Relevant bibliographies by topics / Rhys Davies

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Rhys Davies'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Rhys Davies"

1

Davies, M., and P. Davies. "Glanmor Rhys Davies." BMJ 337, oct13 1 (October 13, 2008): a2057. http://dx.doi.org/10.1136/bmj.a2057.

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Leake, Bernard Elgey. "Rhys Glyn Davies, 1923–2010." Proceedings of the Geologists' Association 122, no. 3 (June 2011): 530–32. http://dx.doi.org/10.1016/j.pgeola.2011.02.005.

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HARRIS, P. C., S. SCOTT, and R. A. EVANS. "Hand Exsanguination: Prospective Randomised Blind Study of an Established Versus a Modified Technique." Journal of Hand Surgery 27, no. 4 (August 2002): 361–62. http://dx.doi.org/10.1054/jhsb.2002.0772.

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One hundred patients undergoing elective hand surgery were randomized to have their hands exsanguinated by either the Rhys-Davies exsanguinator alone or the Rhys-Davies exsanguinator supplemented by a 500 ml bag of intravenous fluid which was placed in the patient’s palm as the exsanguinator was rolled up the limb. The quality of the exsanguination was assessed by the surgeon using a pre-defined subjective scoring system. There were no significant differences in the exsanguination scores of the two treatment groups.
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BALLAL, M. S. G., N. EMMS, M. O’DONOGHUE, and T. R. REDFERN. "Rhys-Davies Exsanguinator: A Haven for Bacteria." Journal of Hand Surgery (European Volume) 32, no. 4 (August 2007): 452–56. http://dx.doi.org/10.1016/j.jhsb.2007.02.011.

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Serial swabs were taken from the inner and outer surfaces of a new Rhys-Davies exsanguinator before and after use on the limbs of patients to exsanguinate limbs prior to tourniquet inflation and surgery. Both surfaces of the exsanguinator showed increasing levels of contamination with bacterial colonisation with use starting from the first use. The organisms grown included potentially harmful bacteria such as Pseudomonas sp. The Rhys-Davies exsanguinator can harbour potentially harmful organisms and, thus, may raise the risk of infection transmission between patients when used without cleaning between uses. Methods of effective cleaning of the exsanguinator between uses are discussed.
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ALSHAWI, A. K., and T. D. SCOTT. "The Crepe Bandage as an Alternative to the Esmarch Bandage for Upper Limb Exsanguination: A Volumetric Comparison Study." Journal of Hand Surgery 29, no. 2 (April 2004): 183–84. http://dx.doi.org/10.1016/j.jhsb.2003.09.002.

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A study was carried out to compare the effectiveness of upper limb exsanguination using the Esmarch bandage, a crepe bandage and the Rhys-Davies exsanguinator. Upper limb volume changes were measured in ten volunteers using a water displacement method. The crepe bandage produced a mean volume reduction of 59 ml (range, 39–94), which was very similar to the Esmarch bandage, which achieved 63 ml (range, 42–101). This difference is negligible in practical terms. Both bandages were more effective than the Rhys-Davies exsanguinator, which reduced the volume by a mean of 28 ml (range, 11–54). It is our opinion that the use of the Esmarch bandage in hand surgery is unnecessary and recommend the crepe bandage as a safer alternative.
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Morritt, Andrew N., Roderick Dunn, and Andrew Lubgan. "A NOVEL USE OF THE RHYS-DAVIES EXSANGUINATOR." Plastic and Reconstructive Surgery 114, no. 7 (December 2004): 1979. http://dx.doi.org/10.1097/01.prs.0000143911.09271.3c.

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7

HARRIS, P. C., D. ATKINSON, and R. A. EVANS. "Rhys-Davies Exsanguinator: Pressure Characteristics and Technique for Improving Performance." Journal of Hand Surgery 25, no. 6 (December 2000): 578–81. http://dx.doi.org/10.1054/jhsb.2000.0411.

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This paper reports the results of an investigation into the pressure exerted by the Rhys-Davies exsanguinator on the palm and dorsum of the hand. We hypothesised that, due to the shape of the hand, the palm is shielded from the full effect of the exsanguinator, but our study showed that it is compressed as well as the dorsum. However, placing a bag of fluid in the patient’s palm significantly increased the pressure applied to the palm.
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Harris, PC, and HL Cheong. "Rhys-Davies exsanguinator: effect of age and inflation on performance." Annals of the Royal College of Surgeons 84, no. 4 (July 1, 2002): 234–38. http://dx.doi.org/10.1308/003588402320439658.

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9

de Hoog, Jonathon, and John Mills. "The Rhys-Davies exsanguinator: a potential source of bacteria in orthopaedic operations." Healthcare infection 16, no. 4 (December 2011): 136–38. http://dx.doi.org/10.1071/hi11002.

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10

Gramich. "Welsh Modernism and the Arts of Camouflage: Dorothy Edwards and Rhys Davies in the 1920s." Yearbook of English Studies 50 (2020): 150. http://dx.doi.org/10.5699/yearenglstud.50.2020.0150.

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Dissertations / Theses on the topic "Rhys Davies"

1

Owen, Tomos. "London-Welsh writing 1890-1915 : Ernest Rhys, Arthur Machen, W.H. Davies, and Caradoc Evans." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/55142/.

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This thesis explores the emergence of a Welsh voice in exile in London at the turn of the twentieth century. Through readings of works by four London-Welsh writers active during the period 1890-1915 - Ernest Rhys (1859-1946), Arthur Machen (1863-1947), W. H. Davies (1871-1940) and Caradoc Evans (1878-1945) - it argues that the London context of these works makes possible the construction of various modes of Welsh identity. The introduction begins by noting how theorists of national identity have identified cultural practices, including literature, as important in shaping the imagined community of the nation. It then incorporates, and adapts, Raymond Williams's thinking about the interplay of residual, dominant, and emergent currents operating within a culture by arguing that residual elements within a society can be harnessed and endowed with the potential to become newly emergent. The introduction concludes by identifying Matthew Arnold's description of the Celt in his On the Study of Celtic Literature (1867) as a residual element. Nevertheless, it points out how, in various ways, Arnold's Celt is recuperated by London-Welsh writers (among others) at the turn of the twentieth century. Chapter One argues that the work of Ernest Rhys constructs a self-conscious Welsh literary tradition by reclaiming Welsh-language literature and Arnold's Celt and mobilising them as part of a cultural-nationalist aesthetic London is an important influence on this development for material and aesthetic reasons. Chapter Two considers how Celtic history and mythology haunt the representation of the Gwent border country in the work of Arthur Machen, arguing that Machen's Celt is also derived from Arnold but recast as a spectral, ghosdy figure. Chapter Three discusses Machen's fellow son of Gwent, W. H. Davies. Davies's work, both poetry and prose, frequendy contrasts country and city, yet this chapter argues that Davies's work articulates a hybrid voice which anticipates several of the themes and techniques present in later Welsh writing in English. Chapter Four extends this by considering the early work of Caradoc Evans, whose early 'Cockney' stories carry structural and thematic similarities with both Davies's poetry and his own later collections. By this reading, Evans's My People (1915) stands as a text which inherits earlier works and draws on an already-existing London-Welsh literary culture. This thesis concludes by arguing that the London context to these writers' works makes possible the consolidation of a Welsh literary structure of feeling into an emergent literary voice in English: London enables each of these writers to reassess their relationship with a Wales left behind, but a Wales which nonetheless provides an impetus to new creative developments.
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Chow, Renee Suet Ee. "Postcolonial hauntologies : Creole identity in Jean Rhys, Patrick Chamoiseau and David Dabydeen." Thesis, Cardiff University, 2009. http://orca.cf.ac.uk/54486/.

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This thesis focuses on the works of Caribbean writers Jean Rhys, Patrick Chamoiseau and David Dabydeen, specifically as they draw upon the mythic and religious beliefs and practices of the Caribbean in their constitution of individual and cultural Creole identity through textuality. The Caribbean tropes of haunting are surreptitious passageways leading to the Creole subject's struggle with the divided affiliations, cross-racial identifications and various forms of dispossession that are colonialism's legacy. As conduits to forbidden and unspoken fantasies, fears and desires, they also serve as the means of reformulating Creole identity. The study of Jean Rhys explores her agonized formulation of Creole identity as an abjection, where the self is (un)made in the nauseating identification with the black female other in the form of the hottentot, mulatto ghost and soucriant. Rhys's racialized abjection establishes Creole identity as a vacillating border state that is fraught with sadomasochistic violence and sickness. Patrick Chamoiseau uses the zombie trope to figure the loss of history, memory and language endemic to the dehumanization of Martinican man. Suppressed Creole culture becomes a part of the collective unconscious, and its uncanny return unmasks the misrecognition of white identification and serves as a strategy of disalienating opacity. Chamoiseau's Creolist manifesto is critically examined against the framework of an erotics of colonialism, to reveal the ventriloquism of the female subaltern who is made to embody the schizophrenic anxieties of the Creole male writer. David Dabydeen's work demonstrates how the family romance of the Creole migrant is erected upon the entombments of native ancestors, literary forefathers and female figures, the phantoms of which return to haunt with the anxieties of influence and the threats of disappearance and perpetual exile. His ekphrastic revisions accomplish the destabilizing and hybridizing functions of tricksterism, but also perpetuate an otherness under the guise of postmodern rewriting.
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Griffiths, Philip. "Externalised texts of the self projections of the self in selected works of English literature." Tübingen Narr, 2008. http://d-nb.info/991822978/04.

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Books on the topic "Rhys Davies"

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Rhys Davies. Cardiff: University of Wales Press, 2009.

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Rhys Davies: A writer's life. Cardigan: Parthian, 2013.

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3

Dye, Helen Sides. The Johns connections: With references to Ayer, Benjamin, Browder, Cadwalader, Calhoun, Davis, Edwards, Emanuel, Evans, Griffith, Harry, Hughes, Humphrey, James, Janeway, Jenkins, John, Jones, Lewis, Loftin, Lovelace, Miles, Moore, Morgan, Nunn, Oliver, Owen, Prichard, Pouncey, Rhys (Rhees), Rice, Richards, Roberts, Rogers, Sides (Seitz), Thomas, Townsend, Welsh, Wild, Williams, Wilson, Woodley, and many other related families. Bowie, Md: Heritage Books, 1999.

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4

Stephens, Meic. Rhys Davies Collected Stories. Beekman Publishers Inc, 1997.

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5

Rhys, Davies, and Meic Stephens. Rhys Davies Collected Stories. Gomer Press, 1998.

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Stephens, Meic. Rhys Davies: Decoding the Hare. University of Wales Press, 2003.

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Archard, Cary. Mr. Roopratna's Chocolates: The Winning Stories from the Rhys Davies Competition. Seren Books, 2000.

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Mr Roopratna's chocolate: The winning stories from the 1999 Rhys Davies competition. Bridgend: Seren, 2000.

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9

Rhys, Davies. Print of a Hare's Foot Rhys Davies: An Autobiographical Beginning (Seren Classics). Seren Books, 1997.

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Meic, Stephens, ed. Rhys Davies: Decoding the hare : critical essays to mark the centenary of the writer's birth. Cardiff: University of Wales Press, 2001.

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Book chapters on the topic "Rhys Davies"

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Niblett, Michael. "Romance, Realism, Modernism: Frontier Forms in the Work of Rhys Davies and José Lins Do Rego." In World Literature and Ecology, 115–52. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38581-1_4.

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2

Izzo, Herbert J. "Phonetics in 16th-Century Italy: Giorgio Bartoli and John David Rhys." In The History of Linguistics in Italy, 121. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.07izz.

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Eller, Jonathan R. "An Evening on Mars." In Bradbury Beyond Apollo, 241–46. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0036.

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Chapter 35 begins with the Red Planet success of Pathfinder and the Mars rover Sojourner, and continues with Bradbury’s hosting of NASA’s 1998 Thomas O. Paine Memorial Award ceremony under the title “Witness & Celebrate: An Evening on Mars with Ray Bradbury.” Distinguished film actors, including Nichelle Nichols, John Rhys-Davies, and Charlton Heston, read from ten Bradbury works. The chapter also discusses “The Affluence of Despair,” Bradbury’s Jeremiad against America’s obsession with self-performance and extreme media reporting, which he likened to the world he had tried to prevent in Fahrenheit 451. The chapter closes with an analysis of Bradbury’s love for F. Scott Fitzgerald’s Tender is the Night, and what this love reveals about his ability to fend off the worst effects of fame.
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Hopkins, Chris. "Hiraeth and Ambiguous Pastorals: Wales, England and Rural Modernities between the Wars." In Rural Modernity in Britain, 103–18. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420952.003.0007.

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Chris Hopkins traces the ways in which the relationship between past and present, rural and urban, arises in specific forms in Welsh culture and history, but is then (re)presented to English (and other Anglophone) readers and audiences as an ambiguous pastoral narrative about the supplanting of the rural by the modern is a story of both loss and consolation. Hopkins’s argument is driven by the question of how, despite hiraeth’s [nostalgia’s, yearning’s] specifically Welsh roots, so many English readers and audiences during the interwar period were attracted to popular texts which presented them with stories of Wales as a nation and region with strong associations to the rural past and industrial modern. Close readings focus on periodicals Wales and Welsh Review; novels by Jack Jones, Lewis Jones, and Eiluned Lewis; travel guides by Rhys Davies and Eiluned and Peter Lewis; and plays by Emlyn Williams and Richard Llewellyn.
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Czarnecki, Kristin. "Heritage, Legacy, and the Life-Writing of Woolf and Rhys." In Virginia Woolf and Heritage. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781942954422.003.0029.

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My paper considers how Virginia Woolf and Jean Rhys conceived of their heritage in their memoirs along with the effect of their life-writing upon their literary legacies. Focusing on Woolf’s “A Sketch of the Past” and Rhys’s Smile Please: An Unfinished Autobiography, I consider the catalysts for their autobiographical impulses and how they shaped their lives on the page. What aspects of their heritage do Woolf and Rhys include, rework, veil, or perhaps suppress? Can their life-writing and concepts of heritage be classified in any particular way? Given the imbalance between the number of biographies and critical books and articles on Woolf as compared to Rhys, I then consider whether “Sketch” and Smile Please might be said to play a role in each woman’s legacy. To what degree does their life-writing determine their status within the academy? Does it influence the courses we teach and the articles we write—as well as those that get published? Does a certain kind of life-writing provide greater fodder than another for biography and literary criticism? In exploring such questions, I turn to autobiography theory: Smith, Watson, Benstock, Marcus, and Friedman, for example, along with work on Woolf, Rhys, and memoir by Dahl, Dalgarno, Johnson, Sellei, and Zwerdling. I also discuss David Plante’s most ungracious memoir of working with Rhys on her autobiography. In sum, I believe “A Sketch of the Past” and Smile Please can serve as fruitful gateways into both the heritage and legacy of Virginia Woolf and Jean Rhys.
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Hetherington, Naomi, Naomi Hetherington, and Clare Stainthorp. "T.W. Rhys Davids, ‘What Has Buddhism Derived From Christianity?’." In Nineteenth-Century Religion, Literature and Society, 251–61. Routledge, 2020. http://dx.doi.org/10.4324/9781351272124-45.

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