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Dissertations / Theses on the topic 'Richard'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Johansson, Richard. "Natural language processing methods for automatic illustration of text /." Lund : Department of Computer Science, Lund Institute of Technology, Lund University, 2006. http://www.df.lth.se/~richardj/pdf/richard-lic.pdf.

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2

Água-Mel, Diana Pedra. "Richard Serra." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2013. http://hdl.handle.net/10400.5/12018.

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Dissertação de Mestrado para obtenção do grau de Mestre em Design de Moda, apresentada na Universidade de Lisboa - Faculdade de Arquitectura.<br>O presente projecto de investigação tem como principal objectivo o desenvolvimento de uma colecção de design de moda com base no pensamento projectual de Richard Serra (1939), assente na Process Art.Trata-se de um projecto de cariz prático, no qual as principais metodologias utilizadas foram a pesquisa bibliográfica dos dois temas, seguida da análise de obras específicas de Serra na área do desenho e na área da escultura. Deste processo resultou o des
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3

Müller-Kelwing, Karin. "Richard Schmidt." Böhlau Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A75067.

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4

Törnell, Mattias. "Richard Pages Sound." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27178.

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Fem låtar från Richard Pages skiva Peculiar Life har analyserats med syfte att ta reda på vad det är som ger dem dess sound. Analyserna har gjorts genom läsning av bookleten till skivan, informationssökning på internet, genom att titta på videodagbok från inspelning av skivan och genom att lyssna på låtarna. Analyserna har delats upp i kategorierna skriven information, video, utrustning och låtanalyser. Analyserna har visat att alla led i produktionen har stor betydelse för slutresultatet. Informationen som samlats in har använts till att återskapa soundet genom att komponera, arrangera, produ
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5

BRITTO, ANA BEATRIZ RODRIGUES DE. "RICHARD SERRA: SCULPTURE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35327@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES<br>Cet article a l intention d analyser l ouevre du sculpteur nord-américain Richard Serra à partir de sa formation aux États-Unis et du contexte culturel de la deuxième moitié du XXème siècle, lorsqu il il a commencé sa carrière à New York. Cette étude propose également de mettre en valeur l importance de la materialité dans les oue
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6

Burnes, John. "Playing Richard Burton." Digital Commons at Loyola Marymount University and Loyola Law School, 1995. https://digitalcommons.lmu.edu/etd/604.

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7

McShaffrey, Brandon. "DIRECTING RICHARD III." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/188107.

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Theater<br>M.F.A.<br>Richard III is regarded as one of Shakespeare's longest and most complex plays, with a complicated plot, and a character that is a Machiavellian villain. After a workshop of Act I as an MFA Directing Project, I was granted by Temple University to stage a full production of Richard III as my thesis. Approaching the play proved difficult for me due to my lack of experience with Shakespearean text. However, by analyzing Shakespeare's text, and approaching the adaptation with the goal to make the story as clear as possible, I desired to create a production that embodied the id
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8

Palmer, Erik Arthur. "Seeing Richard Avedon /." Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1537006421&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2008.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 307-321). Also available online in ProQuest, free to University of Oregon users.
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9

Lundius, Janna. "Richard Wagner, Parsifal." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-172846.

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The purpose of this thesis is to present a context and background to thepractical design aspect of my work. I considered this project to be anexperiential journey in search of a way to make Wagner's Parsifal relevantand interesting in relation to my own life and personal sensibilities. My aimwas to use the music as my guide and my hope was to reach a scenographicsolution by following my intuition. This project has been an important step inmy development as an artist and designer and I feel it has strengthened thebond between my conscious and subconscious mind, giving me theconfidence to trust
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10

Brun, Markus. ""Actus purus principii caritative diligentis" : trinitarische Theologie bei Bonaventura und ihr Ursprung bei Dionysius Pseudo-Areopagita und Richard von St.-Victor /." [S.l.] : [s.n.], 2005. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783638924177.

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11

Minden, Frank [Verfasser], and Richard [Verfasser] Götze. "Richard Götze (1890-1955) Leben und Werk / Frank Minden, Richard Götze." Hannover : Stiftung Tierärztliche Hochschule Hannover, 2013. http://d-nb.info/1179206525/34.

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12

Štollová, Jitka. "'Richard would outlive his overthrow' : post-Shakespearean representations of Richard III." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/283488.

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The popular image of Richard III remains, even today, deeply indebted to Shakespeare's portrayal; however, the century following the publication of Shakespeare's play in 1597 witnessed a fresh and vibrant re-evaluation of this character in a diverse range of texts from poems and history works to pamphlets. While many authors still perpetuated the negative Tudor image, original writings challenged this ingrained view and resulted in a more nuanced assessment of Richard III than the one pervading the sixteenth century. The present thesis investigates a range of seventeenth-century texts about Ri
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13

Minden, Frank Verfasser], and Richard [Verfasser] [Götze. "Richard Götze (1890-1955) Leben und Werk / Frank Minden, Richard Götze." Hannover : Stiftung Tierärztliche Hochschule Hannover, 2013. http://d-nb.info/1179206525/34.

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14

Choate, Evan Wallace. ""Unborn and unbegot" : Richard III, Edward II, Richard II, and queer history." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44878.

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In my thesis, I treat Shakespeare’s Richard III, Marlowe’s Edward II, and Shakespeare’s Richard II as a queer sequence of history plays, or a kind of co-authored triptych, by reading their influences on each other and focusing on the iterative elements of their writing of history. I describe in my thesis how the queer affects, desires, and pleasures in these plays are integral to a History – the shared knowledge and impressions of a British national past – from which they are and have been systematically excluded.
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15

Cooper, Tim. "Richard Baxter and antinomianism." Thesis, University of Canterbury. History, 1997. http://hdl.handle.net/10092/4490.

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In the following pages the soteriological and literary career of Richard Baxter (1615- 1691) is charted vis-a-vis seventeenth-century English Antinomianism, an increasingly marginalised doctrine of justification by faith alone without works through the imputation of Christ's righteousness to the believer. Whereas historians have previously seen this doctrine as a by-product of high Calvinism, this thesis argues that it found its origins in Luther; and where they contend that the Antinomians (such as Tobias Crisp or John Saltmarsh) were radical subversives, this thesis responds by demonstrating
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16

Russell, Andrea. "Richard Hooker : beyond certainty." Thesis, University of Nottingham, 2010. http://eprints.nottingham.ac.uk/11335/.

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For over four hundred years Richard Hooker has been firmly attached to the Church of England and his life and writings used to promote and preserve that institution’s self-understanding. Consensus as to his theological beliefs and ecclesiastical loyalties has, however, never been reached – even though each generation of scholars has claimed to discover the 'real' Richard Hooker. In spite of the differing, and often conflicting interpretations, there have been several constants – beliefs about Hooker and his work that have remained virtually unchallenged throughout the centuries. The aim of thi
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17

Sosa, Paolo, and la Puente Lorena De. "Entrevista a Richard Snyder." Revista de Ciencia Política y Gobierno, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/54098.

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Richard Snyder es profesor de Ciencia Política y Director del Centro de estudiospara América Latina y el Caribe de la Brown University, Providence, RI, USA. Snyder es autor de varios libros y artículos sobre temas de economía política y desarrollo, regímenes políticos y métodos de investigación en política comparada. En esta entrevista Paolo Sosa y Lorena De la Puente conversan con él sobre su recorrido en el campo de la Ciencia Política y su perspectiva sobre el desarrollo de esta disciplina en América Latina.
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18

Berberich, Stefanie. "Die Philosophie Richard Rortys /." Saarbrücken : [S. Berberich], 1991. http://catalogue.bnf.fr/ark:/12148/cb354995423.

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19

Stoffle, Richard W. "Testimony of Richard Stoffle." University of Arizona Libraries, Special Collections, 2014. http://hdl.handle.net/10150/316421.

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20

Bártek, Michael. "Richard Wagner a varhany." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177695.

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The Czech organist Michael Bártek presents the thesis Richard Wagner and the organ. Penetration of the Work of the Genius from Bayreuth into the Music for Organ as a graduate master thesis in studies on musical faculty of the Academy of Performing Arts in Prague. This thesis concerns itself with the relationship between Richard Wagner and the organ, a relation which is, despite no specific composition from the maestro for organ, surprisingly rich, and which seems thus far unexplored. Considering the impending bicentenary of the composer (and the 130th death anniversary), the theme deserves to
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21

Turnbull, Amy Alizabeth. "Richard stoltzman: defying categorization." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/2781.

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22

Hampus, Sofia. "Lansering av The Richard Juhlin Champagne Club Introducing The Richard Juhlin Champagne Club." Thesis, Högskolan Dalarna, Grafisk teknik, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:du-4122.

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Richard Juhlin är världens främste champagneexpert. Han har tillsammans med ett antal andra aktörer startat The Richard Juhlin Champagne Club. Det är en klubb för den totala champagne älskaren. De vill utveckla sin webbplats och därmed knyta an fler medlemmar till klubben. Detta arbete innebär att skapa en ny design, se över struktur och gränssnitt för sidan samt att bilder ska uppdateras och texter ska redigeras. En redesign av webbplatsen www.champagneclub.com har resulterat i ett luftigt och sofistikerat utseende med god läsbarhet. Webbplatsen är lättnavigerad och ger ett inbjudande intryck
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23

Tenschert, Johannes [Verfasser], Richard [Akademischer Betreuer] Lenz, Richard [Gutachter] Lenz, and Dirk [Gutachter] Riehle. "Sprechaktbasiertes Adaptives Fallmanagement / Johannes Tenschert ; Gutachter: Richard Lenz, Dirk Riehle ; Betreuer: Richard Lenz." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2019. http://d-nb.info/1201886848/34.

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24

Hottmann, Katharina. "" Die andern komponieren. Ich mach' Musikgeschichte!" : Historismus und Gattungsbewusstsein bei Richard Strauss : Untersuchungen zum späteren Opernschaffen /." Tutzing : Schneider, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014640556&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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25

Maier-Eroms, Verena. "Heldentum und Weiblichkeit : Wolframs Parzival, Gottfrieds Tristan und Richard Wagners Musikdramen /." Marburg : Tectum, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783828899131.

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26

Meier, Colleen L. "Elsa's dream inspiration and musical development in Richard Wagner's Lohengrin /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/837.

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27

Geiseler, Marie-Louise. "Zeit-Raum-Natur-Erfahrung im Werk von Richard Long." [S.l. : s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=973394641.

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28

Schwartz, Manuela. "Wagner-Rezeption und französische Oper des Fin de siècle : Untersuchungen zu Vincent D'Indys Fervaal /." Sinzig : Studio Verl.Schewe, 1999. http://catalogue.bnf.fr/ark:/12148/cb37661523w.

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29

Hanke, Knaus Gabriella. "Aspekte der Schlussgestaltung in den sinfonischen Dichtungen und Bühnenwerken von Richard Strauss /." Bern : [s.n.], 1993. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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30

Anbari, Alan Roy. "Richard Wagner's concepts of history /." Austin, Tex. : University of Texas Libraries, 2007. http://www.lib.utexas.edu/etd/d/2007/anbaria35075/anbaria35075.pdf#page=3.

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31

Honeyman, Victoria Claire. "Richard Crossman : a critical biography." Thesis, University of Leeds, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422636.

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32

SA, RENATA CAMARGO. "RICHARD SERRA: BEGINNINGS AND CONTEXT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7200@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A tese é uma análise da obra do escultor americano Richard Serra baseada no contexto cultural de onde surgiu e nos elementos formadores desse mesmo contexto, como a herança puritana da América protestante e os primórdios de sua filosofia. O empirismo de David Hume é compreendido como fundamento para o pragmatismo, que se desenvolve a partir dos ensaios de Ralph Waldo Emerson. Partindo de tal contextualização histórico-filosófica traça as principais características presentes no modo de atuar na América, relacionando-as à obr
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33

Campos, Fernanda Critelli de. "Richard Neutra e o Brasil." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/2833.

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Submitted by Rosa Assis (rosinha@mackenzie.br) on 2016-09-05T18:40:43Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Fernanda Critelli de Campos.pdf: 21465827 bytes, checksum: cb6b6e95de4c5947df341f2c76648a28 (MD5)<br>Approved for entry into archive by Paola Damato (repositorio@mackenzie.br) on 2016-09-05T18:47:48Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Fernanda Critelli de Campos.pdf: 21465827 bytes, checksum: cb6b6e95de4c5947df341f2c76648a28 (MD5)<br>Approved for entry into archive by Pao
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34

Schönfuß-Krause, Renate. "Ernst Richard Flemming (1866-1931)." Teamwork Schönfuß, 2020. https://slub.qucosa.de/id/qucosa%3A74831.

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Ernst Flemming (1866 Radeberg -1931 Berlin), Berufung als Maler und Musterzeichner an Städtische Webeschule Berlin, ab 1918 Professor und Direktor an Höherer Fachschule für Textil- und Bekleidungsindustrie Berlin, als Textil- und Bekleidungswissenschaftler führte er die Fachschule zur größten Einrichtung ihrer Art in Europa, unterstützt die avantgardistische Kunstszene der „Goldenen Zwanziger“, verpflichtet Expressionisten wie W. Kampmann (1887-1945) als Hochschullehrer und engagiert sich als Schriftführer im „Verein Deutsches Kunstgewerbe e.V.“, im „Gesamtverband Deutscher Kunstgewerbevereine
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35

Aubry, Brigitte. "Richard Hamilton : une peinture hybride." Rennes 2, 2004. http://www.theses.fr/2004REN20026.

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Cette recherche trouve son origine dans un double constat : une présence irréfutable de l'œuvre de l'artiste anglais Richard Hamilton dans l'histoire de l'art, et la réception dont elle jouit dans ce cadre précis ; l'absence caractérisée de toute étude monographique approfondie permettant d'aborder sa production picturale dans son ensemble. Les peintures ont "disparu" au profit d'une thématique ou d'un sujet Pop. Nous les replaçons au centre de l'analyse et mesurons la validité de cette approche. Richard Hamilton a été considéré comme un "peintre de la vie moderne" au sens baudelairien. Mais s
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36

Giessel, Matthew. "Richard Wagner's Jesus von Nazareth." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3284.

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In addition to his renowned musical output, Richard Wagner produced a logorrhoeic prose oeuvre, including a dramatic sketch of the last weeks of the life of Jesus Christ entitled Jesus von Nazareth. Though drafted in 1848-1849, it was published only posthumously, and has therefore been somewhat neglected in the otherwise voluminous Wagnerian literature. This thesis first examines the origins of Jesus von Nazareth amidst the climate of revolution wherein it was conceived, ascertaining its place within Wagner’s own internal development and amongst the radical thinkers who influenced it. While Lu
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37

Wilson, Nicholas John <1986&gt. "Richard III - Story versus History." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4284.

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This is a study, a journey through time, back to the years of the War of the Roses, as seen from both a contemporary point of view and from that of those who had lived in that troubled period, but to which they related with detachment and humor, in the wake of that new period of calm that they were beginning to experience. The starting point of this research will be the analysis of the most famous proof of the existence of Richard III: Shakespeare’s play. The work will be analyzed from a critical point of view, through themes, characters, sources and literary genre. Additional care will be gi
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Silva, Sofia <1990&gt. "Walter Richard Sickert e Venezia." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8175.

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Nel presente lavoro di tesi si studia il rapporto tra il pittore e critico d’arte inglese Walter Richard Sickert (1860-1942) e Venezia. Sickert, allievo di James Abbott McNeill Whistler, trascorre a Venezia quattro lunghi soggiorni a cavallo tra XIX e XX secolo, producendovi un consistente numero di opere. Grazie alla costante stesura di scritti critici e articoli, che costituiscono una delle principali fonti per questo elaborato, Sickert rappresenta una delle voci più veritiere sulla vita, il gusto e la tecnica di Whistler e lascia singolari testimonianze della Venezia d’inizio secolo osser
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Kreckel, Manfred. "Richard Wagner und die französichen Frühsozialisten : die Bedeutung der Kunst und des Künstlers für eine neue Gesellschaft /." Frankfurt am Main ; Bern ; New York : P. Lang, 1986. http://catalogue.bnf.fr/ark:/12148/cb34921288x.

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40

Nägele, Verena. "Ludwig II. und Richard Wagner : real- und kulturpolitische Konsequenzen einer ungewöhnlichen Beziehung /." Zürich : Druckerei Stiftung Zentralstelle der Studentenschaft, 1995. http://catalogue.bnf.fr/ark:/12148/cb35832628k.

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41

Fernández, Membrive Miguel. "Richard Rorty: antiuniversalismo en doble perspectiva." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/130827.

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Con esta tesis quiero contribuir a los estudios existentes sobre la filosofía de Richard Rorty, y en este sentido propongo un tipo de hermenéutica de su pensamiento a través de la clave transversal de su reacción crítica al universalismo moral. Lo que pretendo precisar es cómo entiende Rorty que puede problematizarse el alcance universal en el ámbito de la moralidad, cuál es la noción de universalidad que implica y rechaza en su propia comprensión de este problema, y de qué forma argumenta su rechazo. Para ello sigo la hipótesis de que Rorty sugiere una comprensión ambivalente del problema del
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42

Figuerola, Cabrol M. Carme. "Jean-Richard Bloch: pensamiento y creación." Doctoral thesis, Universitat de Lleida, 1999. http://hdl.handle.net/10803/8180.

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La tesis tiene como objeto de estudio el pensamiento de Jean-Richard<br/>Bloch, un autor algo descuidado por la crítica literaria pese a que ejerció un<br/>papel destacado en el cenáculo intelectual de la primera mitad del siglo XX.<br/>El análisis se inicia mediante un recorrido biográfico que sitúa al escritor en<br/>el contexto histórico literario del momento e incide en la repercusión que los<br/>acontecimientos sociales tuvieron no sólo en su vida sino en su<br/>pensamiento.<br/>Los capítulos siguientes abordan los principales temas que acaparan la<br/>atención de J.-R.B. a lo largo de su
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43

Hammer, Kate. "Reading Richard Schechner : allegories of performance." Thesis, University of Surrey, 1998. http://epubs.surrey.ac.uk/842921/.

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'Reading Richard Schechner' explores the theatre, theory, and academic leadership of a key figure in American theatre studies, engaging critically with Schechner's contributions, in order to assess their value for future theatre research. Chapter One considers how Schechner's theatre participated in social change and situates Schechner's analogy of theatre to ritual within an avant-garde theatrical tradition. Chapter Two models Schechner's career in terms of a singular performance project which moves from its early focus on theatre production, through performance theory, leading finally to his
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44

Farrar, Peter Nelson. "Richard Cobden, educationist, economist and statesman." Thesis, University of Sheffield, 1987. http://etheses.whiterose.ac.uk/1882/.

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The aim of the thesis is to show that Richard Cobden (1804-1865) deserves to be given a significant place in the history of political, economic and social thought and also full credit for a range of statesmanship which went far beyond his well known part in the repeal of the Corn Laws and the Anglo-French Commercial Treaty of 1860. Historians have not sufficiently recognised that Cobden sought to make fundamental changes in British society and that he tried to initiate them by piecemeal constitutional methods. He also believed that the British example would have a powerful influence on other c
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McAlister, Arlene. "Edition of Richard Bernard's Ruths Recompence." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7734.

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This thesis consists of annotations and an introduction which constitute an edition of Richard Bernard’s Ruths Recompence (1628). This edition aims to provide a more modern and accurate (though clarified) text than the nineteenth-century edition edited by Alexander Balloch Grosart (1865). It also sets out to offer a more comprehensive interpretation with an emphasis on a subject prominent in Bernard’s commentary passed over in silence by Grosart, that is, the issues relating to women’s conduct raised by Ruth’s approach to Boaz alone by night in Ruth chapter 3. The text of this edition has been
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46

Brookes, Anne. "Richard Symonds in Rome, 1649-1651." Thesis, University of Nottingham, 2000. http://eprints.nottingham.ac.uk/11404/.

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This thesis is a study of the notebook (British Library Egerton MS 1635) compiled by Richard Symonds (1617-1670), royalist exile and virtuoso, during his visit to Rome between 1649 to1651. The first volume of the thesis provides an analysis of the chronology of notebooks that Symonds wrote at the time and his methods of study, as well as a detailed reconstruction of his visits to a number of collections. The second volume consists of an annotated transcription of Egerton MS 1635, and an extract from British Library Additional MS 17919 which relates to Symonds's visit to Palazzo Barberini. Symo
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47

Baragwanath, Nicholas. "The secret harmony of Richard Wagner." Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363357.

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Singer, Fanny Louise. "Immaculate conception : Richard Hamilton's digital prints." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608133.

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49

Meisenheimer, Richard [Verfasser]. "Zur Kenntnis von Carbosilantensiden / Richard Meisenheimer." München : Verlag Dr. Hut, 2016. http://d-nb.info/1111160503/34.

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50

Němcová, Iva. "Richard Strauss: Salome - komplexní scénografický projekt." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96938.

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Thesis is divided into two main parts. The first considers contemporary opera against the backdrop of its historical foundations. I introduce examples from the past and discuss their underlying ideas and contexts. I then analyze these works as they apply to my own scenography. The second part addresses my creative process, the practical issues and solutions associated with the concrete implementation of a fully realized opera.
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