Relevant bibliographies by topics / Richard Matheson

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Richard Matheson'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Richard Matheson"

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Anwar, Muhammad Javaid, Basri Sattar, and Muhammad Naveed Anwar. "Maslow’s Hierarchy of Needs in “Button Button” by Richard Matheson." IJOHMN (International Journal online of Humanities) 4, no. 6 (2018): 10. http://dx.doi.org/10.24113/ijohmn.v4i6.76.

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A short stories author and novelists named Richard Matheson was born on 1926 in US state New Jersey. Story writer Richard Matheson is best known for his science fiction’s works. His first story was “Born Man and Woman.” He also earned a good name for his popular fiction “I am Legend” as well as due to short story “Button Button” He passed away on June 23, 2013 (Editors, 2014). Alike various famous novelists and story writers Matheson also leave a deep impression of his readers. He also turned minor incidents and situations into extraordinary situations.
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de Chumaceiro, Cora L. Diaz. "Maude Adams's Portrait as Muse for Richard Matheson." Creativity Research Journal 17, no. 2 (2005): 297–98. http://dx.doi.org/10.1207/s15326934crj1702&3_15.

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Diaz de Chumaceiro, Cora L. "Maude Adams's Portrait as Muse for Richard Matheson." Creativity Research Journal 17, no. 2-3 (2005): 297–98. http://dx.doi.org/10.1080/10400419.2005.9651488.

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Laycock, Joseph P. "Conversion by Infection." International Journal for the Study of New Religions 1, no. 2 (2011): 261–78. http://dx.doi.org/10.1558/ijsnr.v1i2.261.

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The Omega Man (1971), starring Charlton Heston, is a film adaptation of the book I Am Legend by Richard Matheson. Matheson’s novel tells the tale of Robert Neville, the last man left alive after germ warfare has infected humanity with vampirism. The Omega Man differs from the original novel and its other adaptations in several ways: The most notable is that it imbues Heston’s character with obvious Christ-like symbolism. A more significant change went largely unnoticed: instead of vampires, those infected with the plague become part of a militant group called “The Family.” Although The Family
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Laura Diehl. "AMERICAN GERM CULTURE: RICHARD MATHESON, OCTAVIA BUTLER, AND THE (POLITICAL) SCIENCE OF INDIVIDUALITY." Cultural Critique 85 (2013): 84. http://dx.doi.org/10.5749/culturalcritique.85.2013.0084.

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Asmarani, Ratna. "CARELESS CHOICES, DREADFUL CONSEQUENCES: A COMPARATIVE STUDY OF W.W. JACOBS’ THE MONKEY’S PAW AND RICHARD MATHESON’S BUTTON, BUTTON." HUMANIKA 27, no. 2 (2020): 133–46. http://dx.doi.org/10.14710/humanika.v27i2.31610.

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The purpose of this paper is to analyze the theme of free choices and their relation to the stated consequences embodied in the two short stories, one by W.W. Jacobs entitled The Monkey’s Paw and another one by Richard Matheson entitled Button, Button. The analysis focuses on four aspects; namely, the situational triggers of the free choices, the gripping conflicts in the free choices, the ethical consequences, and the purpose of the twisted endings. The concepts borrowed to support the analysis are the concepts concerning situational choices, morality types, and ethical consequences. The rese
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Tate, Jonathan G. "Richard J. Grace, Opium and Empire: The Lives and Careers of William Jardine and James Matheson." Journal of Scottish Historical Studies 36, no. 2 (2016): 224–26. http://dx.doi.org/10.3366/jshs.2016.0194.

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Hunter, James. "Richard J. Grace, Opium and Empire: The Lives and Careers of William Jardine and James Matheson." Northern Scotland 8, no. 1 (2017): 109–11. http://dx.doi.org/10.3366/nor.2017.0134.

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Pomes, Stephen V. "Richard Matheson on Screen: A History of the Filmed Works2011290Matthew R. Bradley. Richard Matheson on Screen: A History of the Filmed Works. Jefferson, NC: McFarland 2010. ix + 305 pp., ISBN: 978 0 7864 4216 4 £42.50/$45." Reference Reviews 25, no. 6 (2011): 49–52. http://dx.doi.org/10.1108/09504121111156283.

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Harling, Philip. "Richard J. Grace. Opium and Empire: The Lives and Careers of William Jardine and James Matheson. Montreal: McGill-Queen's University Press, 2014. Pp. 476. $25.79 (cloth)." Journal of British Studies 54, no. 4 (2015): 1039–40. http://dx.doi.org/10.1017/jbr.2015.152.

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Dissertations / Theses on the topic "Richard Matheson"

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Engélibert, Gwenthalyn. "Les nouvelles de Richard Matheson (1950-1971) : un imaginaire américain entre science-fiction et fantastique." Thesis, Brest, 2018. http://www.theses.fr/2018BRES0027/document.

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Entre 1950 et 1971, Matheson publie 89 nouvelles dont plusieurs ont constitué des jalons de la culture populaire, par exemple «Born of Man and Woman», «Nightmare at 20,000 Feet», «Steel» ou encore «Duel».Très versatile, il s'imprègne des attentes des magazines de science-fiction et de fantastique américains qui sont en plein bouleversement dans les années 1950. Cette thèse se propose d'étudier les caractéristiques génériques des nouvelles, qui se comprennent également au prisme de la société américaine d'après-guerre : traumatisme de l'utilisation de la bombe sur Hiroshima et Nagasaki, peurs l
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Evaristo, Ana Cláudia Ferreira de Queiroz. "O tempo como antagonista na obra Somewhere in Time, de Richard Matheson." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/2135.

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Made available in DSpace on 2016-03-15T19:45:29Z (GMT). No. of bitstreams: 1 Ana Claudia F Queiroz Evaristo.pdf: 2200391 bytes, checksum: 584b9ae11154b6dc15bc09f47e5182e6 (MD5) Previous issue date: 2012-01-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The novel Somewhere in Time (1975), by the American author Richard Matheson, presents time as the most relevant element in the elaboration of this novel which ranges between Fantasy and Science Fiction. Time appears in the novel through many perspectives not only as part of the narrative structure, as a character, but als
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Ethridge, Benjamin Kane. "Causes of unease: Horror rhetoric in fiction and film." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2766.

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How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and disturbance in their respective audiences. The rhetorical and stylistic strategies employed to evoke these feelings are unique to the genre. Divulging these strategies will be the major focus of this thesis, yet there will also be discussion on the social and cultural background of the Horror genre.
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Wenk, Christian. "Abjection, madness and xenophobia in gothic fiction." Berlin : wvb, Wiss. Verl, 2008. http://d-nb.info/989569101/04.

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Books on the topic "Richard Matheson"

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Matheson, Richard. By the gun: Six from Richard Matheson. M. Evans, 1993.

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1926-, Matheson Richard, ed. He is legend: An anthology celebrating Richard Matheson. Tor, 2010.

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Richard Matheson on screen: A history of the filmed works. McFarland & Company, Inc., Publishers, 2010.

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Edward, Gorman. The best of the American West: Outstanding frontier fiction by Louis L'Amour, Loren D. Estleman, Richard Matheson, Luke Short and many others. Berkley Books, 1998.

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Université de Picardie. Centre d'études du roman et du romanesque, ed. Richard Matheson, il est une légende: Actes du colloque de l'Université de Picardie Jules Verne et de la Bibliothèque nationale de France, 9-10 décembre 2008. Encrage Université, 2011.

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Edington, Ian. Richard Matheson's Hell house. IDW Pub., 2004.

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Edington, Ian. Richard Matheson's Hell house. IDW Pub., 2004.

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Heath, Charles. The A-Team 5, ten percent of trouble: A novel by Charles Heath based on the television series The A-Team created by Frank Lupo and Stephen J. Cannell adapted from the episode Steel written by Frank Lupo, and Maltese cow written by Thomas Szollosi and Richard Christian Matheson. Swift, 1986.

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9

Richard Matheson's I Am Legend (Richard Matheson: Collected Stories). IDW Publishing, 2005.

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Matheson, Richard. Richard Matheson: Collected Stories, Vol. 3 (Richard Matheson: Collected Stories). Gauntlet Press, 2005.

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Book chapters on the topic "Richard Matheson"

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Schuller, Dorothea. "Matheson, Richard." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12094-1.

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Schuller, Dorothea. "Matheson, Richard: I Am Legend." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12095-1.

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Murphy, Bernice M. "The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson." In The Suburban Gothic in American Popular Culture. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244757_2.

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Christie, Deborah. "A Dead New World: Richard Matheson and the Modern Zombie." In Better Off DeadThe Evolution of the Zombie as Post-Human. Fordham University Press, 2011. http://dx.doi.org/10.5422/fordham/9780823234462.003.0006.

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van Leeuwen, Evert Jan. "The Plot of Usher: Rebuilding the House of Poe." In House of Usher. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325604.003.0003.

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This chapter presents a structural analysis of Edgar Allan Poe's story and Richard Matheson's script to highlight House of Usher's (1960) fidelity to Poe's original. ‘The Fall of the House of Usher’ (1839) is often classified as the story that epitomises Poe's philosophy of composition. From the outset, it hurtles towards a dreadful and inescapable catastrophe from which only the narrator escapes to tell the tale. Adapting Poe properly for the screen means following Poe's method of plotting for unity of effect as well as translating the story's atmosphere of doom, hysterical characterisation, and macabre themes of death and decay into a language understandable to actors, cinematographers, and all the various artists involved in the production design. The chapter's analysis shows that Matheson indeed followed Poe's philosophy of composition carefully, adapting the nineteenth-century writer's literary conventions to create a cinematic narrative of high fidelity to its literary source that was also very filmable and appealing to the audience of the day.
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Abbott, Stacey. "The Legacy of Richard Matheson’s." In Undead Apocalypse. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748694907.003.0002.

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This chapter traces the 21<sup>st</sup> century synergy between vampire and zombie back to Richard Matheson’s 1954 novel I Am Legend, a book that both reinvented the vampire story as science-fiction by reimaging the vampire through the language of science, and served as origin text for the birth of the zombie genre with George Romero’s Night of the Living Dead. Through an analysis of a range of adaptations of Matheson’s novel, including his own script written for Hammer Studios but rejected by the BBFC, this chapter considers how this text marks key transformative moments within the evolution of the horror genre on film.
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