Academic literature on the topic 'Ristelhueber'

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Journal articles on the topic "Ristelhueber"

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Reboul, Stéphane. "Sophie Ristelhueber." Marges, no. 09 (November 15, 2009): 178–79. http://dx.doi.org/10.4000/marges.560.

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Gustafsson, Henrik. "The Cut and the Continuum: Sophie Ristelhueber’s Anatomical Atlas." History of Photography 40, no. 1 (2016): 67–86. http://dx.doi.org/10.1080/03087298.2015.1103458.

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Boulouch, Nathalie. "Sophie Ristelhueber : détails du monde ; Sophie Ristelhueber : Le Luxembourg." Critique d’art, no. 21 (April 1, 2003). http://dx.doi.org/10.4000/critiquedart.1972.

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Boulouch, Nathalie. "Portrait. Sophie Ristelhueber." Critique d’art, no. 21 (April 1, 2003). http://dx.doi.org/10.4000/critiquedart.1975.

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Szerszeń, Tomasz. "The Artist at War." Widok. Teorie i Praktyki Kultury Wizualnej, no. 4 (2013). http://dx.doi.org/10.36854/widok/2013.4.1259.

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The work of Sophie Ristelhueber – including both examined projects, "WB" (2004) and "Fait" (1992) – proposes a kind of “phenomenology of trace”, meaning human traces, but also traces of war, catastrophe, demolition, and “war index” where affects are crucial.
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Szerszeń, Tomasz. "Artystka na wojnie." Widok. Teorie i Praktyki Kultury Wizualnej, no. 4 (2013). http://dx.doi.org/10.36854/widok/2013.4.1213.

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Twórczość Sophie Ristelhueber – w tym oba omawiane tu projekty, "WB" (2004) i "Fait" (1992) – proponuje rodzaj „fenomenologii śladu”, skupionej zarówno na śladach człowieka, jak i wojen oraz destrukcji. Równocześnie jest to rodzaj „kartoteki wojennej”, na wejście do której pozwalają afekty.
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Huitorel, Jean-Marc. "Catherine Grenier, Sophie Ristelhueber, la guerre intérieure." Critique d’art, November 29, 2019. http://dx.doi.org/10.4000/critiquedart.54056.

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Tchatchanidzé, Ariadna. "Christine Bergé, L’Image en cours : Tarkovski, Ristelhueber." Critique d’art, 2023. http://dx.doi.org/10.4000/11um9.

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Lombardi, Kátia Hallak. "A Potência do Irrepresentável nas Fotografias de Fait!" Ícone 14, no. 1 (2012). http://dx.doi.org/10.34176/icone.v14i1.230632.

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Este artigo propõe a discussão de algumas mudanças no estatuto da fotografia contemporânea em contexto de conflito, insegurança e instabilidade e suas implicações no espectador. Imagens da dor e da guerra são publicadas constantemente pelos veículos de comunicação, acabando por gerar uma verdadeira iconografia do sofrimento. É possível uma imagem menos atrelada ao drama, ao acontecimento em si e à noção de testemunho e objetividade, características consideradas indispensáveis no fotojornalismo cotidiano, também conter traços que nos levem à reflexão e à rememoração de
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Pijarski, Krzysztof. "A Model Desert.The Gulf War, Landscape and the Pensive Image." Widok. Teorie i Praktyki Kultury Wizualnej, no. 8 (2014). http://dx.doi.org/10.36854/widok/2014.8.1421.

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The essay takes as its subject Sophie Ristelhueber’s "Fait" and Werner Herzog’s "Lessons of Darkness" (both 1992) to interpret them as instances of ‘pensive’ images. As such – negating the transparency of the photographic image – they are able to internalize the logic of what Judith Butler called their “visual frame, coercive and consensually established,” allowing it to transpire from the picture itself, as well as to confront or to sidetrack the issues of rhetoric and address. The essay tries to see what the two works, in spite of their abstract and decontextualized character, can tell about
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Dissertations / Theses on the topic "Ristelhueber"

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Voltz, Etienne. "La vie et l'œuvre psychiatrique de Joseph Ristelhueber (1785-1865) en Alsace." Université Louis Pasteur (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR1M164.

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Ketchum, James Alan. "Journey to the surface of the earth the geoaesthetic trace and the production of alternative geographical knowledge (Sophie Ristelhueber, Laura Kurgan) /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2005. http://wwwlib.umi.com/cr/syr/main.

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Polledri, Claudia. "Photographier la ville, penser l'histoire : Beyrouth dans la représentation photographique artistique contemporaine." Thèse, 2015. http://hdl.handle.net/1866/12330.

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Cette étude s’organise autour d’une articulation : celle entre un médium (la photographie), une ville (Beyrouth), et les événements qui ont marqué son passé récent. Le thème des rapports entre la photographie et l’histoire, avec la pluralité de sens qui le décrit, vient, en arrière-fond de ces questions, délimiter l’horizon de cette étude ; le lien entre voir et savoir, antiquement aux sources de la connaissance historique (Hartog, Loraux), en représente la ligne de fuite. En premier plan, la relation photographique et historienne à l’événement constitue l’objet de cette recherche dont le prop
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Books on the topic "Ristelhueber"

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Latour, Bruno. Operations: Sophie Ristelhueber. Thames & Hudson, 2009.

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Ristelhueber, Sophie. New room of contemporary art: Sophie Ristelhueber, Fait. The Buffalo Fine Arts Academy, 1998.

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3

Parc naturel régional du Pilat (France). Paysages: George Trakas, Patrick Corillon, Lois et Franziska Weinberger, Gilles Clément, Simona Denicolai et Ivo Provoost, Akio Suzuki, Jean-Daniel Berclaz, Sophie Ristelhueber, Bethan Huws. J.-P. Huguet, 2008.

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Bradbury, Leonie. For the record: Searching for objectivity in global conflict : Fiona Banner, Nina Berman, Matthew Ernst, Harun Farocki, Benjamin Lowy, Steve Mumford, James O'Neill, Gerhard Richter, Sophie Ristelhueber, Rob Roy : August 22-October 22, 2011. Montserrat College of Art Gallery, 2011.

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Rodin, Musée, ed. L'invention de l'oeuvre: Rodin & les ambassadeurs : Pablo Picasso, Jean Arp, Marcel Duchamp, Joan Miro, Jean Fautrier, Lucio Fontana, Jean Dubuffet, Alberto Giacometti, Willem De Kooning, Joseph Beuys, Marcel Broodthaers, Eduardo Paolozzi, Anthony Caro, Cy Twombly, Eric Cameron, Richard Serra, Bruce Nauman, Haim Steinbach, Sophie Ristelhueber, Ugo Rondinone, Douglas Gordon, Urs Fischer. Actes sud, 2011.

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Sophie Ristelhueber. Hazan, 1998.

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7

Sophie Ristelhueber. Phaidon, 2002.

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Sophie Ristelhueber: Details of the World. MFA Publications, 2001.

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9

Ristelhueber and Sophie; Marc Mayer. Sophie Ristelhueber, Fait: Books On Books No. 3. Errata Editions, New York, 2009.

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10

Fait Koweit 1991. Errata Editions, 2009.

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Book chapters on the topic "Ristelhueber"

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"Sophie Ristelhueber:." In War without Bodies. Rutgers University Press, 2022. http://dx.doi.org/10.2307/j.ctv2v55jjq.8.

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"Chapter 5 Sophie Ristelhueber: landscape as body." In War without Bodies. Rutgers University Press, 2022. http://dx.doi.org/10.36019/9781978819238-006.

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