Academic literature on the topic 'Rhode Island School of Design. Department of Landscape Architecture'

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Journal articles on the topic "Rhode Island School of Design. Department of Landscape Architecture"

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Hall, Karen, and Patrick Sutczak. "Boots on the Ground: Site-Based Regionality and Creative Practice in the Tasmanian Midlands." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1537.

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IntroductionRegional identity is a constant construction, in which landscape, human activity and cultural imaginary build a narrative of place. For the Tasmanian Midlands, the interactions between history, ecology and agriculture both define place and present problems in how to recognise, communicate and balance these interactions. In this sense, regionality is defined not so much as a relation of margin to centre, but as a specific accretion of environmental and cultural histories. According weight to more-than-human perspectives, a region can be seen as a constellation of plant, animal and h
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Books on the topic "Rhode Island School of Design. Department of Landscape Architecture"

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Rhode Island School of Design. Department of Landscape Architecture. Colloquia cum terra. Department of of Landscape Architecture, Rhode Island School of Design, 1999.

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Hildebrand, Brian. The Rhode Island School of Design Department of Architecture alumni travel award 2007. Rhode Island School of Design, 2007.

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Rhode Island School of Design. Museum of Art., Brown University. Dept. of History of Art and Architecture., and David Winton Bell Gallery (Brown University), eds. The Crawford bequest: Chinese objects in the collection of the Museum of Art, Rhode Island School of Design : an exhibition by the Department of History of Art and Architecture, Brown University, February 6 through March 14, 1993 at the David Winton Bell Gallery, List Art Center, Brown University, Rhode Island. Brown University], 1993.

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Book chapters on the topic "Rhode Island School of Design. Department of Landscape Architecture"

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Kowsky, Francis R. "A School Of Romanticists Even Then Fast Vanishing 1881-1895." In Country, Park, & City. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114959.003.0010.

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Abstract By1881,Vaux could look back on 30 years of success and near success. While much work and many challenges lay ahead, over the next decade and a half he would see his name eclipsed by others, especially as America became enamored of modern Neoclassicism. But a taste for Roman monumentality was not in Vaux’s makeup, and until his death in 1895, he remained true to the ideals of naturalism in landscape design and to picturesque expression in building. When Olmsted moved to Brookline, Massachusetts, in 1881 (he told Vaux that it “would be Hell” for him to stay living in NewYork),Vaux must
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