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Journal articles on the topic 'Rilke and Sartre][Rilke'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Michael Wood. "Translating Rilke." World Literature Today 88, no. 3-4 (2014): 46. http://dx.doi.org/10.7588/worllitetoda.88.3-4.0046.

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2

Spacks, Barry. "Reading Rilke." Antioch Review 48, no. 1 (1990): 97. http://dx.doi.org/10.2307/4612156.

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3

Kałążny, Jerzy. "„Polski” Rilke." Poznańskie Studia Polonistyczne. Seria Literacka, no. 19 (January 1, 2012): 273. http://dx.doi.org/10.14746/pspsl.2012.19.20.

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4

Wetzel, Michael. "Rilke Revisited." Sprache und Literatur 34, no. 1-2 (2003): 37–53. http://dx.doi.org/10.30965/25890859-034-01-02-90000006.

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5

Hofmann, Richie. "Rilke Poem." Yale Review 108, no. 2 (2020): 169. http://dx.doi.org/10.1111/yrev.13642.

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6

Hofmann, Richie. "Rilke Poem." Yale Review 108, no. 2 (2020): 169. http://dx.doi.org/10.1353/tyr.2020.0003.

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7

Immel, Irmgard Seil, and Hansgeorg Schmidt-Bergmann. "Blatter der Rilke Gesellschaft: Rilke und Venedig. Rilke in Schweden 16/17, 1989/1990." German Quarterly 68, no. 3 (1995): 334. http://dx.doi.org/10.2307/408266.

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8

Tigirlas, Luminita Claudepierre. "écrire avec Rilke." Psychanalyse 40, no. 3 (2017): 39. http://dx.doi.org/10.3917/psy.040.0039.

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9

Kerckhove, Fabrice van de. "Rilke et Verhaeren." Textyles, no. 11 (January 1, 1994): 187–220. http://dx.doi.org/10.4000/textyles.2089.

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10

Allemann, Beda, and Philippe Préaux. "Rilke et Mallarmé." Po&sie 126, no. 4 (2008): 96. http://dx.doi.org/10.3917/poesi.126.0096.

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11

Jesi, Furio, and Martin Rueff. "Heidegger et Rilke." Po&sie 127, no. 1 (2009): 93. http://dx.doi.org/10.3917/poesi.127.0093.

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12

Jacobs, Margaret, and Patricia Pollock Brodsky. "Rainer Maria Rilke." Modern Language Review 84, no. 3 (1989): 800. http://dx.doi.org/10.2307/3732520.

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13

Sandford, John, and Anthony Phelan. "Rilke: 'Neue Gedichte'." Modern Language Review 90, no. 1 (1995): 253. http://dx.doi.org/10.2307/3733369.

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14

Bradley, Brigitte L., and Patricia Pollock Brodsky. "Rainer Maria Rilke." German Quarterly 62, no. 4 (1989): 535. http://dx.doi.org/10.2307/406910.

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15

Vilain, Robert. "Rilke and God." Oxford German Studies 48, no. 4 (2019): 472–93. http://dx.doi.org/10.1080/00787191.2019.1701872.

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16

Gray, Ronald. "Rilke and Cézanne." Cambridge Quarterly XVIII, no. 4 (1989): 449–51. http://dx.doi.org/10.1093/camqtly/xviii.4.449.

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17

York, Richard Anthony. "Auden and Rilke." Revista Alicantina de Estudios Ingleses, no. 13 (2000): 205–19. http://dx.doi.org/10.14198/raei.2000.13.15.

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18

Castellote Lillo, Javier. "Releer a Rilke." Laocoonte. Revista de Estética y Teoría de las Artes, no. 4 (December 12, 2017): 379. http://dx.doi.org/10.7203/laocoonte.0.4.11117.

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19

Brewer, John T., Rainer Maria Rilke, and Franz Wright. "The Unknown Rilke." Modern Language Journal 69, no. 2 (1985): 188. http://dx.doi.org/10.2307/326534.

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20

Martins, Sidney. "Hermenêutica de Rilke." Páginas de Filosofia 8, no. 1-2 (2020): 87. http://dx.doi.org/10.15603/2175-7747/pf.v8n1-2p87-98.

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Franz Xaver Kappus foi um aspirante à poeta que pediu conselhos e sugestões ao renomado escritor Rainer Maria Rilke. Estes pedidos se deram por meio de cartas ao qual Kappus não recebe nenhuma sugestão quanto à estilística, métrica ou composição de poemas, mas sim, vários conselhos na perspectiva de construção de uma obra através das experiências mais singelas da vida. Após o falecimento de Rilke a coleção destas epistolas direcionadas a Kappus foi compilada em um livro, com o sugestivo nome de “Cartas a um Jovem Poeta”. Desde então tem servido para muitos leitores como um livro basal ao enten

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21

LeVasseur, Jeanne. "Letter to Rilke." Iowa Review 38, no. 2 (2008): 47. http://dx.doi.org/10.17077/0021-065x.6448.

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22

Parry, Idris. "Rilke and Things." Journal of Modern Craft 7, no. 3 (2014): 285–95. http://dx.doi.org/10.2752/174967714x14111311182848.

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23

Beltz, Walter. "Neues zu Rilke." Zeitschrift für Religions- und Geistesgeschichte 39, no. 3 (1987): 272–76. http://dx.doi.org/10.1163/157007387x00237.

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24

Burján, Ágnes. "Rilke és Dosztojevszkij." Iskolakultúra 31, no. 4 (2021): 12–23. http://dx.doi.org/10.14232//iskkult.2021.04.12.

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Rilke fiatalon, rögtön első oroszországi útját követve olvasta A Karamazov testvéreket, és fordította le a Szegény emberek egy részletét. Évtizedeken keresztül, életműve összes korszakában csodálattal említette fel az orosz író nevét. A világháború idején és művészi válságpontjain is a nagy orosz író regényeihez fordult. Bár Dosztojevszkij hatása evidenciaként szerepel Rilke kritikai recepciójában, a Dosztojevszkij-élmény esztétikai vonatkozásait tárgyaló elemzések jóformán nem születtek, szemben a költő Oroszországhoz fűződő viszonyát taglaló számos tanulmánnyal. Holott különösen izgalmas kér

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25

Gerok-Reiter, Annette. "Perspektivität bei Rilke und Cézanne Zur Raumerfahrung des späten Rilke." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 67, no. 3 (1993): 484–520. http://dx.doi.org/10.1007/bf03396217.

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26

Pileri, S. A., and A. Orazi. "Franco Rilke (1929-2009)." Haematologica 94, no. 10 (2009): 1476. http://dx.doi.org/10.3324/haematol.2009.015404.

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27

ZHANG, Dian. "Hölderlin, Nietzsche and Rilke." National History 1, no. 4 (2008): nh20080411a1. http://dx.doi.org/10.3128/nh20080411a1.

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28

Tonetto, Walter, and Walter Arndt. "The Best of Rilke." Modern Language Review 86, no. 1 (1991): 255. http://dx.doi.org/10.2307/3732179.

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29

Krisak, L. "Rainer Maria Rilke: Adam." Literary Imagination 10, no. 2 (2007): 150. http://dx.doi.org/10.1093/litimag/imm071.

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30

Krisak, L. "Rainer Maria Rilke: Eve." Literary Imagination 10, no. 2 (2007): 149. http://dx.doi.org/10.1093/litimag/imm072.

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31

Burnett, Leon. "Triangles: Brodsky on Rilke." Russian Literature 47, no. 3-4 (2000): 273–87. http://dx.doi.org/10.1016/s0304-3479(00)80004-6.

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32

Gillespie, G. "Rilke und die Weltliteratur." Comparative Literature 53, no. 3 (2001): 265–68. http://dx.doi.org/10.1215/-53-3-265.

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33

Mahon, Derek. "Night Drive (After Rilke)." Hudson Review 39, no. 4 (1987): 614. http://dx.doi.org/10.2307/3851227.

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34

Schneider, Wolfgang. "Rilke: »Archaischer Torso Apollos«." Vierteljahrsschrift für Wissenschaftliche Pädagogik 84, no. 2 (2008): 211–25. http://dx.doi.org/10.30965/25890581-084-02-90000008.

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35

Testa, Carlo. "Rilke contro le avanguardie." Forum Italicum: A Journal of Italian Studies 46, no. 1 (2012): 141–63. http://dx.doi.org/10.1177/001458581204600106.

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36

Zieliński, Jan. "Büchner’s Spirit: Some Digressions on an Oblique Quotation from Rilke." Tekstualia 1, no. 40 (2015): 77–86. http://dx.doi.org/10.5604/01.3001.0013.4484.

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In one of his essays, Piotr Mitzner reminds us that life, or being, according to Rilke, is supposed to be a theatre. This statement encourages a variety of digressions that pertain to a poem by Jarosław Iwaszkiewicz, and another by Aleksander Wat, an essay about aging by Ryszard Przybylski including a recollection of the last visit that Wat’s wife paid Iwaszkiewicz; another quote from Rilke in Ronald Harwood’s Quartet with entails references to Rilke and Jens Peter Jacobsen, Jacobsen and Iwaszkiewicz, Rilke’s English translator Karl Werner Maurer and his translation of The Death and the Plough

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37

Bakhareva, Marina. "The evolution of philosophical views of R. M. Rilkein the context of his literary works of the turn of the XIX – XX centuries." Философская мысль, no. 8 (August 2021): 25–40. http://dx.doi.org/10.25136/2409-8728.2021.8.36316.

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The works of Rainer Maria Rilke, one of the most influential modernist poets of the XX century does not lose its relevance and continues to draw interest of the researchers. The goal of this work is to trace the evolution of philosophical views of R. M. Rilke in the context of his literary works of the turn of the XIX &ndash; XX centuries. The research employs hermeneutical approach for interpretation of the texts of R. M. Rilke through the prism of socio-historical conditions of that time. Systematization and generalization of the acquired data allowed assessing the formation and signific

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38

Rosenfield, Kathrin H. "“A MELODIA COMO LUZ DA POESIA”: O IMPACTO DE F. NIETZSCHE SOBRE R. M. RILKE." Revista Dissertatio de Filosofia 38 (January 1, 2013): 37. http://dx.doi.org/10.15210/dissertatio.v38i0.8619.

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Este artigo apresenta a reflexão do poeta alemão R. M. Rilke sobre o princípio musical da poesia, que figura, desde Hölderlin, Novalis e Kleist, Schopenhauer e Nietzsche, entre os tópicos filosóficos importantes para artistas e teóricos da arte. Contextualizamos e comentamos a recepção de O Nascimento da Tragédia pelo poeta Rainer Maria Rilke, que começou a estudar a obra nietzschiana instigado por Lou Andreas-Salomé e apresentamos um texto inédito de Rilke sobre o assunto: “Marginalia em torno de F. Nietzsche”.

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39

Pettersson, Torsten, and Judith Ryan. "Rilke, Modernism and Poetic Tradition." Modern Language Review 96, no. 4 (2001): 1145. http://dx.doi.org/10.2307/3735960.

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40

Komar, Kathleen L., and Judith Ryan. "Rilke, Modernism and Poetic Tradition." German Quarterly 73, no. 4 (2000): 434. http://dx.doi.org/10.2307/3072777.

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41

Ferraris, Maurizio. "Nespolo tra Warhol e Rilke." Rivista di estetica, supplemento al n. 58 (May 1, 2015): 111–14. http://dx.doi.org/10.4000/estetica.2285.

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42

Goldaek, Henning. "Rilke und die großen Städte." Orbis Litterarum 48, no. 3 (1993): 325–40. http://dx.doi.org/10.1111/j.1600-0730.1993.tb00931.x.

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43

Kirchwey, K. "Rainer Maria Rilke: Black Cat." Literary Imagination 7, no. 2 (2005): 194. http://dx.doi.org/10.1093/litimag/7.2.194.

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44

Mook, L. "Rainer Maria Rilke: Two Selections." Literary Imagination 8, no. 2 (2006): 304–6. http://dx.doi.org/10.1093/litimag/8.2.304.

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45

Martens, L. "Rilke, Modernism, and Poetic Tradition." Modern Language Quarterly 63, no. 1 (2002): 126–30. http://dx.doi.org/10.1215/00267929-63-1-126.

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46

Boening, John, and Frank Baron. "Rilke and the Visual Arts." German Studies Review 9, no. 3 (1986): 661. http://dx.doi.org/10.2307/1429942.

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47

Nesbit, Molly. "Last Words (Rilke, Wittgenstein) (Duchamp)." Art History 21, no. 4 (1998): 546–64. http://dx.doi.org/10.1111/1467-8365.00129.

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48

Hyams, Barbara. "Reading Rilke with Denise Levertov." New England Review 34, no. 3-4 (2014): 317–32. http://dx.doi.org/10.1353/ner.2014.0026.

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49

Bridge, Helen. "Rilke and the Modern Portrait." Modern Language Review 99, no. 3 (2004): 681. http://dx.doi.org/10.2307/3738995.

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50

Mun-Yeong, Ahn. "Der poetische Wandel der Hand-Metaphorik bei Rilke – auf dem Weg von der Augensprache zur Herzenssprache*." Jahrbuch für Internationale Germanistik 50, no. 1 (2018): 11–24. http://dx.doi.org/10.3726/ja501_11.

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Abstract In seinem Roman Aufzeichnungen des Malte Laurids Brigge (1910) sagt Rilke: ,,Verse sind nicht, wie die Leute meinen, Gefühle (die hat man früh genug), – es sind Erfahrungen.“1 Man sollte ,,ein ganzes Leben lang“ warten, um ,,zehn Zeilen“, ,,die gut sind“, schreiben zu können.2 August Stahl, der die gesamten lyrischen Texte Rilkes chronologisch geordnet und Anmerkungen dazu geschrieben hat, nummerierte diese Texte mit der Zahl 2119.3 In dieser eindrucksvollen Zahl sind dabei nicht enthalten die Gedichte, die Rilke in Italienisch, Russisch und vor allem in Französisch zu schreiben versu

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