Academic literature on the topic 'Ricky Ricotta (Fictional character)'

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Books on the topic "Ricky Ricotta (Fictional character)"

1

Pilkey, Dav. Ricky Ricotta et son robot géant. Éditions Scholastic, 2014.

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Pilkey, Dav. Ricky Ricotta et son robot géant contre les licornes uraniques d'Uranus. Éditions Scholastic, 2016.

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Pilkey, Dav. Ricky Ricotta et son robot géant contre les méca-macaques de Mars. Éditions Scholastic, 2015.

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Pilkey, Dav. Ricky Ricotta y el poderoso robot: La primera novela de aventuras de. Scholastic, 2003.

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Pilkey, Dav. Ricky Ricotta et son robot géant contre les vautours vaudou de Vénus. Éditions Scholastic, 2015.

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Pilkey, Dav. Ricky Ricotta's giant robot: An adventure novel. Blue Sky Press, 2000.

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Pilkey, Dav. Ricky Ricotta's giant robot: An adventure novel. Scholastic, 2000.

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Pilkey, Dav. Ricky Ricotta's Giant Robot: An adventure novel. Blue Sky Press, 2000.

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Pilkey, Dav. Ricky Ricotta's mighty robot: The first adventure novel. Scholastic, 2002.

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Pilkey, Dav. Ricky Ricotta's mighty robot: The first adventure novel. Scholastic, 2000.

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Book chapters on the topic "Ricky Ricotta (Fictional character)"

1

Annovi, Gian Maria. "Voice." In Pier Paolo Pasolini. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180306.003.0007.

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Chapter six discusses the effects produced by Pasolini’s vocal performance in his films. Pasolini’s voice changes according to the function attributed to his authorial presence. It is his real voice when he presents himself as the author, as in film experiments such as Appunti per un’Orestiade Africana (Notes Toward an African Orestes, 1970) and Comizi d’amore (Love Meetings, 1963). However, when he plays a character in a fictional narrative, as in the case of The Trilogy of Life, his voice is dubbed. In this chapter I examine the difference between these two kinds of voice, showing that also
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