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Journal articles on the topic 'Rhythmic and structural order'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Babych, Nataliia, and Kateryna Tychyna. "Diagnostics of the Parameters of the Syllaborhythmic Speech Structure in Pre-School Children with Complex Disoders." Annales Universitatis Mariae Curie-Sklodowska, sectio N – Educatio Nova 6 (September 22, 2021): 359–76. http://dx.doi.org/10.17951/en.2021.6.359-376.

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A child’s language development is one of the main factors of the personal formation. The level of personal development determines the formation of social and cognitive skills in children. Speech development disorders, in particular mastering of syntagmatic constructions with different structural complexity, complicates children’s communication with peers and adults and impedes written language development. The purpose of this study is to examine the basic parameters of the compositional rhythmic speech structure (movement, rhythm and space) and to determine its development level in preschool c

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S., Karunanidhi, Gajalakshmi G., and M. S. D. Sastry Y. "Behaviour Inquiry of Floor Vibration on Composite Structures." International Journal of Engineering and Advanced Technology (IJEAT) 9, no. 4 (2020): 1365–70. https://doi.org/10.35940/ijeat.D8351.049420.

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In contemporary times, building construction requires light weight with slender structures rather than using conventional materials like concrete. Now a day's Structural Engineers concentrate much more on such slender structures with longer span. The impact of vibration due to human rhythmic activities like aerobics, jumping and dancing on these slender structures is a notable phenomenon. As per the various researchers contemplate, the floor vibrations annoyance not only affect the structure and also its impact over the occupants of the buildings in health affecting aspects. The aim of thi

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3

Zipunov, Andrey, and Sergei Vladimirovich Valganov. "Macro-semantic rhythmic structures in popular author songs." Litera, no. 11 (November 2021): 106–15. http://dx.doi.org/10.25136/2409-8698.2021.11.36848.

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Certain author song of the 1950s &ndash; 1980s are characterized with such structural peculiarity as semantic rhythms. This pattern manifests itself in two forms: dialectical juxtaposition of the particular and the general (PG-rhythm); as well as the conflict of non-entropic and entropic processes, order and chaos (OC-rhythm). For broader understanding of this phenomenon, it is necessary to determine its place within the framework of the author song as a large-scale cultural phenomenon. The author mass processing of popular compositions using the method of almost full enumeration. The rese

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Zipunov, Andrey. "Macrosemantic rhythmic structures in the songs of A. Mirzayan." Litera, no. 6 (June 2022): 114–28. http://dx.doi.org/10.25136/2409-8698.2022.6.38151.

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Earlier, semantic rhythms were found in several texts of the author's song of the 1950s-80s, determined by the oppositions "private-universal" and "order-chaos". In the process of analyzing these works, a method of categorical macrosemantic structures was developed. Previously, this approach was applied in a systematic study of cultural trends. As part of the current work, the songs of the famous bard Alexander Mirzayan are considered using this method. The totality of this author's creativity is analyzed. From the standpoint of semantic rhythms, a structural analysis of the song "Wanderers" b

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Oliferuk, S. L. "Cost structuring in order to reduce expenses of enterprises." Ways to Improve Construction Efficiency, no. 46 (October 16, 2020): 65–71. http://dx.doi.org/10.32347/2707-501x.2020.46.65-71.

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The efficiency of current costs of production resources is the basis of enterprise profitability and competitiveness. This requires annual planning and implementation of specific innovative measures to ensure economical and rational use of all production resources for all structural items and cost elements. The current costs of production resources include costs for: features of technology, organization of construction production, control of production processes, quality assurance of construction work (СW), construction management, sales of construction products. By the nature of participation

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6

Wang, Wenwen, Jing Hu, Zhengyi Fu, Gang Yu, and Zhenhua Ma. "Daily Rhythmicity of Hepatic Rhythm, Lipid Metabolism and Immune Gene Expression of Mackerel Tuna (Euthynnus affinis) under Different Weather." Journal of Marine Science and Engineering 10, no. 12 (2022): 2028. http://dx.doi.org/10.3390/jmse10122028.

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In order to investigate the rhythmic changes in gene expression in the liver of mackerel tuna (Euthynnus affinis) under sunny and cloudy conditions, this experiment had four sampling times (6:00, 12:00, 18:00 and 24:00) set on sunny and cloudy days to determine the expression of their immune, metabolic and rhythmic genes. The results showed that daily rhythmicity was present within most of the rhythm genes (CREB1, CLOCK, PER1, PER2, PER3, REVERBA, CRY2 and BMAL1), metabolic genes (SIRT1 and SREBP1) and immune genes (NF-kB1, MHC-I, ALT, IFNA3, ISY1, ARHGEF13, GCLM and GCLC) in this study under

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Radoičić, Goran, and Miomir Jovanović. "Influence of a synchronized human dynamic load on vibrations of machine structures." Journal of Applied Engineering Science 19, no. 1 (2021): 237–45. http://dx.doi.org/10.5937/jaes0-28214.

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This paper contributes to the research of rhythmic behavior of a group of people, which, more or less synchronized, moves or jumps on a thin and elastic plate, thus performing a dynamically variable load. The analysis of the rhythmic behaviour of the crowd carried out on the basis of the experimental testing on the special steel test platform. The experiment consisted of sixteen measurements of live force and acceleration of the test platform. The dynamic loads caused by the mass of the human crowd and individuals had different intensities. The measurements of acceleration of the test platform

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Duarte, Thiago Azevedo, and Danilo Ramos. "Polyrhythm as a Bridge for Group Improvisation in Brazilian Jazz: An Analysis of the Performance of Trio Corrente." IASPM Journal 12, no. 1 (2022): 43–68. http://dx.doi.org/10.5429/2079-3871(2022)v12i1.4en.

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This research aims to analyze the establishment of a communicational basis from polyrhythmic occurrences in the performance of Trio Corrente, a Brazilian jazz group from São Paulo. The analysis presents re-readings of songs already known in Brazilian popular music, restructured and shaped through the incorporation of polyrhythmic elements. Research was carried out in three stages: (1) selection and transcription of excerpts from live and studio performances of the trio; (2) musical analysis of the transcribed works, in order to explore aspects related to the non-verbal interaction presented in

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9

Valeriy KYKOT, Valeriy KYKOT. "Poetic Form and Translation." Bulletin of Taras Shevchenko National University of Kyiv. Foreign Philology, no. 1 (54) (2023): 74–84. https://doi.org/10.17721/if.54.23.10.

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Background. The form of a poetic work is the method and means of organizing a poetic text, which are an essential component of poetry and which must be comprehensively and completely reconstructed in translation. The aim of the work was to develop the structure of the synsemantic image of a poetic work, with the help of which the translator will be able to carry out a full-fledged analysis of the original poem and ensure its adequate translation.Methods. The following methods are used in the work: systematic and structural analysis of a poetic work and its translation, including semantic, styl

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10

Wen, Olivia Xin, and Carol Lynne Krumhansl. "Perception of Pitch and Time in the Structurally Isomorphic Standard Rhythmic and Diatonic Scale Patterns." Music & Science 2 (January 1, 2019): 205920431987330. http://dx.doi.org/10.1177/2059204319873308.

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The three experiments reported here investigate how pitch and time interact in perception using the standard rhythmic pattern and the diatonic scale pattern, which share the intervallic structure of 2 2 1 2 2 2 1. They share a number of theoretical properties, including being cyclic with seven unique rotations. Experiment 1 measured rhythmic stability by dynamically accenting each of the events in each rhythm, called the probe accent; listeners rated how well the probe accent fit the rhythm. Listeners heard the rhythms in subgroups and with reference to a syncopation-shifted metrical hierarchy

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van Tienoven, Theun Pieter, Ignace Glorieux, and Joeri Minnen. "Exploring the stable practices of everyday life: A multi-day time-diary approach." Sociological Review 65, no. 4 (2017): 745–62. http://dx.doi.org/10.1177/0038026116674886.

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Everyday life is neither the result of mundane, common-sense, habitual human behaviour as theorized by the agency-centred approach of methodological individualism nor the sheer result of the conformation to temporal norms of the structural approach of social holism. In fact, everyday life is marked by a rhythmic, temporal structure that is brought into effect by the modality of repetitive action. In this article, a praxeological approach is used to conceptualize everyday life as a social structure in terms of its underlying stable practices. Multi-day time-diary data and optimal matching with

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He, Yanan, and Qin Kang. "A Case Study of the Famous Fantasia under the Development Variation Environment Monitoring to Analyze the Characteristics of the Composition of the Suite." Journal of Environmental and Public Health 2022 (October 4, 2022): 1–10. http://dx.doi.org/10.1155/2022/7135360.

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In order to better grasp the quintessence of Brahms’s suite-style piano suite and guide researchers and music creators, this thesis takes Brahms’s late representative work Fantasia Op.116 as the research object and attempts based on the perspective of environmental monitoring of development and changes to analyze creative individuality in his seven works as well as the unity of the whole structure under the “developing variation” through elaborating the theory of “developing variation,” the creative features of works in Fantasia Op.116, and the unity of the materials under the “developing vari

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О., О. Тєлєжкіна. "ХІАЗМ ЯК МОВНОСТИЛІСТИЧНИЙ ПРИЙОМ У ВІРШОВІЙ ОПОВІДІ (на матеріалі української поезії ІІ половини – початку ХХІ століття)". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 138–45. https://doi.org/10.5281/zenodo.1048779.

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<em>Chiasmus is a bright and many-sided means of poetic syntax. Despite the fact that chiasmus as a method of expressing the text has been used since 10</em><em>th</em><em>-8</em><em>th </em><em>centuries BC and was recorded in Hebrew sacred texts, and therefore it has had a long history of research, as indicated by I. Barchyshyn, </em><em>Е</em><em>. Berehovska, O. Krylova, I. Parovyak and others, so far there is no single characteristic and definition of this notion. This state of affairs actualizes the study in domestic linguistics. The paper is aimed to characterize chiasmus as a stylistic

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Kropyvko, Irina. "Стилізація в українській і польській літературі постмодернізму". Kultury Wschodniosłowiańskie - Oblicza i Dialog, № 7 (31 липня 2018): 79–86. http://dx.doi.org/10.14746/kw.2017.7.6.

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Postmodern styling of text in another language (work, genre, time) lacks the assessment direction and is used as a conceptual and stylistic device. The article aims to define the styling features as the art-techniqe in postmodern texts of Polish and Ukrainian writers. The specificity of styling them is connected with the appeal of authors to artistic and non-fiction genres as the sources of formal originality of their texts. Ukrainian and Polish literature show quantitative connection between the structural parts of the text as the manifestation of the impact of the beyond-subjective world of

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15

Ciobanu, C. L., A. Pring, and N. J. Cook. "Micron- to nano-scale intergrowths among members of the cuprobismutite series and paděraite: HRTEM and microanalytical evidence." Mineralogical Magazine 68, no. 2 (2004): 279–300. http://dx.doi.org/10.1180/0026461046820187.

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AbstractCoherent intergrowths, at the lattice scale, between cuprobismutite (N = 2) and structurally related paděraite along both major axes (15 Å and 17 Å repeats) of the two minerals are reported within skarn from Ocna de Fier, Romania. The structural subunit, DTD, 3 layers of paděraite, is involved at interfaces of the two minerals along the 15 Å repeat, as well as in transposition of 1 paděraite unit to 2 cuprobismutite units along the 17 Å repeat in slip defects. Lattice images obtained by HRTEM across intervals of 200–400 nm show short- to long-range stacking sequences of cuprobismutite

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16

Fernando, Charmain A., Yajun Liu, Grzegorz Sowa, and Steven S. Segal. "Attenuated rapid onset vasodilation with greater force production in skeletal muscle of caveolin-2−/− mice." American Journal of Physiology-Heart and Circulatory Physiology 311, no. 2 (2016): H415—H425. http://dx.doi.org/10.1152/ajpheart.00082.2016.

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Caveolin-2 (Cav2) is a major protein component of caveolae in membranes of vascular smooth muscle and endothelium, yet its absence alters the ultrastructure of skeletal muscle fibers. To gain insight into Cav2 function in skeletal muscle, we tested the hypothesis that genetic deletion of Cav2 would alter microvascular reactivity and depress contractile function of skeletal muscle in vivo. In the left gluteus maximus muscle (GM) of anesthetized Cav2−/− and wild-type (WT) male mice (age, 6 mo), microvascular responses to physiological agonists and to GM contractions were studied at 34°C. For fee

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17

Sitnikova, Inna. "Reception of the musical beginning of Federico Garcia Lorca's drama "The Blood Wedding" in Russian translations." Филология: научные исследования, no. 2 (February 2025): 96–109. https://doi.org/10.7256/2454-0749.2025.2.73317.

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The subject of the study is the perception of the musical beginning of Federico Garcia Lorca's play "The Bloody Wedding" (1933) in Russian translations. The object of the study was the text of the original play in Spanish and two of its translations into Russian (A.V. Fevralsky, F. V. Kelin and N. R. Malinovskaya and A.M. Geleskula). The article examines the features of the poetics of the play, its musicality, and the features of flamenco style. The points of view of researchers regarding the musicality of an artistic work and the connection of Garcia Lorca's work with folk and classical music

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18

AGAWU, KOFI. "Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm." Journal of the American Musicological Society 59, no. 1 (2006): 1–46. http://dx.doi.org/10.1525/jams.2006.59.1.1.

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Abstract Polyrhythmic dance compositions from West Africa typically feature an ostinato bell pattern known as a time line. Timbrally distinct, asymmetrical in structure, and aurally prominent, time lines have drawn comment from scholars as keys to understanding African rhythm. This article focuses on the best known and most widely distributed of these, the so-called standard pattern, a seven-stroke figure spanning twelve eighth notes and disposed durationally as &lt;2212221&gt;. Observations about structure (including its internal dynamic, metrical potential, and rotational properties)

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Afonin, А. "Structural analysis of the rhythms of development of annual shoots of almond willow." Bulletin of Science and Practice 5, no. 1 (2019): 22–32. https://doi.org/10.5281/zenodo.2539541.

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Given the complex characteristics of almond willow. The problems of cytogenetics of this species are described. The possibility of apomictic reproduction is proved. The need to identify endogenous rhythms that determine the cyclical dynamics of the seasonal growth of annual shoots is substantiated. Empirical data were obtained using aligned genetic material cultivated under homogeneous conditions. An original algorithm of material processing using harmonic analysis is proposed. The seasonal dynamics of the main parameters of the growth of shoots: the length of internodes and the average d

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Wezel, Forese-Carlo. "Earth structural patterns and rhythmic tectonism." Tectonophysics 146, no. 1-4 (1988): 1–45. http://dx.doi.org/10.1016/0040-1951(88)90079-0.

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Larriba, Yolanda, Cristina Rueda, Miguel A. Fernández, and Shyamal D. Peddada. "Order restricted inference for oscillatory systems for detecting rhythmic signals." Nucleic Acids Research 44, no. 22 (2016): e163-e163. http://dx.doi.org/10.1093/nar/gkw771.

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Abstract Motivation Many biological processes, such as cell cycle, circadian clock, menstrual cycles, are governed by oscillatory systems consisting of numerous components that exhibit rhythmic patterns over time. It is not always easy to identify such rhythmic components. For example, it is a challenging problem to identify circadian genes in a given tissue using time-course gene expression data. There is a great potential for misclassifying non-rhythmic as rhythmic genes and vice versa. This has been a problem of considerable interest in recent years. In this article we develop a constrained

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Sereda, Olena. "FRYDERYK CHOPIN IN THE POETIC PERCEPTION OF KORNEL UJEJSKI." Polish Studies of Kyiv, no. 39 (2023): 449–63. http://dx.doi.org/10.17721/psk.2023.39.449-463.

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The article is devoted to the study of the relationship between music and literature, on the example of the poetry of Kornel Ujejski’s cycle “Tłumaczenia Szopena”. The “last great poet of Romanticism”, as he is often called, shared the general belief in the unity of the arts, so there is a certain group of musically oriented works in his oeuvre. It is worth noting that in the synthesis of the arts, music occupies a prominent place as the least material mediator of contact with the infinite. It enhances the aesthetics of the epic, lyrical and dramatic word, adds weight and insight to it. We can

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Savchenko, Нanna. "Multifigure Technique in Igor Stravinsky’s Orchestral Composing of the Neoclassical Period (on the example of the ballet “Apollon Musagète”)." Aspects of Historical Musicology 19, no. 19 (2020): 189–205. http://dx.doi.org/10.34064/khnum2-19.11.

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Background. The issue of time in Igor Stravinsky’s works attracts the attention of researchers constantly. The time is studied through revealing the meter and rhythm specifics of the works (the concept of irregular-accent rhythm (a term of V. Kholopova). In our opinion, in the study of the temporal and spatial parameter another reversal is possible – in the aspect of orchestration as a means of material and sound objectification of a composer’s conception in time and space. Taking into account the evolution of I. Stravinsky’s composer thinking, this approach allows us to demonstrate those chan

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Yefremova, N. I. "THEORETICAL FOUNDATIONS OF MODERN MUSIC AND RHYTHMIC EDUCATION." Arts education and science 1, no. 4 (2020): 6–12. http://dx.doi.org/10.36871/hon.202004001.

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Although the development of rhythmic and intonation models of the main genres has not been widely spread in music pedagogy, it is very relevant for the music and rhythmic education for beginners. From this point of view, the article substantiates the expediency of continuous work on selecting rhythmic intonations as semantically significant structural units of the musical process for rhythmic lessons, providing targeted music and rhythmic education. The article discusses from different angles the defining value of a thoughtful attitude to the meaning of sounding intonations, which is especiall

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park, An-Ji, and Tae-Kyung Kang. "Rhythmic Analysis of Jungjungmori in Sin Kwaedong-ryu Geomungo Sanjo." Korean Society of Human and Nature 5, no. 2 (2024): 345–68. https://doi.org/10.54913/hn.2024.5.2.345.

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This study analyzes the rhythmic structures of the Jungjungmori jangdan in the Shinquae-dong style Geomungo Sanjo. Jungjungmori, a medium-tempo jangdan in Sanjo, balances tension and release through the combination of duple, triple, and mixed beats, showcasing distinctive rhythmic characteristics. The study categorizes various rhythmic patterns and investigates their structural features and roles. Additionally, rhythmic elements such as “Milbutim” are further identified to explore their roles in transitions and rhythmic expression. The analysis reveals that the duple beat provides a simple yet

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London, Justin, Tommi Himberg, and Ian Cross. "The Effect of Structural and Performance Factors in the Perception of Anacruses." Music Perception 27, no. 2 (2009): 103–20. http://dx.doi.org/10.1525/mp.2009.27.2.103.

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WHEN A MELODY BEGINS WITH AN ANACRUSIS, (i.e.,"pick up" notes), rhythm and meter are out of phase. Three experiments were conducted to investigate the interactions between structural (rhythm and pitch) and performance (articulation and tempo) factors on the perception of anacruses. The independent variables were rhythmic figure, initial melodic direction, initial melodic interval, implied harmony, articulation, and tempo. Participants tapped "every other beat" to melodies composed for each experiment; the phase-alignment of taps with the stimulus was the dependent measure of anacrustic vs. non

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Barbarić, Damir. "Rhythmic Movement." Research in Phenomenology 43, no. 3 (2013): 405–18. http://dx.doi.org/10.1163/15691640-12341267.

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Abstract This article attempts a critical interpretation of Klee’s basic thoughts on the source and essence of art, based primarily on his diary entries and his lectures at the Bauhaus. The starting point of the interpretation is Klee’s fundamentally dynamic assumption of the primacy of becoming and movement vis-à-vis static being. Each work of art, for Klee, is essentially movement, although as organized and structured by rhythm. The source of the rhythmic movement he recognizes as chaos, which he defines as the most elemental fact, which precedes the difference of being and becoming, of rest

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Parkhouse, J. G., and D. J. Ewins. "Crowd-induced rhythmic loading." Proceedings of the Institution of Civil Engineers - Structures and Buildings 159, no. 5 (2006): 247–59. http://dx.doi.org/10.1680/stbu.2006.159.5.247.

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Dorofeev, Daniil Yu. "Religious Metaphysics and Poetics of the Language of Joseph Brodsky (to the 80th Anniversary of the Poet’s Birth)." Voprosy Filosofii, no. 1 (2020): 100–110. http://dx.doi.org/10.21146/0042-8744-2021-1-100-110.

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An article dedicated to the 80th anniversary of Joseph Brodsky examines the metaphysical and religious aspects of the poet’s understanding of the language. The author explores the problem of the evolution of Brodsky's attitude to religion through the material of his numerous interviews and essays, showing that his particular poetic religiosity, the underlying metaphysics of the language and the assessment of religious denominations were shaped under the direct influence of the ethos of the English language and its specific incarnations in the works of J. Donn and especially W. Auden. The o

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Dorofeev, Daniil Yu. "Religious Metaphysics and Poetics of the Language of Joseph Brodsky (to the 80th Anniversary of the Poet’s Birth)." Voprosy Filosofii, no. 1 (2020): 100–110. http://dx.doi.org/10.21146/0042-8744-2021-1-100-110.

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An article dedicated to the 80th anniversary of Joseph Brodsky examines the metaphysical and religious aspects of the poet’s understanding of the language. The author explores the problem of the evolution of Brodsky's attitude to religion through the material of his numerous interviews and essays, showing that his particular poetic religiosity, the underlying metaphysics of the language and the assessment of religious denominations were shaped under the direct influence of the ethos of the English language and its specific incarnations in the works of J. Donn and especially W. Auden. The o

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Wałek, Paweł, Joanna Roskal-Wałek, Patryk Dłubis, and Beata Wożakowska-Kapłon. "Echocardiographic Evaluation of Atrial Remodelling for the Prognosis of Maintaining Sinus Rhythm after Electrical Cardioversion in Patients with Atrial Fibrillation." Journal of Clinical Medicine 12, no. 15 (2023): 5158. http://dx.doi.org/10.3390/jcm12155158.

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Atrial fibrillation (AF) is the most common atrial tachyarrhythmia. One of the methods of AF treatment is direct current cardioversion (DCCV), but in the long-term follow-up we observe quite a high percentage of AF recurrences after this procedure. In order to assess the prognosis of DCCV effectiveness, we use clinical, biochemical and echocardiographic parameters. The objective of this review is to systematise the current knowledge on echocardiographic measurements in patients with persistent AF used to assess the progress of remodelling of the atrial wall, which affects the likelihood of mai

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Dayneko, Tatyana V. "Spring songs of Belarusians of Siberia and the Far East: structural-rhythmic typology." Sibirskiy filologicheskiy zhurnal, no. 1 (2023): 9–25. http://dx.doi.org/10.17223/18137083/82/1.

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The paper presents the results of the typological study of the tunes of the spring songs of Belarusian settlers of Siberia and the Far East. The author has analyzed the archival and published recordings of spring songs made in 1970–1990 in the major regions of the settlement of Belarusians (Novosibirsk, Kemerovo, Omsk regions, Krasnoyarsk, and Primorsky territories). The analysis focused on the structural and rhythmic organization of tunes, considered the most important aspect of calendar songs. Studying the tunes of the songs of Belarusian settlers of Siberia and the Far East allowed the auth

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Clarke, Eric F. "Some Aspects of Rhythm and Expression in Performances of Erik Satie's "Gnossienne No. 5"." Music Perception 2, no. 3 (1985): 299–328. http://dx.doi.org/10.2307/40285301.

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Timing data from piano performances of Gnossienne no. 5 are analyzed to examine the way in which a performer structures different subdivisions of a constant beat. The piece contains a wide variety of different beat divisions, and the timing data demonstrate that these rhythmic distinctions are accurately preserved by the performer. These data also provide the basis for a model of expressive rhythmic performance in which an underlying structural representation, consisting of rhythmic figures organized around a framework of beats, is transformed by an expressive system constrained by certain par

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Wyatt, T. A. "Floor excitation by rhythmic vertical jumping." Engineering Structures 7, no. 3 (1985): 208–10. http://dx.doi.org/10.1016/0141-0296(85)90049-5.

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Gussenhoven, Carlos. "The English Rhythm Rule as an accent deletion rule." Phonology 8, no. 1 (1991): 1–35. http://dx.doi.org/10.1017/s0952675700001263.

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In order to account for the accentual and rhythmical structure of English, a binary-branching prosodic constituent structur is assumed, in which minimally the syllable and the foot must be headed. Feet are potentially marked as accented. This representation makes it possible to describe the prominence patterns of word groups as resulting from three accent deletion rules, the Compound Rule, the Initial Accent Deletion Rule and the Rhythm Rule. It was shown that the structural change effected by Initial Accent Deletion cannot be expressed in theories which represent stress as a relative concept.

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Taghva, Nafiseh, Amirsaeid Moloodi, Vahideh Abolhasanizadeh, and Roya Tabei. "A corpus study of durational rhythmic measures in the Kalhori variety of Kurdish." Loquens 10, no. 1-2 (2023): e098. http://dx.doi.org/10.3989/loquens.2023.e098.

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In order to identify between-sentence and between-speaker variabilities, one of the methods used by phoneticians is studying durational rhythmic features. In the present research, to classify speech rhythm of Kalhori, a variety of Kurdish, and to find out about the most appropriate measures for between-sentence and between-speaker rhythmic variability in Kalhori, durational speech rhythmic measures were analyzed. To this end, two speaking styles (read and spontaneous) were explored. The analysis of the read corpus revealed that Kalhori Kurdish rhythm pattern is between stress-timed and syllabl

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Dong, Jing-Kun, and Mao Ye. "Design for Random Response of Structures Subject to Rhythmic Crowd Loading." Buildings 13, no. 4 (2023): 1085. http://dx.doi.org/10.3390/buildings13041085.

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Overall, this paper provides a comprehensive approach for designing structures subject to rhythmic crowd loading. By considering the randomness of the load model and structural response, the design method provides a more realistic evaluation of the structure’s performance. The establishment of links between the deterministic individual loading and the random crowd loading simplifies the calculation process and makes it more practical for real-world applications. The use of reduction factors based on experimentally determined standard deviations ensures that the design method provides a lower b

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Piedra, Joaquín. "Masculinity and Rhythmic Gymnastics. An Exploration on the Transgression of Gender Order in Sport." Masculinities & Social Change 6, no. 3 (2017): 288. http://dx.doi.org/10.17583/mcs.2017.2733.

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Patriarchal dominance in our Western society has oppressed not only women but it has also isolated many men who did not comply with hegemonic masculinity patterns. The aim of this study is to know and analyse the experiences of a group of boys who practise rhythmic gymnastics, traditionally linked to the feminine reality. Within this interpretative paradigm, eight interviews has been done to gymnasts (8-19 years old), who practise rhythmic gymnastics in a competitive or amateur level. The boys express the familiar support that they have had when deciding to practise a traditionally feminine sp

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Tsur, Reuven. "Metre, rhythm and emotion in poetry. A cognitive approach." Studia Metrica et Poetica 4, no. 1 (2017): 7–40. http://dx.doi.org/10.12697/smp.2017.4.1.01.

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This essay integrates what I have written on the contribution of meter and rhythm to emotional qualities in poetry, opposing them to emotional contents. I distinguish between “meaning-oriented” approaches and “perceived effects” approaches, adopting the latter; and adopt a qualitative (rather than quantitative) method of research. Providing a simplified list of structural elements of emotion, I explore structural resemblances between rhythmic patterns and emotions. I investigate such issues as convergent and divergent poetic styles, convergent and divergent delivery styles, hypnotic poetry, th

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Poole, Adrian. "Comparing Timeline Rhythms in Pygmy and Bushmen Music." Empirical Musicology Review 12, no. 3-4 (2018): 172. http://dx.doi.org/10.18061/emr.v12i3-4.5823.

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Combining theories of African rhythm from ethno/musicology and findings from anthropological research and population genetics with musical analyses based on transcriptions and computational phylogenetic techniques, this article compares rhythms used in Pygmy and Bushmen music in an attempt to provide new perspectives on an old debate that these musical cultures may share a common heritage. To do this, the comparative analyses focus on timelines: foundational rhythmic features that provide the structural basis of the music. The findings suggest that Pygmy and Bushmen timelines are interrelated

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Iverson, Ann M., Amanda L. Arbuckle, Keisuke Ueda, et al. "Median Nerve Stimulation for Treatment of Tics: Randomized, Controlled, Crossover Trial." Journal of Clinical Medicine 12, no. 7 (2023): 2514. http://dx.doi.org/10.3390/jcm12072514.

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A prior study showed that rhythmic, but not arrhythmic, 12 Hz stimulation of the median nerve (MNS) entrained the sensorimotor cortex EEG signal and found that 10 Hz MNS improved tics in Tourette syndrome (TS). However, no control condition was tested, and stimulation blocks lasted only 1 min. We set out to replicate the TS results and to test whether tic improvement occurs by the proposed cortical entrainment mechanism. Preregistration was completed at ClinicalTrials.gov, under number NCT04731714. Thirty-two people with TS, age 15–64, completed two study visits with repeated MNS on and off bl

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Martynyuk, Alla, and Alina Ponikaryova. "Syntactic Rhythm of Political Speeches as a Psycholinguistic Tool of Suggestive Influence." PSYCHOLINGUISTICS 24, no. 2 (2018): 181–97. http://dx.doi.org/10.31470/2309-1797-2018-24-2-181-197.

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This paper addresses the problem of linguistic means of suggestive influence. Suggestive influence is viewed as engrafting into the individuals’ psychic certain ideas, feelings, emotions, or other psychophysiological states bypassing their critical rational thinking. It is stated that suggestion works at the level of structure, specifically, at the level of syntactic arrangement of speech, creating persistent rhythmic-syntactic patterns that grow familiar and build anticipation switching off rationality, and making comprehension subconscious. The study is based on the structural and cognitive

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Van Schalkwyk, Gertina. "Music as an agent to human development: a systems approach." Acta Academica: Critical views on society, culture and politics 33, no. 1 (2001): 45–64. https://doi.org/10.38140/aa.v33i1.632.

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Human beings are uniquely rhythmic beings — without rhythm there is no life. From conception to death the human being is embedded in rhythmic patterns and pulsations. Patterns of biological and personal functioning represent the everchanging rhythmical dance of life. This article will discuss the connections between the structural and functional components of the individual and music. The dynamic processes observed in the interactions between the human being and music in various contexts lead to an understanding of the dynamics of developmental outcomes which are never a steady hum, but rather

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Pfordresher, Peter Q. "The Role of Melodic and Rhythmic Accents in Musical Structure." Music Perception 20, no. 4 (2003): 431–64. http://dx.doi.org/10.1525/mp.2003.20.4.431.

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Two experiments investigated the perception of melodic and rhythmic accents in musical patterns. Musiclike patterns were created in which recurring melodic and/or rhythmic accents marked higher order periods that, when both accents were present, could differ in terms of period and/or phase according to the construct of joint accent structure (M. R. Jones, 1987). Listeners were asked to indicate the location of accents in these patterns by tapping to tone onsets. Each experiment pursued two main questions. First, are accents, as manipulated, salient to listeners? Second, do listeners track high

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BOYCHUK, ELENA I., and ELENA V. MISHENKINA. "AUTOMATED ANALYSIS OF RHYTHMIC CHARACTERISTICS OF RUSSIAN- LITERARY PROSAIC TEXT AS A METHOD FOR DETERMINING THE TEXT AFFILIATION TO A LITERARY PERIOD." Cherepovets State University Bulletin 6, no. 99 (2020): 73–85. http://dx.doi.org/10.23859/1994-0637-2020-6-99-6.

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The article analyses the rhythmic characteristics of Russian-language literary texts using the automated PRD (Prose Rhythm Detector) application. The authors consider the main approaches to the periodization of Russian literature of the XIX-XXI centuries in order to determine the affiliation of works to a particular epoch based on the specifics of the text rhythmic structures. The quantitative and statistical methods of the analysis are used.

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Efremova, Ekaterina Mikhailovna. "Rhythmic and sound organization as the principle of structural integrity of I. Gogolev's poem "The Glade of Poetry"." Philology. Issues of Theory and Practice 17, no. 7 (2024): 2233–37. http://dx.doi.org/10.30853/phil20240308.

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The results are revealed based on the analysis of the poem by the national poet of Yakutia I. M. Gogolev "The Glade of Poetry" (1979), which played a significant role in the formation of an individual author's style. The choice of material is dictated by the desire for a more in-depth study of the poetics of poems, as well as insufficient knowledge of the author's poetry. The article deals with the problem of poetic integrity of the text from the point of view of rhythmic and sound organization. The purpose of the study is to identify some features of rhythmic and sound organization as the fun

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Cancer, Alice, Marinella De Salvatore, Elisa Granocchio, Luca Andreoli, Alessandro Antonietti, and Daniela Sarti. "The Role of Auditory and Visual Components in Reading Training: No Additional Effect of Synchronized Visual Cue in a Rhythm-Based Intervention for Dyslexia." Applied Sciences 12, no. 7 (2022): 3360. http://dx.doi.org/10.3390/app12073360.

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Based on the transfer effects of music training on the phonological and reading abilities of children with dyslexia, a computerized rhythmic intervention—the Rhythmic Reading Training (RRT)—was developed, in which reading exercises are combined with a rhythmic synchronization task. This rehabilitation program was previously tested in multiple controlled clinical trials, which confirmed its effectiveness in improving the reading skills of children and adolescents with dyslexia. In order to assess the specific contribution of the visual component of the training, namely, the presence of a visual

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Belogurova, Larisa M. "Pskov-Krivichi Ethnomusicological Borderlines of the Russian Northwest." Contemporary Musicology 9, no. 2 (2025): 187–213. https://doi.org/10.56620/2587-9731-2025-2-187-213.

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The article considers an example of historical-ethnomusicological correspondence established by means of the areal method. A study of the cartographic projections of ritual songs of the Pskov region and the nearby areas of the Tver and Smolensk regions showed that three types of chants — two associated with weddings and one with Maslenitsa (Carnival) — form areas that largely correspond to the historical territory of the Pskov Krivichi. During the second half of the first millennium AD, the population of this ancient East Slavic tribe lived on the coast of the Peipus-Pskov Lakes, in the Velika

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Xu, Yurui. "Music Generator Applying Markov Chain and Lagrange Interpolation." Highlights in Science, Engineering and Technology 39 (April 1, 2023): 266–73. http://dx.doi.org/10.54097/hset.v39i.6538.

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Algorithmic composition is the process that composes music based on algorithms by formulating specific rules that incorporate relevant music arranging theory and assigning these rules to a suitable computer algorithm. One common approach is to use Markov models to generate note sequences. However, the generated notes do not consider the overall chord progression and the rhythmic pattern of the section, which is not effective when dealing with long multi-track music, especially for more structured works, e.g., classical and pop music. Therefore, this paper introduces an improved approach that u

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Kim, Keun Tae, Young-Nam Roh, Nan Hee Cho, and Jae Cheon Jeon. "Clinical Correlates of Frontal Intermittent Rhythmic Delta Activity Without Structural Brain Lesion." Clinical EEG and Neuroscience 52, no. 1 (2020): 69–73. http://dx.doi.org/10.1177/1550059420922741.

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Frontal intermittent rhythmic delta activity (FIRDA), rhythmic slow wave pattern lasting several seconds over the anterior leads of electroencephalography (EEG), has been reported in a wide variety of clinical conditions. We investigated the clinical significance of FIRDA without structural brain lesions. We reviewed 7689 EEGs between October 2017 and September 2019 at a university hospital. Patients (age >18 years) who were confirmed to have “nonsignificant neuroimaging” were examined. Clinical data were retrospectively collected, and the estimated cause was carefully decided. We found 83

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