Academic literature on the topic 'Ring shout (Dance)'

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Journal articles on the topic "Ring shout (Dance)"

1

Lott, Eric. "Katrina Dyonne Thompson. Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery." American Historical Review 120, no. 3 (June 2015): 1024–25. http://dx.doi.org/10.1093/ahr/120.3.1024.

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Mcallister, Marvin. "Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery by Katrina Dyonne Thompson." Register of the Kentucky Historical Society 113, no. 1 (2015): 115–17. http://dx.doi.org/10.1353/khs.2015.0008.

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Rohrs, Richard C. "Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery by Katrina Dyonne Thompson." Journal of the Early Republic 35, no. 1 (2015): 146–48. http://dx.doi.org/10.1353/jer.2015.0004.

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McCallum, Clinton. "Falling Up." Journal of Popular Music Studies 33, no. 2 (June 1, 2021): 99–129. http://dx.doi.org/10.1525/jpms.2021.33.2.99.

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This article investigates melodic figures and harmonic sequences that miraculously only step up to illuminate an aesthetic lineage that connects gospel to electronic dance music. It argues that the synth-risers and ever-opening filters of contemporary euphoric rave music like happy-hardcore and uplifting-trance find precedence in compositional devices that made their way into funk/soul and disco/garage from Black gospel music, and that these gospel inventions were derived from the Afro-diasporic ring-shout. Cognitive linguistic and psychoacoustic theories premise an analytical framework for musical representations of endless ascent. Through close readings of representative recordings—a 1927 Pentecostal sermon by Reverend Sister Mary Nelson, James Cleveland’s “Peace Be Still,” Chic’s “Le Freak,” Trussel’s “Love Injection,” and DJ Hixxy’s remix of Paradise's “I See the Light”—the article examines various historical intersections with parlour music, European art music, and modal jazz, and suggests that musical ascent has a non-causal but, nevertheless, objective relationship with a type of spiritual transcendence.
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Young, Harvey. "Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. By Katrina Dyonne Thompson. (Urbana, IL: University of Illinois Press, 2014. Pp. xii, 244. $30.00.)." Historian 78, no. 4 (December 1, 2016): 777–79. http://dx.doi.org/10.1111/hisn.12370.

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Pasierowska, Rachael L. "Katrina Dyonne Thompson, Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. Urbana: The University of Illinois Press, 2014. Pp. 242. Cloth $95.00 Paper $30.00." Journal of African American History 101, no. 3 (June 2016): 356–58. http://dx.doi.org/10.5323/jafriamerhist.101.3.0356.

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Norris, Renee Lapp. "The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. By Christopher J. Smith . Urbana: University of Illinois Press, 2013. - Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. By Katrina Dyonne Thompson . Urbana: University of Illinois Press, 2014." Journal of the Society for American Music 11, no. 4 (October 20, 2017): 502–7. http://dx.doi.org/10.1017/s1752196317000396.

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8

Glover, Daniel B. "What Are the Disciples Doing around Paul? The ‘Ring-Dance’ in Acts 14.20a." Journal for the Study of the New Testament 43, no. 4 (February 3, 2021): 558–69. http://dx.doi.org/10.1177/0142064x21989981.

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Acts 14.20a contains a peculiar genitive absolute phrase that has been consistently overlooked by scholars and commentators. After Paul is stoned in Lystra and dragged out of the city, Luke notes that the disciples ‘encircle’ him before he gets up (ἀναστὰς). These disciples seem to appear from nowhere, and the standard interpretive options for their ‘encircling’ fall short. In this article, I evaluate all the available interpretive options and suggest that this ‘encircling’ is best understood as a ring-dance, an early Christian practice about which little is known today. I conclude that the ring-dance supplies the best explanation for the sudden appearance of the disciples and has some important implications both for our knowledge concerning the significance of this motif in early Christian literature as well as for Luke’s characterization of Paul.
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"Ring shout, wheel about: the racial politics of music and dance in North American slavery." Choice Reviews Online 52, no. 01 (August 20, 2014): 52–0474. http://dx.doi.org/10.5860/choice.52-0474.

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Gac, Scott. "Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery." Civil War Book Review 16, no. 3 (January 1, 2014). http://dx.doi.org/10.31390/cwbr.16.3.25.

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Dissertations / Theses on the topic "Ring shout (Dance)"

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Washington, Erica Lanice. ""Shabach hallelujah!" the continuity of the ring shout tradition as a site of music and dance in black American worship /." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1131054976.

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Hellgren, Matilda. "Att vara i jazz-dans : En kvalitativ studie om hur deltagare i dansundervisning upplever ”existentiellt varande” med hjälp av jazzdans." Thesis, Stockholms konstnärliga högskola, Institutionen för danspedagogik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-936.

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This study investigates how participants in dance education describe their experiences of a phenomenon called ”existential presence” with the help of jazz dance and what didactic factors makes it possible for them to experience it. With theory of the phenomenology-related lifeworld, the didactic relation map, and interview with low standardized questions as a method, came the results that show how the presence could be described in many different ways, how different individuals have different needs for the phenomenon to be possible, and that jazz dance and its strong relationship to the music is a possible opening for the presence to be.
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Books on the topic "Ring shout (Dance)"

1

Siegelson, Kim L. Dancing the ring shout! New York: Jump at the Sun, Hyperion Books for Children, 2003.

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2

Ring Shout The Racial Politics Of Music And Dance In North American Slavery. University of Illinois Press, 2014.

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3

Ring Shout Wheel About The Racial Politics Of Music And Dance In North American Slavery. University of Illinois Press, 2014.

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4

Conjuring freedom: Music and masculinity in the Civil War's "Gospel Army". 2017.

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