Academic literature on the topic 'Riddles, Japanese'

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Journal articles on the topic "Riddles, Japanese"

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Terai, Asuka, Kento Yamashita, and So Komagamine. "Computer Humor and Human Humor: Construction of Japanese “Nazokake” Riddle Generation Systems." Journal of Advanced Computational Intelligence and Intelligent Informatics 24, no. 2 (March 20, 2020): 199–205. http://dx.doi.org/10.20965/jaciii.2020.p0199.

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Humor is important in smooth human communications, however, computer-generated humor is still distinguishable from humor that arises naturally in human communication. The purpose of this study is to construct a computer system that can generate humor in a human-like manner. The method involves using “nazokake” riddles, which comprise a type of Japanese word game. The game creates humorous links between two incongruous premises by linking them semantically to homophones: “Why is A like B? Because X/X′,” where A and B are independent premises and X and X′ are homophones linked to A and B, respectively. In a previous study, a system was constructed to generate such riddles based on a simple word similarity between two nouns that are homophones. This study builds on the previous study by generating more complex riddles based on the dependency relationships between homophonic verb-noun combinations. Subsequently, the two systems are compared with each other by evaluating them against riddles created by humans. The results show that the system based on dependency relationships generated more humorous, unexpected, and natural riddles than that based on word similarities. However, these riddles were not equal to those created by humans.
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금영진. "A study on riddles of Japanese hanashi-bon -The features of the questions and answers format in terms of the Japan-Korea comparison-." Journal of Japanese Studies ll, no. 65 (September 2015): 125–45. http://dx.doi.org/10.15733/jast.2015..65.125.

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금영진. "A Comparative Study of Korean and Japanese Riddle Methods." Journal of Foreign Studies ll, no. 33 (September 2015): 205–34. http://dx.doi.org/10.15755/jfs.2015..33.205.

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Kaihara, Hiroshi. "The Advent of a New Japanese Politics: Effects of the 1994 Revision of the Electoral Law." Asian Survey 47, no. 5 (September 2007): 749–65. http://dx.doi.org/10.1525/as.2007.47.5.749.

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Faction-ridden Japanese politics seems to give way to a new politics. The 1994 revision of the electoral law generated an enormous change in the power relationship between faction leaders and the prime minister. Koizumi Jun'ichiro's strategy exemplified the potentiality of the new politics.
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Sato, Shigeru. "Gatot Mangkupraja, PET A, and the origins of the Indonesian National Army." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 166, no. 2-3 (2010): 189–217. http://dx.doi.org/10.1163/22134379-90003616.

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Indonesian nationalist Gatot Mangkupraja (1898-1968) was politically active throughout his adult life that extended over the turbulent periods called tiga jaman ('three eras' under the Dutch, the Japanese, and the Indonesian administration) but he never reached real prominence, and is remembered primarily for his role in the formation of PETA (Pembela Tanah Air, Defenders of the Homeland). Gatot's fame rests on his own statement that he presented to the Japanese occupation authorities an impassioned petition written in his own blood pleading them to allow the Indonesians to form their own defence force. He made this statement in his memoirs, which were published in the journal Indonesia under the title: 'The PETA and My Relations with the Japanese; A Correction of Sukarno's Autobiography'. Some people cast doubt about the reliability of his statement, which resulted in heated debate in Indonesia in 1975. This debate however failed to clarify the issue in part because people’s access to source materials was limited at that time. Gatot's memoirs merit re-examination because they concern some key issues in modern Indonesian history and also because his memoirs, often cited uncritically, are, as this article will show, riddled with inaccuracies, both large and small.
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Poulton, Cody. "Krapp's First Tape: Okada Toshiki's Enjoy." TDR/The Drama Review 55, no. 2 (June 2011): 150–57. http://dx.doi.org/10.1162/dram_a_00077.

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The Play Company's production of Enjoy, Okada Toshiki's wry and tender portrait of 20-something slackers looking for love and meaning in contemporary Tokyo highlights the play's witty dialogue. The New York production of this English translation reveals that in our recession-ridden times, the anxieties of today's Japanese youth are not so different from our own.
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Tadashi, Uchino. "Globality's Children: The “Child's” Body As a Strategy of Flatness in Performance." TDR/The Drama Review 50, no. 1 (March 2006): 57–66. http://dx.doi.org/10.1162/dram.2006.50.1.57.

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“Flatness” is deployed by many performance artists as an intuitive rather than commercially ridden response to the state of globality. The notion of the “child's” body is discussed in terms of emerging tendencies of body-in-performance, particularly in terms of the junk body. Instead of “Japanese cool,” the super-flat choreographic architecture of the body appears as two-dimensional masquerade.
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bermingham, ann. "Food Masquerade." Gastronomica 10, no. 2 (2010): 9–12. http://dx.doi.org/10.1525/gfc.2010.10.2.9.

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Radishes cut to look like roses, watermelons carved into fruit baskets, apples made into swans, cakes frosted to look like dolls——when did this game of food masquerade start and how? This essay speculates about food's on-going history of disguise, of pretending to be what it's not. From the Renaissance courtier's delight in confections disguised as beasts, birds, and other fancies to our present day fascination with Japanese bento lunch boxes, food masquerade would seem to be a fanciful part of the history of food. Food masquerade injects some levity into our growing seriousness about food, our suspicion that most supermarket food is riddled with toxins and bad karma. It proposes that eating food should be fun. Food masquerade also gets to the very heart of artistic visual representation: the magical transformation of paint, clay or wood into an image of something else. It is a synecdoche for art itself.
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Lim, Timothy C. "The Origins of Societal Power in South Korea: Understanding the Physical and Human Legacies of Japanese Colonialism." Modern Asian Studies 33, no. 3 (July 1999): 603–33. http://dx.doi.org/10.1017/s0026749x99003388.

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In seeking to explain the social, political and economic development of South Korea since liberation in 1945, many scholars have begun paying increasing attention to the significance of Korea’s colonial past. Most of these scholars have, for very good reasons, focused on fundamental—even revolutionary—changes in Korea's institutional structure, which for centuries had been dominated by a landed aristocracy ‘intent upon the preservation of its social, economic, and political privileges.’ Colonialism, to be more specific, replaced the factionalized and conflict-ridden institutions of aristocracy (and dynastic rule) with a modern, highly centralized, and extremely capable state apparatus, one which was used to reshape Korean society in any number of ways during Japan's 35 years of domination. The ‘strong state’ is, in fact, an enduring and undeniably powerful legacy of colonialism.
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Lim, Michelle Sungshin. "Adversity and Advance: The Experience of the Orthodox Church of Korea." Studies in World Christianity 16, no. 3 (December 2010): 304–19. http://dx.doi.org/10.3366/swc.2010.0106.

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The development of the Orthodox Church of Korea and her philanthropic works have evolved like a three-act play, ridden with the sorrow and hardship of modern Korean history. That history dates from around 1848 to the late 1980s, evoking a long and sad tragedy narrative of MinJung that began in 1852 and continued to the early 1980s. The ‘Han’ memory of Korean ancestry contains a prolonged painful and shameful past during the collapse of the JoSeon Dynasty, which ushered in the imperial Japanese occupation, followed by a brief respite at the time of the Korean independence movement in 1945. Finally, in the aftermath of the Korean War from 1950–3 at last, in the name of democracy and industrialisation, many young women were sacrificed and exploited under the two oppressive structures – patriarchy and capitalism – under the rule of the totalitarian government from 1953 to the latter years of the 1980s, including the KwangJu massacre on 18 May 1980.
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Books on the topic "Riddles, Japanese"

1

Saitō, Hiroshi. Fushigi na norimono zukan. Tōkyō: Kōdansha, 2017.

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Shillony, Ben-Ami. Divinity and gender: The riddle of the Japanese emperors. Oxford: Nissan Institute of Japanese Studies, 1999.

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3

New paradigm in macroeconomics: Solving the riddle of Japanese macroeconomic performance. New York: Palgrave Macmillan, 2004.

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Kunisada's Tōkaidō: Riddles in Japanese Woodblock Prints. Hotei Publishing, 2013.

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Ishizu, Chihiro. Nazo nazo no tabi. 2011.

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6

Edo no asobie. Tōkyō: Tōkyō Shoseki, 1988.

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Werner, Richard. The New Paradigm in Macroeconomics: Solving the Riddle of Japanese Macroeconomic Performance. Palgrave Macmillan, 2005.

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Werner, Richard. The New Paradigm in Macroeconomics: Solving the Riddle of Japanese Macroeconomic Performance. Palgrave Macmillan, 2005.

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Book chapters on the topic "Riddles, Japanese"

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Taguchi, Shigeru. "Consciousness Without Boundaries? The Riddle of Alterity in Husserl and Nishida." In Tetsugaku Companion to Phenomenology and Japanese Philosophy, 97–111. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21942-0_7.

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"The Riddle of the Vase: Ozu Yasujiro¯’s Late Spring (1949)." In Japanese Cinema, 96–107. Routledge, 2007. http://dx.doi.org/10.4324/9780203374641-12.

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"4. Theodore Roosevelt And The Portsmouth Peace Conference: The Riddle And Ripple Of His Forbearance." In Rethinking the Russo-Japanese War, 1904-5, 50–60. Global Oriental, 2008. http://dx.doi.org/10.1163/ej.9781905246199.i-348.33.

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