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Journal articles on the topic '"Rhythmic gesture of the idea"'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Tondello, Alberto. "James Joyce and the Epiphanic Inscription: Towards an Art of Gesture as Rhythm." Humanities 7, no. 4 (2018): 109. http://dx.doi.org/10.3390/h7040109.

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In Agency and Embodiment, Carrie Noland describes gesture as “a type of inscription, a parsing of the body into signifying and operational units”, considering it as a means to read and decode the human body. Through an analysis of James Joyce’s collection of Epiphanies, my paper will examine how gesture, as a mode of expression of the body, can be transcribed on the written page. Written and collected to record a “spiritual manifestation” shining through “in the vulgarity of speech or gesture, or in a memorable phase of the mind itself”, Joyce’s Epiphanies can be considered as the first step i

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Donchenko, Nataliia, and Nataliia Sokolenko. "Formation and Development of the Main Principles of M. Chekhov's Theater System in the Context of Changing the Actor's World Perception." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 2 (2020): 138–50. https://doi.org/10.31866/2616-759x.3.2.2020.219278.

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The purpose of the work is to analyze the formation and development of the main principles of M. Chekhov’s theatrical system in the context of changing the actor’s worldview of theatrical art. Investigate the theatrical and pedagogical system M. Chekhov as one of the world’s leading theatrical practices, as a synthesis of complex complementary and mutually enriching intercultural processes; to determine the artist’s influence on the reform of the European and American schools of acting art. The research methodology is based on the use of the following sci

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Savchenko, Ganna. "Orchestral composition multifigure as a principle of time and space organization of Ihor F. Stravinsky’s orchestral works (from early ballets to Symphony in C and Symphony in three movements)." Aspects of Historical Musicology 16, no. 16 (2019): 242–58. http://dx.doi.org/10.34064/khnum2-16.14.

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Introduction. The early and the top works of the Russian period showed rapid evolution of Ihor F. Stravinsky’s musical thinking and style: there evolved the original musical language, the technique of composition, with the orchestral composition principles being changed. The ballets demonstrated a new sense of time and space, which is shaped by the complex of expressiveness means, with orchestrating being essential. The composer’s style evolution took place within a complex historical and cultural context, marked by a change in the cultural paradigm in the early twentieth century. The scientif

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Ao, Tenglong, Qingzhe Gao, Yuke Lou, Baoquan Chen, and Libin Liu. "Rhythmic Gesticulator." ACM Transactions on Graphics 41, no. 6 (2022): 1–19. http://dx.doi.org/10.1145/3550454.3555435.

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Automatic synthesis of realistic co-speech gestures is an increasingly important yet challenging task in artificial embodied agent creation. Previous systems mainly focus on generating gestures in an end-to-end manner, which leads to difficulties in mining the clear rhythm and semantics due to the complex yet subtle harmony between speech and gestures. We present a novel co-speech gesture synthesis method that achieves convincing results both on the rhythm and semantics. For the rhythm, our system contains a robust rhythm-based segmentation pipeline to ensure the temporal coherence between the

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Loehr, Daniel. "Aspects of rhythm in gesture and speech." Gesture 7, no. 2 (2007): 179–214. http://dx.doi.org/10.1075/gest.7.2.04loe.

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This article investigates the rhythmic relationship between gesture and speech. Four subjects were filmed in natural conversations with friends. From the resulting videos, several thousand time-stamped annotations pertaining to rhythm were manually recorded in a digital annotation tool, and exported for statistical analysis. They revealed a rich rhythmic relationship between the hands, head, and voice. Each articulator produced pikes (a general term for short, distinctive expressions, regardless of the modality) in complex synchrony with other articulators. Even eyeblinks were synchronized, wi

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Wong, Alex Ming Hui, Masahiro Furukawa, and Taro Maeda. "Robustness of Rhythmic-Based Dynamic Hand Gesture with Surface Electromyography (sEMG) for Authentication." Electronics 9, no. 12 (2020): 2143. http://dx.doi.org/10.3390/electronics9122143.

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Authentication has three basic factors—knowledge, ownership, and inherence. Biometrics is considered as the inherence factor and is widely used for authentication due to its conveniences. Biometrics consists of static biometrics (physical characteristics) and dynamic biometrics (behavioral). There is a trade-off between robustness and security. Static biometrics, such as fingerprint and face recognition, are often reliable as they are known to be more robust, but once stolen, it is difficult to reset. On the other hand, dynamic biometrics are usually considered to be more secure due to the con

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Bao, Yihua, Dongdong Weng, and Nan Gao. "Editable Co-Speech Gesture Synthesis Enhanced with Individual Representative Gestures." Electronics 13, no. 16 (2024): 3315. http://dx.doi.org/10.3390/electronics13163315.

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Co-speech gesture synthesis is a challenging task due to the complexity and uncertainty between gestures and speech. Gestures that accompany speech (i.e., Co-Speech Gesture) are an essential part of natural and efficient embodied human communication, as they work in tandem with speech to convey information more effectively. Although data-driven approaches have improved gesture synthesis, existing deep learning-based methods use deterministic modeling which could lead to averaging out predicted gestures. Additionally, these methods lack control over gesture generation such as user editing of ge

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Torshilov, Dmitry. "Reconstruction of Andrei Bely's Book “On Rhythmic Gesture”." Literary Fact, no. 3 (March 30, 2017): 236–54. http://dx.doi.org/10.22455/2541-8297-2017-3-236-254.

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Hupp, Julie M., and Mary C. Gingras. "The role of gesture meaningfulness in word learning." Gesture 15, no. 3 (2016): 340–56. http://dx.doi.org/10.1075/gest.15.3.04hup.

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Adults regularly use word-gesture combinations in communication, and meaningful gestures facilitate word learning. However, it is not clear if this benefit of gestures is due to the speaker’s movement increasing the listener’s attention or if it needs to be a meaningful gesture, if the difficulty of the task results in disparate reliance on gestures, and if word classes are differentially affected by gestures. In the present research, participants were measured on their novel word learning across four gesture conditions: meaningful gesture, beat gesture, nonsense gesture, and no gesture with e

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Sitorus, Wilda Wardani, and Rita Hartati. "Gestures and Their Meaning of Main Character in Alex Hardcastle™s Movie œSenior Year (2022)." REGISTER: Journal of English Language Teaching of FBS-Unimed 12, no. 3 (2023): 179–85. https://doi.org/10.24114/reg.v12i3.46058.

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This study analyzes gestures and their meaning in Senior Year (2022) movie. The objectives of this study are (1) to find out the types and their meaning used by the main character, and (2) to analyze the meanings of gestures in relation to the semantic meaning of the main character. This study used a qualitative descriptive method using the theory of types and meaning of gestures by David McNeil and Levy (2005), and Semantic Meaning by Chaer (1994). This study showed that 86 data had been found. There are 12 (14%) data as iconic gestures, 13 (15%) data as deictic gestures, 16 (19%) data as met

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Green, E. Mara. "Performing gesture." Gesture 16, no. 2 (2017): 329–63. http://dx.doi.org/10.1075/gest.16.2.07gre.

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Abstract This article focuses on a signed performance by a deaf Nepali man who communicates in natural sign, which is similar to home sign but with greater cross-signer conventionality. The signer skillfully employs pantomimic (“gestural”) and lexical (“linguistic”) repertoires for distinct pragmatic purposes. In the narrative frame, he uses pantomime to vividly enact his morning routine; in the metanarrative frame, he utilizes lexical signs to directly address the audience. By examining the two repertoires’ formal characteristics and their relationship to different frames, this analysis showc

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Cole, Malcolm S., and Wye Jamison Allanbrook. "Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni." Eighteenth-Century Studies 18, no. 3 (1985): 459. http://dx.doi.org/10.2307/2738731.

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Knowles, Kristina L. "Metric Ambiguity and Rhythmic Gesture in the Works of George Crumb." Contemporary Music Review 41, no. 1 (2022): 30–54. http://dx.doi.org/10.1080/07494467.2022.2033569.

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Kivy, Peter, and Wye Jamison Allanbrook. "Rhythmic Gesture in Mozart: "Le Nozze di Figaro" and "Don Giovanni"." Dance Research Journal 17, no. 1 (1985): 56. http://dx.doi.org/10.2307/1478224.

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Ford, Charles, and Wye Jamison Allanbrook. "Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni." Music Analysis 5, no. 1 (1986): 108. http://dx.doi.org/10.2307/854345.

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Aashima Gupta, Krishna Balaji, and Preeti Kalra. "Hand Gesture Recognition." International Journal of Scientific Research in Science and Technology 11, no. 3 (2024): 169–75. http://dx.doi.org/10.32628/ijsrst2411312.

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One technology that has grown significantly in recent years and garnered a lot of attention is gesture recognition. Recognizing human movements is the primary goal of gesture recognition technology. An overview of gesture recognition, its various applications, how the system operates, applications, the suggested idea, the hardware and software tools needed to implement it, the idea's benefits and drawbacks, and the gesture recognition system's future potential are all covered in this paper.

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Bortnyk, K. V. "Characteristic aspects of teaching the discipline “Dance” to the students of the specialization “Directing of the Drama Theatre”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 258–73. http://dx.doi.org/10.34064/khnum1-51.15.

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Background. Modern theatre education in Ukraine is carried out through the extensive teaching system, which also includes different aspects of the training of future directors of the drama theatre. Some hours in academic programmes of institutions of higher theatre education are given for plastic training, which is carried out in the lessons of eurhythmics, stage movement, stage fencing, as well as dance. As for the latter, among the whole complex of disciplines connected with moving, the discipline “Dance” has the most significant value, as choreography today is one of the most demanded expre

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Elmagrouni, Issam, Abdelaziz Ettaoufik, Siham Aouad, and Abderrahim Maizate. "Approach for Improving User Interface Based on Gesture Recognition." E3S Web of Conferences 297 (2021): 01030. http://dx.doi.org/10.1051/e3sconf/202129701030.

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Gesture recognition technology based on visual detection to acquire gestures information is obtained in a non-contact manner. There are two types of gesture recognition: independent and continuous gesture recognition. The former aims to classify videos or other types of gesture sequences that only contain one isolated gesture instance in each sequence (e.g., RGB-D or skeleton data). In this study, we review existing research methods of visual gesture recognition and will be grouped according to the following family: static, dynamic, based on the supports (Kinect, Leap…etc), works that focus on

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Karácsony, Noémi, Mădălina Dana Rucsanda, and Mihaela Buhaiciuc. "Indian Rhythmic Gesture and Tinta in French Operas of the Second Half of the 19th Century and Early 20th Century." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (2022): 33–50. http://dx.doi.org/10.24193/subbmusica.2022.spiss2.03.

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"As part of a larger study which compresses three layers of analyses — dramatic, visual, and musical — the present article deals with the rhythmic component of the musical phenomenon in French operas within a half century timeframe, 1862–1923. Orientalism and exoticism were represented through melody, rhythm, timbre, and libretti in operas by F. David, G. Bizet, L. Delibes, J. Massenet, and A. Roussel. The melodic dimension, discussed in a previous study, offered perhaps more opportunities for the evocation of an allegedly oriental sound than rhythm and meter deliver within the operas, while t

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Gluhareva, Daria, and Pilar Prieto. "Training with rhythmic beat gestures benefits L2 pronunciation in discourse-demanding situations." Language Teaching Research 21, no. 5 (2016): 609–31. http://dx.doi.org/10.1177/1362168816651463.

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Recent research has shown that beat gestures (hand gestures that co-occur with speech in spontaneous discourse) are temporally integrated with prosodic prominence and that they help word memorization and discourse comprehension. However, little is known about the potential beneficial effects of beat gestures in second language (L2) pronunciation learning. This study investigates the impact of beat gesture observation on the acquisition of native-like speech patterns in English by examining the effect of a brief training with or without beat gestures on participants’ ratings of accentedness. In

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Xi, Xiaotong, Peng Li, Florence Baills, and Pilar Prieto. "Hand Gestures Facilitate the Acquisition of Novel Phonemic Contrasts When They Appropriately Mimic Target Phonetic Features." Journal of Speech, Language, and Hearing Research 63, no. 11 (2020): 3571–85. http://dx.doi.org/10.1044/2020_jslhr-20-00084.

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Purpose Research has shown that observing hand gestures mimicking pitch movements or rhythmic patterns can improve the learning of second language (L2) suprasegmental features. However, less is known about the effects of hand gestures on the learning of novel phonemic contrasts. This study examines (a) whether hand gestures mimicking phonetic features can boost L2 segment learning by naive learners and (b) whether a mismatch between the hand gesture form and the target phonetic feature influences the learning effect. Method Fifty Catalan native speakers undertook a short multimodal training se

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Tanaka, Yoshifumi. "The Effect of Gesture on Idea Generation Task." Proceedings of the Annual Convention of the Japanese Psychological Association 78 (September 10, 2014): 3AM—1–098–3AM—1–098. http://dx.doi.org/10.4992/pacjpa.78.0_3am-1-098.

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Kuscu, Demet Yandim, Nalan Kayrak, Aykut Karasu, Gunay Gul, and Dursun Kirbas. "Ictal singing due to left mesial temporal sclerosis." Epileptic Disorders 10, no. 2 (2008): 173–76. http://dx.doi.org/10.1684/epd.2008.0195.

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ABSTRACT Simple ictal or interictal automatisms are commonly seen in epilepsy, whereas complex automatisms are rare. Simple ictal vocalizations or appendicular automatisms have been reported to be due to mesial temporal lobe epilepsy. However, seizure‐associated singing and dancing is very rare. We report a seventeen‐year‐old patient with ictal singing and rhythmic swinging of the arms as a dancing gesture. The video‐EEG recording showed ictal left temporal lateralization and neuropathology confirmed left mesial temporal sclerosis. [Pusblished with video sequences] .

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Franko, Mark. "The Conduct of Contemplation and the Gestural Ethics of Interpretation in Walter Benjamin�s "Epistemo-Critical Prologue"." Performance Philosophy 3, no. 1 (2017): 92. http://dx.doi.org/10.21476/pp.2017.31166.

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This essay is a close reading of the �Epistemo-Critical Prologue� of Walter Benjamin�s The Origin of German Tragic Drama as a methodological proposal. A comparative reading of the English translation with the German original reveals a sustained reflection on the gestural rhythm of interpretation that the translation obscures. The question of interpretation is an ethical question for Benjamin and for this reason the essay argues against Giorgio Agamben�s idea of gesture as �the communication of communicability,� an idea derived from a reading of Benjamin�s �Critique of Violence.� Hence, the lar

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Pradnya K. Bachhav, Ayesha Shaikh, Pooja Gupta, Shiba Shaikh, and Anushka Jadhav. "AI Presentation Tool Using Gesture Recognition." International Research Journal on Advanced Engineering Hub (IRJAEH) 3, no. 03 (2025): 807–11. https://doi.org/10.47392/irjaeh.2025.0113.

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The proposed idea AI Presentation Tool Using Gesture Recognition introduces an innovative AI-driven presentation tool that utilizes hand gestures for controlling PowerPoint slides, aiming to transform the presentation experience. By enabling presenters to interact with their slides through natural movements, the tool eliminates the reliance on traditional physical devices, such as remotes or keyboards, fostering a more fluid and engaging atmosphere. The system employs advanced computer vision and deep learning techniques to accurately recognize hand gestures in real-time, providing a hands-fre

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Moraes, Marcelo Jacques de. "A tempestade desde o fundo do tinteiro, com Victor Hugo e Stéphane Mallarmé." Aletria: Revista de Estudos de Literatura 34, no. 4 (2024): 37–50. https://doi.org/10.35699/2317-2096.2024.51587.

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In the poem “Réponse à un acte d’accusation” (1856), Victor Hugo synthesized his poetic principles with the image of a wind blown from “a tempest at the bottom of the inkwell” on the tradition of fixed forms and classical rhetoric and about the state of the French language in general, divided, according to him, by a conservative and class perspective. Our objective here is to return to this “rhythmic” of Hugo’s pen, as Georges Didi-Huberman describes it, and comment on it from another “tempest” produced by poetry, the one, perhaps less romantic, or more serene, of Mallarmé, for whom writing mu

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Byrne, Cathy. "The interrelation of rhythm and pitch in Bartók’s first Piano Concerto." Studia Musicologica 53, no. 1-3 (2012): 275–84. http://dx.doi.org/10.1556/smus.53.2012.1-3.19.

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The central hypothesis of this paper is that rhythmic patterns in Bartók’s melodies correlate with intervallic structure. Recognition of a motif or phrase as a distinct musical idea depends on its rhythmic character as well as its ordering of pitches. Rhythmic asymmetry is also significant to the rhythm-pitch interrelation theory. In Bartók’s music, rhythm often varies while the melodic identity is retained. Equally, his use of chromaticism and inversion as forms of melodic variation often occur with the rhythmic identity intact. Many rhythmic patterns form phrases that undergo such extreme ch

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Iriskhanova, Olga, Maria Kiose, Anna Leonteva, and Olga Agafonova. "Multimodal languaging: Reification profiles in language and gesture." Linguistic Frontiers 6, no. 2 (2023): 78–91. http://dx.doi.org/10.2478/lf-2023-0014.

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Abstract The paper explores multimodal languaging of objects and words as an encultured practice. We report the results of the experiment where the participants explained the difference between close synonyms, enacting them as either objects or words in speech and gesture. The basic claim of the study is that speech and gesture as second-order language reflect the way they were acquired in developing the knowledge of objects and words in reification image-schemas. We found that i) object reification occurs twice more often; ii) enacting objects and words is affected by the same image-schemas e

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Blondel, Marion, and Christopher Miller. "Rhythmic structures in French Sign Language (LSF) nursery rhymes." Sign Language and Linguistics 3, no. 1 (2000): 59–77. http://dx.doi.org/10.1075/sll.3.1.04blo.

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Research over the past three decades has brought attention to various ways in which linguistic structures are exploited to build poetic form in sign languages. These include recurring patterns of phonological elements (similar to rhyme, alliteration or assonance) that play a role in the structure of verses and strophes, as well as uses of metaphor and modifications of the form of signs that contribute to an overall fluidity of movement distinct from non-poetic signed discourse. In this paper we concentrate our attention on the role of rhythmic structure and the ways in which it interacts with

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Shores, Corry. "Deviant Gestures: Deleuze’s Communicative Disruption." Deleuze and Guattari Studies 18, no. 1 (2024): 10–35. http://dx.doi.org/10.3366/dlgs.2024.0540.

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For Deleuze, the creation and conveyance of meaning requires not a strict fidelity to an original idea, message or image but rather its deformation. The forces causing such disfigurations operate in gesture, vocalisation and text, with one level sometimes disrupting the others. Among them, gesture plays an especially important role, given Deleuze’s attention to bodily experience. He locates it in theatre, painting and cinema, particularly in the works of Carmelo Bene, Francis Bacon and Jerry Lewis. In these cases, instead of conveying a recognisable message, a deformative gesture sends a shock

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Stevens, Jane R. "Rhythmic Gesture in Mozart: "Le nozze di Figaro" and "Don Giovanni" . Wye Jamison Allanbrook ." Journal of the American Musicological Society 38, no. 2 (1985): 393–99. http://dx.doi.org/10.1525/jams.1985.38.2.03a00100.

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Platoff, John. ": Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni . Wye Jamison Allanbrook." Journal of Musicology 4, no. 4 (1985): 535–38. http://dx.doi.org/10.1525/jm.1985.4.4.03a00080.

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Li, Ling Hua, and Shou Fang Mi. "Research on the Method of Orthogonal Three-Direction Chain Code Used in Corner Detection of Hand Gesture." Applied Mechanics and Materials 241-244 (December 2012): 3059–62. http://dx.doi.org/10.4028/www.scientific.net/amm.241-244.3059.

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This paper describes the research on the method of orthogonal three-direction chain code (3OT) used in corner detection of hand gesture. The research is discussed from two aspects: the main idea of 3OT and the experiments on corner detection for hand gesture images of 26 letters in American Sign Language by using 3OT. Experiment results show that the method has well performance with exact corner detection rate and least false corner’s number.

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Ozdemir, Ali. "HAND GESTURE CHARACTER RECOGNITION USING AI DEEP LEARNING." Pakistan's Multidisciplinary Journal for Arts & Science 6, no. 1 (2025): 01–10. https://doi.org/10.5281/zenodo.15341952.

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A B S T R A C T <em>The interaction between two peers can occur when there is a communication medium between these peers such that both can exchange any idea, information, meaning, news or feeling. This communication medium can either be linguistics or can be gestures. The linguistic communication concerns with statistical or rule-based modeling of Natural Language from a computational point of view, whereas Gesture is moving any part of a body (like head or hand) in order to express any meaning or idea. The aim of this report is to review the different proposals about human gesture recognitio

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Окунева, Е. Г. "ALBAN BERG’S “CONSTRUCTIVE RHYTHMS” IN THE ASPECT OF THE SERIAL IDEA." Music Journal of Northern Europe, no. 2(26) (April 8, 2024): 15–41. http://dx.doi.org/10.61908/2413-0486.2021.26.2.15-41.

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В статье рассматриваются новации Альбана Берга в области ритмического структурирования. Композитор использовал в своей музыке ритмы, которые называл «конструктивными» и обозначал в партитуре аббревиатурой RH (от немецкого Hauptrhythmus). Особенности ритмической техники Берга исследуются на примере отдельных фрагментов из опер «Воццек» и «Лулу», Камерного концерта и «Лирической сюиты», показывается связь конструктивных ритмов с сериальной идеей. Особое внимание уделяется способам трансформации ритмов путём увеличения или уменьшения, сочетания рациональных и иррациональных длительностей, смещени

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Yelle, Robert A. "The rhetoric of gesture in cross-cultural perspective." Gesture, ritual and memory 6, no. 2 (2006): 223–40. http://dx.doi.org/10.1075/gest.6.2.07yel.

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It has often been claimed that there is a natural or universal language of gesture, one that communicates directly without words. The present essay critically scrutinizes some older efforts to recover such a natural language of gesture, including John Bulwer’s seventeenth-century Chirologia and Chironomia, and the classical South Asian systems of Natyashastra and Tantra. Although these older systems lay claim to communicate and even to represent nature directly, often by virtue of a posited iconic or mimetic relationship to nature, closer examination reveals that they signify only in terms of

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Ciocan, Cristian. "Fenomenologia gestului între Heidegger și Flusser." Studii de istorie a filosofiei universale 31 (December 30, 2023): 203–22. http://dx.doi.org/10.59277/sifu.2023.16.

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In this article, I propose a phenomenological reflection on the problem of gesture. To begin with, I shed light on the difficulties encountered by the attempt to describe this phenomenon, given that the overflowing and irreducible plurality of gestures is constituted in various ways by the intertwining of several existential registers such as corporeality, intersubjectivity, affectivity and language. Then, I place the phenomenon of gesture in relation to bodily movement and the phenomenon of expressiveness, differentiating gestures from non-gestural movements and non-gestural expressions. Fina

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Mhaske, Yuvraj. "Gesture Vocalizer for Dumb People." International Journal for Research in Applied Science and Engineering Technology 13, no. 6 (2025): 1180–85. https://doi.org/10.22214/ijraset.2025.72343.

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In ancient times, the Sign language system was developed to eradicate the problem in dumb and deaf people and make them gain knowledge for proper interaction with the world. Learning sign language involved creating sign language using fingers movement and movement in hand. It is been observed that dumb and deaf people feel themselves inferior to the society and do not interact much with other people. There are many projects tried to Develop to make things beneficial for them but still we are unable to create a better support for DnD people. There where a lot of projects developed but the costi

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Karki, Shanta, Kathrina Castillo, Zhaolan Ding та ін. "Circadian clock control of eIF2α phosphorylation is necessary for rhythmic translation initiation". Proceedings of the National Academy of Sciences 117, № 20 (2020): 10935–45. http://dx.doi.org/10.1073/pnas.1918459117.

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The circadian clock in eukaryotes controls transcriptional and posttranscriptional events, including regulation of the levels and phosphorylation state of translation factors. However, the mechanisms underlying clock control of translation initiation, and the impact of this potential regulation on rhythmic protein synthesis, were not known. We show that inhibitory phosphorylation of eIF2α (P-eIF2α), a conserved translation initiation factor, is clock controlled in Neurospora crassa, peaking during the subjective day. Cycling P-eIF2α levels required rhythmic activation of the eIF2α kinase CPC-3

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PLAKHOTNYUK, Oleksandr. "THE MEANING OF INTRODUCING OF THE STANDARDS OF THE HIGHER EDUCATION IN THE AREA OF EXPERTISE 02 “CULTURE AND ARTS”, SPECIALTY: 024 “CHOREOGRAPHY”." Bulletin of the Lviv University. Series of Arts Studies 103 (2021): 51–59. http://dx.doi.org/10.30970/vas.22.2021.12180.

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The queStion about forming, Study and inveStigation of the process of the formulation of the choreographic culture in Ukraine on the example of the introduction in the syStem of higher choreographic education of certain Standards is considered. The queStion concerning the importance of spreading and popularization of choreography encountering its unique definitely expressive and regional peculiarities of Ukraine, also the awareness and underStanding of the importance of the development of the choreography specialty as the diStinctive art specialty is highlighted. Thesis objective – the analysi

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Prachi, Agarwal, and Agarwal Deepali. "VIRTUAL MOUSE WITH GESTURE CONTROL." International Journal of Engineering Sciences & Emerging Technologies 11, no. 2 (2023): 185–92. https://doi.org/10.5281/zenodo.10807682.

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<em>Many technologies are changing daily in today's technological age. Human-system interface is one such exciting idea. For instance, there is no option to tighten restrictions in a stressed-out mouse. Wi-Fi mice require Bluetooth hardware to be installed on the laptop and a Bluetooth dongle to be connected. In this paper, the usage of various gestures of hand is shown to depict activities such as dragging out of things, clicking and others. Only a webcam will be required for the suggested device's input. OpenCV and Python are the two software programs that will be needed to implement the sug

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Khan, Talha, Shaheer Ahmed, Syed Safdar Ali Rizvi, Sadique Ahmad, and Nitasha Khan. "Electromyography based Gesture Recognition: An Implementation of Hand Gesture Analysis Using Sensors." Sir Syed University Research Journal of Engineering & Technology 12, no. 1 (2022): 70–77. http://dx.doi.org/10.33317/ssurj.424.

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Motion sign-based language has an important role in the mute community, that is for data transmission. Usually, silent and dumb people counter very difficult situations to convey information to normal people. This paper proposes research that can ease the life of the deaf community. The work presented in this paper is a communication bridge between normal-hearing persons and persons with less hearing ability or impaired persons. The proposed research ‘Gesture–Talk’ can be used as an interpreter between any normal person and deaf and mute persons. The Gesture–Talk is based on the language used

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Ambavane, Pritesh, Rahul Karjavkar, Hemant Pathare, Shubham Relekar, Bhavana Alte, and Neeraj Kumar Sharma. "A Novel Communication System For Deaf And Dumb People using gesture." ITM Web of Conferences 32 (2020): 02003. http://dx.doi.org/10.1051/itmconf/20203202003.

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Human Beings know each other and contact with themselves through thoughts and ideas.The best way to present our idea is through speech. Some people don’t have the power of speech; the only way they communicate with others is through sign language. Now a days technology has reduced the gap through systems which can be used to change the sign language used by these people to speech. Sign language recognition (SLR) and gesture-based control are two major applications used for hand gesture recognition technologies. On the other side the controller converts the sign language in to the text and spee

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Manisha S, Dr Joshi, Amogh B, Arpitha Kumar, and Rakshith K Shetty. "GESTURE BASED MONITORING SYSTEM FOR PARTIALLY PARALYSED PATIENTS." International Journal of Engineering Applied Sciences and Technology 6, no. 11 (2022): 88–94. http://dx.doi.org/10.33564/ijeast.2022.v06i11.019.

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The electronic document contains details on a device termed Gesture based monitoring system for partially paralysed patients.he device created and the idea originally belongs to RAY HealthTech. The concept of paralysis is explained initially, this is followed by the technical explanation of the device created, the electronic components and the physics of the Monitoring system.

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Dyrmo, Tomasz. "Levels of metaphor in gesture." Pragmatics and Cognition 30, no. 2 (2023): 330–52. http://dx.doi.org/10.1075/pc.00033.dyr.

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Abstract The present contribution integrates a recent, multilevel approach to metaphor advanced by Kövecses (2017 and later publications), with gestures as a mode of metaphorical expression. In doing so, the paper shows how different elements of conceptual structure, varying from the abstract, recurring image schema, through more complex conceptual domains and frames, to contextually embedded and variable metaphorical scenarios, participate in the metaphoricity of gestures. This application of gestures to the multilevel approach lends direct support to the idea that human conceptual system rec

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Pinheiro, Sara. "Foley gesture: Towards a theory of acousmatic foley." New Sound, no. 61-1 (2023): 60–83. http://dx.doi.org/10.5937/newso23061060p.

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The research project "Acousmatic Foley" addresses common traits between foley art and Concrete Music, based on the idea that the foley artist is an acousmatic listener and, in turn, that acousmatic listening is a form of fiction. In this line, the study argues that both fields have similar treatment of the "sonorous object". For this purpose, the research builds on two lines of thought: the "son-en-scène" and the "mise-en-son". Firstly, the "son-en-scène" focuses on the sounds of the filmic miseen-scène (and its sound props), from very early cases to contemporary instances. The focus on these

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Duarte, Bruno C. "Rhythm and Structure: Brecht’s Antigone in performance." Performance Philosophy 2, no. 2 (2017): 222. http://dx.doi.org/10.21476/pp.2017.2295.

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Brecht’s adaptation of Sophocles’ Antigone in 1948 was openly a political gesture that aspired to the complete rationalization of Greek Tragedy. From the beginning, Brecht made it his task to wrench ancient tragic poetry out of its “ideological haze”, and proceeded to dismantle and eliminate what he named the “element of fate”, the crucial substance of tragic myth itself. However, his encounter with Hölderlin's unorthodox translation of Antigone, the main source for his appropriation and rewriting of the play, led him to engage in a radical experiment in theatrical practice. From the isolated

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Menegaldo, Fernanda Raffi, Marco Antonio Coelho Bortoleto, and Mercè Mateu. "ARTISTIC-EXPRESSIVE DIMENSION OF GYMNASTICS FOR ALL." Science of Gymnastics Journal 15, no. 2 (2023): 257–68. http://dx.doi.org/10.52165/sgj.15.2.257-268.

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The expressive and poetic dimension of Gymnastics for All (GfA) is often recognized in choreographies performed at gymnastics festivals, emphasising its communicative and referential function. The aim of this study was to discuss the artistic-expressive dimension of GfA based on Pierre Parlebas’ theory and in the sociological notion of sportivisation. The particular and unfinished sportivisation GfA process includes the absence of institutionalised gesture codes, characterising the artistic-expressive dimension as a "potency", which therefore may or may not be part of GfA's activities, accordi

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Hauge, Torunn Bakken. "RHYTHMIC MUSIC PEDAGOGY: A SCANDINAVIAN APPROACH TO MUSIC EDUCATION." Journal of Pedagogy and Psychology "Signum Temporis" 5, no. 1 (2012): 4–22. http://dx.doi.org/10.2478/v10195-011-0049-y.

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ABSTRACT Rhythmic music pedagogy is a relatively new Scandinavian approach to classroom music education that offers a variety of methods and strategies for teaching and learning music, especially within the performance of improvised and rhythmic music. This article is based on two earlier projects published in Norwegian, in which the concept of rytmisk musikkpedagogikk (or “rhythmic music pedagogy”) as well as its applications and implications were thoroughly described. This research confirms that rhythmic music pedagogy may be an effective strategy for learning music in general, but most espe

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Yuvaraju.M*, Priyanka R. "FLEX SENSOR BASED GESTURE CONTROL WHEELCHAIR FOR STROKE AND SCI PATIENTS." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 6, no. 5 (2017): 543–49. https://doi.org/10.5281/zenodo.345697.

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The design of wheelchair in a real time system to make a simple hand gesture recognition method to be used in rehabilitation of people who have mobility issues particularly Spinal Cord Injury (SCI) and some of the Stroke Patients. The idea is to implement a low cost control device called Hand Gesture or by using touch sensor for the patients to control the wheelchair and they can survey themselves for their basic needs and they need not to depend on others to guide those patients. The system was developed to indicate the directions for the patients to move on the flat surface and also measure

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