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Journal articles on the topic 'Rituality'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 June 2025

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Cipriani, Roberto. "Sport as (Spi)rituality." Implicit Religion 15, no. 2 (2012): 139–51. http://dx.doi.org/10.1558/imre.v15i2.139.

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This article deals with the relationship between sport and (spi)rituality from an anthropological and sociological point of view. There are several convergences but also many differences between the two spheres. However, the affinities appear to be more numerous and meaningful than the divergences. In particular the presence of prayer during sporting events is stressed to foreground the notion of games as a metaphor of life. Another significant role is played by symbols whose religious content is evident. The author refers, particularly, to the significance of the contribution made by Turner’s approach to the transition from rite to spectacle (or theatre).

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Larionova, M. V., and A. D. Fokina. "Rituality as a typological characteristic of legal discourse: semiotic dimension." Key Issues of Contemporary Linguistics, no. 1 (May 13, 2025): 51–66. https://doi.org/10.18384/2949-5075-2025-1-51-66.

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Aim. To analyse rituality as a typological feature of legal discourse, to reveal its relationship with institutionality and performativity; to establish the pragmacognitive functionality of verbal, non-verbal and paraverbal components regulated by the parameters of legal discourse and to evaluate their performative effect.Methodology. The methods of discursive, contextual, interpretive, cognitive and structural-semantic analysis are used, which ensure the systematic study of the semiotic characteristics of legal discourse. The integral methodological approach, based on semiotics, cognitive science and discourse theory, ensures the correctness of the study of verbal, non-verbal, iconic and artifactual components of legal discourse, providing rituality as its typological characteristic.Results. The concept of rituality as a key feature of legal discourse in its interconnection with other discursive features is formulated; discourse components that ensure the rituality of legal discourse are established, as well as their role in ensuring the efficiency of communication in the professional legal environment.Research implications. The study analyses the rituality of legal discourse from the point of view of semiotics – a promising direction of discourse linguistics, which allows expanding the understanding of the speech act by taking into account the influence of verbal and non-verbal sign codes, as well as other extra-linguistic factors on the communication process. From the point of view of pragmacognitive science, the functional effect of such discourse components as Latin phrases and clichéd formulas, symbolic objects and artifacts used during court hearings, and iconic symbols evaluated by the court as evidence has been established.

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Götrick, Kacke. "Rituality and Liminality in Soyinka’s Plays." Anglophonia/Caliban 7, no. 1 (2000): 147–56. http://dx.doi.org/10.3406/calib.2000.1399.

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Troshkina, Olena, and Liliia Hnatiuk. "RITUALITY AND THEATRICALIZATION OF ARCHITECTURAL ACTIVITY." Theory and practice of design, no. 26 (2022): 97–107. http://dx.doi.org/10.32782/2415-8151.2022.26.12.

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Sepsi, Enikő. "Poetic Rituality in Contemporary Hungarian Theatre : An Overview." Theatron 16, no. 4 (2022): 107–17. http://dx.doi.org/10.55502/the.2022.4.107.

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In order to describe the different connections between the poetic text and the ritual executed on stage, in addition to the remarks and insights of the well-known authors (Richard Schechner, Erika Fischer-Lichte), the present study uses the relevant points of the Bielefeld-based researchers, Wolfgang Braungart and Saskia Fischer, who have both worked on formulating the concept of poetic rituality. The concept of poetic rituality refined in my previous works[labjegyzet] Enikő Sepsi, Poetic images, Presence and the Theatre of Kenotic Rituals (London – New York: Routledge, 2021); Johanna Domokos – Enikő Sepsi, eds., Poetic Rituality in Theatre and Literature (Budapest – Paris: L’Harmattan – Károli Gáspár Református Egyetem, 2020).[/labjegyzet] is a useful guide because it makes contemporary performances accessible. Among the Hungarian writers, poets, and directors we highlight some works of Attila Jász, Sándor Halmosi, János Pilinszky, Ottó Tolnai, János Térey, András Visky, and Attila Vidnyánszky, stating that the number of chapters on the history of Hungarian theatre dealing with the interaction of theatre and poetry is meager in the Hungarian reception.

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Salomon, Brownell. "The Myth Structure and Rituality of 'Henry V'." Yearbook of English Studies 23 (1993): 254. http://dx.doi.org/10.2307/3507983.

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Fikfak, Jurij. "Perspectives on Rituality and Ritual Practices in Slovenia." Traditiones 37, no. 2 (2009): 45–59. http://dx.doi.org/10.3986/traditio2008370203.

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Howe, Jovan E. "A Guide to old Ritualism." Het Christelijk Oosten 50, no. 3-4 (1998): 229–41. http://dx.doi.org/10.1163/29497663-0500304004.

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A Guide to Old Ritualism Old Ritualism was distinguished by much more than adherents to rituals abandoned by the State-controlled Church. It expressed the world-view of a sizeable segment of the population, primarily among the peasantry, who rejected the secularization of society euphemistically called ‘westernization’. The imposition by Tsar Aleksej Michajlovič of forms of worship introduced into the Kiev Patriarchy under Polish rule, using ‘corrected’ texts printed by the Jesuits, was interpreted as a sign that the “spiritual Antichrist” had entered into the tsarist State and Church. The savage persecution of defenders of the Ancient Grace confirmed this view. In the reign of Peter I (the Great) the assault on traditional culture and beliefs became general, affecting all sectors of the population. Part of the Old Ritualists responded by declaring Peter “Antichrist in the flesh”. Under persecution the Old Ritualist movement gave birth to several tendencies that differ in their attitude towards the State and its Church. Old Ritualism has survived centuries of repression and secularization, and today Old Ritualist communities are found on every continent except Africa.

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Peterson, Abby, Mattias Wahlström, Magnus Wennerhag, Camilo Christancho, and José-Manuel Sabucedo. "May Day Demonstrations in Five European Countries." Mobilization: An International Quarterly 17, no. 3 (2012): 281–300. http://dx.doi.org/10.17813/maiq.17.3.u11178371006u588.

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In this article, we argue that there is an element of rituality in all political demonstrations. This rituality can be either primarily oriented toward the past and designed to consolidate the configuration of political power—hence official—or oriented towards the future and focused on challenging existing power structures—hence oppositional. We apply this conceptual framework in a comparison of May Day demonstrations in Belgium, Switzerland, Spain, Sweden, and the United Kingdom in 2010. The demonstrations display significant differences in terms of officiality and oppositionality. Our study provides strong evidence that these differences cannot be explained solely—if at all—by stable elements of the national political opportunity structures. Instead, differences in degrees of oppositionality and officiality among May Day demonstrations should be primarily understood in terms of cultural traditions in combination with volatile factors such as the political orientation of the incumbent government and the level of grievances.

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Celiński, Łukasz. "L'incenso nella liturgia. Appunti per una lettura ermeneutica della ritualità cristiana." Teologiczne Studia Siedleckie XVIII (2021) 18, no. 2021 (2022): 47–59. https://doi.org/10.5281/zenodo.5871419.

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<strong>Incense in the Liturgy. Notes for a hermeneutic reading of the Christian rituality</strong> One of the fundamental principles of the liturgical reform promoted by the Second Vatican Council was that of the active participation of the faithful in the celebration. According to the liturgical constitution <em>Sacrosanctum Concilium</em>, this participation takes place through the rites and prayers (cf. SC 48). This reminds us that ritual action makes use of a double type of language: both the verbal and the non-verbal one. The study of the liturgy, therefore, cannot be reduced to research only on the texts used in the celebration, but must also include the study of the rites. The present contribution, without any pretension of being exhaustive, intends to offer some hints for a hermeneutic reading of Christian rituality, on the basis of the concrete example of the use of incense in the liturgy.

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Eades, Jerry, and Brian McVeigh. "The Nature of the Japanese State: Rationality and Rituality." Journal of the Royal Anthropological Institute 5, no. 4 (1999): 664. http://dx.doi.org/10.2307/2661192.

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Nieto, Raúl. "Videoculture, Secular Rituality, and Popular Practices in Mexico City." Television & New Media 4, no. 1 (2003): 55–69. http://dx.doi.org/10.1177/1527476402239433.

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Herus, Liudmyla. "Bread and cloth in ukrainian rituality: functions and semantics." Ethnology Notebooks 143, no. 5 (2018): 1096–105. http://dx.doi.org/10.15407/nz2018.05.1096.

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Ferraz, Esperança Madalena Luieca. "NIKETCHE: THE FICTIONAL IN THE REPRESENTATION OF RITUALITY SCENARIOS." Arts, Linguistics, Literature and Language Research Journal 2, no. 7 (2022): 2–13. http://dx.doi.org/10.22533/at.ed.929272226104.

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TRACHUK, Kateryna. "THE CONCEPT OF “WEALTH” IN THE UKRAINIAN WEDDING RITUALITY." Humanities science current issues 3, no. 59 (2023): 134–39. http://dx.doi.org/10.24919/2308-4863/59-3-20.

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Kiselyova, Liudmyla. "Verbal Magic by Vasyl Herasymiuk." NaUKMA Research Papers. Literary Studies, no. 4-5 (March 17, 2025): 91–104. https://doi.org/10.18523/2618-0537.2024.4-5.91-104.

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The article is an attempt to research different means of verbal magic in poetry focusing on the theoretical and applied aspects of the subject. The author outlines the phenomenon of verbal magic.Based on the analysis of Vasyl Herasymiuks`s poetical texts the elements of magic rituals are delineated and traced by the author. Attention is paid to pointing out general structures of the ritual in the Herasymiuk`s works. The functions of “magical assistants” of the ritual are observed according to their symbolic and mythological senses. It was defined that the poet`s own books also play a role of “magical assistants”.Rituality and magical intentions of the text are accounted for the myth of the Poet which is the main component of Vasyl Herasymiuk`s poetic universe. The genesis of this myth is established; the connection with the “Hutsul text” in its cultural and metaphysical dimensions is also noted. Different means of ritualization in Herasymiuk`s works are related to the Carpathian magic folklore tradition; therefore direct or hidden quotations from Carpathian magic folklore and ancient rituals are organically intertwined in his text.Magical intentions might be supposed as the dominant characteristic of Herasymiuk`s poetry. The mystic, apocalyptic and prophetic elements of his entire works are interwoven with national and cultural themes; rituality is one of the tools to connect different levels of the text. Authenticity, aesthetic, structural and axiological integrity of Herasymiuk’s work are the foundation of verbal magic by the poet.Herasymiuk’s works may be said to embody in microcosm aspects of culture and society which continue to fascinate and frustrate: high culture turns to the popular, sacred to the profane. That’s why rituality has become the main tendency of Herasymiuk’s poetry: verbal magic has to renew and to defend the native cultural space, moreover – the space of human being.

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Rošker, Jana S. "Geir Sigurđsson: Confucian Propriety and Ritual Learning." Asian Studies 7, no. 2 (2019): 303–6. http://dx.doi.org/10.4312/as.2019.7.2.303-306.

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Even though the book was published more than three years ago, it is still quite topical and unsurpassed. The Outstanding Book Award, which was presented to it last year by the Society of Professors of Education, was therefore well deserved and not surprising. In this work, Geir Sigurđsson reconstructs the meaning, the role and the manifold significance of the Confucian rituality by considering the spatial and temporal context of the present situation. This does not only mean that he wants to elaborate upon the question of what can Confucian rituality “still” offer to the present humankind, and to select those elements of this rich classical tradition that could prove themselves to be most “useful” and “worthwhile” for such endeavors. It rather means that the author aims to offer the readers his own, often quite topical philosophical insights created upon the inspirational foundations of classical Confucian texts. In this context, he proposes a reconsideration of the notion Li, which belongs to the most controversial concepts in the Confucian thought.

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Jongim Kang. "The Rituality and The Occult of Letter in Han-Yu's." Journal of Chinese Language and Literature ll, no. 61 (2012): 293–315. http://dx.doi.org/10.15792/clsyn..61.201212.293.

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Pekkanen, Anna, Elina Närvänen, and Pekka Tuominen. "Elements of rituality in consumer tribes: The case of crossfit." Journal of Customer Behaviour 16, no. 4 (2017): 353–70. http://dx.doi.org/10.1362/147539217x15144729108144.

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Kilar, Anastasiya. "MEMORIAL MOTIFS IN THE CALENDAR RITUALITY OF POKUTTIA`S UKRAINIANS." Ethnology Notebooks 133, no. 1 (2017): 233–45. http://dx.doi.org/10.15407/nz2017.01.233.

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Soto Dávila, Omar Fabricio. "Streaming, rituality and domesticity in the staging of narco-aesthetics." Medwave 23, S1 (2023): eUTA290. http://dx.doi.org/10.5867/medwave.2023.s1.uta290.

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Introducción Las nuevas audiencias se movilizan entre el rol de consumidor y productor de contenidos en un escenario real-virtual en correspondencia al auge de plataformas digitales, redes sociales y todo el entramado de la industria del entretenimiento que ha permitido la incursión del internet en la vida cotidiana. El formato de streaming permite a los usuarios de las plataformas que producen y reproducen contenido audiovisual vivir la experiencia de la ritualidad en el espacio de la domesticidad. El objetivo de este artículo es analizar el contenido de las series y docu-series del catálogo de Netflix que narran las historias de la narcocultura, poniendo atención a la estética en la producción de personajes, recursos narrativos, formatos, etc. Además, de revisar la categorización de los contenidos para el consumo de las producciones del mundo narco. Objetivos El objetivo de este artículo es analizar el contenido de las series y docu-series del catálogo de Netflix que narran las historias de la narcocultura, poniendo atención a la estética en la producción de personajes, recursos narrativos, formatos, etc. Además, de revisar la categorización de los contenidos para el consumo de las producciones del mundo narco. Método En esta investigación se aplicó el análisis de contenido con enfoque cuantitativo y descriptivo a 42 unidades que corresponden a series y docu-series cuya temática gira en torno a la narcocultura que Netflix recomienda a los usuarios que al momento de configurar su perfil en la plataforma de streaming escogen opciones para mirar bajo los tags: narcos, drogas o narcocultura. Principales resultados La representación masculina de los protagonistas se evidencia en la mayoría de los casos ligada a discursos de heroísmo, sentido de pertenencia y poder. De su parte las mujeres son representadas de origen humilde y motivadas por mejorar su calidad de vida a costa de mantener o sobrevivir a una relación amorosa con el narco. Sobre la clasificación por edades, Netflix abre la posibilidad de que el contenido sexual, de lenguaje obsceno y violencia sea consumido por todo público. Tan solo el 2% de las producciones alertan que es para mayores de 18 años. Conclusiones Los estereotipos presentes en las narco producciones escenifican la cultura machista, mediante un lenguaje agresivo, y la discursividad del poder. En estas producciones se usan narrativas distintas a las tradicionalmente usadas en las narcotelenovelas, tradicionalmente pensadas en un púbico femenino. Netflix usa el término de narco serie, en lugar de narcotelenovela, ya que las historias están dirigidas a un público masculino. Por otro lado, el entretenimiento por streaming, surge como un artefacto ritual para neutralizar la dispersión familiar, garantizar la inclusión y disminuir la incertidumbre.

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Soto Dávila, Omar Fabricio, and Jenny De Los Ángeles Proaño Zurita. "Streaming, rituality and domesticity in the staging of narco-aesthetics." Medwave 23, S1 (2023): eUTA174. http://dx.doi.org/10.5867/medwave.2023.s1.uta174.

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Introducción Las nuevas audiencias se movilizan entre el rol de consumidor y productor de contenidos en un escenario real-virtual en correspondencia al auge de plataformas digitales, redes sociales y todo el entramado de la industria del entretenimiento que ha permitido la incursión del internet en la vida cotidiana. El formato de streaming permite a los usuarios de las plataformas que producen y reproducen contenido audiovisual vivir la experiencia de la ritualidad en el espacio de la domesticidad.El objetivo de este artículo es analizar el contenido de las series y docu-series del catálogo de Netflix que narran las historias de la narcocultura, poniendo atención a la estética en la producción de personajes, recursos narrativos, formatos, etc. Además, de revi sar la categorización de los contenidos para el consumo de las producciones del mundo narco. Objetivos El objetivo de este artículo es analizar el contenido de las series y docu-series del catálogo de Netflix que narran las historias de la narcocultura, poniendo atención a la estética en la producción de personajes, recursos narrativos, formatos, etc. Además, de revisar la categorización de los contenidos para el consumo de las producciones del mundo narco. Método En esta investigación se aplicó el análisis de contenido con enfoque cuantitativo y descriptivo a 42 unidades que corresponden a series y docu-series cuya temática gira en torno a la narcocultura que Netflix recomienda a los usuarios que al momento de configurar su perfil en la plataforma de streaming escogen opciones para mirar bajo los tags: narcos, drogas o nacocultura. Principales resultados La representación masculina de los protagonistas se evidencia en la mayoría de los casos ligada a discursos de heroísmo, sentido de pertenencia y poder. De su parte las mujeres son representadas de origen humilde y motivadas por mejorar su calidad de vida a costa de mantener o sobrevivir a una relación amorosa con el narco. Sobre la clasificación por edades, Netflix abre la posibilidad de que el contenido sexual, de lenguaje obsceno y violencia sea consumido por todo público. Tan solo el 2% de las producciones alertan que es para mayores de 18 años. Conclusiones Los estereotipos presentes en las narco producciones escenifican la cultura machista, mediante un lenguaje agresivo, y la discursividad del poder. En estas producciones se usan narrativas distintas a las tradicionalmente usadas en las narcotelenovelas, tradicionalmente pensadas en un púbico femenino. Netflix usa el término de narco serie, en lugar de narcotelenovela, ya que las historias están dirigidas a un público masculino. Por otro lado, el entretenimiento por streaming, surge como un artefacto ritual para neutralizar la dispersión familiar, garantizar la inclusión y disminuir la incertidumbre.

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Petrova, Anna, Reinhold Schmitt, and Oleg Stulberg. "Participative Rituality: Multimodal Research on Religious Communication in the Church Interior." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (November 2018): 210–22. http://dx.doi.org/10.15688/jvolsu2.2018.3.23.

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Serebriakova, Olena. "«NYNI MELANI, ZAVTRA VASYLI» (A FRAGMENT OF POKUTTIA WINTER CALENDAR RITUALITY)." Ethnology Notebooks 134, no. 2 (2017): 355–67. http://dx.doi.org/10.15407/nz2017.02.355.

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Girardi Júnior, Liráucio. "De mediações em mediações: a questão da tecnicidade em Martín-Barbero." MATRIZes 12, no. 1 (2018): 155. http://dx.doi.org/10.11606/issn.1982-8160.v12i1p155-172.

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In this article, we will analyze the epistemological turn proposed by Martín-Barbero when he shifted his attention from the cultural mediations of the communication to the communicative mediations of the culture. The main focus of the analysis will be on the importance that the notion of technicality – alongside institutionality, sociality, and rituality – had in this epistemological turn. His notion of technicality will be put in the discussion here by some studies on new media and materiality of communication.

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Roesner, Martina. "Reason, Rhythm, and Rituality. Reinterpreting Religious Cult from a Postmodern, Phenomenological Perspective." Religions 6, no. 3 (2015): 819–38. http://dx.doi.org/10.3390/rel6030819.

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Scherer, Elisabeth. "An everyday glimpse of the nation: NHK’s morning drama (asadora) and rituality." East Asian Journal of Popular Culture 5, no. 2 (2019): 111–26. http://dx.doi.org/10.1386/eapc_00003_1.

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NHK’s morning drama (asadora) has been an important institution on Japanese television since the 1960s and is also known as ‘national drama’. This article discusses this media format in the context of rituals and nationhood: watching asadora has become an everyday ritual that can convey a sense of national unity, and the series functions as a ‘media ritual’ that naturalizes the concept of the Japanese nation, thereby also strengthening the symbolic power of the public broadcaster NHK. As the example of Hiyokko (2017) shows, the producers of this series evoke collective memory and nostalgia by depicting everyday culture and large, nationally charged events such as the 1964 Olympic Games. Reflecting on asadora can shed light on the political and ideological dimensions of seemingly ‘banal’ media products as well as provide more general insights into the development of television in times of social media and the disappearance of the ‘national’ TV audience.

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Serebriakova, Olena. "RITUAL USE OF WATER IN CHRISTMAS AND EPIPHANY RITUALITY OF POKUTTIA DWELLERS." Ethnology Notebooks 141, no. 3 (2018): 577–85. http://dx.doi.org/10.15407/nz2018.03.577.

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Akrim, Akrim, and Umiarso Umiarso. "Charismatic Leadership and Silah Rituality in The Educational Culture of Boarding Schools." Al-Tanzim: Jurnal Manajemen Pendidikan Islam 7, no. 2 (2023): 594–609. http://dx.doi.org/10.33650/al-tanzim.v7i2.5562.

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This research focuses on how to become a ritual in the communication process. This research is qualitative research with a phenomenological approach. The research participants comprised seven people: Kiai, ustadz and santri. Collecting research data using interviews and documentation and analysing with data reduction procedures, presentation and interpretation of data. The orientation should detail the role of rituality in charismatic leadership to build cultural commitment to education. After studying in-depth, it can be concluded that the company's charismatic leadership transforms spirituality in developing solidarity actions, work and religious commitment to Islamic boarding schools education. This research can be a reference for further research, focusing on studying Islamic boarding schools in Indonesia, especially on charismatic leadership patterns.

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Schmitt, Reinhold, and Anna Petrova. "„Demonstrative“ und „partizipative“ Ritualität: Totensonntagserinnern in einem deutschen und einem russischen Gottesdienst." Kulturwissenschaftliche Zeitschrift 2, no. 1 (2017): 38–75. http://dx.doi.org/10.2478/kwg-2017-0003.

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Abstract This article explores how close one can come to a cultural-scientific perspective on the basis of a constitution-analytical methodology. We do this on the basis of a comparison of the celebration of Totensonntag in Zotzenbach (Southern Hesse) and Sarepta (Wolgograd). In both places, there are protestant churches that perform this ritual to commemorate the dead on this “Sunday of the Dead” as a part of their church service. Our scientific interest lies in the reconstruction of the rituality produced during the in situ execution. In both services, the names of the deceased are read out and a candle is lit for each deceased person. In Zotzenbach the priest reads out the names and an assistant ignites the candles for the deceased, whereas in Sarepta the bereaved are responsible for this. Since the ritual is organised in very different ways in terms of architecture-for-interaction (statically in Zotzenbach, spatially dynamic in Sarepta), we can reconstruct two completely different models of rituality: a demonstrative one (Zotzenbach) and a participative one (Sarepta). The demonstrative model works on the basis of a finely tuned coordination between the two church representatives and is aimed at a dignified execution. The model in Sarepta is not suitable for the production of formality due to its participatory structure. Here, however, the focus is also on the aspect of socialization, which goes beyond the church service and offers the Russian-German worshipers the opportunity to situationally constitute as a culturally homogeneous group.

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Hasriani, Andi. "BISSU RITUALITY ON BUGIS COMMUNITY IN SUB DISTRICT SEGERI PANGKEP REGENCY SOUTH SULAWESI." Journal on Leadership and Policy 3, Number 2 (2018): 23–32. http://dx.doi.org/10.32890/jlp2018.3.2.3.

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Bissu is a cultural trace of the pre-Islamic Bugis tribe that still survive until now, who served as guard of arajang heirlooms. Bissu is not a transvestite or a calabai, but a person who is immune to sharp weapons, who are also able to communicate with the Gods by using the to rilangi language. This research is focused on the ritual event performed by bissu which is mappalili and maggiri dance which still exist although faced with various challenges such as the influence of Islamic teachings, the dynamics of the life of a growing society, and the change of ceremonial status is done become a custom or just as a cultural staging that is expected to attract tourists to come to see the ritual event. The method used in this research is qualitative method which starts with observation, location determination, sample determination, interview, data processing and writing of research result. Result of research about bissu ritual in Segeri regency of Pangkep, illustrates that the local government still support the existence of bissu as a leader in the mappalili ritual performed every year before the rice fields that end with maggiri dance ritual as the peak event is still expected to exist as a preserver of regional culture as well as the culture of the archipelago.

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김인옥. "The Rituality in Hwang Dong-gyu's Poetery - Focusing on the Serial Poem「Pungjang」-." 한국문예비평연구 ll, no. 47 (2015): 5–26. http://dx.doi.org/10.35832/kmlc..47.201508.5.

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Trachuk, K. V. "THE CONCEPT OF «WEALTH» IN THE WINTER CYCLE OF THE UKRAINIAN CALENDAR RITUALITY." Тrаnscarpathian Philological Studies 2, no. 26 (2022): 302–7. http://dx.doi.org/10.32782/tps2663-4880/2022.26.2.57.

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Winkelman, Michael James. "Chinese Wu, Ritualists and Shamans: An Ethnological Analysis." Religions 14, no. 7 (2023): 852. http://dx.doi.org/10.3390/rel14070852.

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The relationship of wu (巫) to shamanism is problematic, with virtually all mentions of historical and contemporary Chinese wu ritualists translated into English as shaman. Ethnological research is presented to illustrate cross-cultural patterns of shamans and other ritualists, providing an etic framework for empirical assessments of resemblances of Chinese ritualists to shamans. This etic framework is further validated with assessments of the relationship of the features with biogenetic bases of ritual, altered states of consciousness, innate intelligences and endogenous healing processes. Key characteristics of the various types of wu and other Chinese ritualists are reviewed and compared with ethnological models of the patterns of ritualists found cross-culturally to illustrate their similarities and contrasts. These comparisons illustrate the resemblances of pre-historic and commoner wu to shamans but additionally illustrate the resemblances of most types of wu to other ritualist types, not shamans. Across Chinese history, wu underwent transformative changes into different types of ritualists, including priests, healers, mediums and sorcerers/witches. A review of contemporary reports on alleged shamans in China also illustrates that only some correspond to the characteristics of shamans found in cross-cultural research and foraging societies. The similarities of most types of wu ritualists to other types of ritualists found cross-culturally illustrate the greater accuracy of translating wu as “ritualist” or “religious ritualist.”

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Alejo Armijo, María, Luis María Gutiérrez Sole, Antonio Jesús Ortiz Villarejo, José Antonio Alejo Sáez, and José Antonio Riquelme Cantal. "Ritualidad en el área de servicio de la cueva santuario del oppidum de Giribaile." SPAL. Revista de Prehistoria y Arqueología de la Universidad de Sevilla 2, no. 30 (2021): 74–102. http://dx.doi.org/10.12795/spal.2021.i30.18.

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En el año 2014 se realizó la primera y, hasta el momento, única campaña de excavación en un centro de culto menor asociado a una ciudad en el territorio político de Cástulo. Su diseño sigue el esquema tradicional de cueva santuario abierta hacia el valle. La intervención en la primera terraza ha permitido documentar varios hogares, una plataforma de adobe, un asador votivo y un registro cerámico coherentes con una práctica ritual vinculada a la comensalidad. La progresiva transformación arquitectónica del área de servicio hacia una terraza abierta podría enmarcarse como parte del proceso de implantación de un sistema ciudadano. Estas novedades referidas a un santuario suburbano completan el significado de los grandes referentes territoriales de las cuevas de Collado de los Jardines y de Castellar.

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Orfila Pons, Margarita, Esther Chávez-Álvarez, and Elena H. Sánchez López. "Urbanizar en época romana: ritualidad y practicidad. Propuesta de un procedimiento homologado de ejecución." SPAL. Revista de Prehistoria y Arqueología de la Universidad de Sevilla, no. 26 (2017): 113–34. http://dx.doi.org/10.12795/spal.2017i26.05.

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Bogomazova, Viktoriya. "Rituality as a Way of Actualizing the Category of Otherness Within the Judicial Discourse." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (September 29, 2014): 100–104. http://dx.doi.org/10.15688/jvolsu2.2014.3.12.

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Goodwin, Joshua M., Kenneth E. Sassaman, Meggan E. Blessing, and David W. Steadman. "Birds of Summer Solstice: World-Renewal Rituality on the Northern Gulf Coast of Florida." Cambridge Archaeological Journal 30, no. 2 (2019): 275–93. http://dx.doi.org/10.1017/s0959774319000611.

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Prevalent as bird imagery is in the ritual traditions of eastern North America, the bony remains of birds are relatively sparse in archaeological deposits and when present are typically viewed as subsistence remains. A first-millennium ad civic-ceremonial centre on the northern Gulf Coast of Florida contains large pits with bird bones amid abundant fish bone and other taxa. The avian remains are dominated by elements of juvenile white ibises, birds that were taken from offshore rookeries at the time of summer solstices. The pits into which they were deposited were emplaced on a relict dune with solstice orientations. The timing and siting of solstice feasts at this particular centre invites discussion of world-renewal rituality and the significance of birds in not only the timing of these events but also possibly as agents of balance and rejuvenation.

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Boichuk, Chrystyna. "THE WEDDING RITUALITY OF HORODENKA DISTRICT (ON THE BASE OF 2016’S EXPEDITION DATA’S)." Ethnology Notebooks 133, no. 1 (2017): 154–59. http://dx.doi.org/10.15407/nz2017.01.154.

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Bagnato, Vincenzo Paolo. "Design and Public Space The University Campus' Open Spaces Between Rituality and Non-normativity." Design and non-Normativity. In the Era of Paradigm Shifts, no. 22 (January 1, 2021): 62–67. http://dx.doi.org/10.37199/f40002207.

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The university campuses, in relationship with the sustainable development goals and with the contemporary criteria of urban quality in the public spaces, are nowadays configured as real grounds of experimentation for the design activities and for the strategies of urban regeneration: inclusion, security, sustainable growth and quality of services pass through the radical reinterpretation of the public spaces’ potentialities with reference to the deep changes in the access system to services and information for extremely different levels of users, more and more open source and based on sharing platforms. In this mark, and in a condition in which the necessity to define non-normative strategies for the social use of the spaces becomes stronger and stronger, the question arise as to how could the industrial design discipline and the new digital technologies give a contribution to enrich and strengthen these new forms of “social connection” between people and between users and places. The article aims to investigate the strategies through which new information and communication devices can improve the physical and social quality of the public spaces in the university campuses. Starting from the analysis of the relationship between people, space and new technologies, making reference to some specific study cases, the paper presents some design experimentations which constitute examples applicable also in the urban context, as far as the campus’ public spaces are seen as a common ground for the investigation of a new idea of city, more open, collaborative, accessible and based on a non-normative citizens’ participation.

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Bethke, Andrew-John. "Examples of Anglican Ritualism in Victorian South Africa: Towards an Understanding of Local Developments and Practice." Journal of Anglican Studies 18, no. 2 (2020): 162–79. http://dx.doi.org/10.1017/s1740355320000418.

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AbstractThis article examines South Africa’s contribution to the spread of Anglican ritualism in the mid-nineteenth century and seeks to add a South African voice to the growing contemporary scholarship in this area. It begins by examining the role of South Africa’s first Anglican bishop in fostering a climate conducive to ritualism. This is followed by an examination of some of the early developments which were considered ‘popish’ by colonist congregations. The second part of the study focuses on two examples of advanced ritualist parishes paying attention to ‘signs’ of medievalist revivals and the confident manner in which ritualism was discussed. The author finds that after an initial period of fairly robust antagonism towards ritualism by colonists, a general movement towards ritualist practices began to emerge. The sources consulted for this article include letters, newspaper and periodical articles, archival material and a couple of unpublished theses.

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Vybyvanets, Eleonora V. "The “Fandango” Ballet by L. Lubovitch in the Light of Mythos-Rituality: the Comprehension Experience." Observatory of Culture, no. 5 (October 28, 2015): 44–49. http://dx.doi.org/10.25281/2072-3156-2015-0-5-44-49.

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The article analyzes the dependence of the musical composition by M. Ravel’s ideological and imaginative interpretation on the contemporary context. For the first time ever, a substantial interpretation of the “Fandango” ballet is given in two different perspectives - theatrical-scenic and ritual. The author makes an attempt to reveal the complex of semantic meanings of musical, dance-plastic and scenographic texts of the ballet. As a result of intersection of the above mentioned semantic meanings, the whole artistic meaning comes to light.

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Öner, Bengi. "Preferences and Expectations of Innovator-Ritualist Types in Relation to Sex of University Students in a Turkish Sample." Psychological Reports 87, no. 1 (2000): 23–33. http://dx.doi.org/10.2466/pr0.2000.87.1.23.

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The aim of this study was whether there is a prevailing representation of Innovators versus Ritualists which differs in both expected frequency and preference of the types for the two sexes. 213 Turkish undergraduate students were given Ritualist and Innovator vignettes in a random order and asked to state the expected frequency of the vignettes if each described a male or female. In addition to this, they stated their preferences for each sex in vignettes. Analysis showed that women are expected more frequently to be Ritualist than men, and men are expected to be more frequently Innovators than women. Moreover, regardless of sex, people prefer Innovators to Ritualists, while they state that they expect to encounter Ritualists more frequently than Innovators in Turkish society. Research implications and suggestions for study are discussed.

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Müller, Julian. "Jenseits von Kontemplation und Aktion." Sociologia Internationalis 57, no. 1-2 (2019): 39–61. http://dx.doi.org/10.3790/sint.57.1-2.39.

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Dieser Beitrag will einige Spuren der sich immer deutlicher artikulierenden Skepsis gegenüber dem in den Geistes- und Sozialwissenschaften dominanten Sinn- und Poiesis-Paradigma nachzeichnen. Er nimmt seinen Ausgang bei der weitgehend in Vergessenheit geratenen Studie Zur Soziologie der katholischen Ideenwelt aus dem Jahr 1927. Darin formuliert Gustav Gundlach bereits früh sein Ungenügen an einem ausschließlich auf Zweckrationalität und Intellektualität setzenden Verständnis von Handlung und nimmt damit bereits manche gegenwärtige Kritik an soziologischen Handlungstheorien vorweg. Da Gundlach jedoch nicht der einzige Autor ist, der in seiner Kritik am aktivistisch-poietischen Handlungsverständnis dezidiert auf das Katholische rekurriert, will dieser Beitrag am Beispiel der Arbeiten von Bruno Latour, Michel de Certeau, Victor Turner und Mario Perniola nach möglichen konfessionellen Bedingungen bestimmter handlungstheoretischer Ansätze fragen, die eine Umstellung von Intellektualität, Reflexivität und Intentionalität stärker hin auf Praxis, Ritualität und Körperlichkeit betrieben haben. This paper will trace some tracks of a growing scepticism towards the still dominant paradigm of meaning and poiesis in humanities and social sciences. It starts with the largely forgotten study On the Sociology of Catholic Ideas of 1927, in which early on Gustav Gundlach expresses his dissatisfaction with concepts of action that overemphasize rationality and intellectuality and anticipates some current critique of sociological theories of action. As Gundlach is not the only author who is criticizing a volitive and actionistic understanding of action and is thereby referring to the catholic, this paper is asking for possible confessional preconditions of certain theories of action, in which a shift was made from intellectuality, reflexivity, and intentionality to practice, rituality, and corporeality. The works of Bruno Latour, Michel de Certeau, Victor Turner, and Mario Perniola will serve as examples.

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Rusydiana, Aam Slamet, and Salman Al Farisi. "Studi Literatur tentang Riset Zakat." AHKAM : Jurnal Ilmu Syariah 16, no. 2 (2016): 281–90. http://dx.doi.org/10.15408/ajis.v16i2.4458.

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Literature Study on Zakah Research. Zakah is not only as religious rituality but also could touch humanity aspect by empowering its potency to maximize public wealth. The research related to zakah is still lacking compare to Islamic banking research. This study review on research around zakah. The study use descriptive statistical analysis based on 100 journal publications related to zakah, both national and international journal. The entire sample journal publications have published last 5 years from 2011 to 2015. Results show that the zakah research is still dominated by the discussion of zakah institution (26%), followed by distribution of zakah(22%), zakah management (21%) and poverty (20%). The last theme is about zakah collection (11%). In addition, comparison of quantitative research and mixed methods are still far less than the qualitative approach.DOI: 10.15408/ajis.v16i2.4458

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Rodríguez Velasco, David, María Cecilia Ainciburu, and Xiaoxu Katia Liu. "‘You would not want to be the murderer of our dreams and options, right?’." International Review of Pragmatics 13, no. 2 (2021): 265–86. http://dx.doi.org/10.1163/18773109-01302007.

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Abstract Studies of how adult Chinese speakers express disagreement at work or in business have a well-established tradition; whereas, studies on young students and university lecturers are scarcer. In general, the description of relationships with authority figures has been characterised by evidence of greater distance and a greater rituality than equivalent Western uses. The objective of this work is to verify whether, in a mutated communicative situation, students express their opposition to lecturer via email using predominantly indirect and attenuated linguistic forms—as might be expected—or whether linguistics changes are evident. For this purpose, 149 university students wrote a letter to their language lecturer in which they express their disagreement with the grade received. The results of the analysis reveal that, contrary to what was predicted, acts of direct speech are prevalent.

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Bonanno, Mariano. "Syntax and Semantics of the Rite: An approach to the rituality of the Book of Amduat." أبجديات 15, no. 1 (2021): 43–55. http://dx.doi.org/10.1163/22138609-01501004.

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Carretero Pasin, Angel Enrique. "Metamorphosis of the Sacrificial Victimization Imaginary Profile within the Framework of Late Modern Societies." Religions 12, no. 1 (2021): 55. http://dx.doi.org/10.3390/rel12010055.

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This article aims to unravel the why and the how of the imaginary profile of the emerging sacrificial victim in late modern societies. To do this, first, under the influence of the formulations proposed by the French School of Sociology, the nature and the functionality of an anthropological structure linked to a rituality of sacrificial victimization surviving in the historical course of western societies are investigated. Based on this, it analyzes the characterization of the imaginary paradigm of sacrificial victimization crystallized in modernity in contrast to the dominant one in the Old Regime. Finally, the sociological keys that would account for the unique morphology of the imaginary of sacrificial victimization that emerged in late modern societies are explored in the context of the generalization of a climate of violence that transforms any individual into a potential victim of sacrifice.

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Shen, Xingchen, and Xinren Chen. "Doing Power Threatening Acts (PTAs) in ancient China." Journal of Historical Pragmatics 20, no. 1 (2019): 132–56. http://dx.doi.org/10.1075/jhp.17002.she.

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Abstract This study examines an unexplored type of speech act named jian, which took place uniquely in the context of ancient China. Taking it as a Power Threatening Act rather than a commonly studied Face Threatening Act, this study examined remonstrators’ strategic modulation of their jian, and the factors that might have influenced the choice of modulation strategies. The data come from Zizhi Tongjian. The major findings are as follows: first, the speech act of jian contained both ritualised and non-ritualised aspects; second, remonstrators would adopt different modulation strategies when performing jian, which can be generally divided into three modulation orientations of redress, aggravation, and a combination of redress and aggravation, with different degrees of rituality; third, the choices of modulation strategies reflected the game playing of the requirements of affiliational propriety and illocutionary effect within the jian act.

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Lonskaya, Svetlana. "Symbolization of Judicial Space as a Historical and Legal Phenomenon." Bulletin of Kemerovo State University. Series: Humanities and Social Sciences 2023, no. 3 (2023): 359–65. http://dx.doi.org/10.21603/2542-1840-2023-7-3-359-365.

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Symbolic judicial space is a historical and legal phenomenon. The spatial approach to social phenomena offers a phenomenological and communicative understanding of space as an object-subject interaction. The author described the origin and use of such terms as judicial space and space of justice in scientific circulation to compile a new definition of judicial space and its symbolization. Judicial space is multidimensional in its structure, which can be subdivided into physical, social, and mental judicial subspaces. Judicial activity has a high degree of symbolism and rituality, which can be supported by a number of historical and legal examples. The symbolization of judicial space is a historical and legal process that determines the course of historical memory. In this aspect, it is a subject of historical and legal science, e.g., legal source studies, legal iconography, legal semiotics, and narrative jurisprudence.

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