När det är mörkt tycker jag om att gå hem. Det är oftast utifrån mina nattliga vandringar jag producerar, samlar och ser samband då jag i ensam tystnad möter nya rum och konstellationer som uppstår och försvinner i staden. Jag fotograferar till blivande målningar, filmar eller tar objekt från platser för att använda i mitt arbete. Denna text koncentrerar sig främst kring de platser jag ser på, tankar kring dem och hur de överförs till att bli måleri.
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Arborelius, Jon. "Upprepning och upprepning : Om Gilles Deleuze och möjligheten till en rhizomatisk litteraturvetenskap." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-338748.
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Uppsatsen undersöker möjligheten till en rhizomatisk litteraturvetenskap, i enlighet med Gilles Deleuzes (och i viss mån Félix Guattaris) distinktioner mellan träd-tänkande och rhizom-tänkande, och mellan det släta och det räfflade, och strävar i detta efter att dels vara en teoretisk diskussion kring möjligheten till en sant rhizomatisk litteraturvetenskap, dels efter att själv vara ett praktiskt exempel på en rhizomatisk uppsats. Båda ansatserna hamnar på olika sätt i slutsatsen att en rhizomatisk litteraturvetenskap är svår (eller omöjlig) att uppnå, men att den för den sakens skull inte nödvändigtvis är mindre eftersträvansvärd.
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Taracci, Nilsson Caroline. "En kringflackande studie, i tre resande romaner : En läsning av romanerna Sargassohavet, Desirada och De osynliga städerna utifrån Édouard Glissants Relationens filosofi. Omfångets poesi." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18500.
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In this essay I have read the novels Wide Sargasso Sea (Jean Rhys 1966), Desirada (Maryse Condé 1997) and Invisible Cities (Italo Calvino 1972) through Édouard Glissant’s notion of the primary scene in Philosophie de la relation. Poésie en étendue. I have examined how the primary scene can be seen as a political/an aesthetical strategy in the three novels. This was done in order to question the blunted tool of the notion of the identity, which is often considered in studies regarding ”postcolonial novels”. Invisible Cities is not belonging in this tradition, the method I used was ”The travelling theory” of Edward W. Saïd that proposes to let theories travel through different fields instead of trying to understand their ”original” meaning. I compared these novels in accordance to Glissants theory of questioning the notion of origins. The analysis compares how the novels depending on in wich tradition they have been read is being seen with different eyes. Novels interpreted as ”postcolonial novels” are usually read as a symptom of lack of origin. Whereas the protagonist tryes to understand the loss of identity. Glissants theory eases the analysis to reach other possible meanings of the novels, where they both meet and differs. My results indicate that The Wide Sargasso Sea and Desirada create a complex relation to time and space, where the primary scenes in these novels are steeped through different time levels. The two novels present a new way to understand time that rejects historicity, create new tools for thinking and evaluates new strategies to exist in the world, without origins in the classical meaning; Rhys through her imagery and Condé through her weave of times. The same goes for Invicible Cities, only though Venice the primal scene in the novel stays the center of interest, and even though borders of time and space are being questioned, the novel tends to make Venice the guzzling synthesis.<br>Édouard Glissant, Jean Rhys, Maryse Condé, Italo Calvino, Édward W. Saïd, Mary Lou Emery, Spivak.
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Rasmussen, Ryan James. "Rhizome." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2967.
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The present manifests in a nebulous soup of imagination, and is a state of unbounded curiosity. It is a weaver who stitches what-has-been to what-will-be-has-been. My work prods an American sense of progress, and the effects it has on shaping our future from its seat in the present as it attempts to evade history.
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Shockey, Sven. "Rhizome architecture." Thesis, Virginia Polytechnic Institute and State University, 1996. http://hdl.handle.net/10919/56206.
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Govasli, Jan-Mikael. "Maktstrukturernas rötter I musikindustrin." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-15142.
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Vi verkar i en musikindustri där de med makt får mer makt och de utan makt får ännu mindre makt. Musiker och producenter är vårdslösa i sitt medskapande av industrin genom att jaga kändisskap och uppmärksamhet vilket skapat kryphål för affärsverksamheter att ta etiska ställningar om de vill utnyttja det eller inte. Dessa socialkulturella normer och moralstrukturer kommer till ytan genom att ifrågasätta bland annat när en musiker “lyckats” och vad en musiker är och ställa sig frågan varför. På så sätt utforskar vi gråzoner i våra kulturella värdegrunder. Eftersom musikindustrin växer rhizomatiskt kommer jag kartlägga och synliggöra vad som utgör de maktstrukturer som existerar, därefter kommer jag med rhizomatik och experimenterande design som metod utforska flyktlinjer i form av en musikproduktion där vi rör oss mellan maktstrukturer i alla dess former.<br>We operate in a music industry where the ones with power get more power and those with less power gets even less of it. Musicians and producers are reckless in their co-creation of the industry by hunting attention and fame which have created loopholes for businesses to make ethical decisions if they want to exploit it or not. These social-cultural norms and moral structures floats to the surface by questioning, among other things, when a musician have “succeded” and what we define as a musician. In that way we explore the grey areas in our cultural values. Since the music industry grows rhizomatically, I will map and highlight what constitutes the power structures that exist, therefore I will use rhizomatics and experimental design as methods by exploring lines of flight in the form of a music production where we move through power structures in all of its forms.
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Chavosh, Ardalan. "Handbook of Waste and Network of Re-use." Thesis, KTH, Stadsbyggnad, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-98819.
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The intelligent handling of waste is a pressing issue today. Up until the 19th century it had been however an integral part of societies especially when it comes to the waste generated by construction and demolition (Bahamon and Sanjines, 2010). After industrial revolution (1750-1850) which opened the gates of mass production and mass consumption followed and supported by two major forces of capitalism and the dramatic increase in world population, the generation of waste accelerated correspondingly and in a global scale. The mass extraction of natural resources on one hand (limited amount of natural resources), and the problems caused by waste landfilling and incineration such as pollution and diseases on the other hand, made us stop this linear extraction-to-waste trend and recognize recycling as a solution. Recycling chiefly addresses a sustainable approach to reduce the negative effects of waste and at the same time involves processing used materials (waste) into new products to prevent waste of potentially useful materials (Eco Cloud), however through recycling not only some energy has to be consumed to make this process run but also some portion of pollution would be generated as a side effect. What is more is that up until today recycling has been neither in many cases economically profitable nor has it been possible to recycle all the amount of waste. For instance In US- as the most consuming society on the planet Earth- only 34% of the municipal solid waste can be recycled and the rest ends up in either landfills or incinerators (EPA,2010). This project is to mainly focus on the definition of a rather comprehensive network (Network of Reuse) which sits right before recycling through which as much as possible of the total amount of waste could be directly absorbed back into the society (with minor changes in some cases) in different scales, the resultants of which would be claimed not to be only less energy consumption and less pollution caused through processing waste (as in recycling) but also avoiding a considerable amount of unrecycled materials from ending up in landfills and incineration. In fact the assumed network-which is simulated by the smart grid model- could be said to be a complementary section added to the existing trend today and is on no account against recycling. Like any other network, the network of reuse is based upon strategies, tools, and policies. The rhizomic growing structure of this network-that is in contrast to the tree structure of recycling- suggests a bottom up movement in handling waste and empowering people while the proposed time-line strategy is assumed to be moving from entertainment towards a coherent business network. In fact the project itself suggests the necessity of more bottom up structures to happen in our future planning. The entire project is highly founded upon research and could be applied in a variety of actual designs and concrete cases. Therefore, in this project no specific site is being addressed directly but the actual need for adding the supposed network is explored.
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Bond, Steven. "Control of rhizome growth in Alstroemeria." Thesis, University of Nottingham, 1991. http://eprints.nottingham.ac.uk/11099/.
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Increases of temperature in the range from 8 to 18°C in vivo, significantly enhanced the dry weights of lateral rhizomes, roots and shoots. At the higher temperatures dry weight production was often seen to decrease. Decreases in irradiance from 100 to 50 per cent in vivo, produced significant decreases in the dry weights of lateral rhizomes, roots and shoots. In contrast, the numbers of lateral rhizomes, tubers and shoots were largely unaffected by temperature and irradiance treatments. Day length treatments of 8 to 16 hours light in a 24 hour period in vivo produced few significant changes in either the dry weights or numbers of plant parts produced. However, day length had a strong influence over the time of flowering. For maximum rhizome production a temperature of between 13 and 18°C, a high irradiance and a short day length were required. Increases of temperature in the range 8 to 18°C in vitro, caused significant increases in the number of lateral rhizomes and shoots produced. At the highest temperature the numbers produced often decreased. The number of roots produced was unaffected by temperature. Decreases in irradiance from 100 to 25 per cent and increases in day length from 8 to 20 hours light in a 24 hour period, produced no significant changes in the number of lateral rhizomes, roots or shoots produced in vitro. Low irradiance, however, caused etiolation of the shoots. For a good multiplication rate the requirements for the culture environment were a temperature of 15°C, an irradiance of 5 Win- 2 with a day length of 8 hours of light in a 24 hour period. The presence or absence of tubers and damage suffered by `splits' prior to planting were found to be important factors in the establishment of plants in vivo. Subculture of rhizome explants without aerial shoot or rhizome apices and of rhizome explants divided into single internodes with or without aerial shoots, enhanced the rhizome multiplication rate. Addition of the plant growth regulators triiodobenzoic acid, thidiazuron, α-naphthaleneacetic acid, gibberellic acid and paclobutrazol to culture media, with and without BAP, caused no significant changes in the numbers of lateral rhizomes, shoots or roots produced. However, paclobutrazol produced changes in explant morphology, i.e. shoot size was reduced and the diameter of roots was increased.
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Berlin, Denise. "Att rädda Sara Sand : En deleuziansk läsning av Stina Aronsons experimentella verk." Thesis, Södertörns högskola, Litteraturvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-45843.
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This thesis explores the creative function of the pseudonym Sara Sand, used by the author Stina Aronson for four literary works in the late 1920s and early 1930s. Två herrar blev nöjda (Two gentlemen were content), Fabeln om Valentin (The tale of Valentin), Tolv hav (Twelve oceans) and Syskonbädd (Siblingbed) are modernist and experimental works that I approach with an experimental way of reading. In order to emphasize what I find to be an inherent strive for freedom within these texts, I draw from Gilles Deleuze and Félix Guattaris notion of desire as a productive force and their view of the text as a rhizomatic structure, as presented in Anti-Oedipus (1972) and A Thousand Plateaus (1980). The characters in Sara Sands writing are in constant movement and in continuous processes of becomings which challenges any kind of fixity, whether that be social structures and hegemonic discourses or simply the individual self.
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Boss, Aleksandra. "Of Opaque Bodies and Transparent Eyeballs." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/19153.
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Die vorliegende Dissertation stellt eine Interpretation von Thomas Paines THE AGE OF REASON (1794) und Ralph Waldo Emersons NATURE (1836) als politiktheoretische Traktate vor, die normative Demokratiekonstrukte entwickeln. Diese Demokratiekonstrukte werden anhand ihrer Parameter vergleichend und historisierend gelesen. Die Annahme ist hierbei, dass sich die normativen Demokratieentwürfe beider Autoren mithilfe der Denkfigur des rhizomatischen Panoptizismus explizieren lassen. Die Dissertation leitet diese Denkfigur anhand von Texten des französischen Poststrukturalismus und auf Grundlage des soziologischen Ansatzes der Surveillance Studies her und erläutert seine Relevanz für das Verständnis und die Verhandlung von Demokratie in den Epochen der frühen Republik und des Antebellum in den USA. Ebenso findet eine Analyse der diskursiven Vermittlung dieser Denkfigur durch das religiöse Vokabular von Deismus, Unitarismus und Transzendentalismus in beiden Traktaten statt. Ein ausführliches close reading legt schließlich dar, wie einzelne Parameter eines rhizomatischen Panoptizismus in den Texten entwickelt, repräsentiert und diskutiert werden.<br>The present dissertation introduces an interpretation of Thomas Paine’s THE AGE OF REASON (1794) and Ralph Waldo Emerson’s NATURE (1836) as politico-theoretical tracts that develop normative constructions of democracy. At the core of the analysis lies a comparative and historicist reading of the parameters of these constructions. The thesis informing the analysis posits that both normative constructions of democracy can be made explicit with the aid of the concept of a rhizomatic panopticism. The dissertation develops this concept on the basis of French poststructuralist texts and with theoretical approaches from the sociological field of Surveillance Studies in mind, explaining its relevance for the understanding of democracy during the Early-Republic and Antebellum periods in the USA. Furthermore, the discursive mediation of the introduced concept through the religious vocabularies of Deism, Unitarianism, and Transcendentalism in both tracts receives attention. Finally, a close reading elucidates how the distinct parameters of a rhizomatic panopticism are developed, represented, and discussed in both texts.
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Perruchon, Véronique. "L'oeuvre théâtrale d'André Engel : machine et rhizome." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030125.
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Cette thèse explore et analyse l’œuvre théâtrale d’André Engel, metteur en scène français atypique. Depuis 1972, il travaille avec une équipe de création constituée des dramaturges Bernard Pautrat puis Dominique Muller, du décorateur Nicky Rieti et de l’éclairagiste André Diot. André Engel a d’abord créé ses spectacles dans des lieux inédits : haras, usine désaffectée, ancienne mairie, hangar, donnant naissance à des « Objets Théâtraux Non Identifiés » qui marquèrent le théâtre des années soixante-dix et quatre-vingt ; formes que la nécessité de travailler dans les salles fit évoluer. Attaché à la question du spectateur, André Engel a, tout au long de son œuvre, proposé un renouvellement de son statut. De la création « hors les murs » au théâtre en salle, du « détour » par l’opéra à la tentation du cinéma, l’œuvre d’André Engel, constituée en cycles, est une véritable aventure théâtrale, une machine au rhizome complexe qui sort des repères connus. Nourri de philosophie allemande, d’influences deleuziennes et de lectures situationnistes, André Engel est venu au théâtre pour changer le monde. Il crée des événements, des expérimentations, des situations, proposant de nouveaux espaces-temps dans un acte de résistance et de reconquête du monde qui s’associe à une poésie de l’errance, du voyage et de la dérive. Machine de guerre contre « la société du spectacle », le théâtre est, pour André Engel, le lieu et le moyen d’un combat contre le monde aliéné, pour la reconquête de l’authenticité du réel<br>This thesis explores and analyzes the theatrical work of André Engel, an unconventional French stage director, working since 1972 with a team composed of dramatists Bernard Pautrat followed by Dominique Muller, designer Nicky Rieti and lighting designer André Diot, as a creative ensemble. André Engel staged his first performances in unusual places : a stud farm, a disused factory, a former town hall, a warehouse, giving birth to « Objets Théâtraux Non Identifiés » : landmarks in the theatre scene of the 70s and 80s. The need to work in conventional theatre brought with it in an evolution of his art. Throughout his work, André Engel proposes a new vision of the status of spectator. From « hors les murs » to more traditional venues, from incursions into opera to the temptations of cinema, these cycles in André Engel’s work are a true adventure in theatre, a machine with a complex rhizome which does not tread well-beaten paths. Nurtured by German philosophy, by the thought of Gilles Deleuze and influenced by readings of the Situationists, André Engel came to theatre in order to change the world. He creates events, experiments, situations, offering as an act of resistance, new dimensions in space and time : re-conquests of a world associated with the poetics of wandering, travelling, being adrift. As a machine for war against « la société du spectacle » as Guy Debord calls it, theatre for André Engel provides the perfect place and means for fighting against a world of alienation, for re-conquering the authenticity of the real
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Vincs, Kim, and mikewood@deakin edu au. "Rhizome/Myzone: The production of subjectivity in dance." Deakin University. School of Contemporary Arts, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051110.154532.
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Browning, Helen. "Producing Constellations : Opening New Documentary To Rhizome Theory." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15944/.
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Uncertainty is a documentary film about belief systems that human animals use to navigate the unknown and assign meaning to experiences. It acknowledges that we exist amidst the parameters of our own perceptual constructs. Our frameworks for navigation often range in degrees of openness to the unknown and to outside scrutiny. I set out to explore these concepts through interactions with different individuals and social groups, each with their unique templates. I hoped to produce a stimulating film that engaged diverse audiences through diverse content. Structural and stylistic considerations are paramount to my theoretical and post-production reflections on Uncertainty. Deleuze and Guattari's (1988) theory of rhizomes provides a good reference in terms of the cross-fertilisation of ideas, decentralised structure and different states of connection that I hoped to provoke through the film. New documentary theory highlights a trend towards greater interaction between filmmaker, audience and subject (Bruzzi, 2000). This signals a growing understanding that striving for objectivity in documentary is redundant. Although it is a welcome development, discussion could be broadened in relation to filmmaker presence and interactivity, to include style and structure as modes of primary interaction for the filmmaker with the audience and subject. This exegesis approaches expanding the parameters for interaction to examples, such as Uncertainty, where the filmmaker is neither present in image or voice. Texts that offer constellations of ideas, like a rhizome, provide an alternative to those following a more linear progression or centralised argument. Promoting greater connectivity and multiplicity in documentary is congruous with the current developments in communications and technologies.
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Campbell, Madeleine. "Translating Mohammed Dib : Deleuzean rhizome or Sufi errancy?" Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5105/.
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There is a conceptual resonance between the rhizomatic habit in the world of plants and the perennial errancy in the (meta)physical world of man traversed by Mohammed Dib’s writing. In so far as reflective research and the practice of translation can ‘mirror’ the surface of their object, this project is a rhizomatic endeavour. It is a fragmentary journey into the desert, in search of the mysterious at’lāl, the trace of the sign, drawn and effaced and redrawn again by Mohammed Dib to reveal ephemeral truths about the self and its others. Dib’s focus migrates from early realist ‘socio-ethnographic’ novels in the 1950s to metaphysical explorations described by critics as ‘hermetic’, ‘mystical’ or ‘surreal’. The historical and the mystical, however, are two facets of the same inexorable acts of deterritorialization and reterritorialization in a precarious, often oneiric, universe. The ‘visions’ expressed in his poetics are couched in the elemental vocabularies of light and shadow, fire and water, space and duration and draw their substance from Sufi mystical scholars and poets. I posit that Dib’s nomadic contemporary writing arises from the place that lies between the sensible and the intelligible in Sufi mysticism, in a secular transposition of the Sufi Imagination: Dib neither constructs nor deconstructs. Rather, his singular style serves to hone an acutely experiential expression. Further, there is a sense in which each ouvrage is a heterotrope whereby his poetry and prose collections are inextricably embedded in each other, thus one is always in the middle of his universe. The ubiquitous entry point to this universe lies in the middle of his metaphorical desert, an aesthetic landscape stripped of idiocultural signification. Central to its lines of flight is the sign, both ephemeral and enduring, and what is enveloped in the sign is the non-signifying impact of its expression. I argue that Dib’s perennial re-assembling of ‘ces chaînes aux mailles d’acier qui sont mots’ (those chains with links of steel that are words) doesn’t so much ‘give rise to thought’ as ‘give rise to affect’.
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Xu, Wei. "The impact of rhizoma chuanxiong in fetal bone development." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/253.
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Background and purpose: Rhizoma Chuanxiong (CX), the dry rhizome of Ligusticum chuanxiong Hort., is a commonly used Chinese herbal medicine to treat gynecological diseases. So far, more than 60 chemical components have been identified from CX such as volatile oils (ligustilide, etc.), phenolic acids (ferulic acid, etc.) and alkaloids (chuanxiongzine, etc.). These components in CX are the basis of its wide pharmacodynamic actions including estrogen-like, progesterone-like and anti-coagulant/anti- platelet effects. In our recent survey based on previous published clinical trials, CX was ranked as one of the top 20 herbs commonly used for anti-miscarriages amongst Chinese pregnant women. However, CX should be used with caution during pregnancy as its property of 2invigorating blood circulation and removing blood stagnation3. Despite its wide applications, the safe dosage of CX in pregnant women remains unclear with no records found in the current Chinese Pharmacopoeia or other guidelines. Thus, verification regarding the impacts of CX preparations and its components in embryonic development is urgently required. In view of the limited experimental evidence that is currently available to assess the safety of CX, this project aims to (1) identify the general impacts of CX aqueous extract in maternal function and fetal development with an in vivo mouse model; and to (2) investigate the adverse impacts and underlying mechanisms of CX aqueous extract in fetal bone development with a biomarker assay and metabolomics analysis.;Concusion: CX aqueous extract at a low dosage of 2 g/kg/day (equals to the daily dosage of human adults) did not cause adverse effect in pregnant mice, and it suggested that this dosage of CX preparations should be safe for pregnant women. Our data demonstrated that high dosage and long-term use of CX aqueous extract might result in embryonic toxicities including fetal bone malformations for the first time. As the CX aqueous extract in this study was not contaminated by pesticide residues and heavy metals, the adverse impacts of CX aqueous extract should be considered as a result of its intrinsic components in the herb. Furthermore, CX aqueous extract might significantly down-regulate biomarkers related to bone formation and metabolism during osteogenesis. It is therefore valuable to establish a practical approach to systematically assess the safety of CX and other herbal medicines.;Method: Referred to the guidelines of WHO, the Chinese Pharmacopoeia and the Hong Kong Chinese Materia Medica Standards, CX aqueous extract was prepared, and its reference marker (ligustilide and ferulic acid) were quantitatively authenticated by HPLC analysis. LC/MS fingerprint analysis was performed for the quality control purposes. In addition, pesticide residues and heavy metals found in CX aqueous extract were examined using GC-MS and ICP-MS analysis. In the Segment II study as per FDA and OECD guidelines, pregnant mice were randomly assigned into 6 groups (n=18 per group): i.e. mice were orally administrated with distilled water as the negative controls (Group 1); or CX aqueous extract of 2, 16, 24 and 32 g/kg/day respectively from the gestation day (GD)6 to 16(Group 2, 3, 4 and 5); or vitamin A (200,000 IU) on GD7, 9 and 11 as the positive controls (Group 6). All mice were sacrificed to assess maternal and fetal parameters on the GD18. In the mechanistic study, the expressions of biomarkers related to fetal bone development including PICP, ICTP, B-ALP, BGP, Gdf-5, BMPs, BMP-6, BMP-8, BMP-11, IL-4, IL-4r, IL-10 and IL-10r in fetal tissue samples of the Group 1 and 5 (32 g/kg/day, n=18) were measured using ELISA analyses on GD16. Meanwhile, the metabolites of two-group samples were also analyzed by the UHD Accurate-Mass Q- TOF LC/MS, and profiling data was further analyzed by specific software. During statistical analysis, measurement data from G1, 2, 3 4 and 5 groups were analyzed using one-way ANOVA(SPSS software, version 16.0). LSD test in Post hoc method was applied to compare differences between every two groups. Pearsons x 2 - test was used to analyze category data from G1, 2, 3, 4 and 5 groups, and Fishers exact test was applied to compare differences between different groups. The student t-test was also used to compare differences between G1 and G6 groups in animal studies as well as G1 and G5 groups using ELISA or metabolomics results. An intragroup difference with a p-value less than 0.05 was considered as statistical significant.;Resutt:(1) There was no statistical significant difference in maternal and fetal parameters found between the Group 1 and 2 (p> 0.05). However, the maternal body weight (BW), gravid uterine weight, corrected BW change, live fetus/litter, mean fetal BW in the Group 4 and 5 were significantly lower than those in the Group 1(p
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Monea, Alexander Paul. "Dissemination Rhizome: How to Do (Political) Things With Affect." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1354329062.
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Nohage, Jesper, and Simon Danielsson. "Ljud i rörelse : Att framhäva ljudens berättande potential." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-16605.
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Med detta kandidatarbete strävar vi efter att utveckla en förståelse och ett intresse för ljuddesignens berättande funktion. Detta strävar vi efter genom att tillämpa ett rhizomatiskt perspektiv i vår designprocess samt försök till att närma oss en icke-linjär designmetodik. Det rhizomatiska perspektivet används som en källa för inspiration, en väg till att finna nya lösningar och verktyg till berättandet. Vårt prövande av ljuddesignen gjordes i en filmproduktion där vi som ljuddesigners gjorde försök till att väva in ljuddesign under hela projektets gång och arbeta proaktivt för att skapa utrymme för vår design.<br>With this bachelor thesis we seek to expand the understanding and interest of the narrative potential in sound design. We aim to do this by applying a rhizomatic perspective to our design process and attempt to approach a non-linear design method. The rhizomatic perspective is used as a source of inspiration, a way of finding new narrative tools and solutions. The testing of sound design was made in a film production where we, as sound designers, made attempts to weave sound design into the whole course of the project and work proactively to create space for our design.
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Nualsri, Charassri. "Inheritance of rhizome expression in birdsfoot trefoil (Lotus corniculatus l.) /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9717176.
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Gros, Niko, and Alexander Hägg. "The Rhizo-narrative : Ett nytt fält för narrativa nätverk." Thesis, Blekinge Tekniska Högskola, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-16488.
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The Rhizo-narrative är en undersökning som handlar om att kombinera rhizomatik med narrativa strukturer inom datorspel. Vi vill veta hur rhizomatik som verktyg för narrativ påverkar datorspel. Detta uppnår vi genom lekfulla experiment och koncept. Denna text går igenom vårt syfte med arbetet, varför vi har valt att jobba med dessa begrepp, hur vi jobbar med dessa begrepp och vilka resultat vi har fått av arbetet samt en utförlig diskussion kring våra resultat, problem och framtida tankar kring rhizmatiska narrativ för datorspel.<br>The Rhizo-narrative is an investigation about what happens when you combine rhizomes with video game narrative structures that researches and documents the process. We want to know how rhizomes affects video game narratives when used as a tool for developing the narrative itself. We achieve this through creative experiments and concepts. Within this text we go through the purpose of our project, why we chose to work with the terms we worked with, what those terms mean, the results we achieved as well as a detailed discussion about said results, problems and challenges we faced during the projects lifetime. We end with our future thoughts about rhizome based narratives within video games.
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Hirvelä, Link, and Juri Vinterfall. "Relationell Ontologi som designprocess." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-16556.
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Vad vi framför är ett alternativ till idealismen och vi bemöter det ideella med relationell ontologi. Vi jämför Peter van Inwagen (2011), Bryan E. Bannon (2011), Achille Varzi (2016), Gil C. Santos (2015) och Robin Durie (2002) för att skapa en förståelse för vad relationell ontologi innebär. Vidare väljer vi att använda Andrew Benjamins (2015) definition för vidare struktur av vår teoretiska metod. Denna konkretisering menar på att vår tillblivelse är skapad utifrån relationer, ett utbyte mellan singulariteter, de punkterna som definierar en artefakt eller ett fenomen. Vidare analyserar vi analog skissteknik och applicerar den analysen och dess beståndsdelar på digitala tekniker som bildredigering och 3D modellering i vad vi kallar den Rhizo – Singulär analys som process metoden. Vad vi får ut är ett alternativt sätt att skapa vilket vi väljer att definiera som relationell avbildning, med detta utmanar vi idealismen och de ideella mönsterbilderna (Ohlsson, 2013). Med andra ord att vi förhåller oss till en öppenhet och de förvrängningar inom sinnes – världen utifrån Aristoteles och estetiken enligt Danius, Sjöholm, & Wallenstein (2012). Vi diskuterar de val som vi gör i designprocessen och fortsätter att argumentera för öppna förhållningssätt och förståelse som vi hämtar och jämför från Benjamin (2015) och Deleuze & Guattaris (1987) rhizomen. Undersökningen och den metoden vi skapar kan bli förstådd samt tillämpad i flertalet variationer. Slutgiltligen att den teoretiska metoden växer och förändras utav personer i en plural händelse vilket är Rhizo - Singulär analys som processmetoden.<br>We present an alternative to idealism and we meet the ideal with the concept of relational ontology. We compare Peter van Inwagen (2011), Bryan E. Bannon (2011), Achille Varzi (2016), Gil C. Santos (2015) and Robin Durie (2002) to create an understanding for what relational ontology is or could be. We choose Andrew Benjamin's (2015) definition to structure our theoretical method. This concretization means relations are fundamental for our becoming as people and objects. Relations are an exchange between singularities, the points which define an artefact or a phenomenon. Continually we analyze sketching techniques and apply that analysis and its components on digital techniques as photo editing and 3D modeling in what we call the Rhizo – Singular analysis as a process method. What we get from doing this is an alternative way of creating which we choose to define as a relational imaging, with this we challenge the idealism and the ideal pattern images (Ohlsson, 2013). In other words we approach to a openness and the material worlds distortions from Aristoteles and the aesthetics of Danius, Sjöholm, & Wallenstein (2012). We discuss the choices that we have made in the design process. We continue to argue for the open approach, the understanding which we gain and compare from Benjamin (2015) as well as Deleuze & Guattari’s (1987) rhizome. In other words the research, it's methods themselves can be understood and be applied in several variations. Finally the theoretical method grows and changes by people in a plural event that is Rhizo - Singular analysis as a process method.
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Sanewski, G. M. "Rhizome and fibre development in early harvest ginger (Zingiber officinale Rosc) /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16286.pdf.
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Ge, Guozheng. "Rhizome : a feature modeling and generation platform for software product lines /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2008. http://uclibs.org/PID/11984.
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Kandiah, Mangayetkarasy. "Kinetics of extraction of the rhizome of ginger (Zingiber officinale Roscoe)." Thesis, Imperial College London, 1989. http://hdl.handle.net/10044/1/47496.
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Carneiro, Brito Elaine. "Le Rhizome patrimonial : analyser un mouvement hétérogène d'acteurs et de sens." Thesis, Avignon, 2018. http://www.theses.fr/2018AVIG1191/document.
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Cette thèse cherche à explorer les régimes de patrimonialisation des patrimoines, ou encore de patrimonialité des patrimoines, à partir des dynamiques sociales d’identification, de reconnaissance et de mise en valeur des objets dits « patrimoines ». Pour autant, s’opère une interprétation communicationnelle envisageant la compréhension d’une productivité discursive de la valeur patrimoniale. En d’autres termes, nous nous intéressons à la construction du sens patrimonial à partir du discours social. Ce travail s’efforce alors à décrire la patrimonialisation comme un mouvement qui se transforme et s’actualise à partir du discours des différents acteurs impliqués : détenteurs, amateurs, praticiens, associatifs, chercheurs, institutionnels, entre autres. C’est pourquoi nous considérons le discours depuis sa force illocutoire, ce qui nous permet de l’identifier comme une action qui vise « faire-faire » (Austin, [1962] 1970) ou encore « faire agir ». À cet égard, nous avons élaboré un dispositif méthodologique d’écriture webdocumentaire dans la finalité d’analyser sémio-pragmatiquement les différents discours collectés et provoqués lors des nos observations. Pour lors, notre dispositif méthodologique d’écriture webdocumentaire nous autorise la manipulation d’un ensemble de documents hétérogènes, c’est-à-dire l’organisation et la mise en forme, dans l’objectif d’exposer les possibles agencements d’acteurs et l’engendrement d’actions et de sens patrimoniaux. De cette manipulation, considérée comme l’« écriture intermédiaire » (Achard, 1994) de notre recherche, se manifeste peu à peu une conception « rhizomatique » (Deleuze et Guattari, 1980) de la patrimonialisation, où les acteurs sont tout à la fois agis et agissants de ce mouvement en perpétuelle transformation. L’idée d’un « Rhizome » des rhizomes patrimoniaux évolue durant les chapitres de ce mémoire de thèse nous révélant un mouvement patrimonial qui agence les acteurs et engendre les sens. Tel mouvement rhizomatique est notamment producteur de réflexions sur le passé « qui emprunte des signifiés au présent et ouvre les chemins pour le futur » (Mattos et Abreu, 2005)<br>This thesis seeks to explore the regimes of patrimonialization of patrimonies, or patrimonial heritage, based on social dynamics of identification, recognition and enhancement of objects called "patrimonies". However, there is a communicational interpretation envisaging the understanding of a discursive productivity of the patrimonial value. In other words, we are interested in the construction of the patrimonial sense from the social discourse. Through the realization of two field surveys, in the city of Valença, in the region of Rio de Janeiro, Brazil, and in the "Territoire des Garrigues", in the Occitanie region, in France, we question how an object material or immaterial, is likely to become heritage through symbolic productions. A third observation, of distinct characteristics, was important for the development of this research: it is the "Ninth session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage", an event which took place in November 2014 in the UNESCO Headquarters, Paris. This work attempts to describe the heritage as a movement that is transformed and actualized from the discourse of the different actors involved: owners, amateurs, practitioners, associations, researchers, institutional, among others. This is why we consider the discourse from its illocutionary force, which allows us to identify it as an action that aims to "make-do" (Austin, [1962] 1970) or "to make action". In this respect, we have developed a methodological method of webdocumentary writing with the aim of analyzing semio-pragmatically the different discourses collected and provoked during our observations. This device gives us the initiative to produce and manipulate different formats of documents, such as audio-visual, sound, photographic and cartographic. Added to this production is the collection of a heterogeneity of documents produced by the actors themselves or by third parties. Therefore, our methodological method of webdocumentary writing allows us to manipulate this set of heterogeneous documents, that is to say the organization and formatting, with the aim of exposing the possible layouts of actors. and the begetting of actions and patrimonial meanings. From this manipulation, considered as the "intermediate writing" (Achard, 1994) of our research, is gradually emerging a "rhizomatic" conception (Deleuze and Guattari, 1980) of the patrimonialisation, where the actors are at the same time act and act of this movement in perpetual transformation. The idea of a "rhizome" of heritage rhizomes evolves during the chapters of this thesis revealing a patrimonial movement that organizes the actors and generates the senses. This rhizomatic movement is notably the producer of reflections on the past "which borrows from the signified in the present and opens the way for the future" (Mattos and Abreu, 2005). Patrimonialization described as a "Heritage Rhizome" becomes an integrated exercise in the public space, also allowing us to open up to other conceptions of public space<br>Esta tese tem por objetivo explorar os regimes de patrimonialização dos patrimônios, ou ainda de patrimonialidade dos patrimônios, através das dinâmicas sociais de identificação, de reconhecimento e de valorização dos objetos ditos “patrimônios”. No entanto, opera-se uma interpretação comunicacional com o propósito de compreender a produtividade discursiva do valor patrimonial. Em outras palavras, nós nos interessamos pela construção do sentido patrimonial à partir do discurso social. Este trabalho esforça-se em descrever a patrimonialização como um movimento que se transforma e se atualiza à partir do discurso dos diferentes atores envolvidos : detentores, amadores, praticantes, associativos, pesquisadores, institucionais, entre outros. Portanto, consideramos o discurso desde sua força ilocutória, o que nos permite identificá-lo como uma ação que busca “fazer-fazer” (Austin, [1962] 1970) ou ainda “fazer agir”. Para tanto, elaboramos um dispositivo metodológico de escrita webdocumentária afim de analisar semio-pragmaticamente os diferentes discursos coletados e provocados durante nossas observações. Logo, nosso dispositivo metodológico de escrita webdocumental nos autoriza a manipulação de um conjunto de documentos heterogêneos, ou seja a sua organização e edição, no intuito de expor possíveis associações entre os atores e o engendramento de ações e de sentidos patrimoniais. Desta manipulação, considerada como a “escrita intermediária” (Achard, 1994) da nossa pesquisa, se descobre pouco a pouco uma concepção “rizomática” (Deleuze e Guattari, 1980) de patrimonialização, onde os atores são ao mesmo tempo agidos e ativos de um movimento em constante transformação. A ideia de um “Rizoma” dos rizomas patrimoniais evolui durante os capítulos desta dissertação de tese nos revelando um movimento patrimonial que associa os atores e engendra os sentidos. Tal movimento rizomático é particularmente produtor de reflexões sobre o passado “que empresta significados para o presente e abre novos caminhos para o futuro” (Mattos e Abreu, 2005)
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Fiasson, Arnaud. "Territorialité et nationalisme écossais : le rhizome du sentiment national (1707-2011)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20042.
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Les années 1707 et 2011 marquent deux dates singulières du nationalisme écossais. Alors que l’union des royaumes d’Ecosse et d’Angleterre laisse place à la formulation d’une identité qui revendique la spécificité de l’Ecosse sans pour autant remettre en question le pouvoir central britannique, la victoire du « Scottish National Party » aux élections parlementaires symbolise la montée au pouvoir d’un parti qui revendique l’indépendance politique de l’Ecosse. Cette thèse se propose d’étudier la nature du sentiment national écossais et de ses représentations en analysant le rôle joué par le territoire national dans l’élaboration de l’idéologie nationaliste. Nous utilisons les concepts de la territorialité et du rhizome, comme définis respectivement par Jan Penrose d’une part et Gilles Deleuze et Félix Guattari d’autre part, afin de montrer que l’exploitation des représentations du sentiment national écossais donne naissance à des conceptions territoriales divergentes qui façonnent aujourd’hui encore l’identité nationale écossaise<br>The years 1707 and 2011 hold a particular significance in the history of Scottish nationalism. Whereas the union of the kingdoms of Scotland and England gave way to the negotiation of a Scottish identity held within the larger structure of the British State, the victory of the "Scottish National Party" in the parliamentary elections symbolises the rise of a party claiming political independence for Scotland to a position of power. This thesis explores the nature of Scottish national sentiment and its representations while analyzing the role played by the national territory in the construction of nationalist thought. The concept of territoriality developed by Jan Penrose on the concept of rhizome as defined by Gilles Deleuze and Félix Guattari are used in order to demonstrate that harnessing the representations of the Scottish national sentiment spawned two diverging conceptions of the national territory which still shape Scottish national identity
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Oblin, Monique. "Le rhizome sous l'arbre : le virtuel au-delà des images lumineuses." Paris 1, 2008. http://www.theses.fr/2008PA010533.
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Virtuel, le sens originel de ce mot éclaire les images issues des nouveaux langages. La vision orientale de l'intelligence est recherche de la vérité. La sagesse lshrâq'î dévoile l'importance de ne mépriser aucune 'des vertus de l'homme. Autour d'une rétlexion sur les arts numériques apparaît un virtuel, lien entre les plis multiples de l'humanité. La nature de l'homme est cette spiritualité, une capacité à être source de lumière. Les icônes de cette étude font converger des séries sacrées, spirituelles, poétiques, artistiques, sociales. Le virtuel éclaire certaines oeuvres jusque dans les mondes extrêmes occidentaux des langages binaires. Sous l'arbre des grammaires du logos vivent les liens nomades et rhizomiques de l'art et de la poésie, portes de la maison de l'âme. L'art et la poésie deviennent alors l'énigme de l'indicible, clé de la perfection perdue par le possible, un témoignage, un exemple de virtuel. La sagesse ramène ainsi Ie spirituel au plan de l'existence.
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McCauley, Kym. "Collision/collusion : editing - rhizomes - hypertext /." requires logon and password, 1998. http://www.adfa.edu.au/kmthesis.
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Burrows, James. "Rhizo-Memetic art : the production & curation of transdisciplinary performance." Thesis, Edge Hill University, 2017. http://repository.edgehill.ac.uk/10044/.
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Contemporary discourse in the field of Memetics offers potential new insights upon the ways and means of producing and curating contemporary Performance beyond the limits of discipline specific Performance taxonomies. Alongside the rise of Internet Culture and the rapid adoption of social media, it is argued that contemporary artistic practice is becoming ‘more fluid, elastic, and dispersed’ (Cornell, 2014: online). Given this circumstance, the researcher acknowledges that notions of disciplinarity, performative agency and materiality remain in a state of flux and in need of reconsideration. Utilising a Practice-as-Research (PaR) framework, and based upon the above context, the researcher initiated an innovative three-phase methodological approach focused on the application of insights drawn from the concept of the ‘Meme’ (Dawkins, 1974) alongside a primarily Deleuze & Guattarian philosophy upon methods of artistic production, and the curation of transdisciplinary performance. The resulting praxis: ‘Rhizo-Memetic Art’ produced three major artworks including the hypertextual assemblage - Corpus 1 (2012-13), produced collaboratively online with users of Twitter and Facebook; the Florilegium: Exhibition (3rd -24th November, 2014): produced and curated alongside an invited group of contributing artists; and Florilegium: Remix (24th April 2015): an intermedial Live Art lecture. Each of these elements plugs into the following exegetic writing, and alongside the documentation of its artefacts (available on the project website), these elements produce the thesis. The outcomes of this PaR are twofold. The first outcome is a new theoretical understanding of the mechanisms of interdisciplinary creative practice emerging out of the synthesis of meme and rhizome. This outcome can be further developed to reveal insights relevant to the production of transdisciplinary performance and archival/curatorial discourses. The second outcome can be identified as the Rhizo-Memetic Artwork itself, or, rather the multiple creative artefacts and actions that combine to produce its assemblage. The implications of this research suggest that the functioning of Rhizo-Memetic Art raises permanent questions about the status of Performance in terms of its materiality and efficacy outside of the limitations of disciplinarity.
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王偉. "Study on chemical constituents and qualitative & quantitative analysis of Rhizoma coptidis." Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1676768.
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Bittner, Marian [Verfasser]. "Cimicifugae rhizoma: Phytoanalytische Charakterisierung von Kulturpflanzen und Entwicklung alternativer Prüfmethoden / Marian Bittner." Berlin : Freie Universität Berlin, 2018. http://d-nb.info/1160235775/34.
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Meng, Fan Cheng. "Chemical constituents from the rhizome of coptis chinensis and their antibacterial activities." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953272.
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Sellers, Warren William, and w. sellers@paradise net nz. "Picturing currere towards c u r a: Rhizo-imaginary for curriculum." Deakin University. School of Education, 2008. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20081010.054220.
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This critical inquiry in curriculum studies uses poststructuralist and Deleuzian rhizomatic approaches alongside an original 'picturing' methodology. The author genealogically maps historical and contemporary curriculum theorising to deconstruct curriculum 'development' and foreground currere (curriculum reconceptualising). In performing Deleuzian philosophy, his proposed
c u r a reimagines curriculum via currere to envision generatively living-learning
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Hutte, Marie. "Développement des produits à haute valeur nutritionnelle à partir de la production du Canna à la Réunion." Thesis, La Réunion, 2017. http://www.theses.fr/2017LARE0053.
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Canna edulis, une plante amylacée pluriannuelle, de la famille Cannaceae, originaire d'Amérique du Sud, accumule de l'amidon dans son rhizome. L'objectif des travaux de thèse est d'étudier la culture du Canna à La Réunion en fonction des conditions pédoclimatiques et des saisons avec caractérisation de la qualité des rhizomes selon ses stades de développements. Sept parcelles expérimentales sont suivies sur deux sites contrastés : la Plaine des Palmistes et Bassin Plat. Tout au long de la croissance des plants, des données sont enregistrées sur la qualité des sols, la pluviométrie, les températures moyennes, et le rayonnement pour caractériser les sites. Des indicateurs de stades de développements sont suivis pour informer de l'état de maturité des plants et évaluer l'effet des conditions pédoclimatiques sur leur développement. Des échantillonnages réguliers sont réalisés pour caractériser le développement et la composition des rhizomes mais également les propriétés technologiques et intérêts nutritionnels en fonction de leurs maturités. C'est ainsi que des dosages d’amidons, de sucres libres, en lien avec la viscosité et la gélatinisation, de même que les teneurs en composés phénoliques et leur activité antioxydantes, ont été évalués sur plusieurs types de produits intermédiaires : rhizomes lyophilisés, amidons ou fibres alimentaires. Outre son caractère innovant dans le domaine des procédés d'extraction d’amidon à forte valeur ajoutée, la particularité de ce travail de thèse réside dans le fait qu'il s'inscrit dans le cadre plus vaste de mise en place de la filière Canna et de sa valorisation agronomique, technologique et nutritionnelle<br>Canna edulis, is a multiannual plant, from the Cannaceae family, originating from South America, that accumulate starch in its rhizome. This thesis work aims to study Canna’s culture on Réunion Island depending on soil, climate and season specificities using rhizome quality changes depending on the plants development stages. Seven experimental crops were followed at two contrasted sites: La Plaine des Palmistes and Bassin Plat. During plant growth, soil quality, rain, mean temperatures and solar radiation data were collected in order to characterize the planting locations. Development stage indicators were monitored to enlighten plants maturity status and evaluate soil and climate effects on their development. Regular samplings were scheduled to characterize the rhizomes development and composition but also their technological properties and nutritional interests as influenced by their maturity. Thus, starch, free sugars, viscosity, gel formation properties as well as phenolics contents and their antioxidant activities were evaluated on several intermediate products namely freeze-dried rhizomes, starches and dietary fibers. Besides its innovative nature on the high-valued starch extraction process field, this thesis particularity relies on the fact that it is integrated in the wide project of Canna culture settlement and its agronomic, technologic and nutritional enhancement
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Robert, Diane. "Social movements opposing Mega Projects : A rhizome of resistance to the neoliberal hydra?" Thesis, KTH, Urbana och regionala studier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-151420.
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The aim of this degree project is to provide a description of the social movements that struggle against mega projects in Europe and of the relations between them. A body of literature on neoliberalism sets the context in which these struggles take place. The concept of rhizome, encompassing characters of multiplicity, heterogeneity, horizontality, is presented as a theoretical framework. These theoretical foundations are confronted with investigation on two levels. At a general level, internet-based research is carried out to map, at least in part, the constellation of movements involved. At a more focused level, participant observation is conducted in specific sites in order to grasp the ideas, discourses and meanings that colour the struggles. By setting the struggles in a wider political context and by experimenting alternative social and spatial practices, the rhizome of movements gives deeper significance to the contestation of mega projects and opens societal prospects.
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Pett, Sarah Ann Kloewer. "Breath beat, heart beat: Intoning the rhizome / c by Sarah Ann Kloewer Pett." [Ames, Iowa : Iowa State University], 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1473247.
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Charvát, Martin. "Claude Simon. Úvod a interpretace." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329299.
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The present diploma thesis "Claude Simon. Introduction and interpretation" is philosophical interpretation of the novels of the French writer Claude Simon, the Nobel prize winner for literature in 1985, whose work has been in the Czech academic field neglected theme. My interpretation is based on the philosophy of G. Deleuze and according to him I understand Simon's work like a rhizome, that is like decentralized heterogenous links, multiplicities and lines which are not subjects to any structural model. In my interpretation I start with novel Le Vent (The Wind) from 1957, because it's a text in which are being manifest fundamental themes of Simon's poetic such as are event nature of the fiction world or the lost of transcendence and its transformation into immanence of life affairs. The analysis of the novel Le Vent makes possible to pass continuosly and frequently to Simon's other novels (Histoire, Les Gèorgiques, Le Palace, L'Herbe, La Route des Flandres). The aim of the diploma thesis is to reach coherent interpretation of the Simon's work.
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Sluková, Tereza. "Pohyb a multiplicita. Ontologický rozměr malby v dílech Gilla Deleuze." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-326310.
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Annotation: The aim of the thesis is to verify the claim that movement and multiplicity in the works of Francis Bacon, as interpreted by Deleuze, become novel ontological features of the paintings; at the same time, Deleuze's critical reading of Bacon's thoughts and other texts foregrounds the relationships of representation and interpretation, thus making Deleuze's concepts applicable to the philosophical refexion of the theory of painting. The chief goals of the thesis are therefore to understand the rhizomatic thinking in the perception of the artwork and to emphasize the problem-riddled nature of the relationship of representation and interpretation in the works of Gill Deleuze. By way of comparison of two actual texts it will be demonstrated that the endeavour by Deleuze to use the rhizome concept to transcend represention is doomed when confined to the level of immanence. What is thus arrived at is a far more fundamental topic of the relationship of the levels of immanence and consistence.
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Glaser, Jan. "Antileishmanial compounds from Nature - Elucidation of the active principles of an extract from Valeriana wallichii rhizomes." Doctoral thesis, 2015. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-129140.
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This study is dealing with the bioactivity-guided fractionation of a chloroform extract from pulverized rhizomes of Valeriana wallichii with focus on isolation and structure elucidation of the antileishmanial active principles<br>Die vorliegende Studie beschäftigt sich mit der bioaktivitätsgeleiteten Fraktionierung eines Chloroformextraktes aus pulverisierten Rhizomen von Valeriana wallichii mit Schwerpunkt auf der Isolierung und Strukturaufklärung des antileishmanialen Wirkprinzips
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Suk, Jan. "Poetika imanence: performance divadlo Forced Entertainment." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-304029.
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Jan Suk The Poetics of Immanence: Performance Theatre of Forced Entertainment Abstract The present dissertation thesis examines the multi-faceted nature of the devised as well as durational works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. The aim of the thesis is to explore the transformation- potentiality of the territory between the actors and the spectators. The transformativity of this interspace, or the territory in-between, is decodable namely via Forced Entertainment's performances' structural patterns, sympathy fostering aesthetics, virtual audience integration and accentuated emphasis of the now. The application of Deleuze's philosophy, chiefly the phenomenon of immanence, results in the definition of the poetics of immanence, whose operation enables the transformativity of theatrical space to be terminologically embraced. After delineating crucial terms, such as performance and theatre, live art, or postdramatic theatre, the initial chapter contextualizes Forced Entertainment as the pivotal experimental theatre group; the chapter further conducts an analysis of relevant critical literature in performance and theatre theory discourse. Chapter two provides a deeper contextualising study of the most significant Deleuzoguattarian...
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Beaufort, Martin. ""Techno-communitas": Transformace fenoménu freetekno z perspektivy sociální a kulturní antropologie." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-397826.
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The aim of this thesis is to provide a social anthropological analysis and interpretation of the freetekno party phenomenon in the Czech Republic from synchronic and diachronic perspective. The author bases his argument on both his own field research and professional literature on the topic. An extended case method serves as a basic methodological Framework. After introduction of selected theoretical concepts (music scene, neotribes, youth subculture, rites de passage, liminality and liminoidity, spontaneous communitas and rhizom) as well as outline of the current state of research in the area of study of the freetekno party phenomenon, there is an empirical part of the thesis which consists of two main parts: the historical-ethnographic and the analytical-interpretative. The first part describes the first rave party in Great Britain, expansion of this phenomenon in continental Europe, its adoption in the Czech Republic and its gradual evolution up to the present. The following part serves as an analytical-interpretation of the above-outlined situation and a subsequent socio-anthropological interpretation. Freetekno scene is described as neotribal rhizom and freetekno events are subsequently conceptualized as unique ritual processes. The transformation of the freetekno phenomenon is then...
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Martincová, Nina. "Ekologické determinanty klonálního růstu rostlin." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-343144.
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The aim of this study is to provide a further insight into influence of environment on clonal plants. The study focuses particularly on effects of fertilization level and light availability on production and growth of clonal organs. Three experiments were carried out within the study, targeted to elicit influence of these environmental conditions or clonal interactions on six species of clonal plants. Interspecies dependencies on these conditions was compared, regarding habitat occurrence of these species. A comparison was made also between species producing rhizomes and stolons. The experiments revealed that five of six studied species show significant relationship among at least one environmental condition and parameters of clonal reproduction. Most of the species showed higher elongation and production of clonal organs in relation to fertilization level. On the contrary, only three species reacted significantly to the light availability level by alternation of at least one parameter of clonal reproduction and the light availability level affected each species differently. A strong influence on production and elongation of clonal organs had also a size of a plant. There was not found significant difference in influence of environmental conditions on clonal reproduction among plant families. It...
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NEŠPOR, Marek. "Podzemní biomasa ostřice štíhlé (\kur{Carex acuta\kur{}}) v travinném mokřadu." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-188441.
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This thesis is part of the project GA CR P504 / 11/1151 "The role of plants in the greenhouse gas balance Carex fens". The aim of this thesis is to evaluate the seasonal dynamics of Carex acuta belowground biomass in model grassland wetlands (the "wet meadows") near Třeboň. Belowground biomass of C. acuta L. was sampled using the destructive method. The samples were taken on four dates in 2014. On each date, three hummocks of C. acuta and three soil samples in their immediate vicinity were sampled on each date. Live roots had a greater dry weight than decaying roots on all sampling dates. Their total dry weight varied slightly, depending on season. The ratio of live roots to decaying roots did not differ much. The weight of live roots in hummock was almost always higher than that of the dead ones. The dry weight of living roots was always greater in the hummock than below it. Their total weight varied slightly during the year. Aquatic roots formed only a small part of the dry weight of live roots in hummocks. A greater total belowground dry weight found on 21st December 2014, in comparison with 5th August 2014, was associated with a greater amount of rhizomes of other plant species. The shoots increased their dry weight during the year. Maximum weight of tillers was recorded on 8th August 2014. There were no dead shoots on 25th March 2014. Dry weights of dead tillers were largely similar throughout the year. The volumetric soil water content (%) was usually higher in the upper soil layers. The bulk density of the soil was almost identical on all sampling sites, except for the top layer on site 1, where it was considerably lower.
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Lotz-Sisitka, Heila 1965. "Rhizome connections." 2004. http://hdl.handle.net/10962/d1008620.
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There are a number of papers in the journal that reflect a trend in environmental education towards deliberating recuperative, relational epistemologies. In their paper addressing the near-schism between those that appear to be antagonistic to post-structuralism and deconstruction, and those that find them generative in their inquiries, Noel Gough and Leigh Price go right to the heart of human inquiry by questioning the most commonly held assumption in the research enterprise – that the social sciences require a different methodology from the natural sciences.Through giving attention to relativist (constructionist) epistemology and a stratified, realist ontology – which assumes a relational account of ontology – they suggest the same basic methodology for both the social and natural sciences, arguing that ‘... society and humans mutually transform/reproduce each other, just as nature and humans mutually transform/reproduce each other’. In doing this, they address over-simplified dialectics between ‘constructionism’ and realism which has shaped much human inquiry (including environmental education research).