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Journal articles on the topic 'Rhythmic organization'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Tsonev, Petar. "Rhythm and Rhythmic Organisation of Speech." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 66, no. 4 (2024): 403–19. http://dx.doi.org/10.53656/bel2024-4-5.

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The study examines the problems of rhythm as a non-linguistic and linguistic phenomenon, as well as the similarities and differences between rhythmic organization in poetry and in speech, the number and nature of rhythmic units, the classification of languages according to their rhythmic organization, and the role of various prosodic features in the rhythmization of speech. Moreover, special attention is paid to the nature of rhythm in relation to its participation in the temporal organization of speech and to the specificity of the rhythmic systém of the Bulgarian language. For this purpose,

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2

Krishnan, Geetha, and Karen Colson. "Temporal organization of rhythmic units." Journal of the Acoustical Society of America 88, S1 (1990): S128. http://dx.doi.org/10.1121/1.2028577.

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3

Efimova, E. A. "Correction of speech disturbances in elevated form of dysartria in elder preschool children." Uchenye zapiski St. Petersburg University of Management Technologies and Economics, no. 4 (December 23, 2021): 73–78. http://dx.doi.org/10.35854/2541-8106-2021-4-73-78.

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This article discusses the use of speech therapy rhythmics in order to correct speech disorders in preschoolers with an erased form of dysarthria. In the course of this work were in s manifest features of tempo-rhythmic organization of speech of children with the erased form of dysarthria; the positive influence of speech therapy rhythmics on children of this category is described and examples of effective exercises in the process of its use are given.

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4

Imanova, Saadat. "Features of Songs Rhythmic Organization by E. Sabitoglu." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 61–72. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233339.

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The presented research is devoted to the study of the rhythmic organization’s peculiarities in the songs of E. Sabitoglu. Emin Sabitoglu is an outstanding Azerbaijani composer, whose work leaves many generations of domestic listeners not indifferent. The work of Emin Sabitoglu, being famous and popular, often attracts the attention of Azerbaijani musicologists. At the same time, the stylistic features of the composer’s songs have never before become the object of special scientific research. The purpose of the research is to study one of the important elements of the musical language in the so

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Imanova, Saadat. "Features of Songs Rhythmic Organization by E. Sabitoglu." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 61–72. https://doi.org/10.31866/2616-7581.4.1.2021.233339.

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The presented research is devoted to the study of the rhythmic organization’s peculiarities in the songs of E. Sabitoglu. Emin Sabitoglu is an outstanding Azerbaijani composer, whose work leaves many generations of domestic listeners not indifferent. The work of Emin Sabitoglu, being famous and popular, often attracts the attention of Azerbaijani musicologists. At the same time, the stylistic features of the composer’s songs have never before become the object of special scientific research. The purpose of the research is to study one of the important elements of the musical l

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6

Nurieva, Irina M. "The Theory of Rhythm in the Works by E. V. Gippius and Modern Approaches to the Problem (On the Example of Udmurt Traditional Music)." Finno-Ugric world 16, no. 2 (2024): 226–36. http://dx.doi.org/10.15507/2076-2577.016.2024.03.226-236.

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Introduction. The author of the article is the first to raise questions about the degree of continuity in the scientific ideas of E. V. Gippius, the possibility of correlating his scientific theory with the theory of rhythmic organization developed by his follower B. B. Efimenkova, as well as the practical significance of these scholars' theoretical contributions for Udmurt ethnomusicology. This topic is relevant not only for Udmurt musical folklore, which was shaped by the monumental ideas of E. V. Gippius, but also for Russian ethnomusicology as a whole, as it addresses methodological issues

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7

Franks, Ian M., and Michael J. Canic. "Perceptual organization of simple rhythmic sequences." Bulletin of the Psychonomic Society 30, no. 4 (1992): 319–22. http://dx.doi.org/10.3758/bf03330479.

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8

Cummins, Fred. "Rhythmic organization of read word lists." Journal of the Acoustical Society of America 112, no. 5 (2002): 2443. http://dx.doi.org/10.1121/1.4780045.

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9

Tekman, Hasan Gürkan. "Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences." Music Perception 14, no. 3 (1997): 281–94. http://dx.doi.org/10.2307/40285722.

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If one dimension of sound is manipulated in a way that suggests a particular rhythmic organization, does perception of other dimensions change in ways that are consistent with the same rhythmic organization? When subjects were asked to judge or adjust intensities of tones, rhythmic manipulations of pitch structure changed the perception of intensity. When subjects were asked to judge timing, rhythmic manipulations of intensity had a similar effect. Timing manipulations did not have an effect on judgments of pitch. The results indicate that temporal structure as a whole is more accessible than

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10

Trifonova, А. A. "ORGANIZATION OF TEMPO-RHYTHM IN CHAMBER ENSEMBLE MUSIC." Arts education and science 1, no. 30 (2022): 26–34. http://dx.doi.org/10.36871/hon.202201003.

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The article is devoted to the artistic and technical aspects of tempo-rhythm in a chamber ensemble. The genre-forming feature of chamber music making is formulated as the equality of the partners' alternating tempo-rhythmic initiatives. The technology of synchronization of the ensemble playing is considered; its principle of relying on the pulsation changes instead of its stabilisation is highlighted; the myth of "uniformity" as the basis of synchronization is dispelled. The features of the tempo-rhythmic interaction of partners in the repertoire of different epochs and styles (Baroque, Classi

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11

Paderina, Ekaterina G. "The rhythmic organization of Gogol’s play «Players»." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2004): 23–32. http://dx.doi.org/10.17223/18137083/8/3.

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12

Elfimova, Mariia. "Rhythmic Organization of N. Gogol’s “Taras Bulba”." Stephanos. Peer reviewed multilanguage scientific journal 26, no. 6 (2017): 189–96. http://dx.doi.org/10.24249/2309-9917-2017-26-6-189-196.

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13

Jänig, Wilfrid. "Organization and rhythmic properties of sympathetic neurones." Journal of the Autonomic Nervous System 43 (April 1993): 21–22. http://dx.doi.org/10.1016/0165-1838(93)90140-p.

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14

Bittirova, T. S. "RHYTHMIC ORGANIZATION OF KAZIM MECHIEV ‘S VERSE." BULLETIN of the Kabardian-Balkarian Institute for the Humanities Research 4-2, no. 55 (2022): 107–12. http://dx.doi.org/10.31007/2306-5826-2022-4-2-55-107-112.

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15

Irlandini, Luigi Antonio. "Expanded Modal Rhythm." Revista Vórtex 5, no. 1 (2017): 1–24. http://dx.doi.org/10.33871/23179937.2017.5.1.1859.

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This article is written by a composer on his own music. It describes a set of rhythmic organization principles used in my compositional research since 1989. These principles greately expand what is traditionally known as "modal rhythm" , which appears for the first time in the music of the 12th century polyphonists of the Notre Dame School: Leoninus and Perotinus. For this reason, I call this group of rhythmic principles "expanded modal rhythm" . They are a part of a larger context of temporal organization principles designed to generating ametric textures, complex polyrhythm and cross rhythms

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16

Getz, Laura M., Priyanka Salona, Minhong Yu, and Michael Kubovy. "Competition between rhythmic and linguistic organization in a sentence-rhythm Stroop task." Quarterly Journal of Experimental Psychology 68, no. 11 (2015): 2243–54. http://dx.doi.org/10.1080/17470218.2015.1012525.

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17

Logvina, Svetlana A. "Euphemism: Prosodic Organization of Conceptual Components." RUDN Journal of Language Studies, Semiotics and Semantics 11, no. 4 (2020): 716–32. http://dx.doi.org/10.22363/2313-2299-2020-11-4-716-732.

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This article is devoted to the analysis of the formation of linguistic forms within the nominative process of euphemism. The psycholinguistic potential of euphemism forms a complex phenomenon with figurative, verbal, non-verbal, as well as silence components, has a peculiar intonational-prosodic design, which marks euphemisms in oral speech and, as a result, affects the level of priority of the information used in the communicative act. The study was based on semi-synthetic statements, elements of a euphemistic nature, namely euphemisms-automatisms. Selected monologic statements taken from int

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18

Yuasa, Hideo, and Masami Ito. "Generation of Locomotive Patterns and Self-Organization." Journal of Robotics and Mechatronics 4, no. 2 (1992): 142–47. http://dx.doi.org/10.20965/jrm.1992.p0142.

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Rhythmic movements of walking, swimming, etc. are controlled by mutually coupled endogenous neural oscillators. These rhythms coordinate one another to generate temporal and spatial moving patterns suitable for their environments and purposes. For example, a cat moves faster, the gait patterns change from “walk” to “trot”, and lastly to “gallop”. This moving pattern generator system can be regarded as one of the autonomous distributed systems which generates global patterns suitable for their environments and purposes. Using the bifurcation theory, it is possible to construct a system that sui

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19

Mclaughlin, Pat, and Adriel Boals. "Perceptual organization can affect performance on rhythmic tasks." Psychology of Music 38, no. 4 (2010): 395–401. http://dx.doi.org/10.1177/0305735609351916.

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20

Handel, Stephen. "The interplay between metric and figural rhythmic organization." Journal of Experimental Psychology: Human Perception and Performance 24, no. 5 (1998): 1546–61. http://dx.doi.org/10.1037/0096-1523.24.5.1546.

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21

Falqués, A., N. Dodd, R. Garnier, et al. "Rhythmic surf zone bars and morphodynamic self-organization." Coastal Engineering 55, no. 7-8 (2008): 622–41. http://dx.doi.org/10.1016/j.coastaleng.2007.11.012.

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22

Zeskind, Philip Sanford, Susan Parker-Price, and Ronald G. Barr. "Rhythmic organization of the sound of infant crying." Developmental Psychobiology 26, no. 6 (1993): 321–33. http://dx.doi.org/10.1002/dev.420260603.

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23

Borуsova, Yu, and A. Fedoriaka. "Musical and rhythmic training of gymnasts 6-7 years old." Scientific Journal of National Pedagogical Dragomanov University Series 15 Scientific and pedagogical problems of physical culture (physical culture and sports), no. 8(128) (December 28, 2020): 27–32. http://dx.doi.org/10.31392/npu-nc.series15.2020.8(128).06.

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Competitive composition in rhythmic gymnastics is a small performance that has its own plot. However, the modern system of training in rhythmic gymnastics involves the implementation of a large amount of complex and super-complex elements, which must be mastered by very young athletes, and almost no methods of forming artistry, expressiveness, musicality. Problems related to the study of sports aesthetics are the subject of research by scientists: Viner-Usmanova I.O., M.E. Plekhanova, L.P. Morozova, V.V. Sydorova, L.A. Karpenko, Kabaieva A.M., Biletska I.H. etc.. Aim: to scientifically s

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24

Zhdanova, Mariya, and Azariy Lapidus. "Benefits of reducing the construction time required for the construction by parallel works execution." Construction and Architecture 13, no. 2 (2025): 1. https://doi.org/10.29039/2308-0191-2025-13-2-1-1.

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The article considers methods of parallel execution of works and problems in their combination in construction based on the theory of queues. The article outlines the advantages of using a parallel method of execution. Attention is also given to uncertainties and risk reduction options in parallel work processes. The options of parallelization of non-rhythmic flows of work organization and optimization of aliquots of rhythmic parallel performances are considered. Three levels of business processes organization are identified, to be combined: macro-level, micro- and meso-level. Selected stages

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25

Окунева, Е. Г. "Rhythm in the Works of Luigi Dallapiccola." OPERA MUSICOLOGICA, no. 1 (March 26, 2020): 6–24. http://dx.doi.org/10.26156/om.2020.12.1.001.

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Творчество Луиджи Даллапикколы 1950-1960-х годов отмечено активными экспериментами в области метра и ритма. У композитора сложилась концепция так называемого плавающего ритма (schwebender Rhythmus). В статье данное понятие интерпретируется как связанное со свободной метрикой, ритмической нерегулярностью, безакцентностью. К комплексу приемов, способствующих нарушению метроритмического равновесия, автор относит вуалирование сильных долей, использование внутритактовых и межтактовых синкоп, добавочной длительности, полиметрию. Принципы композиторской работы с ритмом демонстрируются на примере отде

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26

Mellem, Monika S., Sophie Wohltjen, Stephen J. Gotts, Avniel Singh Ghuman, and Alex Martin. "Intrinsic frequency biases and profiles across human cortex." Journal of Neurophysiology 118, no. 5 (2017): 2853–64. http://dx.doi.org/10.1152/jn.00061.2017.

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Recent findings in monkeys suggest that intrinsic periodic spiking activity in selective cortical areas occurs at timescales that follow a sensory or lower order-to-higher order processing hierarchy (Murray JD, Bernacchia A, Freedman DJ, Romo R, Wallis JD, Cai X, Padoa-Schioppa C, Pasternak T, Seo H, Lee D, Wang XJ. Nat Neurosci 17: 1661–1663, 2014). It has not yet been fully explored if a similar timescale hierarchy is present in humans. Additionally, these measures in the monkey studies have not addressed findings that rhythmic activity within a brain area can occur at multiple frequencies.

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27

Helfrich-Förster, C. "Organization of endogenous clocks in insects." Biochemical Society Transactions 33, no. 5 (2005): 957–61. http://dx.doi.org/10.1042/bst0330957.

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Insect and mammalian circadian clocks show striking similarities. They utilize homologous clock genes, generating self-sustained circadian oscillations in distinct master clocks of the brain, which then control rhythmic behaviour. The molecular mechanisms of rhythm generation were first uncovered in the fruit fly Drosophila melanogaster, whereas cockroaches were among the first animals where the brain master clock was localized. Despite many similarities, there exist obvious differences in the organization and functioning of insect master clocks. These similarities and differences are reviewed

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28

Katz, Paul S. "Evolution of central pattern generators and rhythmic behaviours." Philosophical Transactions of the Royal Society B: Biological Sciences 371, no. 1685 (2016): 20150057. http://dx.doi.org/10.1098/rstb.2015.0057.

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Comparisons of rhythmic movements and the central pattern generators (CPGs) that control them uncover principles about the evolution of behaviour and neural circuits. Over the course of evolutionary history, gradual evolution of behaviours and their neural circuitry within any lineage of animals has been a predominant occurrence. Small changes in gene regulation can lead to divergence of circuit organization and corresponding changes in behaviour. However, some behavioural divergence has resulted from large-scale rewiring of the neural network. Divergence of CPG circuits has also occurred with

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29

Dolata, Jill K., Barbara L. Davis, and Peter F. MacNeilage. "Characteristics of the rhythmic organization of vocal babbling: Implications for an amodal linguistic rhythm." Infant Behavior and Development 31, no. 3 (2008): 422–31. http://dx.doi.org/10.1016/j.infbeh.2007.12.014.

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30

Saltiel, Philippe, Matthew C. Tresch, and Emilio Bizzi. "Spinal Cord Modular Organization and Rhythm Generation: An NMDA Iontophoretic Study in the Frog." Journal of Neurophysiology 80, no. 5 (1998): 2323–39. http://dx.doi.org/10.1152/jn.1998.80.5.2323.

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Saltiel, Philippe, Matthew C. Tresch, and Emilio Bizzi. Spinal cord modular organization and rhythm generation: a NMDA iontophoretic study in the frog. J. Neurophysiol. 80: 2323–2339, 1998. Previous work using electrical microstimulation has suggested the existence of modules subserving limb posture in the spinal cord. In this study, the question of modular organization was reinvestigated with the more selective method of chemical microstimulation. N-methyl-d-aspartate (NMDA) iontophoresis was applied to 229 sites of the lumbar spinal cord gray while monitoring the isometric force output of th

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31

Ausborn, Jessica, Abigail C. Snyder, Natalia A. Shevtsova, Ilya A. Rybak, and Jonathan E. Rubin. "State-dependent rhythmogenesis and frequency control in a half-center locomotor CPG." Journal of Neurophysiology 119, no. 1 (2018): 96–117. http://dx.doi.org/10.1152/jn.00550.2017.

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The spinal locomotor central pattern generator (CPG) generates rhythmic activity with alternating flexion and extension phases. This rhythmic pattern is likely to result from inhibitory interactions between neural populations representing flexor and extensor half-centers. However, it is unclear whether the flexor-extensor CPG has a quasi-symmetric organization with both half-centers critically involved in rhythm generation, features an asymmetric organization with flexor-driven rhythmogenesis, or comprises a pair of intrinsically rhythmic half-centers. There are experimental data that support

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32

Givon, T. "Toward a neurology of grammar." Behavioral and Brain Sciences 21, no. 1 (1998): 154–55. http://dx.doi.org/10.1017/s0140525x9821096x.

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This commentary makes a case for a connection between the hierarchically organized skills emphasized in Greenfield's (1991t) target article and rhythmic skills utilized in music. It also links hierarchical organization with automated processing. Implicit is the notion that lower levels of a hierarchy become automatic, as they go under control of higher levels of organization.

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33

Koerner, Edgar. "Comparative reduction of theories — or over-simplification?" Behavioral and Brain Sciences 19, no. 2 (1996): 301–2. http://dx.doi.org/10.1017/s0140525x00042758.

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AbstractTo model the organization of levels' of cortical dynamics, at least some general scheme for hierarchy, functional diversity, and proper intrinsic control must be provided. Rhythmic control forces the system to iterate its state by short trajectories, which makes it much more stable and predictable without discarding the desirable ability of chaotic systems to make rapid phase transitions. Rhythmic control provides a fundamentally different systems dynamics, one not provided by models that allow the emergence of continuous trajectories in the systems state space.

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34

Efremova, Ekaterina Mikhailovna. "Rhythmic and sound organization as the principle of structural integrity of I. Gogolev's poem "The Glade of Poetry"." Philology. Issues of Theory and Practice 17, no. 7 (2024): 2233–37. http://dx.doi.org/10.30853/phil20240308.

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The results are revealed based on the analysis of the poem by the national poet of Yakutia I. M. Gogolev "The Glade of Poetry" (1979), which played a significant role in the formation of an individual author's style. The choice of material is dictated by the desire for a more in-depth study of the poetics of poems, as well as insufficient knowledge of the author's poetry. The article deals with the problem of poetic integrity of the text from the point of view of rhythmic and sound organization. The purpose of the study is to identify some features of rhythmic and sound organization as the fun

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35

Gérard, Claire, and Catherine Auxiette. "The Role of Melodic and Verbal Organization in the Reproduction of Rhythmic Groups by Children." Music Perception 6, no. 2 (1988): 173–92. http://dx.doi.org/10.2307/40285424.

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Children of 5 to 6 years are generally thought not to have acquired a sense of stable key in music. This experiment shows that specialized tutoring allows them to acquire and use the specific functions of the tonic and dominant as points of stability and boundaries for grouping rhythmic sequences in a reproduction task. Untrained children of the same age do not use the cues provided by the tonal system, but lean rather upon verbal boundaries (in the sense of syntactic constituents). Three analyses of the results demonstrated that (a) verbal and melodic cues superimposed onto rhythmic models we

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36

Bondarenko, Andrii. "The Peculiarities of Organization of Acoustic Events in Electronic Music (on the Example of Works by A. Zahaikevych, H. Potopalskyi and Yu. Denysenko)." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 80–88. https://doi.org/10.31866/2410-1176.42.2020.207636.

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The purpose of the work is to identify different types of approaches in the organization of acoustic events in electronic music by authors representing different stylistic trends; to demonstrate that the composer (author of electronic music) depending on stylistic guidelines can use acoustic events of a different nature and organize them into musical integrity in different ways. Research Methodology. Art studying analysis has been applied to find out the possibilities of the spectrum of sound using special software tools such as oscillogram and spectrogram (software “Adobe Audition 3.0&r

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37

Jianghai, Wang, and Wu Jinping. "Rhythmic zoning and self-organization in silicate solid-solution minerals." Chinese Journal of Geochemistry 10, no. 4 (1991): 335–47. http://dx.doi.org/10.1007/bf02841094.

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38

Furlan-Magaril, Mayra, Masami Ando-Kuri, Rodrigo G. Arzate-Mejía, et al. "The global and promoter-centric 3D genome organization temporally resolved during a circadian cycle." Genome Biology 22, no. 1 (2021): 162. https://doi.org/10.1186/s13059-021-02374-3.

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<strong>Background: </strong>Circadian gene expression is essential for organisms to adjust their physiology and anticipate daily changes in the environment. The molecular mechanisms controlling circadian gene transcription are still under investigation. In particular, how chromatin conformation at different genomic scales and regulatory elements impact rhythmic gene expression has been poorly characterized.<strong>Results: </strong>Here we measure changes in the spatial chromatin conformation in mouse liver using genome-wide and promoter-capture Hi-C alongside daily oscillations in gene trans

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39

Liu, Shuiqingyun. "Three Canons of Chinese Painting and Virginia Woolfs Painting Words in To the Lighthouse." Communications in Humanities Research 21, no. 1 (2023): 216–22. http://dx.doi.org/10.54254/2753-7064/21/20231482.

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Virginia Woolf has been writing with painting words. Based on the previous studies on Woolfs relationship with Chinese art and aesthetics, great similarities between Virginia Woolfs writing techniques and Chinese painting techniques are able to be identified. Her masterpiece To the Lighthouse has shown a strong resonance with the first three of the Six Canons of Chinese Painting --Qi Yun Sheng Dong, Gu Fa Yong Bi and Ying Wu Xiang Xing. This parallel research aims to further establish the resonances between these three canons and Woolfs way of writing in To the Lighthouse. Qi Yun Sheng Dong (r

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40

Mermet, Jérôme, Jake Yeung, and Felix Naef. "Oscillating and stable genome topologies underlie hepatic physiological rhythms during the circadian cycle." PLOS Genetics 17, no. 2 (2021): e1009350. http://dx.doi.org/10.1371/journal.pgen.1009350.

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The circadian clock drives extensive temporal gene expression programs controlling daily changes in behavior and physiology. In mouse liver, transcription factors dynamics, chromatin modifications, and RNA Polymerase II (PolII) activity oscillate throughout the 24-hour (24h) day, regulating the rhythmic synthesis of thousands of transcripts. Also, 24h rhythms in gene promoter-enhancer chromatin looping accompany rhythmic mRNA synthesis. However, how chromatin organization impinges on temporal transcription and liver physiology remains unclear. Here, we applied time-resolved chromosome conforma

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Halsband, Ulrike, Ferdinand Binkofski, and Max Camp. "The Role of the Perception of Rhythmic Grouping in Musical Performance: Evidence from Motor-Skill Development in Piano Playing." Music Perception 11, no. 3 (1994): 265–88. http://dx.doi.org/10.2307/40285623.

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Grouping plays a crucial role in the perception of metrically organized music, and it has been referred to as a key concept in increasing a subject's efficiency in sequential motor tasks that require a precise organization of movements in the time domain. But very little attention has been given to the crucial question of what kind of role perception of rhythmic grouping plays in the acquisition of motor skills. In the present investigation, we examined whether the perception of the rhythmic grouping organization of music notation has a direct effect on the formation of motor patterns in piano

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42

Tsur, Reuven, and Yehosheva Bentov. "Rhythmic and Strophic Organization in Mediaeval Hebrew Poetry: (A Cognitive Approach)." Empirical Studies of the Arts 14, no. 2 (1996): 183–206. http://dx.doi.org/10.2190/l2c5-2l7h-2nh1-x37w.

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This article explores the correlations and relative frequencies of certain prosodic structures in Mediaeval Hebrew Poetry, where metre is based on systematic manipulation of shorter and longer vowels (schwas versus full vowels). These correlations and frequencies cannot be accounted for by the explicit poetics of the period. It is assumed here that they reflect the tacit intuitions of the poets. The article presents several cognitive mechanisms underlying the experiencing of poetic rhythm, on the assumption that while metrical conventions may change from time to time and from style to style, t

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43

Swallie, Shanna E., Alexis M. Monti, and Dawn M. Blitz. "Anatomical Organization of Multiple Modulatory Inputs in a Rhythmic Motor System." PLOS ONE 10, no. 11 (2015): e0142956. http://dx.doi.org/10.1371/journal.pone.0142956.

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44

Zeskind, Philip Sanford, and Jeannine L. Gingras. "Maternal smoking during pregnancy disrupts rhythmic organization of fetal heart rate." Infant Behavior and Development 21 (April 1998): 774. http://dx.doi.org/10.1016/s0163-6383(98)91987-7.

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45

Khodovorska, I. "Innovation in technology of a sense of rhythm among students in solfeggio classes." Musical art in the educological discourse, no. 3 (2018): 116–20. http://dx.doi.org/10.28925/2518-766x.2018.3.116120.

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The article reveals one of the topical issues of modern musical and pedagogical education, concerning the usage of innovative technologies in the musical-theoretical preparation of art university students. The author of the article emphasizes that modern scientific and pedagogical thought is one of the efficient means of increasing the efficiency of the educational process recognizing the application of pedagogical technologies. Accordingly, the author analyses the existing approaches to understanding the concept of «pedagogical technology» and concludes for all, the focus is on the guaranteed

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Lafreniere-Roula, Myriam, and David A. McCrea. "Deletions of Rhythmic Motoneuron Activity During Fictive Locomotion and Scratch Provide Clues to the Organization of the Mammalian Central Pattern Generator." Journal of Neurophysiology 94, no. 2 (2005): 1120–32. http://dx.doi.org/10.1152/jn.00216.2005.

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We examined the features of spontaneous deletions of bursts of motoneuron activity that can occur within otherwise rhythmic alternating flexor and extensor activity during fictive locomotion and scratch in adult decerebrate cats. Deletions of activity were observed both in hindlimb flexor and extensor motoneuron pools during brain stem–stimulation-evoked fictive locomotion but only in extensors during fictive scratch. Paired intracellular motoneuron recordings showed that deletions reduced the depolarization of homonymous motoneurons in qualitatively similar ways. Differences occurred in the e

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Petrova, B. "PEDAGOGICAL ASPECTS OF LOGARITHMIC AND RHYTHMTHERAPY ON THE DISORDERS OF FLUENCY AND THEMPO-RHYTHMIC ORGANIZATION OF SPEECH OR STUTTERING." Trakia Journal of Sciences 18, Suppl.1 (2020): 267–74. http://dx.doi.org/10.15547/tjs.2020.s.01.046.

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The relationship between logarithmic and rhythm therapy is multifaceted, which explains the good opportunities for their application in a primary school in students with fluency and tempo-rhythmic organization of speech, which form the picture of development- stuttering. Research related to the pedagogical aspects of this application is relevant, as the problem is analyzed mainly theoretically as related to other scientific fields. This article presents methods for corrective work, which is also the concept of this framework of speech therapy rhythmic: object, subject, goal and tasks. A theore

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BUTLER, MARK J. "Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music." Twentieth-Century Music 2, no. 2 (2005): 221–43. http://dx.doi.org/10.1017/s1478572206000272.

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The rhythmic and metrical qualities of electronic dance music (EDM) are clearly among its most prominent and appreciated features. Yet scholarship on rhythm, as well as popular discourse surrounding EDM, often frames the pervasively duple metres that characterize popular dance-based styles as simplistic and limited in capacity. Given the allure of EDM’s temporal qualities, how do musicians devise creative solutions to the constraints of its duple metrical organization? This article addresses this question through a consideration of embedded grouping dissonance, one of several distinctive rhyth

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Medvedeva, Elena, Aleksandra Suprun, Inna Kiviharju, and Natal'ya Vlasova. "Increasing the expressiveness of movements with an object in highly qualified rhythmic gymnastics athletes." Scientific notes of P. F. Lesgaft University, no. 4 (April 17, 2025): 104–9. https://doi.org/10.5930/1994-4683-2025-4-104-109.

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The purpose of the study is to substantiate the content of subject training for highly qualified female athletes in group rhythmic gymnastics, aimed at developing the expressiveness of movements with an object. Research methods and organization. A comprehensive set of research methods was employed: analysis of specialized literature and program documents, surveys, pedagogical observation, expert evaluation methods, pedagogical experiments, and mathematical statistics methods. The study, conducted at the Center for Sports Training of the Lesgaft National State University of Physical Education,

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Kulyaeva, E., and S. Chapayeva. "Rhythm as the main part of makroteksta: the example of the passage from a novel by S. O'Casey "I knock on the door"." Bulletin of Science and Practice, no. 11 (November 14, 2017): 430–34. https://doi.org/10.5281/zenodo.1048744.

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The present article is devoted to the study of rhythm in English speech, which is regarded as the general-linguistic system that organizes language in general. In the author’s view, the rhythm is considered as a special type of contextual indicator, as it is involved in the corresponding of meaning. As an example, a passage from the autobiographical novel by the Irish writer Sean O’Сasey is taken.

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