Relevant bibliographies by topics / "Rhythmic gesture of the idea"

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '"Rhythmic gesture of the idea"'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic ""Rhythmic gesture of the idea""

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Tondello, Alberto. "James Joyce and the Epiphanic Inscription: Towards an Art of Gesture as Rhythm." Humanities 7, no. 4 (2018): 109. http://dx.doi.org/10.3390/h7040109.

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In Agency and Embodiment, Carrie Noland describes gesture as “a type of inscription, a parsing of the body into signifying and operational units”, considering it as a means to read and decode the human body. Through an analysis of James Joyce’s collection of Epiphanies, my paper will examine how gesture, as a mode of expression of the body, can be transcribed on the written page. Written and collected to record a “spiritual manifestation” shining through “in the vulgarity of speech or gesture, or in a memorable phase of the mind itself”, Joyce’s Epiphanies can be considered as the first step i
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Donchenko, Nataliia, and Nataliia Sokolenko. "Formation and Development of the Main Principles of M. Chekhov's Theater System in the Context of Changing the Actor's World Perception." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 2 (2020): 138–50. https://doi.org/10.31866/2616-759x.3.2.2020.219278.

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The purpose of the work is to analyze the formation and development of the main principles of M. Chekhov’s theatrical system in the context of changing the actor’s worldview of theatrical art. Investigate the theatrical and pedagogical system M. Chekhov as one of the world’s leading theatrical practices, as a synthesis of complex complementary and mutually enriching intercultural processes; to determine the artist’s influence on the reform of the European and American schools of acting art. The research methodology is based on the use of the following sci
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Savchenko, Ganna. "Orchestral composition multifigure as a principle of time and space organization of Ihor F. Stravinsky’s orchestral works (from early ballets to Symphony in C and Symphony in three movements)." Aspects of Historical Musicology 16, no. 16 (2019): 242–58. http://dx.doi.org/10.34064/khnum2-16.14.

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Introduction. The early and the top works of the Russian period showed rapid evolution of Ihor F. Stravinsky’s musical thinking and style: there evolved the original musical language, the technique of composition, with the orchestral composition principles being changed. The ballets demonstrated a new sense of time and space, which is shaped by the complex of expressiveness means, with orchestrating being essential. The composer’s style evolution took place within a complex historical and cultural context, marked by a change in the cultural paradigm in the early twentieth century. The scientif
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Ao, Tenglong, Qingzhe Gao, Yuke Lou, Baoquan Chen, and Libin Liu. "Rhythmic Gesticulator." ACM Transactions on Graphics 41, no. 6 (2022): 1–19. http://dx.doi.org/10.1145/3550454.3555435.

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Automatic synthesis of realistic co-speech gestures is an increasingly important yet challenging task in artificial embodied agent creation. Previous systems mainly focus on generating gestures in an end-to-end manner, which leads to difficulties in mining the clear rhythm and semantics due to the complex yet subtle harmony between speech and gestures. We present a novel co-speech gesture synthesis method that achieves convincing results both on the rhythm and semantics. For the rhythm, our system contains a robust rhythm-based segmentation pipeline to ensure the temporal coherence between the
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Loehr, Daniel. "Aspects of rhythm in gesture and speech." Gesture 7, no. 2 (2007): 179–214. http://dx.doi.org/10.1075/gest.7.2.04loe.

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This article investigates the rhythmic relationship between gesture and speech. Four subjects were filmed in natural conversations with friends. From the resulting videos, several thousand time-stamped annotations pertaining to rhythm were manually recorded in a digital annotation tool, and exported for statistical analysis. They revealed a rich rhythmic relationship between the hands, head, and voice. Each articulator produced pikes (a general term for short, distinctive expressions, regardless of the modality) in complex synchrony with other articulators. Even eyeblinks were synchronized, wi
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Wong, Alex Ming Hui, Masahiro Furukawa, and Taro Maeda. "Robustness of Rhythmic-Based Dynamic Hand Gesture with Surface Electromyography (sEMG) for Authentication." Electronics 9, no. 12 (2020): 2143. http://dx.doi.org/10.3390/electronics9122143.

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Authentication has three basic factors—knowledge, ownership, and inherence. Biometrics is considered as the inherence factor and is widely used for authentication due to its conveniences. Biometrics consists of static biometrics (physical characteristics) and dynamic biometrics (behavioral). There is a trade-off between robustness and security. Static biometrics, such as fingerprint and face recognition, are often reliable as they are known to be more robust, but once stolen, it is difficult to reset. On the other hand, dynamic biometrics are usually considered to be more secure due to the con
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Bao, Yihua, Dongdong Weng, and Nan Gao. "Editable Co-Speech Gesture Synthesis Enhanced with Individual Representative Gestures." Electronics 13, no. 16 (2024): 3315. http://dx.doi.org/10.3390/electronics13163315.

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Co-speech gesture synthesis is a challenging task due to the complexity and uncertainty between gestures and speech. Gestures that accompany speech (i.e., Co-Speech Gesture) are an essential part of natural and efficient embodied human communication, as they work in tandem with speech to convey information more effectively. Although data-driven approaches have improved gesture synthesis, existing deep learning-based methods use deterministic modeling which could lead to averaging out predicted gestures. Additionally, these methods lack control over gesture generation such as user editing of ge
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Torshilov, Dmitry. "Reconstruction of Andrei Bely's Book “On Rhythmic Gesture”." Literary Fact, no. 3 (March 30, 2017): 236–54. http://dx.doi.org/10.22455/2541-8297-2017-3-236-254.

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Hupp, Julie M., and Mary C. Gingras. "The role of gesture meaningfulness in word learning." Gesture 15, no. 3 (2016): 340–56. http://dx.doi.org/10.1075/gest.15.3.04hup.

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Adults regularly use word-gesture combinations in communication, and meaningful gestures facilitate word learning. However, it is not clear if this benefit of gestures is due to the speaker’s movement increasing the listener’s attention or if it needs to be a meaningful gesture, if the difficulty of the task results in disparate reliance on gestures, and if word classes are differentially affected by gestures. In the present research, participants were measured on their novel word learning across four gesture conditions: meaningful gesture, beat gesture, nonsense gesture, and no gesture with e
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Sitorus, Wilda Wardani, and Rita Hartati. "Gestures and Their Meaning of Main Character in Alex Hardcastle™s Movie œSenior Year (2022)." REGISTER: Journal of English Language Teaching of FBS-Unimed 12, no. 3 (2023): 179–85. https://doi.org/10.24114/reg.v12i3.46058.

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This study analyzes gestures and their meaning in Senior Year (2022) movie. The objectives of this study are (1) to find out the types and their meaning used by the main character, and (2) to analyze the meanings of gestures in relation to the semantic meaning of the main character. This study used a qualitative descriptive method using the theory of types and meaning of gestures by David McNeil and Levy (2005), and Semantic Meaning by Chaer (1994). This study showed that 86 data had been found. There are 12 (14%) data as iconic gestures, 13 (15%) data as deictic gestures, 16 (19%) data as met
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Dissertations / Theses on the topic ""Rhythmic gesture of the idea""

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Bongard, Kerstin. "Bringing the user experience to early product conception : From idea generation to idea evaluation." Phd thesis, Paris, ENSAM, 2013. http://pastel.archives-ouvertes.fr/pastel-00936893.

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The User Experience (UX) has become a major concern for the design of consumer products. Today exist various tools for the evaluation of static properties of final products on their User Experience value. However, very few tools and methods are available that allow anticipating the future User Experience during the first stages of product conception. This thesis explores the wide range of design dimensions that potentially form the experience of the user. Dynamic product properties emerge as an important factor for User Experience. In the studies a software based on inspiration words and links
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Hay, Jennifer. "Thresholds : Gesture, idea and action in the Performance Art of Andrew Drummond, Di ffrench and David Mealing." Thesis, University of Canterbury. Art History, 2001. http://hdl.handle.net/10092/7247.

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This thesis examines the work of three New Zealand artists who engaged with processes of performance art during the 1970s and 1980s. David Mealing, Andrew Drummond and Di ffrench integrated performance gestures that mutated into object or conceptual based practices in the 1980s and 1990s. An analysis of their work reveals both similarities and differences, all adjacent to corporeal, political and aesthetic issues and ideas that stem from international and national events particular to the milieu in which they worked. The three artists stand apart from their contemporaries due to their focussed
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Saraiva, Chico. "Violão-canção: diálogos entre o violão solo e a canção popular no Brasil." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-17122014-095449/.

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Este trabalho se propõe a investigar o trânsito de informações musicais que se dá no campo de intersecção existente entre o universo do violão solo, em especial aquele ligado à música erudita ou de concerto, e o universo da canção popular no Brasil. Foram realizadas entrevistas com sete mestres de reconhecida atuação nos universos abordados. Sérgio Assad, Marco Pereira e Paulo Bellinati ligados à prática do violão solo; João Bosco, Paulo César Pinheiro e Luiz Tatit, à canção popular; e Guinga, que atua na face de contato entre os campos estudados. A opção pelo formato de montagem permite que o
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Rebeschini, Nicola. "Image corporelle, Corps d'images. Processus de création et œuvre aujourd'hui. Hypothèses pour une esthétique organique : Étude comparative à partir de l'installation-performative Sketches / Notebook de Meg Stuart (Berlin, 2013)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA138.

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Le corps est être-au-monde. Le corps est l'être-vivant-de-l'image et, ainsi, le corps est image habitée. L'image-corps donne lieu à l'espace sensible lors de son apparition. L'Être comme Nature, peut-il se rendre visible à travers les images ou dans les gestes ? Y a-t-il une spécificité de certains fragments filmiques ou performatifs de la figure du corps et des formes de la persona ? Si cette spécificité a lieu, par quelles voies de la création esthétique ces images ou ces gestes se créent-ils et de quelles manières en imprègnent-t-ils l'œuvre ? Selon quels dispositifs de partage sensible de
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Books on the topic ""Rhythmic gesture of the idea""

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Williams, Tami. Negotiating Art and Industry in the Postwar Context. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038471.003.0003.

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This chapter studies several of Dulac's early narrative Impressionist films, and her ideal of cinema as a spatiotemporally complex universe of symbols—one in which meaning is created through an intertextual network of figurative associations, such as pictorial and rhythmic gesture. Dulac's integral approach, based on life, movement, and rhythm, exemplified in a surviving extract of what is considered the first Impressionist film, La Fête espagnole (1920), is used in a particularly innovative and feminist manner in one of her earliest extant films, La Belle Dame sans merci (1921). Dulac's use o
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Allanbrook, Wye Jamison. Rhythmic Gesture in Mozart. University of Chicago Press, 1986.

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Rhythmic Gesture in Mozart: " Le Nozze di Figaro" and " Don Giovanni" . Univ.Chicago P., 1986.

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bahija. Other Rhythmic Gymnastics vs Me: Notebook Gift Idea, 6. 9 Inches,120 Pages, Day Planner Motivation to Do List for Rhythmic Gymnastics Lovers. Independently Published, 2020.

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Yust, Jason. Rhythmic Hierarchy and the Network Model. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696481.003.0002.

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The idea of rhythmic hierarchy serves as an introduction to temporal structure in music and a network model (the “MOP” or maximal outerplanar graph) used to represent it. Rhythmic hierarchy relates to meter but is conceptually distinct from it. An argument may be made that rhythmic structure precedes meter (“meter as rhythm”) rather than vice versa. Slow movements from F.J. Haydn and C.P.E. Bach demonstrate the analytical utility of a concept of metricality.
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Deahl, Lora, and Brenda Wristen. Musical Solutions for Technical Problems. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190616847.003.0007.

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The paramount goal of musical study is to become more than a mere player of the instrument. Music is a language, and those with small hands struggle every day with central aspects of thinking and speaking in sound—how to forge a legato line from widely separated notes, how to deliver a powerful yet sonorous tone, how to voice textures spanning wide reaches of the keyboard. Small-handed pianists must thus be keenly aware of what they want to express and consider the means by which they can best communicate their thoughts, emotions, and ideas in sound. While the strategies discussed in previous
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Deslandes, Ghislain. Idea of Beginning in Jules Lequier's Philosophy. Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978734326.

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The Idea of Beginning in Jules Lequier's Philosophy analyzes the work of an author mostly unknown in Anglophone countries, but who greatly influenced the trajectory of French philosophy over the last two centuries. Jules Lequier, in The Search for a First Truth, argues that beginning such a search is the goal towards which philosophy must tend. To achieve this, Lequier established a postulate, that of freedom against necessity, and set out a program as an inaugural gesture: “TO MAKE, not to become, but to make, and, in making, TO MAKE ONESELF.” By the fertility of possible beginnings, the maki
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mikemix. This Is the Way to Success in Rhythmic Gymnastics: Mandalorian Notebook Gift Idea Lined Pages, 6. 9 Inches,120 Pages, White Paper Journal. Independently Published, 2020.

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Bower, Jackie. Journal for Women, Teen Girls, Seniors, Teachers, Mother's Day, Sweetest Day, Valentines Day,: A Beautiful Present and Gift Idea for Women, Teen Girls. Wonderful and Memorable Gift Idea or Present. a Wonderful Gesture of Appreciation. Independently Published, 2021.

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Jakovljević, Branislav. Not Made by Hand, or Arm, or Leg. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.39.

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In this chapter, the author takes the gesture as a basic building element of Happenings, seen as a precursor of live performance of the final decades of the twentieth century, such as body art and postmodern dance. Building on a comparison with nineteenth-century Kopienkritik, Jakovljević argues that recent theories of reenactment are inseparable from the modernist idea of uniqueness. Arguing against the political economy of originality, the author suggests that gesture in Happenings does not “originate” from a privileged source but from a complex intersection of forces, the artist being just
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Book chapters on the topic ""Rhythmic gesture of the idea""

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McCloskey, Deirdre Nansen. "God’s Work in the World: The Deep Compatibility of Real Liberalism with Any Abrahamic Religion." In Relational Anthropology for Contemporary Economics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84690-9_5.

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AbstractI propose, in brief, an intimate, perhaps desirable, but anyway necessary, connection between free will in Abrahamic theology and free action in liberal ideology. The economy, its work, its consumption, even its banking, are not inconsistent with a Christian life if achieved by free will. That is to say, contrary to a century-long supposition among theologians and their enemies, belief in a just and loving God does not entail socialism. The Christian gospels and many a Christian theologian attack wealth, surprisingly harshly by the standards of the rest of the world’s religious canon.
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Rimas, Juozas, and Juozas Rimas Jr. "Interpretation (the Main Form of the Manifestation of Music)." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_16.

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AbstractBased on the author’s course at the Lithuanian Academy of Music and Theatre. 16.1. The Origin and Meaning of Interpretation. The work exists as a possibility of an undefined set of interpretations: so long as it exists like this, it exists not for us; we only make it our own through interpreting it (A. Maceina). Before something becomes interpretable, it first has to be understood. Performance vs. interpretation. Hermeneutics, exegesis and interpretation. Whoever wants to understand a text projects a meaning of the whole (H. Gadamer), as well as the sequence of musical events—the narra
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Stanchina, Gabriella. "3. The “Diaphanous Subject” in Daoist Thought." In The Art of Becoming Infinite. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0442.03.

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In Critique of the Cognitive Mind, Mou moves toward a comparative approach, establishing a similarity between an ephemeral intuitive mind and Daoist thought. This chapter investigates Mou’s interpretation of Daoist subjectivity. In addition to his treatise on “Neo-Daoist” intellectual developments during the Wei-Jin dynasties entitled Physical Nature and the “Profound Thought”, Mou’s philosophical engagement with Daoism is evident throughout his entire body of work. The model of the Daoist saint, emerging from classics such as Daodejing and Zhuangzi, represents the first step in the elaboratio
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Nadel, Ira. "Mansfield, Movement and the Ballets Russes." In Katherine Mansfield and Russia. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474426138.003.0006.

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Mansfield and the world of the Ballets Russes, is the focus of this discussion of the importance of movement and dance for her writing and life. Incorporating aspects of Russian dance, especially its expressiveness, gesture and experimentation, into her prose becomes an important feature of her writing marked in part by the physical actions of her characters. Balancing the Chekhovian dispassion of her short stories was a vitality located in her incorporation of elements of the Ballets Russes which became, for a period, the intellectual and fashionable centre of London. Part of their originalit
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Corbeill, Anthony. "Physical Excess as a Marker of Genre in the Elder Seneca." In Reading Roman Declamation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.003.0006.

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This chapter stems from the observation that physical eloquence is often relegated to lesser importance than its linguistic counterpart in Senecan declamation, especially when compared to the wealth of information we have on Cicero’s use of gesture. However, actio remains a pivotal element of Roman declamation. To draw attention to this element, this chapter outlines several types of bodily movement and vocal modulation which Seneca attributes to his declaimers in the Controversiae and Suasoriae. In so doing, it not only describes the practice and function of these actions but also explores ho
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Montague, Eugene. "Rhythm and the Physical." In Thought and Play in Musical Rhythm. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190841485.003.0006.

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Of all musical elements, rhythm is the most closely associated with temporal experience. When rhythms are categorized as structural objects, their active qualities can be lost, obscuring the physical life of rhythmic performance. This chapter argues for understanding rhythmic objects as inherently active, with a necessary physical aspect. One way these aspects emerge is through the processes that undergird performance. When a rhythm is learned as a gesture, it brings with it a particular physical history, developed over periods of repetition. This chapter examines rhythmic objects in three cas
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McLaughlin, Emily. "Performative Utterance in Dans le leurre du seuil." In Yves Bonnefoy and Jean-Luc Nancy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849582.003.0002.

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This chapter investigates how Bonnefoy develops a theatrical model of poetic performance in the long sequence of poems ‘La Terre’, published in Dans le leurre du seuil in 1975. Examining how the poet repeatedly stages apostrophes to a flame and acts of address to a lover, it explores how he models his poetic performance on the fleeting movement of the light and the restless interactions between the lovers’ bodies. It analyses how Bonnefoy develops an inherently rhythmic conception of the act of relation, presenting it as an ecstatic gesture that has to be repeated endlessly. Investigating how
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Koozin, Timothy. "Pentatonic Space to Outer Space." In Embodied Expression in Popular Music. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197692981.003.0005.

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Abstract This chapter focuses on ensemble interaction in funk music, exploring how musicians utilize a contrapuntal framework of musical figures to create the rhythmic and melodic fabric of funk grooves as they establish cultural grounding in vocal idioms and rhetorical practices of the Black gospel church. The study examines how funk leverages its gospel heritage in expressing social critique and resistance. Engaging with musical gesture in funk music by a wide range of artists, the study explains how swing rhythms form an important, but often unrecognized, rhythmic layer in the metrical fabr
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Guillaumier, Christina. "Drama, Theater, and Gesture in the Operas of Sergei Prokofiev." In Rethinking Prokofiev. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0014.

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This chapter explores Prokofiev’s processes, compositional strategies, and theatrical instinct as evident in his operatic works. Each of the eight operas discussed tells a different story about Prokofiev’s context, aesthetic, and compositional procedures; in each, he explores different musical, dramaturgical, and artistic possibilities. While the soundscapes of the earlier operas are different from those of his Soviet period, his musical voice remains distinctive. He was passionate about the stage and had much to say about opera in the twentieth century, but his innovative and radical ideas we
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Manning, Jane. "JOHN McLEOD (b. 1934)Peacocks With a Hundred Eyes (1984)." In Vocal Repertoire for the Twenty-First Century, Volume 1. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0051.

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This chapter discusses Peacocks with a Hundred Eyes by John McLeod. Written for counter-tenor, this cycle skilfully exploits the distinctive timbre of that voice. Here, McLeod manages to create an intriguing and distinctive amalgam of baroque and contemporary gestures, including double-dotted Purcellian rhythms, graceful curling melismas, and glissandos. The composer furthermore has the happy idea of intertwining the texts, and this works splendidly, providing a balanced and satisfyingly cogent structure. Percy Bysshe Shelley's familiar poem (‘Music, When Soft Voices Die’) is split into four,
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Conference papers on the topic ""Rhythmic gesture of the idea""

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Kataoka, Kuniyoshi. "Poetics through Body and Soul: A Plurimodal Approach." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-1.

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In this presentation, I will show that various multimodal resources—such as utterance, prosody, rhythm, schematic images, and bodily reactions—may integratively contribute to the holistic achievement of poeticity. By incorporating the ideas from “ethnopoetics” (Hymes 1981, 1996) and “gesture studies” (McNeill 1992, 2005), I will present a plurimodal analysis of naturally occurring interactions by highlighting the interplay among the verbal, nonverbal, and corporeal representations. With those observations, I confirm that poeticity is not a distinctive quality restricted to constructed poetry o
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Janković-Beguš, Jelena. "The Influence of Dragutin Gostuški’s Theoretical Work on the Compositional Poetics of Vlastimir Trajković." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.151jb.

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It is near impossible to find a more comprehensive example of the influence that Dragutin Gostuški’s theoretical opus has had on Serbian culture than the landmark case of the composer Vlastimir Trajković (1947–2017), a professor at the Faculty of Music and member of the Serbian Academy of Sciences and Arts. Trajković’s entire compositional and music-theoretical creative output can be interpreted through the prism of the theoretical thought of Dragutin Gostuški, and especially his most significant work – the monograph Time of Art (1968). Trajković himself unequivocally confirmed that in a touch
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Vaswani, Vaishali, Akriti Kumari Singh, Anshuman Shastri, and Namrata Arora Charpe. "COMM-G: A Communication Glove for Smart Communication." In Human Interaction and Emerging Technologies (IHIET-AI 2022) Artificial Intelligence and Future Applications. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100905.

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This paper proposes a smart communication process using google assistant for sign language identification with the help of the components majorly comprising of flex sensors, MPU6050 sensors and microcontrollers. The basic idea evolved over time to make the process simpler and more efficient. The conversion from gesture to speech is carried in two sub-processes, firstly gesture is converted into text with the help of flex sensors and the text is converted into speech with the help of default functionality of google assistant. The test results are prudently evaluated with the respective output o
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Lei, Wentao, Li Liu, and Jun Wang. "Bridge to Non-Barrier Communication: Gloss-Prompted Fine-Grained Cued Speech Gesture Generation with Diffusion Model." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/700.

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Cued Speech (CS) is an advanced visual phonetic encoding system that integrates lip reading with hand codings, enabling people with hearing impairments to communicate efficiently. CS video generation aims to produce specific lip and gesture movements of CS from audio or text inputs. The main challenge is that given limited CS data, we strive to simultaneously generate fine-grained hand and finger movements, as well as lip movements, meanwhile the two kinds of movements need to be asynchronously aligned. Existing CS generation methods are fragile and prone to poor performance due to template-ba
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Vyshpinska, Yaryna. "Formation of Creative Personality of Students Majoring in «Preschool Education» in the Process of Studying the Methods of Musical Education." In ATEE 2020 - Winter Conference. Teacher Education for Promoting Well-Being in School. LUMEN Publishing, 2021. http://dx.doi.org/10.18662/lumproc/atee2020/38.

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The body of the article goes on to discuss the creative models of a student’s personality’s development in the process of mastering the course «Theory and methods of musical education of the preschool children». In general, the teacher's profession accumulates a big number of opportunities for the creative improvement of a would-be teacher's personality. All types of activities used while working with children in the process of mastering the artistic competencies (like fine arts, modeling, designing, appliqué work or musical activities) require not only technical skills, but also sufficient cr
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Juhásová, Jana. "Sanjuanist motifs in the poetic work of Erik Jakub Groch." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-19.

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One of the key poets of Slovak post-November poetry was shaped in the Komúna dissent group headed by philosopher and artist M. Strýko during the communist regime. Operating in dissent supported the radicality of his poetic gesture and lifestyle, the image of an active, evolving individual freed from the senselessness of civilization, and also the idea that it is possible to integrate evil into a higher good. These ideas also form branches to the sanjuanist motifs and intellectual solutions that are close to Groch. The article seeks these penetrating places with special attention on the symbol
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Brett Talbot, Thomas, and Chinmay Chinara. "Open Medical Gesture: An Open-Source Experiment in Naturalistic Physical Interactions for Mixed and Virtual Reality Simulations." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002054.

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Mixed (MR) and Virtual Reality (VR) simulations are hampered by requirements for hand controllers or attempts to perseverate in use of two-dimensional computer interface paradigms from the 1980s. From our efforts to produce more naturalistic interactions for combat medic training for the military, we have developed an open-source toolkit that enables direct hand controlled responsive interactions that is sensor independent and can function with depth sensing cameras, webcams or sensory gloves. From this research and review of current literature, we have discerned several best approaches for ha
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Risneac, Boris, Daniela Pasare, and Evelina Risneac. "The importance of developing the psychomotor skills of young school-age children through the means of music and movement." In The International Scientific Congress "Sports. Olimpysm. Health". SOH 2023. 8th Edition. The State University of Physical Education and Sport, 2025. https://doi.org/10.52449/soh23.50.

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Actuality. The current training system with primary school children offers a flexible offer, which allows the teaching staff to modify, supplement or replace the learning activities. The pursued study consists in the analysis and determination of a personalized didactic approach, through which the training of the skills provided by the program is ensured in the specific context of each class and each children. The need for a specific approach to early childhood education is essential, based on the stimulation of learning through play. In this sense, the "music and movement" discipline has a no
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Videla, Ronnie. "STEAM Apps: Weaving numerical and geometric comprehension with the fingers." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.73.

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STEM and STEAM education promote integration between science, technology, engineering, math, and the arts. The latter aims to promote deep and collaborative learning of students, through the integration of the curriculum in K-12 science education. STEAM promotes the embodiment of cognition through learning by doing. The enactive and ecological approaches to cognition presented auspicious evidence for the role of incarnation and gesture in learning with digital technology. This work aims to provide design and concept evidence on the scope of enactive and ecological approaches within the framewo
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Dos Reis, Jorge. "Computer mimetics in visible performance: the late work of the Portuguese experimental poet Ernesto Melo e Castro." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004219.

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Ernesto Melo e Castro, Covilhã 1932–202, is a textile engineer and Portuguese artist, trained in Bradford. He dedicated is life to textile design and to the technical direction of textile engineering companies. At the same time, he developed research in the field of Brazilian concrete poetry and Portuguese experimental poetry; being a fundamental and very innovative author that used the computer in the last phase of its journey as an artist.His work is based on an ideographic structure where the visual composition, which uses exclusively typography, is based on the principle of the ideogram, w
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